{"title":"MADI Interfaces","description":"\u003cp\u003eExplore our MADI audio interfaces, designed for professional environments that require the transmission of a high number of audio channels over long distances. The MADI (Multichannel Audio Digital Interface) protocol allows up to 64 digital audio channels to be carried over a single coaxial or fiber optic cable, making it the standard for high-level recording studios, broadcast, theaters, and large-scale live productions. In this category, you will find MADI interfaces with very high-quality AD\/DA conversion, advanced routing, and compatibility with major digital audio workstations. Choose your ideal MADI solution on Music Delivery.\u003c\/p\u003e","products":[{"product_id":"rme-madiface-xt-ii","title":"RME MADIface XT II","description":"\u003cdiv id=\"description\" class=\"uk-active\"\u003e\n\n\u003cp\u003e\u003cstrong\u003eRME's MADIface XT II\u003c\/strong\u003e is a \u003cstrong\u003e394-channel, 192 kHz USB 3.0\u003c\/strong\u003e audio interface, offering comprehensive connectivity and control options for studio and live work. Compared to the MADIface XT, the MADIface XT II offers updated digital and analog circuitry and improved performance in both analog and digital domains. The \u003cstrong\u003eMADIface XT\u003c\/strong\u003e was the world's first USB 3.0 audio interface and stood out for its high channel count, comprehensive connectivity, and compact design. With two mic\/line preamps (XLR\/TRS combo inputs), two balanced XLR line outputs, a stereo headphone output, various digital signal options (coaxial and optical MADI, MIDI\/AES, word clock), and an additional PCI Express connection, the \u003cstrong\u003eMADIface XT\u003c\/strong\u003e offered complete connectivity.\u003c\/p\u003e\n\n\u003ch2\u003eNew Analog Recordings\u003c\/h2\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eMADIface XT II\u003c\/strong\u003e maintains this winning formula and improves the signal values of the previous model. The new model offers a higher signal-to-noise ratio and lower THD in AD conversion. The maximum balanced XLR output level has increased from +15 dBu to +24 dBu. The stereo headphone output offers a level of +19 dBu and, with an impedance of 1 Ohm, greater power. All outputs also feature different switchable levels.\u003c\/p\u003e\n\n\u003ch2\u003eNew Digital Circuits\u003c\/h2\u003e\n\n\u003cp\u003eThe new digital board replaces the analog mini-DIN jack for remote control with an ARC USB port, allowing full control of the MADIface XT II with the optional \u003ca href=\"https:\/\/midiware.com\/prodotti\/1165-accessori-per-interfacce-audio\/1735-arc-usb-advanced-remote-control\" target=\"_blank\" rel=\"noreferrer noopener\"\u003eARC USB\u003c\/a\u003e. The MADIface XT II also includes Room EQ equalization, with nine parametric bands for surround configurations up to 20 mono channels.\u003c\/p\u003e\n\n\u003ch2\u003eFemtosecond Clock\u003c\/h2\u003e\n\n\u003cp\u003eWith the latest \u003ca href=\"https:\/\/rme-audio.de\/steadyclock-fs.html\" target=\"_blank\" rel=\"noreferrer noopener\"\u003eSteadyClock FS\u003c\/a\u003e, the MADIface XT II offers RME's latest synchronization and jitter reduction technology. Based on a femtosecond clock, SteadyClock FS reduces intrinsic jitter to a minimum and filters clock jitter starting from 1 Hz.\u003c\/p\u003e\n\n\u003ch2\u003eNew Hardware\u003c\/h2\u003e\n\n\u003cp\u003eThe new \u003cstrong\u003eMADIface XT II\u003c\/strong\u003e focuses on USB 3.0, as PCIExpress is no longer externally usable. Class Compliant mode has been improved, allowing simultaneous transmission of all 394 channels without drivers. Various formats and settings are available to optimize the use of Class Compliant mode.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993044181325,"sku":"RMEMAXII","price":2088.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/192629-large_default.jpg?v=1779912738"},{"product_id":"rme-dmc-842","title":"RME DMC-842 8-channel AES-42 interface and digital microphone controller","description":"\u003ch2\u003e8-channel AES-42 Interface and Digital Microphone Controller\u003c\/h2\u003e\n\u003cp\u003eThe DMC-842 is both an 8-channel AES42 interface and a digital microphone controller. The DMC-842 supports the AES42 standard, is remotely controllable via PC software via MIDI or MIDI over MADI, and integrates ADAT SMUX, AES\/EBU, MADI connections, and analog outputs. Also available as DMC-842 M version with MADI I 64 card.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eFully compatible with AES42\u003c\/li\u003e\n\n\u003cli\u003e8 XLR AES42 Inputs (AES3 compatible)\u003c\/li\u003e\n\n\u003cli\u003e8 balanced XLR line outputs\u003c\/li\u003e\n\n\u003cli\u003eSelectable 24-bit sample rate conversion per input\u003c\/li\u003e\n\n\u003cli\u003eSwitchable Digital Phantom Power per input\u003c\/li\u003e\n\n\u003cli\u003eSupports Mode 1 and Mode 2\u003c\/li\u003e\n\n\u003cli\u003e63dB Gain Range per channel, even in asynchronous Mode 1\u003c\/li\u003e\n\n\u003cli\u003e13-LED Level Meter per channel\u003c\/li\u003e\n\n\u003cli\u003eM\/S Encoding\/Decoding\u003c\/li\u003e\n\n\u003cli\u003e4x AES\/EBU OUT via D-sub, 8 channels @ 192 kHz\u003c\/li\u003e\n\n\u003cli\u003e2x ADAT Out, 8 Channels @ 96 kHz\u003c\/li\u003e\n\n\u003cli\u003eOptional MADI I\/O (I64 MADI Card) for serial cascading, digital\/analog return path\u003c\/li\u003e\n\n\u003cli\u003eMIDI I\/O\u003c\/li\u003e\n\n\u003cli\u003eWord clock I\/O\u003c\/li\u003e\n\n\u003cli\u003eFully remote controllable\u003c\/li\u003e\n\n\u003cli\u003eFuture-proof with flash updates\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eWidth: 483 mm\u003c\/li\u003e\n\n\u003cli\u003eHeight: 88 mm\u003c\/li\u003e\n\n\u003cli\u003eDepth: 200 mm\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846440269,"sku":"RMEDMC","price":3303.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78529-large_default.jpg?v=1779946119"},{"product_id":"rme-madiface-usb","title":"RME MADIFACE USB 64-Channel MADI Audio Interface","description":"\u003ch2\u003e64-Channel MADI Audio Interface\u003c\/h2\u003e\u003cp\u003eThe RME MADIFACE USB is a 64-channel MADI audio interface that can be used as a mixer, router, format converter, stream splitter, or signal repeater. It can be used for redundancy, automatic failover, and even to create ultra-low latency mixes between optical, coaxial, and USB 2.0 audio inputs.\u003cbr\u003eThe RME MADIFACE USB provides MADI I\/O over USB 2.0, supporting the format's full 64 channels for recording and playback on both Mac and Windows. Both inputs can be used for full redundancy operation. Optionally, both MADI I\/Os can be used simultaneously for full access to 128 input and output channels, mixed and routed by TotalMix. Even without a computer, it offers an extraordinary bidirectional format converter and active repeater functionality.\u003cbr\u003eIts robust, bus-powered design makes it as easy to use as it is reliable in operation. The RME MADIFACE USB is both MADI portability at its best, and a perfect desktop solution for connecting MADI equipment to any Mac and PC. A true gem in terms of flexibility, utility, and trouble-free operation, as expected from RME.\u003cbr\u003eThe RME MADIFACE USB offers several operating modes when used with a Mac or Windows computer: 64 Channel Mix, Redundancy mode, 128 Channel Mix, and a direct routing mode. The Disable TotalMix option completely disables TotalMix, the unit's flexible internal mixer and routing matrix. All input and output data goes directly to recording\/comes from playback, with no mixing or routing involved. In this mode, outputs mirror each other, carrying the same signal. In 64-Channel Mix mode, TotalMix shows 64 input, playback, and output channels. All settings in TotalMix use data from one MADI input port and send identical data to both MADI output ports. The currently active MADI input port can be configured in the Settings dialog. The AutoSelect option enables automatic input selection. By using both inputs simultaneously, AutoSelect puts the device into Seamless Redundancy mode. The RME MADIFACE USB will switch to the other input in real-time if the current one fails. In 128 Channel Mix mode, recording and playback are still limited to 64 channels, with the current input selected in the Settings dialog. But the other input is also available via TotalMix, and the output signal is not mirrored but separate, with TotalMix having 128 output channels. Applications like independent mix output, monitoring, and serial pass-through of the second source are just a few clicks away.\u003cbr\u003eSteadyClock and RME's well-known MADI compatibility ensure trouble-free operation with other devices. MIDI over MADI technology can be used to remotely control other MADI devices.\u003cbr\u003eThe RME MADIFACE USB comes with RME's exclusive software package for measuring, testing, and analyzing digital audio streams. On Mac OS X, it provides unique spectral analysis functions and features from hardware-calculated data to sophisticated multi-channel level meters. On Windows, an additional multi-track recorder and playback data visualization from audio software are also available.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eInputs\/Outputs: 2 MADI I\/O, optical and coaxial (BNC)\u003c\/li\u003e\n\u003cli\u003eMIDI Input and Output: Via virtual MIDI port\u003c\/li\u003e\n\u003cli\u003eClock Modes: Master (internal) and Slave (MADI input)\u003c\/li\u003e\n\u003cli\u003eSample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz, variable (Sync\/DDS)\u003c\/li\u003e\n\u003cli\u003eJitter: \u0026lt; 1 ns, internal and all inputs\u003c\/li\u003e\n\u003cli\u003eJitter Sensitivity: PLL works even at 100 ns jitter\u003c\/li\u003e\n\u003cli\u003eSeamless redundancy operation with both inputs\u003c\/li\u003e\n\u003cli\u003eTotalMix: 2048-channel mixer with 48-bit internal resolution\u003c\/li\u003e\n\u003cli\u003eTotalMix: Latency-free submixes and perfect ASIO direct monitoring\u003c\/li\u003e\n\u003cli\u003eInterface: USB 2.0, bus-powered\u003c\/li\u003e\n\u003cli\u003eComes with DIGICheck, RME's ultimate measurement, analysis, and testing tool\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993848537421,"sku":"RMEMAU","price":738.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/145621-large_default.jpg?v=1779946164"},{"product_id":"rme-dmc-842-m","title":"RME DMC-842 M 8-Channel AES-42 Interface with MADI I64 included","description":"\u003ch2\u003e8-channel AES-42 Interface and Digital Microphone Controller with MADI I64 interface included\u003c\/h2\u003e\u003cp\u003eThe DMC-842 is both an 8-channel AES42 interface and a digital microphone controller. The DMC-842 supports the AES42 standard, can be remotely controlled via PC software via MIDI or MIDI over MADI, and integrates ADAT SMUX, AES\/EBU, MADI connections, and analog outputs. MADI I64 card included.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFully AES42 compliant\u003c\/li\u003e\n\u003cli\u003e8 AES42 XLR Inputs (AES3 compatible)\u003c\/li\u003e\n\u003cli\u003e8 balanced XLR line outputs\u003c\/li\u003e\n\u003cli\u003eSelectable 24-bit sample rate conversion per input\u003c\/li\u003e\n\u003cli\u003eSwitchable Digital Phantom Power per input\u003c\/li\u003e\n\u003cli\u003eSupports Mode 1 and Mode 2\u003c\/li\u003e\n\u003cli\u003e63dB Gain Range per channel, even in asynchronous Mode 1\u003c\/li\u003e\n\u003cli\u003e13-LED level meter per channel\u003c\/li\u003e\n\u003cli\u003eM\/S Encoding\/Decoding\u003c\/li\u003e\n\u003cli\u003e4x AES\/EBU OUT via D-sub, 8 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003e2x ADAT Out, 8 Channels @ 96 kHz\u003c\/li\u003e\n\u003cli\u003eMADI I64 Card included for serial daisy-chaining, digital\/analog return path\u003c\/li\u003e\n\u003cli\u003eMIDI I\/O\u003c\/li\u003e\n\u003cli\u003eWord clock I\/O\u003c\/li\u003e\n\u003cli\u003eFully remote controllable\u003c\/li\u003e\n\u003cli\u003eFuture-proof with flash updates\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993849061709,"sku":"RMEDMM","price":4119.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78532-large_default.jpg?v=1779946175"},{"product_id":"rme-premium-line-madiface-pro","title":"RME MADIFace Pro MADI USB 2\/3 Audio Interface 68 In\/Out, 4 Mic\/Line Analog In\/Out","description":"\u003ch2\u003eMADI USB 2\/3 68 In\/Out, 4 Mic\/Line Analog In\/Out Card\u003c\/h2\u003e\n\u003cp\u003eThe RME MADIFace Pro is an audio interface with \u003cspan\u003e64 channels of pristine audio over a single cable and an interface that fits in your laptop bag along with your computer. Thanks to its physical design and versatile I\/O, the MADIface Pro is the ideal mobile solution when quality audio is paramount. As well as for remote, live, broadcast and industrial applications, the MADIface Pro is also the complete studio solution. Optical MADI I\/Os offer 64 input and output channels and sample rates up to 192 kHz. It is fully supported in TotalMix FX, with analog I\/Os simultaneously available, resulting in 68 input and 68 output channels via USB2.0. To address increased power demands, RME has implemented a delayed MADI transceiver startup on power-up, and the ability to temporarily disable it when not needed. The MADIface Pro includes an external power supply with a locking connector.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eHousing milled from a single block of aluminum\u003c\/li\u003e\n\n\u003cli\u003eIntuitive and efficient user interface\u003c\/li\u003e\n\n\u003cli\u003eThreaded microphone stand mount on the bottom\u003c\/li\u003e\n\n\u003cli\u003eAll settings can be changed in real-time\u003c\/li\u003e\n\n\u003cli\u003eBuffer sizes \/ latencies from 32 to 8192 samples selectable\u003c\/li\u003e\n\n\u003cli\u003e64 channels via optical MADI\u003c\/li\u003e\n\n\u003cli\u003eClock slave and master modes\u003c\/li\u003e\n\n\u003cli\u003eAutomatic and intelligent clock control \/ master-slave\u003c\/li\u003e\n\n\u003cli\u003eSteadyClock: Jitter-immune, super-stable digital clock\u003c\/li\u003e\n\n\u003cli\u003eDDS technology for free sample rate setting\u003c\/li\u003e\n\n\u003cli\u003eSyncAlign guarantees sample-aligned and never swapped channels\u003c\/li\u003e\n\n\u003cli\u003eSyncCheck tests and reports the sync status of input signals\u003c\/li\u003e\n\n\u003cli\u003eTotalMix for latency-free submixes and perfect ASIO Direct Monitoring\u003c\/li\u003e\n\n\u003cli\u003eTotalMix: 9248 mixer channels with 46-bit internal resolution\u003c\/li\u003e\n\n\u003cli\u003eTotalMix FX: 3-band EQ, Low Cut, Reverb, Echo\u003c\/li\u003e\n\n\u003cli\u003e1x MIDI I\/O, 16 high-speed MIDI channels\u003c\/li\u003e\n\n\u003cli\u003e1x virtual MIDI port on MADI\u003c\/li\u003e\n\n\u003cli\u003e2x Digitally controlled microphone inputs of reference quality\u003c\/li\u003e\n\n\u003cli\u003e2x Balanced line outputs, +19dBu level\u003c\/li\u003e\n\n\u003cli\u003e1x Headphone output with separate driver stages for high and low impedance headphones\u003c\/li\u003e\n\n\u003cli\u003eDIGICheck DSP hardware level meter, peak and RMS calculation\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993862201677,"sku":"RMEMFP","price":999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78572-large_default.jpg?v=1779946466"},{"product_id":"rme-digiface-dante-interfaccia-usb-30-a-128-canali","title":"RME DIGIFACE DANTE 128-channel USB 3.0 Interface","description":"\u003ch2\u003e128-Channel USB 3.0 Interface\u003c\/h2\u003e\n\u003cp\u003eThe RME DIGIFACE DANTE is a 128-channel USB 3.0 interface that allows the transmission of 64 Dante and 64 MADI channels via a single USB 3.0 connection.\u003cbr\u003eThe Dante Audio Over IP protocol was developed by the Australian company Audinate and allows the transmission of uncompressed audio signals with low latency over long distances.\u003cbr\u003eFor greater flexibility and to support the growing popularity of solutions based on this protocol in the pro-audio industry, the Digiface Dante USB 3.0 offers a new mobile solution compared to previous internal Dante PCI cards.\u003cbr\u003ePower is supplied both via external PSU and via USB bus.\u003cbr\u003eWith the integration of the MADI drivers from the MADIface series, the RME DIGIFACE DANTE also allows the user to transfer up to 64 MADI channels via USB 3.0.\u003cbr\u003eFor this reason, it is possible to switch the BNC inputs for word clock to MADI I\/O.\u003cbr\u003eThe total of these 128 channels can be controlled via DANTE software and Total Mix FX with its routing and monitoring options.\u003cbr\u003eIn this way, TotalMix FX allows users to create independent sub-mixes depending on the number of available outputs.\u003cbr\u003eThe RME DIGIFACE DANTE has two banks of redundant network ports that can be used both as Input and as Output, but also as a switch and for redundant operations with primary and secondary networks in case of increased security requirements.\u003cbr\u003eIn addition, the interface can also be used as a 64-channel Dante\/MADI converter if the computer's USB connection is not in use.\u003cbr\u003eThe RME DIGIFACE DANTE also has a high-quality headphone monitoring output that can be used as a line output for transmitting analog stereo signals.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e256-Channel Dante \/ MADI \/ USB 3.0 Audio Interface\u003c\/li\u003e\n\n\u003cli\u003eStream up to 64 audio channels at 192kHz to and from a Dante network\u003c\/li\u003e\n\n\u003cli\u003eDual Word Clock ports also function as MADI I\/O with 64 additional channels\u003c\/li\u003e\n\n\u003cli\u003e2 banks of redundant Dante ports also function as a switch, connecting up to 4 network lines\u003c\/li\u003e\n\n\u003cli\u003eWorks as a convenient 64-channel Dante-to-MADI converter without USB\u003c\/li\u003e\n\n\u003cli\u003eTotalMix FX mixing software offers unlimited input and output routing\u003c\/li\u003e\n\n\u003cli\u003eTotalMix Remote provides remote control via iOS device, PC, or Mac\u003c\/li\u003e\n\n\u003cli\u003eBus-powered for convenient portability\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993909453133,"sku":"RMEDIDA","price":1278.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/110680-large_default.jpg?v=1779947575"},{"product_id":"antelope-audio-orion-32-gen-3-scheda-audio-thunderbolt-a-64-canali","title":"ANTELOPE AUDIO ORION 32+ | GEN 3 64-Channel Thunderbolt Audio Interface","description":"\u003ch2\u003e64-Channel Thunderbolt Audio Interface\u003c\/h2\u003e\n\u003cp\u003eANTELOPE AUDIO ORION 32+ | GEN 3 is an audio interface offering low-latency recording and playback of up to 64 simultaneous 24\/192 audio channels over Thunderbolt™ and up to 32 channels over USB. The elegant single rack unit features 8 DB25 connectors for analog I\/O. Digital connections are 1x MADI, 2x ADAT, and 1x S\/PDIF.\u003cbr\u003eANTELOPE AUDIO ORION 32+ | GEN 3 includes a complimentary suite of extraordinary real-time effects selected from a growing library of Antelope Audio FPGA FX. Additional effects can be purchased to expand your FX arsenal.\u003cbr\u003eANTELOPE AUDIO ORION 32+ | GEN 3 includes six essential audio effects from the Antelope library, which run in real-time on an ultra-fast FPGA platform. Covering a wide range of tracking and mixing uses, each effect boasts superior precision and clarity, from the linear Clear Q Equalizer to the extensive and advanced AuraVerb. These six tools alone cover all essential mixing and mastering needs.\u003cbr\u003eA pair of Word Clock outputs turns ANTELOPE AUDIO ORION 32+ | GEN 3 into a world-class Master Clock for the entire studio, while a 10 MHz input allows for use with the best possible stability using Antelope's legendary 10M and 10MX atomic clocks.\u003cbr\u003eThanks to brand-new AD\/DA converters achieving a dynamic range of up to 129 dB (monitor outputs), ANTELOPE AUDIO ORION 32+ | GEN 3 achieves pristine conversion quality.\u003cbr\u003eANTELOPE AUDIO ORION 32+ | GEN 3 offers great flexibility for easy workflow integration. A color-coded software routing matrix with four separate mixers, effects chaining, and zero-latency monitoring capabilities. (Color-changing users will appreciate that all selections are viewable in the center of the routing matrix when hovering over a connection.) The routing matrix, mixers, and control panel all reside within an easy-to-use application for both macOS and Windows.\u003cbr\u003eThe AFX2DAW plugin bridge allows you to get up to 32 channels of latency-free FX into any DAW.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAnalog Inputs: 4 x D-SUB 25 (32 channels total), +24 dBu max, 11.2 kOhm\u003c\/li\u003e\n\n\u003cli\u003eAnalog Outputs: 4 x D-SUB 25 (32 channels total), +24 dBu, 56 Ohms; 2 monitor outputs on 1\/4 TRS jack\u003c\/li\u003e\n\n\u003cli\u003eMonitor D\/A Converter: Dynamic Range 129 dB; THD+N -108 dB\u003c\/li\u003e\n\n\u003cli\u003eA\/D Converter: Dynamic Range 121 dB; THD+N -112 dB\u003c\/li\u003e\n\n\u003cli\u003eD\/A Converters: Dynamic Range: 120 dB; THD+N -107 dB\u003c\/li\u003e\n\n\u003cli\u003eDigital Inputs: 1 x MADI optical fiber (up to 64CH); 2 x ADAT (up to 16CH); 1 x S\/PDIF\u003c\/li\u003e\n\n\u003cli\u003eDigital Outputs: 1 x MADI optical fiber (up to 64CH); 2 x ADAT (up to 16CH); 1 x S\/PDIF\u003c\/li\u003e\n\n\u003cli\u003eUSB I\/O: High-speed USB 2.0; Data stream up to 480 Mbits\/192kHz,\u003c\/li\u003e\n\n\u003cli\u003e32 I\/O channels, Type B.\u003c\/li\u003e\n\n\u003cli\u003eThunderbolt™: 1 x Thunderbolt™ (64-channel I\/O)\u003c\/li\u003e\n\n\u003cli\u003eWord Clock Input: 1 x Input @ 75 Ohms 3Vpp on BNC 32-192kHz\u003c\/li\u003e\n\n\u003cli\u003eWord Clock Outputs: 2 x Outputs at 75 Ohms 3Vpp on BNC 32-192kHz\u003c\/li\u003e\n\n\u003cli\u003eAtomic Clock Input: 1 input 10M @ 75 Ohms Vpp on BNC\u003c\/li\u003e\n\n\u003cli\u003eClocking System: 4th generation; Acoustically Focused Clocking; 64-bit DDS; Oven-controlled crystal oscillator\u003c\/li\u003e\n\n\u003cli\u003eClock Stability: \u0026lt;+\/- 0.02 ppm, oven-controlled at 64.5ºC\/148.1ºF\u003c\/li\u003e\n\n\u003cli\u003eClock Aging: \u0026lt;1 ppm per year\u003c\/li\u003e\n\n\u003cli\u003eClock Calibration: \u0026lt;+\/- 0.001 ppm Sample Rate (kHz) 32, 44.1, 48, 88.2, 96, 176.4, 192\u003c\/li\u003e\n\n\u003cli\u003eOperating Temperature: 0-50 ° C, 32-122 ° F\u003c\/li\u003e\n\n\u003cli\u003eUniversal Input: AC ~ 95-245 V\u003c\/li\u003e\n\n\u003cli\u003ePower Consumption: 20 watts max\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Antelope","offers":[{"title":"Default Title","offer_id":53994026238285,"sku":"AAORION32+3RD","price":3295.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/116509-large_default.jpg?v=1779949621"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/collections\/36167-large_default_768bd060-6481-40bd-8bac-96ecf7cba1d4.jpg?v=1780326305","url":"https:\/\/musicdelivery.net\/en\/collections\/interfacce-madi-1.oembed","provider":"Music Delivery","version":"1.0","type":"link"}