{"title":"Mixbus e Sommatori","description":"\u003cp\u003e\u003cspan\u003eLa collezione \u003c\/span\u003eMixbus e Sommatori\u003cspan\u003e raccoglie processori hardware progettati per l'elaborazione del mix stereo e per la somma analogica dei segnali, elementi fondamentali nei workflow di missaggio e mastering professionali. Questa categoria comprende sommatori analogici, processori dedicati al mixbus e altre unità concepite per rifinire il mix finale, migliorare la coesione tra gli strumenti, ampliare l'immagine stereo, aggiungere carattere sonoro e ottimizzare la dinamica complessiva. Ideale per studi di registrazione professionali e setup ibridi, questa selezione offre strumenti pensati per ottenere un suono più definito, tridimensionale e musicale prima della fase di mastering o come parte integrante del processo creativo.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"rupert-neve-designs-mbt-master-bus-transformer","title":"Rupert Neve Designs MBT Master Bus Transformer","description":"\u003ch2\u003eStereo processor to give sonic color to complete mixes, groups, stems or individual tracks\u003c\/h2\u003e\u003cp\u003eTransformers have always been at the heart of Rupert Neve's device philosophy. Rupert Neve Designs' custom transformers are fundamental to all their products. The MBT, with these high-quality transformers, offers a wide range of sonic options to shape, enrich and enhance audio sources. It is an essential tool for improving sound musicality. It is perfectly suited for complete mixes, groups, stems or individual tracks, guaranteeing legendary tonal quality and a flexible set of controls. Creating Magic with HPF \u0026amp; Shelf EQ. The first main feature of the MBT is a frequency-adjustable high-pass filter from 100Hz to 15Hz, ideal for mix management. In addition, there is a new 2-band equalization section with a 3-octave range, gentle slopes and minimal phase rotation. This EQ is easy to use and adds color to tracks, especially when combined with the other sections of the MBT. Each EQ band offers an adjustable gain control from +\/- 9dB. The low-frequency band allows you to add or attenuate track power, while the high-frequency band allows precise adjustments in the mid-high and high range, adding clarity and brilliance to the sound. An interesting aspect of the MBT is how these sections can interact with each other. Sometimes, it may be useful to adjust the EQ before the other sections, but the MBT allows you to experiment with different combinations. New life with color comp. Thanks to the new Color Comp optical compressor, you can emphasize the non-linear distortion and \"colored\" characteristics of the Opto cell, giving new life and depth to the sound. It allows you to adjust compression with low values (2:1) for delicate compression or high values (5:1) for a more incisive effect. An adjustable high pass filter on the side-chain removes low frequencies from the circuit driving the compression, allowing low frequencies to pass without processing. This control, from 20Hz to 350Hz, offers a lot of flexibility in sound shaping. The Color Comp also has a Blend control to use the compressor in parallel with the uncompressed audio signal. This is useful for managing harmonic content, reducing dynamic range and controlling transients. It also allows you to adjust the threshold from 0dBu to +24dBu, with a gain reduction LED that lights up when the signal exceeds the threshold. It should be noted that the Color Comp introduces harmonic content even with slight gain reduction, so it should be listened to carefully even when gain reduction is not evident. It can vary the release time from 100mS to 1.5S. By increasing the ratio and reducing release times, you can achieve more pronounced \"pumping\" effects, while longer release times produce smoother compression. Finally, the Color Comp offers a 20dB Class-A makeup gain, which is useful for equalizing the level before and after signal compression, and for further enhancing harmonic characteristics through the Super Silk section. New Dimension with the Width Section. The Width section is designed to expand the perception of the stereo panorama without compromising the presence of low frequencies. The MBT's \"WIDTH\" controls are inspired by the Stereo Field Editor (SFE), but they have two important differences. Firstly, the MBT's Width control is purely additive, with a wider range for extreme operations. Secondly, there is a variable high-pass filter between 50Hz and 800Hz, which allows you to adjust the width so that the low frequencies remain anchored in the center of the mix, while the mids and highs are expanded to create a wider space. In addition, a subtle reduction in high frequencies in the stereo content has been introduced to avoid overemphasizing more annoying frequencies. Full harmonic control with Super Silk. Introduced almost twenty years ago, Rupert Neve Designs' Silk technology is much loved by professionals. Now, with Super Silk present on the MBT, a new level of harmonic manipulation is achieved. Super Silk offers independent controls for Red, Blue, Harmonics and Zener Drive, allowing unprecedented harmonic manipulation. Traditionally applied to the MBT's output transformers, Silk technology now offers greater control and flexibility. Super Silk includes extra transformers to expand the possibilities of this circuit. The user can push Super Silk for dynamic saturations and transient clipping or attenuate the signal with the Output Trim for more precise gain control. Silk Red accentuates harmonics in mid and high frequencies, adding brilliance, while Silk Blue accentuates harmonics in mid and low frequencies, increasing weight and depth. The Harmonics control increases harmonic content, saturating the MBT's custom transformers and interacting with the Silk Blue and Silk Red settings, offering infinite possibilities for timbral blending. Finally, the switchable Zener Drive is an asymmetrical diode-based soft clip circuit that primarily introduces odd-order harmonic content when the signal approaches the MBT's headroom limit, creating more aggressive sounds. Drive and Control Levels with I\/O Amplifiers. To maintain optimal gain control in the MBT, Class-A input and output amplifiers have been implemented. These output amplifiers power Rupert Neve Designs' custom transformers, contributing to balancing and line isolation. In this way, it is possible to push the transformers to the maximum and precisely balance the pre and post signals.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eBuilt with Rupert Neve Class-A transformers.\u003c\/li\u003e\n\u003cli\u003eRevitalizes mono or stereo tracks, stems and mixes with new controls.\u003c\/li\u003e\n\u003cli\u003eAdds body and power with the Super Silk circuit.\u003c\/li\u003e\n\u003cli\u003eIntroduces dynamic character with the optical cell Color Comp compressor.\u003c\/li\u003e\n\u003cli\u003eAllows quick tone adjustment with delicate and musical LF and HF Shelf EQ.\u003c\/li\u003e\n\u003cli\u003eThe Width section offers options to increase spatiality without losing focus.\u003c\/li\u003e\n\u003cli\u003eI\/O amplifiers to manage and adapt the levels of the interstage transformers.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993164996941,"sku":"RNDMBT","price":4108.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/185936-large_default.jpg?v=1779914158"},{"product_id":"rupert-neve-design-portico-ii-master-buss-processor-compressorelimiter","title":"RUPERT NEVE DESIGN PORTICO II MASTER BUSS PROCESSOR Compressor\/limiter","description":"\u003ch2\u003eCompressor\/Limiter\u003c\/h2\u003e\n\u003cp\u003eBased on the high-voltage, discrete, Class-A signal paths made famous in the 5088 Mixer and the Portico II Channel, the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. Though originally developed for mastering applications, the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR has quickly become a favorite of mixing engineers, tracking engineers and even FOH engineers. From mixing bass-heavy EDM to delicately mastering a chamber ensemble, it has something to offer everyone, regardless of use or genre.\u003cbr\u003eWith Rupert Neve-designed and manufactured input and output transformers, the 72V high voltage topology found in the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR will integrate seamlessly with any system. Additionally, the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR incorporates mastering-grade detented pots for fine-tuning its revolutionary dynamics, tone and stereo field controls. This new topology represents a significant evolution of Mr. Rupert Neve's classic designs with appreciable advantages in terms of headroom, dynamic range, distortion, noise, slew rate, bandwidth, and accuracy, while maintaining the sweet musical performance that has been a part of countless recordings.\u003c\/p\u003e\n\u003ch4\u003eThe Compressor\u003c\/h4\u003e\n\u003cp\u003eThe two compressor sections of the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR provide virtually endless dynamic possibilities for dual mono or stereo sources, with controls for ratio, threshold, attack, release, blend, HPF side chain, limit gain, and make-up gain. When engaged, the compressor section can be used in either feed-forward or feed-back mode to provide a transparent modern response (feed-forward) or a smoother, more musical vintage response (feed-back). Peak mode alters the attack of the compressor to react to peak transients with a response time of approximately 1ms. When the Peak switch is disengaged, the compressor responds to the RMS signal along with the attack and release settings. SC HPF inserts a 250 Hz high pass filter into the side chain to deal with intense low frequencies that might otherwise skew the VCA’s response with certain tracks and instruments. “Blend” creates a parallel mix between the compressed and dry signals. By blending the compressed and dry signals, you can increase the volume of quieter elements in the source material (e.g. the delicate snare ghost notes on a track with much louder hits), while still maintaining a natural dynamic feel for the louder elements.\u003cbr\u003eTo further control the side chain, there is also a “send” and “return” insert which can be coupled with an external EQ or other filters for further manipulation. The “return” can also be used as a “key” input for ducking one signal to another.\u003cbr\u003eWith the stereo link control engaged, ch.A acts as the master control.\u003c\/p\u003e\n\u003ch4\u003eThe Limiter\u003c\/h4\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR also features an extremely versatile, transparent, and musical limiter. At first glance, one might doubt the single knob, however, this limiter is extremely intelligent, knowing how to appropriately respond to various signals. Adaptive Release Technology is at the heart of this groundbreaking performance. By using a blend of release time constants, this limiter will simultaneously respond quickly to transient material (like the “snap” of a snare drum) and slowly to slower signals (like a bass guitar). This setup allows the limiter to grab a transient and let it go just an instant later, while also dealing with more constant signals in a slower, more musical way. In this way, the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR’s limiter can provide a far more aggressive amount of limiting than is typically possible, while still maintaining the essential character of the music and remaining free from the modulation distortion usually present in a fast-acting limiter.\u003cbr\u003eTypically there is a tradeoff between how quickly a limiter can react and the amount of modulation distortion in the lower frequencies. This is due to the fact that lower frequencies find their way into the side chain signal, switching the compressor on and off very quickly, which ends up modulating the overall signal. This is interesting to watch with sine waves, but is quite undesirable with music. The RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR has no such tradeoff, being able to have the best of both worlds: a fast, snappy response while maintaining the integrity and smoothness of the low end. In addition to the adaptive constant time circuitry, the release time is also varied with the position of the knob. When the knob is turned counter-clockwise, the release time is increased accordingly, as one would typically want a longer release time with a greater amount of reduction.\u003cbr\u003eThe new limiter found in the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR is designed to respond at a speed of 0.03 mS in order to reduce the first half of a 20 kHz waveform over threshold. It has an initial ratio of “medium knee” and within 3 dB of the threshold it reaches a ratio better than 10:1. A soft clip circuit catches any transients that might be in the “knee” when the threshold knob is set quite high. Both the limiter and soft clipper are removed from the circuit with the knob set fully clockwise. The release times are fully automatic and adjusted according to the average depth of limiting and duration of transients above threshold. The limiters share the same Class-A discrete gain module and VCA with the compressors, so use of the Limiter does not introduce more stages that music has to pass through. This combination of features provides exceptionally transparent limiting and often allows for twice the reduction as other limiters before objectionable artifacts become apparent.\u003c\/p\u003e\n\u003ch4\u003eThe Stereo Field Editor\u003c\/h4\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR's Stereo Field Editor brings traditional M-S techniques to new heights with width, depth, and corresponding band-pass filters.\u003cbr\u003eThe Stereo Field Editor allows the user to increase or decrease the width of a stereo image (wide\/mono) and adjust the amount of atmosphere inherent in the recording. When the width control is turned toward wide, the amount of difference material is increased, often resulting in more ambient material and accentuated stereo reverbs. Conversely, the stereo field is contracted when turned to mono, and, if the left and right channels are highly coherent (i.e. both channels include closely similar material that is in phase), this mono content is enhanced. If the phase of one of the input channels is then inverted, the mono content can be virtually eliminated. Because the amount of effect the width control has is entirely dependent on the amount of stereo information in the original source material and the interaction between the other stereo field editor controls, listening and experimenting are essential for the best results.\u003cbr\u003eThe depth control adjusts the spatial positioning of elements in the soundstage. Center panned elements like a lead instrument or vocal can be brought forward in a mix, relative to supporting instruments. In many cases, these same elements could be virtually eliminated without adversely affecting them. Used in conjunction, the depth and width controls effectively alter the ambience and perceived room size.\u003cbr\u003eTo fine tune the SFE, there are individual filters that allow for fine tuning of what information is being reintroduced by the depth and width circuits, thereby tailoring each effect to a specific bandwidth. For instance, if one wanted to increase the amount of low frequencies in the center image, engaging the SFE Depth and Depth EQ, set to LF, filters everything in the Mid signal but what is below the filter point (in this case, 250 Hz), and once reintroduced to the original would result in a perceived increase in low frequencies in the center image. It is also possible to do the same thing with the Width EQ, except increasing width, while cutting it, removes low frequencies from the sides, narrowing the low frequency perception to the center. Using the Width EQ again, this time set to HM (or LM as the case may be), increasing the amount of side-band passed information can provide a wonderful spread of instruments, reverb, and background vocals, giving the illusion that the sounds are spreading further, enveloping the listener.\u003cbr\u003eAnother technique available on the SFE is the routing of the Mid and Side signals to channel A and channel B’s compressors, respectively. Now any amount of depth or width being introduced is first routed to the compressors, enabling the user to utilize the compressor’s features on the Mid and Side information. Now it is possible to not only increase side information, but use the compressor to bring up some of the low-level information, or allow the user to tame an overly expressive lead vocal. With the addition of using the EQ section on the depth and width, a wide array of tools is available to the engineer.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003ePowerful 2-channel compressor \/ limiter \/ stereo field manipulator\u003c\/li\u003e\n\n\u003cli\u003eFull-featured compression sections for both channels, including attack, release, ratio, and threshold\u003c\/li\u003e\n\n\u003cli\u003eSide chain capability with high-pass filters for both compressors\u003c\/li\u003e\n\n\u003cli\u003eFeed-back\/Feed-forward controls allow you to select modern and vintage compression sounds\u003c\/li\u003e\n\n\u003cli\u003eTexture control with 2 Silk modes to add classic Neve warmth\u003c\/li\u003e\n\n\u003cli\u003eBlend controls allow you to mix the dry signal back into your compression, preserving transients while adding punch\u003c\/li\u003e\n\n\u003cli\u003eSimple and highly musical 1-Knob Limiter “Adaptive Release Technology” allows for limiting that does not alter or influence levels below threshold\u003c\/li\u003e\n\n\u003cli\u003eStereo Field Editor section includes independent controls for width and depth as well as width and depth EQ\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993847914829,"sku":"RNPOMB","price":4580.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94976-large_default.jpg?v=1779946148"},{"product_id":"fredenstein-mixcube-sommatore-analogico-con-controllo-digitale","title":"FREDENSTEIN MIXCUBE Analog Summing with Digital Control","description":"\u003ch2\u003eAnalog Summing Mixer with Digital Control\u003c\/h2\u003e\n\u003cp\u003eThe FREDENSTEIN MIXCUBE is an analog summing mixer with digital control that can be configured as an 8-channel, 16-channel, 24-channel, or 32-channel unit. Each channel has gain control, pan control, mute, and solo. The final mix also has gain control, balance (pan) control, and mute. Additionally, there are 4 \"fader groups\" that can control user-assigned sets of channels with gain, mute, and solo functions.\u003cbr\u003eThe Fredenstein MixCube has a dimension of 16 cm (16.5\" x 16 cm x 16 cm). The front panel includes an 11 cm (4.3\") 480 x 272 pixel full-color TFT display to show settings. There are 3 rotary encoders and 3 buttons on the front panel. The graphic display also features a high-resolution output level meter.\u003cbr\u003eThe FREDENSTEIN MIXCUBE features fully balanced summing amplifiers. This helps to achieve unusually high input and output levels of +28 dBu and helps to minimize noise and distortion. The FREDENSTEIN MIXCUBE can be remotely controlled with MIDI or USB, allowing it to be controlled with standard MIDI Fader controllers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE BASE PRICE INCLUDES 8 INPUTS; additional 8-input cards (up to a maximum of 32) are sold separately at €699 each (contact us for your desired configuration)\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eFrequency Response: 2 Hz - 80,000 Hz, - 0.5 dB; 250,000 Hz, - 3 dB\u003c\/li\u003e\n\n\u003cli\u003eDistortion (THD\u0026amp;N): \u0026lt;0.0009% at +20 dBu output level\u003c\/li\u003e\n\n\u003cli\u003eDistortion (THD): \u0026lt;0.0003% at +20 dBu output level\u003c\/li\u003e\n\n\u003cli\u003eDistortion (SMPTE IMD 60\/7K): \u0026lt;0.0009% at +20 dBu\u003c\/li\u003e\n\n\u003cli\u003eSignal to Noise (S\/N): (channels muted) \u0026lt;-100 dB at +25 dBu output level\u003c\/li\u003e\n\n\u003cli\u003eSignal to Noise (32 channels @ unity gain): \u0026lt;-99 dB at +25 dBu output level\u003c\/li\u003e\n\n\u003cli\u003eCrosstalk (1 kHz): \u0026lt;-102 dB at +20 dBu output level\u003c\/li\u003e\n\n\u003cli\u003eCrosstalk (10 kHz): \u0026lt;-98 dB at +20 dBu output level\u003c\/li\u003e\n\n\u003cli\u003eMax. Input Level: +28 dBu\u003c\/li\u003e\n\n\u003cli\u003eMax. Output Level: +28 dBu\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 20 kOhms (2 x 10Kohms)\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 44 Ohms (2 x 22 Ohms)\u003c\/li\u003e\n\n\u003cli\u003eThe MIDI jacks on the MixCube are 3.5 mm Tip-Ring-Sleeve (TRS). Din Pin 2 = TRS Tip \/ Din Pin 3 = TRS Sleeve \/ Din Pin 4 = TRS Ring\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Fredenstein","offers":[{"title":"Default Title","offer_id":53993909813581,"sku":"FREDMIXCUBE","price":1289.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94717-large_default.jpg?v=1779947583"},{"product_id":"dangerous-music-2bus-sommatore-analogico-a-16-canali","title":"DANGEROUS MUSIC 2BUS+ 16-channel Analog Summing Mixer","description":"\u003ch2\u003e16-channel analog summing mixer\u003c\/h2\u003e\n\u003cp\u003eThe DANGEROUS MUSIC 2BUS+ is a 16-channel analog summing mixer that represents the evolution of the first stand-alone analog summing mixer in history, the DANGEROUS MUSIC 2-BUS. With a redesigned analog summing circuit that exceeds previous specifications, the DANGEROUS MUSIC 2BUS+ offers unmatched imaging, dimensionality, punch, and headroom. While the DANGEROUS MUSIC 2BUS+ sounds incredible as is, it also includes three innovative custom circuits that offer a wide range of flexibly addressable tonal options. The Harmonics function is a FET-style limiter while X-Former activates a pair of Cinemag output transformers with a unique core-overdrive circuit. With elegantly simple buttons and knobs, the DANGEROUS MUSIC 2BUS+ offers endless combinations of analog sound at your fingertips.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eTHD + N @ +4dBu: 1KHz, unweighted, 22Hz to 22kHz \u0026lt;0.0048%\u003c\/li\u003e\n\n\u003cli\u003eTHD + N @ +22dBu: 1KHz, unweighted, 22Hz to 22kHz \u0026lt;0.0026%\u003c\/li\u003e\n\n\u003cli\u003eIMD @ +4dBu: \u0026lt;0.0038%\u003c\/li\u003e\n\n\u003cli\u003eIMD @ +22dBu: \u0026lt;0.0021% Crosstalk rejection: \u0026gt;108dBu @ 1KHz\u003c\/li\u003e\n\n\u003cli\u003eNoise at Unity Gain: 22Hz to 22KHz: \u0026lt;-86dBu\u003c\/li\u003e\n\n\u003cli\u003eNoise with nominal mix setting: 22Hz to 22KHz: \u0026lt;-91dBu\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: flat within 0.1 dB from 10 Hz to 50 kHz\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 25K Ohms balanced\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 50 Ohms balanced\u003c\/li\u003e\n\n\u003cli\u003eSpare Fuses: AMERICAS: 90-120V AC 2 amp Slo-Blo fuse. EUROPE: 200-260V AC 1 amp Slo-Blo fuse\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"DANGEROUS MUSIC","offers":[{"title":"Default Title","offer_id":53993914630477,"sku":"DM24","price":4275.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/98127-large_default.jpg?v=1779947768"},{"product_id":"dangerous-music-master-mastering-console","title":"DANGEROUS MUSIC MASTER Mastering console","description":"\u003ch2\u003eMastering console\u003c\/h2\u003e\u003cp\u003eDANGEROUS MUSIC MASTER is a mastering console that offers crystal-clear precision and robust musicality. The signal routing of the DANGEROUS MUSIC MASTER provides sophisticated control over gain staging, front panel switching of three analog inserts, Mid\/Side processing, input\/output monitoring level matching, and multiple outputs to reach all destinations in the mastering suite.\u003cbr\u003eIndividual L-R input level controls can be used to perfectly set the stereo image, gently compensating for any imbalances embedded in the mix. These controls use stepped attenuators that offer 0.5 dB steps with a gain accuracy of 0.01 dB between channels for a perfect stereo image at all volumes.\u003cbr\u003eThe Input Monitor Offset feature allows you to match levels between the processed signal (output) and the unprocessed signal (input) so you can make comparative judgments without misleading volume changes. Once input and output levels are matched, simply use the In\/Out switch to objectively compare your mastering work to the original.\u003cbr\u003eThe three front panel switchable inserts connect all your EQs, compressors, limiters, and de-essers into an elegant and robust mastering system.\u003cbr\u003eThe integrated Mid\/Side processing resides on Insert 2. The Mid\/Side processor within the DANGEROUS MUSIC MASTER is an audiophile-grade sum-and-difference matrix. By \"encoding\" and then \"decoding\" the stereo signal, this matrix allows for separate control over the center and sides of the stereo mix.\u003cbr\u003eThe width control allows you to use the DANGEROUS MUSIC MASTER's Mid\/Side matrix to control the level of the \"sides\" of the mix, changing the perceived stereo width. \u003cbr\u003eFinally, DANGEROUS MUSIC MASTER has three outputs and two inputs. A dedicated monitoring output accompanies two stereo output paths.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAll connections are balanced XLR, +4dBu nominal operating level\u003c\/li\u003e\n\u003cli\u003e2 stereo inputs, 3 stereo outputs (one for monitoring)\u003c\/li\u003e\n\u003cli\u003e3 insert loops\u003c\/li\u003e\n\u003cli\u003e2nd insert capable of operating with MS matrix\u003c\/li\u003e\n\u003cli\u003eInput and output controls: +- 5 dB in 0.5 dB steps\u003c\/li\u003e\n\u003cli\u003eInput monitor offset: From -2 to +8 dB in 0.5 dB steps\u003c\/li\u003e\n\u003cli\u003eWidth control: From -4 to +6 dB in 0.5 dB steps\u003c\/li\u003e\n\u003cli\u003eAttenuator accuracy: \u0026gt; 0.01 dB\u003c\/li\u003e\n\u003cli\u003eTHD + Noise in the audio band: \u0026lt; 0.0018%\u003c\/li\u003e\n\u003cli\u003eIMD 60Hz + 4kHz 4:1 \u0026lt; 0.0025%\u003c\/li\u003e\n\u003cli\u003eCrosstalk rejection: Better than 111dB @ 1kHz\u003c\/li\u003e\n\u003cli\u003eHeadroom: \u0026gt; +27dBu, +23dBu in the matrix under worst conditions\u003c\/li\u003e\n\u003cli\u003eFrequency response: Better than 0.2dB down @ 1Hz and 100kHz\u003c\/li\u003e\n\u003cli\u003eNoise floor: \u0026lt; -92dBu total energy in the audio band\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DANGEROUS MUSIC","offers":[{"title":"Default Title","offer_id":53993915941197,"sku":"DM06","price":6398.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/217282-large_default.jpg?v=1779947799"},{"product_id":"heritage-audio-mcm-32-sommatore-a-32-canali","title":"HERITAGE AUDIO MCM-32 32-Channel Summing Mixer","description":"\u003ch2\u003e32-channel Summing Mixer\u003c\/h2\u003e\n\u003cp\u003eHERITAGE AUDIO MCM-32 32-channel summing mixer arranged in 4 subgroups of 8. Each channel features detented Pan and Fader rotary controls, as well as balanced insert and mute switches.\u003cbr\u003eThe inserts always have the signal present, so they can be alternatively used as direct outputs for recording without additional patch bays.\u003cbr\u003eEach group has its own stereo fader and balanced insert, and all 4 stereo subgroups are passively summed into the master bus. Gain is restored via a 10 A transformer-coupled microphone preamplifier, with a total of 4 transformers (1 input, 1 output on each channel).\u003cbr\u003eThe master section is also equipped with its own balanced insert.\u003cbr\u003eAll connections on the rear are made via DSUB 25 connectors following the Tascam protocol, with the exception of the master bus connections, which are via dedicated XLRs.\u003cbr\u003eThe intelligent summing topology employed in the MCM mixer series allows for impressive headroom and surprisingly low noise for a 32-channel vintage topology mixer. Particular attention has been paid to improving the diaphragms and self-noise figures from those of vintage designs, in order to accommodate the new MCM mixers in the digital era.\u003cbr\u003eThe transformer-based Class A output stage is capable of delivering an output of +26 dBu.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eChannel input impedance: greater than 20 Kohms.\u003c\/li\u003e\n\n\u003cli\u003eMaximum channel input level: greater than +26dBu\u003c\/li\u003e\n\n\u003cli\u003eMaximum insert return input level: greater than +26dBu\u003c\/li\u003e\n\n\u003cli\u003eMaximum insert send level: greater than +27 dBu, capable of driving 600 ohms.\u003c\/li\u003e\n\n\u003cli\u003eMaximum output level: greater than +26 dBu into 600 ohms.\u003c\/li\u003e\n\n\u003cli\u003eFrequency response: ± 0.5 dB from 20 Hz to 20 kHz\u003c\/li\u003e\n\n\u003cli\u003eTHD+N: not exceeding 0.07% from 50 Hz to 10 kHz with an output of +20 dBu (bandwidth from 22 Hz to 22 Khz) into 600Ω.\u003c\/li\u003e\n\n\u003cli\u003eNoise, all faders up, all subgroups active, measured at main output, 22Hz to 22Khz: better than -80dBu\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"HERITAGE AUDIO","offers":[{"title":"Default Title","offer_id":53993917022541,"sku":"HAMCM32","price":3666.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/103625-large_default.jpg?v=1779947827"},{"product_id":"solid-state-logic-fusion-processore-outboard-analogico","title":"SOLID STATE LOGIC FUSION Analog Outboard Processor","description":"\u003ch2\u003eAnalog Outboard Processor\u003c\/h2\u003e\u003cp\u003eThe SOLID STATE LOGIC FUSION is an all-analog 2U outboard processor created for the modern hybrid studio. The SOLID STATE LOGIC FUSION introduces five brand new analog coloration tools designed to be the perfect combination of character, weight, and spatiality to add to mixbus or stereo stems, with the detail, warmth, and finesse that only real analog circuitry can provide.\u003cbr\u003eThe SOLID STATE LOGIC FUSION brings SSL into a new era with the introduction of a suite of new analog processing tools that deliver exceptional tonal character and versatility. The SOLID STATE LOGIC FUSION expands the processing palette for hybrid studio owners and is an excellent partner for the SSL bus stereo compressor.\u003cbr\u003eVintage Drive - is a unique non-linear harmonic enhancement circuit that brings cohesion and strength to the mix. The Drive and Density controls interact to produce harmonic saturation and soft compression derived from overloading an analog circuit. It can be used lightly for subtle thickening saturation or driven for more extreme distortion.\u003cbr\u003eSSL Violet EQ - a brand new two-band shelving EQ with minimal phase shift. The first SSL analog EQ circuit in more than 25 years draws on SSL's heritage of carefully selected frequencies and response curves to create a musical and intuitive EQ designed to quickly dial in low-end weight and high-end sparkle. The high and low frequency circuits each offer four switchable frequency points and +\/- 9 dB attenuation.\u003cbr\u003eA new High Frequency Compressor offers the distinctive sound of high-frequency rounding in the analog domain. A compressor that acts only on high frequencies, optimized for smooth, transparent harshness reduction and tape-like high-frequency roll-off - great for taming high-frequency fizz.\u003cbr\u003eA new Stereo Image enhancer provides a true analog Mid-Side circuit that manipulates the Side signal, allowing for widening and spatial manipulation of the stereo image.\u003cbr\u003eA custom-designed, switched SSL transformer circuit introduces subtle low-frequency saturation, alongside high-frequency phase shift. The result is a simultaneous thickening of the low end and an added sparkle to the high end.\u003cbr\u003eSSL has always been known for smart connectivity and features that optimize and accelerate the production workflow. The SOLID STATE LOGIC FUSION fits perfectly into a range of workflow enhancement features, including: +\/- 12 dB input and output controls, an input overload LED, large peak-hold metering, a front-end 3rd order high-pass filter with three selectable cutoff frequencies, and three-color status indicators for the Vintage Drive and HF Comp sections. A set of XLR connections can be used as a stereo insert for stereo mix bus processing or switched as a Mid-Side (MS) circuit that allows separate compressors or EQs to be applied to the center (mid) and sides of a stereo signal. In Stereo Insert mode the insert point can be switched to pre-violet EQ, when in MS mode the insert can be switched to pre-stereo image controls. Input and output connections are via XLR.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFive new SSL analog color circuits: VINTAGE DRIVE, VIOLET EQ, HF COMPRESSOR, STEREO IMAGE, TRANSFORMER CIRCUIT\u003c\/li\u003e\n\u003cli\u003eBuilt-In Insert Point with two operating modes:\u003c\/li\u003e\n\u003cli\u003eStereo mode allows integration of other external devices such as the SSL bus compressor. Switchable Pre\/Post VIOLET EQ.\u003c\/li\u003e\n\u003cli\u003eMid\/Side mode allows two different external mono processors to be inserted and blended through the mid and side signals. Switchable pre\/post STEREO IMAGE controls.\u003c\/li\u003e\n\u003cli\u003e3rd order HPF (high-pass filter) to clean up unwanted low-frequency band.\u003c\/li\u003e\n\u003cli\u003eSuperAnalogueTM INPUT and OUTPUT trim controls with center detent ± 12dB for optimal gain staging.\u003c\/li\u003e\n\u003cli\u003eIndividual bypass switches for each circuit to compare sounds.\u003c\/li\u003e\n\u003cli\u003eMaster BYPASS switch with two operating modes: Red mode: full bypass. \/ White mode: bypass including TRIM INPUT control.\u003c\/li\u003e\n\u003cli\u003eMaster meter, with 3-second peak hold segments. Switches from output to input metering by pressing BYPASS.\u003c\/li\u003e\n\u003cli\u003eInput clip O\/L LED, triggered at + 27 dBu.\u003c\/li\u003e\n\u003cli\u003eBalanced XLR input and outputs for easy, professional studio integration.\u003c\/li\u003e\n\u003cli\u003eEnhanced \"dot-dash\" screen around controls for easier and clearer recall.\u003c\/li\u003e\n\u003cli\u003eAdjustable front panel meter and switch brightness to match your studio's ambiance.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":53993946120525,"sku":"SSLFUS","price":1572.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/107596-large_default.jpg?v=1779948409"},{"product_id":"dangerous-d-box-sommatore-a-8-canali","title":"DANGEROUS D-BOX+ 8-channel Summing Mixer","description":"\u003ch2\u003e8-channel Summing Mixer\u003c\/h2\u003e\u003cp\u003eThe DANGEROUS D-BOX+ is an 8-channel summing mixer and a redesign of Dangerous Music's award-winning monitoring and summing mixer that has provided countless studios with the superior sound and versatile control of an analog mixer in just one rack space. The new 8-channel summing mixer and stereo DA converter deliver the bold and clear Dangerous Music sound, while newly added features such as Bluetooth connectivity and a remote control app for all major functions provide a cutting-edge feature set. Like all Dangerous Music products, the D-BOX+ is proudly made to demanding audiophile standards in the USA.\u003cbr\u003eLike the central section of a large console, the DANGEROUS D-BOX+ provides elaborate routing and switching of studio inputs and outputs, both analog and digital. At the push of a button, you can choose from five input sources: analog stereo, built-in analog summing mixer, USB, AES\/SPDIF, and (brand new for D-BOX+) wireless Bluetooth streaming from any Bluetooth-enabled device. Outputs include three stereo speaker ports, and these can be programmed for mono and\/or to include a subwoofer. Additionally, output 3 can be used as a source for an independent sub with individual level and mute control.\u003cbr\u003eWith the DANGEROUS D-BOX+, you have two totally independent monitoring sections: Control Room and Headphones. At the push of a button, you can assign any of the five input sources to one of these monitoring paths, instantly creating what would otherwise be elaborate patches.\u003cbr\u003eUsing the new D-BOX+ Bluetooth app, on any phone, tablet, or computer, you can remotely control all major D-BOX+ functions through an extremely intuitive and robust program, offering unlimited solutions to old studio problems.\u003cbr\u003eThe DANGEROUS D-BOX+ features D-A converters with advanced clock stabilization, top-of-the-line chipsets, and an uncompromising analog signal path that delivers uncompromising clarity and musicality from digital sources.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eNext-generation new 8-channel analog summing mixer delivers huge soundstage and superior sonic impact\u003c\/li\u003e\n\u003cli\u003eFive analog and digital inputs at your fingertips (analog stereo, analog sum, USB, AES\/SPDIF, Bluetooth)\u003c\/li\u003e\n\u003cli\u003eWireless Bluetooth audio streaming\u003c\/li\u003e\n\u003cli\u003eFree D-BOX+ app offers remote control of all major functions (volume, dim, talkback, I\/O selection, and more)\u003c\/li\u003e\n\u003cli\u003eDedicated app works on macOS, Windows, iOS, and Android devices\u003c\/li\u003e\n\u003cli\u003eDriverless USB connectivity for macOS; simple USB driver installation for Windows\u003c\/li\u003e\n\u003cli\u003eIntegrated talkback microphone with push-button activation (on the front panel or remotely from the app)\u003c\/li\u003e\n\u003cli\u003eBest-in-class dual headphone amplifier with independent source selection and level control (front panel or app)\u003c\/li\u003e\n\u003cli\u003eThree independent speaker outputs (selected from the front panel or app)\u003c\/li\u003e\n\u003cli\u003eProgrammable speaker selector allows dedicated mono and\/or sub inclusion on all outputs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DANGEROUS MUSIC","offers":[{"title":"Default Title","offer_id":53993956442445,"sku":"DM26","price":3346.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/108921-large_default.jpg?v=1779948710"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/collections\/107596-large_default_1.jpg?v=1782984624","url":"https:\/\/musicdelivery.net\/en\/collections\/mixbus-e-sommatori.oembed","provider":"Music Delivery","version":"1.0","type":"link"}