{"title":"RME Pro Line","description":"\u003cp\u003eRME is a leading German brand in professional audio interfaces, converters, and digital solutions for recording studios, broadcast, and live productions. The Pro Line represents the company's top-of-the-range, offering devices characterized by extremely high-quality AD\/DA conversion, ultra-low latency, and stable, high-performance drivers. RME Pro Line products are valued by sound engineers, producers, and audio professionals for their reliability, sonic transparency, and robust construction. On musicdelivery.net, you'll find RME Pro Line audio interfaces, preamplifiers, and converters ideal for professional studio and live setups, guaranteed to deliver excellent performance and cutting-edge audio technology.\u003c\/p\u003e","products":[{"product_id":"rme-dps-2","title":"RME DPS-2","description":"\u003cdiv id=\"description\" class=\"uk-active\"\u003e\n\n\u003ch2\u003eUltra-low noise linear audio power supply with μFilter technology and Sensor Technology\u003c\/h2\u003e\n\n\u003cp\u003eThe new DPS-2 is an exceptional linear power supply that not only boasts impressive specs, but also a range of unique and extremely useful features, such as the two differently filtered outputs. The housing and front panel of the DPS-2 are based on the ADI-2 series, to accommodate RME's innovative circuit design in a half-width rack.\u003c\/p\u003e\n\n\u003cp\u003eThe Linear output is a traditional DC output, but it employs multi-stage passive and active filtering which includes a 30,000 μF capacitor bank, a ferrite inductor, and an active output filter with a hybrid voltage regulator.\u003c\/p\u003e\n\n\u003cp\u003eThe second output is based on μFilter technology (RME patent). In this case, the pre-filtered Linear output signal is also processed by highly efficient active filters to achieve an exceptionally clean DC output with only a few μV (microvolts) of noise. In addition, the output features sensor technology that measures and adapts the output voltage directly at the DC connector of the supplied DC cable. As a result, the output impedance and load regulation are extremely low and ensure a clean +12.0 V output voltage at a 2.5 A load, completely avoiding load-dependent voltage drops.\u003c\/p\u003e\n\n\u003cp\u003eThe additional use of a 2-stage RF filter and a DC filter on the AC mains side, allows the DPS-2 to deliver optimal performance without interference. This is further enhanced by the 60 VA “audio grade” toroidal transformer with additional isolation winding and magnetic tape shielding, which ensures absolutely hum-free operation in all situations, while the Ground Lift switch can be used to disconnect the DC ground from the earth circuit, if necessary, to eliminate interference or hum. In this case, safety is not compromised, as the primary and enclosure remain firmly connected to the mains earth. In addition, the DPS-2 features a screw-type ground terminal for grounding other equipment or for using a different ground for the audio power supply.\u003c\/p\u003e\n\n\u003cp\u003eThe DPS-2 has two status LEDs on the front panel to provide a quick overview of operating modes and possible malfunctions (power, thermal and power overload, undervoltage, short circuit, active output). A recessed push button on the front panel allows enabling AutoDark mode, where the LEDs only light up on power-up and in case of an error.\u003c\/p\u003e\n\n\u003cp\u003eConnectivity\u003cbr\u003e- 12V 2.5A Linear DC output\u003cbr\u003e- 12V 2.5A μFilter DC output\u003cbr\u003e- Screw ground terminal\u003cbr\u003e- IEC mains socket\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993040183629,"sku":"RMELDPS2","price":1065.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/191604-large_default.jpg?v=1779912652"},{"product_id":"rme-lni-2-dc-filter-and-stabilizer","title":"RME LNI-2 DC Filter and Stabilizer","description":"\u003cdiv id=\"description\" class=\"uk-active\"\u003e\n\n\u003ch2\u003eLow-Noise Isolation DC Filter, 12 Volt 2 Ampere, DC Input \u0026amp; Output\u003c\/h2\u003e\n\n\u003cp\u003eHoused in a compact chassis, RME's unique and innovative active DC filter is capable of filtering the output signal from any power supply, making it qualitatively on par with a high-end hi-fi battery, and at the same time isolates potential ground loops or hum thanks to two exclusive features: galvanic isolation and RME's μFilter technology.\u003c\/p\u003e\n\n\u003cp\u003eGalvanic isolation almost completely eliminates the leakage current common to switching power supplies, reducing the coupling capacitance between input and output from 1 nF (nano Farad) to less than 35 pF (pico Farad). The LNI-2 DC works with power sources ranging from 9 V to 18 V DC and always provides a fixed and perfect output of 12.0 V.\u003c\/p\u003e\n\n\u003cp\u003eRME's μFilter consists of a discrete linear regulator with remarkably low noise, soft start, thermal and overcurrent protection, and is therefore 100% short-circuit proof. Two status LEDs on top of the unit indicate input and output voltage and overload.\u003cbr\u003eAs an additional feature, the output DC ground can be connected to earth or another device's ground via a screw to resolve grounding wiring issues.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993040216397,"sku":"RMELNI2DC","price":531.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/191603-large_default.jpg?v=1779912652"},{"product_id":"rme-madiface-xt-ii","title":"RME MADIface XT II","description":"\u003cdiv id=\"description\" class=\"uk-active\"\u003e\n\n\u003cp\u003e\u003cstrong\u003eRME's MADIface XT II\u003c\/strong\u003e is a \u003cstrong\u003e394-channel, 192 kHz USB 3.0\u003c\/strong\u003e audio interface, offering comprehensive connectivity and control options for studio and live work. Compared to the MADIface XT, the MADIface XT II offers updated digital and analog circuitry and improved performance in both analog and digital domains. The \u003cstrong\u003eMADIface XT\u003c\/strong\u003e was the world's first USB 3.0 audio interface and stood out for its high channel count, comprehensive connectivity, and compact design. With two mic\/line preamps (XLR\/TRS combo inputs), two balanced XLR line outputs, a stereo headphone output, various digital signal options (coaxial and optical MADI, MIDI\/AES, word clock), and an additional PCI Express connection, the \u003cstrong\u003eMADIface XT\u003c\/strong\u003e offered complete connectivity.\u003c\/p\u003e\n\n\u003ch2\u003eNew Analog Recordings\u003c\/h2\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eMADIface XT II\u003c\/strong\u003e maintains this winning formula and improves the signal values of the previous model. The new model offers a higher signal-to-noise ratio and lower THD in AD conversion. The maximum balanced XLR output level has increased from +15 dBu to +24 dBu. The stereo headphone output offers a level of +19 dBu and, with an impedance of 1 Ohm, greater power. All outputs also feature different switchable levels.\u003c\/p\u003e\n\n\u003ch2\u003eNew Digital Circuits\u003c\/h2\u003e\n\n\u003cp\u003eThe new digital board replaces the analog mini-DIN jack for remote control with an ARC USB port, allowing full control of the MADIface XT II with the optional \u003ca href=\"https:\/\/midiware.com\/prodotti\/1165-accessori-per-interfacce-audio\/1735-arc-usb-advanced-remote-control\" target=\"_blank\" rel=\"noreferrer noopener\"\u003eARC USB\u003c\/a\u003e. The MADIface XT II also includes Room EQ equalization, with nine parametric bands for surround configurations up to 20 mono channels.\u003c\/p\u003e\n\n\u003ch2\u003eFemtosecond Clock\u003c\/h2\u003e\n\n\u003cp\u003eWith the latest \u003ca href=\"https:\/\/rme-audio.de\/steadyclock-fs.html\" target=\"_blank\" rel=\"noreferrer noopener\"\u003eSteadyClock FS\u003c\/a\u003e, the MADIface XT II offers RME's latest synchronization and jitter reduction technology. Based on a femtosecond clock, SteadyClock FS reduces intrinsic jitter to a minimum and filters clock jitter starting from 1 Hz.\u003c\/p\u003e\n\n\u003ch2\u003eNew Hardware\u003c\/h2\u003e\n\n\u003cp\u003eThe new \u003cstrong\u003eMADIface XT II\u003c\/strong\u003e focuses on USB 3.0, as PCIExpress is no longer externally usable. Class Compliant mode has been improved, allowing simultaneous transmission of all 394 channels without drivers. Various formats and settings are available to optimize the use of Class Compliant mode.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993044181325,"sku":"RMEMAXII","price":2088.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/192629-large_default.jpg?v=1779912738"},{"product_id":"rme-fireface-802-fs","title":"RME Fireface 802 FS","description":"\u003ch2\u003eRME Fireface 802 FS\u003c\/h2\u003e\n\u003cp\u003eThe Fireface 802 FS is a highly integrated professional audio solution, housed in a 19\" rack unit, ideal for live and studio environments requiring high performance. It is an interface designed for users who demand uncompromised sound quality, stability, and low latency, and who desire an unparalleled set of professional features. The Fireface 802 FS features new analog and digital electronics with 60 audio channels, high-quality microphone preamplifiers, state-of-the-art converters, a comprehensive effects section, and support for sample rates up to 192 kHz. It also includes Active SteadyClock FS for jitter reduction, individually selectable reference levels for all inputs and outputs, DC-coupled outputs for all 8 analog I\/Os, stand-alone functionality, a measurement and analysis toolkit called DigiCheck, and an identical user experience on Windows PCs and Mac. The Fireface 802 FS also includes an optional Class Compliant mode (30 I\/O channels up to 192 kHz) and allows the use of TotalMix FX for iPad, an RME app that enables control of the Fireface 802 FS interface directly from the iPad, without the need for a computer. The alternative Class Compliant mode can be activated via a built-in switch on the back of the interface. Additionally, there is a USB-A port for remote control (ARC USB) for connection to TotalMix FX, both in remote and stand-alone\/class compliant modes.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e30 input\/output channels\u003c\/li\u003e\n\n\u003cli\u003e12 x analog I\/O\u003c\/li\u003e\n\n\u003cli\u003e4 x microphone\/instrument preamplifiers\u003c\/li\u003e\n\n\u003cli\u003e1 x AES\/EBU I\/O\u003c\/li\u003e\n\n\u003cli\u003e2 x ADAT I\/O (or 1 x ADAT I\/O plus 1 x optical S\/PDIF I\/O) or 2 x optical S\/PDIF I\/O\u003c\/li\u003e\n\n\u003cli\u003e1 x Word Clock I\/O\u003c\/li\u003e\n\n\u003cli\u003e1 x MIDI I\/O\u003c\/li\u003e\n\n\u003cli\u003e1 x USB 2.0\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993133015373,"sku":"RMEFF8FS","price":1605.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/189306-large_default.jpg?v=1779913969"},{"product_id":"rme-adi-24-pro-se","title":"RME ADI-2\/4 Pro SE 2 AD\/4 DA 768 Khz High Performance Converter","description":"\u003ch2\u003e\u003cstrong\u003e2 AD\/4 DA 768 Khz Converter\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eBuilding on many years of continuous feature development of the ADI-2 Pro, RME unveils the next addition to the award-winning ADI-2 series. The latest masterpiece comes with a newly developed PCB, improved specs and faster DSP for an outstanding transparent sound signature, extreme power headphone amplifiers including IEM power setting, ultra low-noise 4.4 mm Pentaconn balanced connection, trigger out function for switching external devices on\/off, and finally a RIAA mode for direct digitalization of vinyl records with the highest quality.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003c!-- [if gte mso 9]\u003e\u003cxml\u003e\n \u003co:officedocumentsettings\u003e\n  \u003co:allowpng\u003e\u003c\/o:allowpng\u003e\n \u003c\/o:officedocumentsettings\u003e\n\u003c!-- [if gte mso 9]\u003e\u003cxml\u003e\n \u003cw:worddocument\u003e\n  \u003cw:view\u003eNormal\u003c\/w:view\u003e\n  \u003cw:zoom\u003e0\u003c\/w:zoom\u003e\n  \u003cw:trackmoves\u003e\u003c\/w:trackmoves\u003e\n  \u003cw:trackformatting\u003e\u003c\/w:trackformatting\u003e\n  \u003cw:punctuationkerning\u003e\u003c\/w:punctuationkerning\u003e\n  \u003cw:validateagainstschemas\u003e\u003c\/w:validateagainstschemas\u003e\n  \u003cw:saveifxmlinvalid\u003efalse\u003c\/w:saveifxmlinvalid\u003e\n  \u003cw:ignoremixedcontent\u003efalse\u003c\/w:ignoremixedcontent\u003e\n  \u003cw:alwaysshowplaceholdertext\u003efalse\u003c\/w:alwaysshowplaceholdertext\u003e\n  \u003cw:donotpromoteqf\u003e\u003c\/w:donotpromoteqf\u003e\n  \u003cw:lidthemeother\u003eEN-US\u003c\/w:lidthemeother\u003e\n  \u003cw:lidthemeasian\u003eX-NONE\u003c\/w:lidthemeasian\u003e\n  \u003cw:lidthemecomplexscript\u003eX-NONE\u003c\/w:lidthemecomplexscript\u003e\n  \u003cw:compatibility\u003e\n   \u003cw:breakwrappedtables\u003e\u003c\/w:breakwrappedtables\u003e\n   \u003cw:snaptogridincell\u003e\u003c\/w:snaptogridincell\u003e\n   \u003cw:wraptextwithpunct\u003e\u003c\/w:wraptextwithpunct\u003e\n   \u003cw:useasianbreakrules\u003e\u003c\/w:useasianbreakrules\u003e\n   \u003cw:dontgrowautofit\u003e\u003c\/w:dontgrowautofit\u003e\n   \u003cw:splitpgbreakandparamark\u003e\u003c\/w:splitpgbreakandparamark\u003e\n   \u003cw:enableopentypekerning\u003e\u003c\/w:enableopentypekerning\u003e\n   \u003cw:dontflipmirrorindents\u003e\u003c\/w:dontflipmirrorindents\u003e\n   \u003cw:overridetablestylehps\u003e\u003c\/w:overridetablestylehps\u003e\n  \u003c\/w:compatibility\u003e\n  \u003cm:mathpr\u003e\n   \u003cm:mathfont m:val=\"Cambria Math\"\u003e\u003c\/m:mathfont\u003e\n   \u003cm:brkbin m:val=\"before\"\u003e\u003c\/m:brkbin\u003e\n   \u003cm:brkbinsub m:val=\"--\"\u003e\u003c\/m:brkbinsub\u003e\n   \u003cm:smallfrac m:val=\"off\"\u003e\u003c\/m:smallfrac\u003e\n   \u003cm:dispdef\u003e\u003c\/m:dispdef\u003e\n   \u003cm:lmargin m:val=\"0\"\u003e\u003c\/m:lmargin\u003e\n   \u003cm:rmargin m:val=\"0\"\u003e\u003c\/m:rmargin\u003e\n   \u003cm:defjc m:val=\"centerGroup\"\u003e\u003c\/m:defjc\u003e\n   \u003cm:wrapindent m:val=\"1440\"\u003e\u003c\/m:wrapindent\u003e\n   \u003cm:intlim m:val=\"subSup\"\u003e\u003c\/m:intlim\u003e\n   \u003cm:narylim m:val=\"undOvr\"\u003e\u003c\/m:narylim\u003e\n  \u003c\/m:mathpr\u003e\u003c\/w:worddocument\u003e\n\u003c!-- [if gte mso 9]\u003e\u003cxml\u003e\n \u003cw:latentstyles deflockedstate=\"false\" defunhidewhenused=\"false\" defsemihidden=\"false\" defqformat=\"false\" defpriority=\"99\" latentstylecount=\"376\"\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"0\" qformat=\"true\" name=\"Normal\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" qformat=\"true\" name=\"heading 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" semihidden=\"true\" unhidewhenused=\"true\" qformat=\"true\" name=\"heading 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" semihidden=\"true\" unhidewhenused=\"true\" qformat=\"true\" name=\"heading 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" semihidden=\"true\" unhidewhenused=\"true\" qformat=\"true\" name=\"heading 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" semihidden=\"true\" unhidewhenused=\"true\" qformat=\"true\" name=\"heading 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" semihidden=\"true\" unhidewhenused=\"true\" qformat=\"true\" name=\"heading 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" semihidden=\"true\" unhidewhenused=\"true\" qformat=\"true\" name=\"heading 7\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" semihidden=\"true\" unhidewhenused=\"true\" qformat=\"true\" name=\"heading 8\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"9\" semihidden=\"true\" unhidewhenused=\"true\" qformat=\"true\" name=\"heading 9\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"index 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"index 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"index 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"index 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"index 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"index 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"index 7\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"index 8\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"index 9\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" semihidden=\"true\" unhidewhenused=\"true\" name=\"toc 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" semihidden=\"true\" unhidewhenused=\"true\" name=\"toc 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" semihidden=\"true\" unhidewhenused=\"true\" name=\"toc 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" semihidden=\"true\" unhidewhenused=\"true\" name=\"toc 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" semihidden=\"true\" unhidewhenused=\"true\" name=\"toc 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" semihidden=\"true\" unhidewhenused=\"true\" name=\"toc 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" semihidden=\"true\" unhidewhenused=\"true\" name=\"toc 7\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" semihidden=\"true\" unhidewhenused=\"true\" name=\"toc 8\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" semihidden=\"true\" unhidewhenused=\"true\" name=\"toc 9\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Normal Indent\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"footnote text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"annotation text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"header\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"footer\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"index heading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"35\" semihidden=\"true\" unhidewhenused=\"true\" qformat=\"true\" name=\"caption\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"table of figures\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"envelope address\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"envelope return\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"footnote reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"annotation reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"line number\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"page number\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"endnote reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"endnote text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"table of authorities\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"macro\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"toa heading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Bullet\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Number\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Bullet 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Bullet 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Bullet 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Bullet 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Number 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Number 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Number 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Number 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"10\" qformat=\"true\" name=\"Title\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Closing\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Signature\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"1\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Default Paragraph Font\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text Indent\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Continue\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Continue 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Continue 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Continue 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"List Continue 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Message Header\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"11\" qformat=\"true\" name=\"Subtitle\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Salutation\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Date\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text First Indent\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text First Indent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Note Heading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text Indent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Body Text Indent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Block Text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Hyperlink\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"FollowedHyperlink\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"22\" qformat=\"true\" name=\"Strong\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"20\" qformat=\"true\" name=\"Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Document Map\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Plain Text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"E-mail Signature\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Top of Form\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Bottom of Form\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Normal (Web)\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Acronym\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Address\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Cite\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Code\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Definition\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Keyboard\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Preformatted\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Sample\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Typewriter\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"HTML Variable\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Normal Table\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"annotation subject\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"No List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Outline List 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Outline List 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Outline List 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Simple 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Simple 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Simple 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Classic 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Classic 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Classic 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Classic 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Colorful 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Colorful 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Colorful 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Columns 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Columns 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Columns 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Columns 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Columns 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 7\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Grid 8\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 7\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table List 8\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table 3D effects 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table 3D effects 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table 3D effects 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Contemporary\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Elegant\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Professional\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Subtle 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Subtle 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Web 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Web 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Web 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Balloon Text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" name=\"Table Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Table Theme\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" name=\"Placeholder Text\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"1\" qformat=\"true\" name=\"No Spacing\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" name=\"Light Shading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" name=\"Light List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" name=\"Light Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" name=\"Medium Shading 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" name=\"Medium Shading 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" name=\"Medium List 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" name=\"Medium List 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" name=\"Medium Grid 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" name=\"Medium Grid 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" name=\"Medium Grid 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" name=\"Dark List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" name=\"Colorful Shading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" name=\"Colorful List\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" name=\"Colorful Grid\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" name=\"Light Shading Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" name=\"Light List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" name=\"Light Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" name=\"Medium Shading 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" name=\"Medium Shading 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" name=\"Medium List 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" name=\"Revision\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"34\" qformat=\"true\" name=\"List Paragraph\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"29\" qformat=\"true\" name=\"Quote\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"30\" qformat=\"true\" name=\"Intense Quote\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" name=\"Medium List 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" name=\"Medium Grid 1 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" name=\"Medium Grid 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" name=\"Medium Grid 3 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" name=\"Dark List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" name=\"Colorful Shading Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" name=\"Colorful List Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" name=\"Colorful Grid Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" name=\"Light Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" name=\"Light List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" name=\"Light Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" name=\"Medium Shading 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" name=\"Medium Shading 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" name=\"Medium List 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" name=\"Medium List 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" name=\"Medium Grid 1 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" name=\"Medium Grid 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" name=\"Medium Grid 3 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" name=\"Dark List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" name=\"Colorful Shading Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" name=\"Colorful List Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" name=\"Colorful Grid Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" name=\"Light Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" name=\"Light List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" name=\"Light Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" name=\"Medium Shading 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" name=\"Medium Shading 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" name=\"Medium List 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" name=\"Medium List 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" name=\"Medium Grid 1 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" name=\"Medium Grid 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" name=\"Medium Grid 3 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" name=\"Dark List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" name=\"Colorful Shading Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" name=\"Colorful List Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" name=\"Colorful Grid Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" name=\"Light Shading Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" name=\"Light List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" name=\"Light Grid Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" name=\"Medium Shading 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" name=\"Medium Shading 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" name=\"Medium List 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" name=\"Medium List 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" name=\"Medium Grid 1 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" name=\"Medium Grid 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" name=\"Medium Grid 3 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" name=\"Dark List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" name=\"Colorful Shading Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" name=\"Colorful List Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" name=\"Colorful Grid Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" name=\"Light Shading Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" name=\"Light List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" name=\"Light Grid Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" name=\"Medium Shading 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" name=\"Medium Shading 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" name=\"Medium List 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" name=\"Medium List 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" name=\"Medium Grid 1 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" name=\"Medium Grid 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" name=\"Medium Grid 3 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" name=\"Dark List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" name=\"Colorful Shading Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" name=\"Colorful List Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" name=\"Colorful Grid Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"60\" name=\"Light Shading Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"61\" name=\"Light List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"62\" name=\"Light Grid Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"63\" name=\"Medium Shading 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"64\" name=\"Medium Shading 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"65\" name=\"Medium List 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"66\" name=\"Medium List 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"67\" name=\"Medium Grid 1 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"68\" name=\"Medium Grid 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"69\" name=\"Medium Grid 3 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"70\" name=\"Dark List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"71\" name=\"Colorful Shading Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"72\" name=\"Colorful List Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"73\" name=\"Colorful Grid Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"19\" qformat=\"true\" name=\"Subtle Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"21\" qformat=\"true\" name=\"Intense Emphasis\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"31\" qformat=\"true\" name=\"Subtle Reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"32\" qformat=\"true\" name=\"Intense Reference\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"33\" qformat=\"true\" name=\"Book Title\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"37\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Bibliography\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"39\" semihidden=\"true\" unhidewhenused=\"true\" qformat=\"true\" name=\"TOC Heading\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"41\" name=\"Plain Table 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"42\" name=\"Plain Table 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"43\" name=\"Plain Table 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"44\" name=\"Plain Table 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"45\" name=\"Plain Table 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"40\" name=\"Grid Table Light\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"Grid Table 1 Light\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"Grid Table 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"Grid Table 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"Grid Table 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"Grid Table 5 Dark\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"Grid Table 6 Colorful\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"Grid Table 7 Colorful\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"Grid Table 1 Light Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"Grid Table 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"Grid Table 3 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"Grid Table 4 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"Grid Table 5 Dark Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"Grid Table 6 Colorful Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"Grid Table 7 Colorful Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"Grid Table 1 Light Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"Grid Table 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"Grid Table 3 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"Grid Table 4 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"Grid Table 5 Dark Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"Grid Table 6 Colorful Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"Grid Table 7 Colorful Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"Grid Table 1 Light Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"Grid Table 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"Grid Table 3 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"Grid Table 4 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"Grid Table 5 Dark Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"Grid Table 6 Colorful Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"Grid Table 7 Colorful Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"Grid Table 1 Light Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"Grid Table 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"Grid Table 3 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"Grid Table 4 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"Grid Table 5 Dark Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"Grid Table 6 Colorful Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"Grid Table 7 Colorful Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"Grid Table 1 Light Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"Grid Table 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"Grid Table 3 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"Grid Table 4 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"Grid Table 5 Dark Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"Grid Table 6 Colorful Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"Grid Table 7 Colorful Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"Grid Table 1 Light Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"Grid Table 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"Grid Table 3 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"Grid Table 4 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"Grid Table 5 Dark Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"Grid Table 6 Colorful Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"Grid Table 7 Colorful Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"List Table 1 Light\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"List Table 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"List Table 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"List Table 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"List Table 5 Dark\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"List Table 6 Colorful\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"List Table 7 Colorful\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"List Table 1 Light Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"List Table 2 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"List Table 3 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"List Table 4 Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"List Table 5 Dark Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"List Table 6 Colorful Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"List Table 7 Colorful Accent 1\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"List Table 1 Light Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"List Table 2 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"List Table 3 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"List Table 4 Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"List Table 5 Dark Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"List Table 6 Colorful Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"List Table 7 Colorful Accent 2\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"List Table 1 Light Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"List Table 2 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"List Table 3 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"List Table 4 Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"List Table 5 Dark Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"List Table 6 Colorful Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"List Table 7 Colorful Accent 3\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"List Table 1 Light Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"List Table 2 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"List Table 3 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"List Table 4 Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"List Table 5 Dark Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"List Table 6 Colorful Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"List Table 7 Colorful Accent 4\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"List Table 1 Light Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"List Table 2 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"List Table 3 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"List Table 4 Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"List Table 5 Dark Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"List Table 6 Colorful Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"List Table 7 Colorful Accent 5\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"46\" name=\"List Table 1 Light Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"47\" name=\"List Table 2 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"48\" name=\"List Table 3 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"49\" name=\"List Table 4 Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"50\" name=\"List Table 5 Dark Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"51\" name=\"List Table 6 Colorful Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" priority=\"52\" name=\"List Table 7 Colorful Accent 6\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Mention\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Smart Hyperlink\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Hashtag\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Unresolved Mention\"\u003e\u003c\/w:lsdexception\u003e\n  \u003cw:lsdexception locked=\"false\" semihidden=\"true\" unhidewhenused=\"true\" name=\"Smart Link\"\u003e\u003c\/w:lsdexception\u003e\n \u003c\/w:latentstyles\u003e\n\u003c!-- [if gte mso 10]\u003e\n\u003cstyle\u003e\n \/* Style Definitions *\/\n table.MsoNormalTable\n\t{mso-style-name:\"Normal Table\";\n\tmso-tstyle-rowband-size:0;\n\tmso-tstyle-colband-size:0;\n\tmso-style-noshow:yes;\n\tmso-style-priority:99;\n\tmso-style-parent:\"\";\n\tmso-padding-alt:0cm 5.4pt 0cm 5.4pt;\n\tmso-para-margin:0cm;\n\tmso-pagination:widow-orphan;\n\tfont-size:11.0pt;\n\tfont-family:\"Calibri\",sans-serif;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n\u003c\/style\u003e\n\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"it\" xml:lang=\"it\"\u003eHigh-end AD\/DA converter in professional studio quality\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e\u003cspan lang=\"it\" xml:lang=\"it\"\u003eDual headphone amplifier in true high-end quality\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"it\" xml:lang=\"it\"\u003eUSB DAC like no other - the most versatile and capable around\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"it\" xml:lang=\"it\"\u003eHigh-end AD\/DA front end and headphone amplifier for iPad and iPhone\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"it\" xml:lang=\"it\"\u003eAD\/DA front end for measurement systems with sample rates up to 768 kHz\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"it\" xml:lang=\"it\"\u003eMulti-format converter (AES, SPDIF, ADAT) with monitoring\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"it\" xml:lang=\"it\"\u003eSPDIF\/ADAT playback system\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"it\" xml:lang=\"it\"\u003eDSD record and playback solution\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"it\" xml:lang=\"it\"\u003eSolution for digitizing vinyl players at the highest level\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003e2 x Phono\/Line input\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"it\" xml:lang=\"it\"\u003e1 x ADAT I\/O\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"it\" xml:lang=\"it\"\u003e1 x SPDIF I\/O\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"it\" xml:lang=\"it\"\u003e1 x AES I\/O\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003e\u003cspan lang=\"it\" xml:lang=\"it\"\u003eRME USB 2.0\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003e1 x Headphone or Pentaconn Balanced\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003e4 x Line Output\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003eClass Compliant Mode\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003eRemote Control\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003eSteadyClock FS\u003c\/li\u003e\n\n\u003cli class=\"MsoNormal\"\u003eDC-coupled Outputs\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003e\u003c\/p\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993408233805,"sku":"RMEADI2PSE","price":2369.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/179312-large_default.jpg?v=1779918223"},{"product_id":"rme-fireface-ufx-iii","title":"RME Fireface UFX III USB 3.0 Audio Interface","description":"\u003cdiv class=\"djc_introtext\"\u003e\n\n\u003cp\u003eUSB 3.0 Audio Interface up to 192 kHz, 94 In\/Out: 12 x Analog I\/O, 4 x Mic\/Inst Preamp, 1 x MADI I\/O, 1 x AES\/EBU I\/O, 2 x ADAT I\/O - TotalMix with integrated DSP effects - SteadyClock. The Fireface UFX III is a high-end 188-channel, 24-bit\/192 kHz USB 3 audio interface designed to be the hub of any multi-track studio, capable of handling up to 94 I\/O with extreme ease. Its unparalleled flexibility, compatibility, DURec (Direct USB Recording) implementation, and RME's renowned low-latency drivers and hardware ensure flawless operation in any mode and application. Packed with features dedicated to professionals, including SteadyClock FS, MADI I\/O (64 channels), a powerful DSP, USB 3.0 (ready for 94 Class Compliant I\/O channels), TotalMix FX, direct USB recording, and support for the advanced ARC USB remote controller (available separately). The Fireface UFX III is the perfect tool for professionals who need to manage any multi-track recording, mixing, and mastering.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\u003cdiv class=\"djc_fulltext\"\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e12 x analog I\/O\u003c\/li\u003e\n\n\u003cli\u003e4 x Mic\/Line inputs\u003c\/li\u003e\n\n\u003cli\u003e2 x XLR outputs\u003c\/li\u003e\n\n\u003cli\u003e2 x headphone outputs\u003c\/li\u003e\n\n\u003cli\u003e1 x AES I\/O\u003c\/li\u003e\n\n\u003cli\u003e2 x SPDIF I\/O\u003c\/li\u003e\n\n\u003cli\u003e2 × ADAT I\/O\u003c\/li\u003e\n\n\u003cli\u003e1 x Wordclock I\/O\u003c\/li\u003e\n\n\u003cli\u003e1 × MADI I\/O\u003c\/li\u003e\n\n\u003cli\u003e2 × MIDI I\/O\u003c\/li\u003e\n\n\u003cli\u003e2 x MIDI over MADI\u003c\/li\u003e\n\n\u003cli\u003eUSB 3.0 \/ USB 2.0 compatible\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993428222285,"sku":"RMEUF3","price":2320.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/163841-large_default.jpg?v=1779918587"},{"product_id":"rme-hdspe-madi","title":"RME HDSPe MADI PCI Express MADI Card, 64-Channel I\/O","description":"\u003ch2\u003ePCI Express MADI Card, 64 I\/O Channels, 24 Bit\/192kHz\u003c\/h2\u003e\u003cp\u003eThe HDSPe MADI is an RME PCI Express card with a MADI interface offering an absolutely extraordinary price\/performance ratio. Its features are the same as the PCI MADI card, but compared to the standard PCI version, the PCI Express protocol allows for sample rates up to 192 kHz, even lower latency times, an even more advanced TotalMix, and a monitor output with low-latency converters that implement ADI-8 QS technology. Furthermore, the PCIe version has direct support for HDSP TCO.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul class=\"listbullet\"\u003e\n\u003cli\u003ePCI Express Interface\u003c\/li\u003e\n\u003cli\u003e64 Input channels \/ 64 Output channels\u003c\/li\u003e\n\u003cli\u003e1 x MADI I\/O (optical and coaxial)\u003c\/li\u003e\n\u003cli\u003e2 x MIDI I\/O\u003c\/li\u003e\n\u003cli\u003eAnalog Stereo Output\u003c\/li\u003e\n\u003cli\u003eWord Clock I\/O\u003c\/li\u003e\n\u003cli\u003eTotalMix\u003c\/li\u003e\n\u003cli\u003eSample rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz, variable (Sync\/word clock)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846178125,"sku":"RMEMAE","price":1449.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78553-large_default.jpg?v=1779946113"},{"product_id":"rme-adi-642","title":"RME ADI-642 MADI\/AES 8-Channel I\/O Format Converter","description":"\u003ch2\u003eMADI\/AES 8-channel I\/O format converter up to 192 kHz\/24 bit\u003c\/h2\u003e\n\u003cp\u003eRME expands its professional MADI format interface series with the ADI-642, an 8-channel MADI to AES and vice-versa format converter. Among its many applications, this unit represents the ideal AES\/EBU frontend for the Hammerfall DSP MADI PCI sound card. It supports up to 192 kHz\/24 bit. Its most salient feature is the very intuitive 72x72 routing matrix, which allows individual inputs to be routed to each individual output channel, enabling free configuration of all 64 MADI channels and 8 AES channels.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eNative support for AES Double and Quad Wire\u003c\/li\u003e\n\n\u003cli\u003eNative support for MADI Double and Quad Wire\u003c\/li\u003e\n\n\u003cli\u003eDirect conversion between these two formats\u003c\/li\u003e\n\n\u003cli\u003eAutomatic Delay Compensation when using multiple linked units\u003c\/li\u003e\n\n\u003cli\u003eAnalog stereo monitor output up to 192 kHz\u003c\/li\u003e\n\n\u003cli\u003eFully remote controllable via MIDI\u003c\/li\u003e\n\n\u003cli\u003eMIDI data transfer via MADI\u003c\/li\u003e\n\n\u003cli\u003eSteadyClock technology for maximum jitter suppression and clock regeneration\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846210893,"sku":"RMEAD62","price":2487.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78540-large_default.jpg?v=1779946113"},{"product_id":"rme-adi-6432","title":"RME ADI-6432 MADI to AES\/EBU Format Converter 64 Channels with D-sub Connectors @ 110 Ohm","description":"\u003ch2\u003e64-channel MADI to AES\/EBU format converter, up to 192 kHz\/24 bit, with D-sub @ 110 Ohm connections\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe RME ADI-6432 offers 64 channels of MADI to AES and AES to MADI conversion. Typical applications include two ADI-6432s used as a digital multicore, or one unit used as an AES\/EBU front-end for the Hammerfall DSP MADI PCI card. It supports up to 192 kHz at 24-bit and has a 2U rack format, providing ample space for all connectors and controls. MADI handles 64 audio channels at 24-bit at sampling rates up to 48 kHz, 32 channels up to 96 kHz, and 16 channels up to 192 kHz. All channels are transferred via a single cable, either coaxial (BNC) or optical network. In both cases, cables up to 100 meters in length can be used. AES\/EBU channels are provided as 32 AES\/EBU inputs and outputs via D-sub connectors. The ADI-6432 accepts 56 and 64 channels as well as 96k frames at the input, and can be set to generate these formats at the output.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eSupport for frequencies up to 192 kHz with MADI and AES\u003c\/li\u003e\n\n\u003cli\u003eFully remote controllable via MIDI\u003c\/li\u003e\n\n\u003cli\u003eMIDI data transfer via MADI\u003c\/li\u003e\n\n\u003cli\u003eSteadyClock technology for maximum jitter reduction and clock regeneration\u003c\/li\u003e\n\n\u003cli\u003e1x MADI I\/O (optical and coaxial)\u003c\/li\u003e\n\n\u003cli\u003e32x AES\/EBU I\/O (2 x 4 SUB-D)\u003c\/li\u003e\n\n\u003cli\u003e1x MIDI I\/O\u003c\/li\u003e\n\n\u003cli\u003eCom-Port I\/O (RS-232)\u003c\/li\u003e\n\n\u003cli\u003eWord Clock I\/O\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eWidth: 483 mm\u003c\/li\u003e\n\n\u003cli\u003eHeight: 88 mm\u003c\/li\u003e\n\n\u003cli\u003eDepth: 200 mm\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846243661,"sku":"RMEAD63","price":3299.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78543-large_default.jpg?v=1779946115"},{"product_id":"rme-m-16-ad","title":"RME M-16 AD 16-CHANNEL ANALOG-TO-MADI\/ADAT CONVERTER","description":"\u003ch2\u003e16-CHANNEL ANALOG TO MADI\/ADAT 24\/192 CONVERTER\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe RME M-16 AD is a high-end, 16-channel AD converter, easy to use but with a comprehensive set of features. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in state-of-the-art AD conversion – 16 times! The unit's unique set of features includes analog limiters, three hardware reference levels up to +24 dBu, MADI and ADAT I\/O up to 192 kHz, 6.3mm TRS and D-sub inputs, remote control via MIDI, and operation across a wide range of mains voltages, all packaged in a 2U format. An extraordinary limiter, designed and optimized for professional studios, stage, and broadcast applications, offers indispensable operational safety with its ability to limit an input overload of up to 17dB without audible distortion (max input level +30dBu).\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e16-channel AD converter, fully balanced design, 116 dBA\u003c\/li\u003e\n\n\u003cli\u003e2U 19\" rack chassis\u003c\/li\u003e\n\n\u003cli\u003e1 x MADI I\/O, 16 channels at 96 kHz, 16 channels at 192 kHz\u003c\/li\u003e\n\n\u003cli\u003e4 x ADAT Out, 16 channels at 96 kHz, 8 channels at 192 kHz\u003c\/li\u003e\n\n\u003cli\u003eZero Latency MADI I\/O: no need to compensate for latency when cascading multiple units\u003c\/li\u003e\n\n\u003cli\u003eAbility to activate analog limiter\u003c\/li\u003e\n\n\u003cli\u003e16 LED level indicators with 5 LEDs each\u003c\/li\u003e\n\n\u003cli\u003e16 LEDs indicating limiter status for each channel\u003c\/li\u003e\n\n\u003cli\u003eSteadyClock - optimal audio quality regardless of external clock quality\u003c\/li\u003e\n\n\u003cli\u003eSyncCheck - unique technology that verifies clock synchronization\u003c\/li\u003e\n\n\u003cli\u003eAll settings are permanently saved\u003c\/li\u003e\n\n\u003cli\u003eAll functions can be controlled remotely via MIDI and MIDI over MADI\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846276429,"sku":"RME16A","price":3016.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78445-large_default.jpg?v=1779946114"},{"product_id":"rme-m-16-da","title":"RME M-16 DA 16-CHANNEL MADI\/ADAT TO ANALOG CONVERTER","description":"\u003ch2\u003e16-CHANNEL MADI\/ADAT TO ANALOG CONVERTER 24\/192\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe RME M-16 DA is a 16-channel high-end DA converter, easy to use yet with a comprehensive feature set. The unit combines excellently designed analog circuitry with the latest converter chips and RME’s superior SteadyClock, resulting in state-of-the-art DA conversion - 16 times! The unit’s unique feature set includes analog limiters, three hardware reference levels up to +24 dBu, MADI and ADAT I\/O up to 192 kHz, 6.3 mm TRS and D-sub inputs, remote control via MIDI, and operation across a wide range of mains voltages, all packed into a 2U format. An extraordinary limiter, designed and optimized for professional studios, stage and broadcast applications, offers indispensable operational safety with its ability to limit input overload up to 17dB without audible distortion (max input level +30dBu). The M-16 DA expands RME's MADI line with multichannel conversion in reference quality - at an unbeatable price\/performance ratio!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e16-channel DA converter, fully balanced design, 116 dBA\u003c\/li\u003e\n\n\u003cli\u003e2U 19\" rack chassis\u003c\/li\u003e\n\n\u003cli\u003e1 x MADI I\/O, 16 channels at 96 kHz, 16 channels at 192 kHz\u003c\/li\u003e\n\n\u003cli\u003e4 x ADAT Out, 16 channels at 96 kHz, 8 channels at 192 kHz\u003c\/li\u003e\n\n\u003cli\u003eZero-latency MADI I\/O: no latency compensation needed when cascading multiple units\u003c\/li\u003e\n\n\u003cli\u003eAnalog limiter can be activated\u003c\/li\u003e\n\n\u003cli\u003e16 LED level indicators with 5 LEDs each\u003c\/li\u003e\n\n\u003cli\u003e16 LEDs indicating limiter status for each channel\u003c\/li\u003e\n\n\u003cli\u003eSteadyClock - optimal audio quality regardless of external clock quality\u003c\/li\u003e\n\n\u003cli\u003eSyncCheck - unique technology that verifies clock synchronization\u003c\/li\u003e\n\n\u003cli\u003eAll settings are permanently saved\u003c\/li\u003e\n\n\u003cli\u003eAll functions can be remotely controlled via MIDI and MIDI over MADI\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eWidth: 483 mm\u003c\/li\u003e\n\n\u003cli\u003eHeight: 88 mm\u003c\/li\u003e\n\n\u003cli\u003eDepth: 200 mm\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846309197,"sku":"RME16D","price":2599.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78447-large_default.jpg?v=1779946115"},{"product_id":"rme-m-32-ad","title":"RME M-32 AD 32-CHANNEL ANALOG TO MADI\/ADAT CONVERTER","description":"\u003ch2\u003e32-CHANNEL ANALOG TO MADI\/ADAT CONVERTER\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe RME M-32 AD is a high-end 32-channel AD converter that is easy to use yet offers a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in state-of-the-art AD conversion - 32 times! The unit's unique feature set includes analog limiters, three hardware reference levels up to +24 dBu, MADI and ADAT I\/O up to 192 kHz, 6.3mm TRS and D-sub inputs, remote control via MIDI, and operation across a wide range of mains voltages, all housed in a 2U format. An extraordinary limiter, designed and optimized for professional studios, stage and broadcast applications, offers indispensable operational safety with its ability to limit input overload up to 17dB without audible distortion (max input level +30dBu).\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e32-channel AD converter, fully balanced design, 116 dBA\u003c\/li\u003e\n\n\u003cli\u003e2U 19\" rack-mount chassis\u003c\/li\u003e\n\n\u003cli\u003e1 x MADI I\/O, 32 channels at 96 kHz, 16 channels at 192 kHz\u003c\/li\u003e\n\n\u003cli\u003e4 x ADAT Out, 16 channels at 96 kHz, 8 channels at 192 kHz\u003c\/li\u003e\n\n\u003cli\u003eZero-latency MADI I\/O: no latency compensation needed when cascading multiple units\u003c\/li\u003e\n\n\u003cli\u003eOption to activate analog limiter\u003c\/li\u003e\n\n\u003cli\u003e32 LED level indicators with 5 LEDs each\u003c\/li\u003e\n\n\u003cli\u003e32 LEDs indicating limiter status for each channel\u003c\/li\u003e\n\n\u003cli\u003eSteadyClock - optimal audio quality regardless of external clock quality\u003c\/li\u003e\n\n\u003cli\u003eSyncCheck - unique technology that verifies clock synchronization\u003c\/li\u003e\n\n\u003cli\u003eAll settings are permanently saved\u003c\/li\u003e\n\n\u003cli\u003eAll functions can be remotely controlled via MIDI and MIDI over MADI\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eWidth: 483 mm\u003c\/li\u003e\n\n\u003cli\u003eHeight: 88 mm\u003c\/li\u003e\n\n\u003cli\u003eDepth: 200 mm\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846341965,"sku":"RME32A","price":3351.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78520-large_default.jpg?v=1779946116"},{"product_id":"rme-m-32-da","title":"RME M-32 DA 32-CHANNEL MADI\/ADAT TO ANALOG CONVERTER","description":"\u003ch2\u003e32-CHANNEL MADI\/ADAT TO ANALOG CONVERTER\u003c\/h2\u003e\u003cp\u003e\u003cspan\u003eThe RME M-32 DA is a high-end 32-channel DA converter, easy to use yet with a comprehensive feature set. The unit combines excellently designed analog circuitry with the latest converter chips and RME's superior SteadyClock, resulting in state-of-the-art DA conversion - 32 times! The unit's unique set of features includes analog limiters, three hardware reference levels up to +24 dBu, MADI and ADAT I\/O up to 192 kHz, 6.3 mm TRS and D-sub inputs, remote control via MIDI, and operation across a wide range of mains voltages, all packed into a 2U format. An extraordinary limiter, designed and optimized for professional studios, stage, and broadcast applications, provides indispensable operational safety with its ability to limit an input overload up to 17dB without audible distortion (max input level +30dBu). The M-32 DA extends RME's MADI line with multichannel conversion in reference quality - at an unbeatable price\/performance ratio!\u003c\/span\u003e\u003c\/p\u003e\u003ch3\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e32-channel DA converter, fully symmetrical design, 116 dBA\u003c\/li\u003e\n\u003cli\u003e2U 19\" rack chassis\u003c\/li\u003e\n\u003cli\u003e1 x MADI I\/O, 32 channels at 96 kHz, 16 channels at 192 kHz\u003c\/li\u003e\n\u003cli\u003e4 x ADAT Out, 16 channels at 96 kHz, 8 channels at 192 kHz\u003c\/li\u003e\n\u003cli\u003eZero-latency MADI I\/O: no need to compensate for latency when cascading multiple units\u003c\/li\u003e\n\u003cli\u003eAnalog limiter can be activated\u003c\/li\u003e\n\u003cli\u003e32 LED level indicators with 5 LEDs each\u003c\/li\u003e\n\u003cli\u003e32 LEDs indicating the limiter status for each channel\u003c\/li\u003e\n\u003cli\u003eSteadyClock - optimal audio quality regardless of external clock quality\u003c\/li\u003e\n\u003cli\u003eSyncCheck - unique technology that verifies clock synchronization\u003c\/li\u003e\n\u003cli\u003eAll settings are permanently saved\u003c\/li\u003e\n\u003cli\u003eAll functions can be remotely controlled via MIDI and MIDI over MADI\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\u003cul\u003e\n\u003cli\u003eWidth: 483 mm\u003c\/li\u003e\n\u003cli\u003eHeight: 88 mm\u003c\/li\u003e\n\u003cli\u003eDepth: 200 mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846374733,"sku":"RME32D","price":3351.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78523-large_default.jpg?v=1779946117"},{"product_id":"rme-micstasy","title":"RME Micstasy Hi-end Professional 8-channel Preamp","description":"\u003ch2\u003e8-Channel Remotable High-end Preamp with AD Converters - Optional I64 MADI Card\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eMicstasy is an 8-channel hi-end mic\/line preamp and AD converter that combines typical RME features with a host of new functionalities. It can be used in analog mode (Mic\/Line In - Line Out) and digital mode (Mic\/Line In - Digital Out), with both signal paths operating simultaneously. In addition, the device is fully controllable remotely via MIDI (including MIDI over MADI). Micstasy's innovative design allows for the amplification and digitization of all analog signal sources. Whether it's high-level signals from the stage, typical studio signals, lower-level and high-impedance instruments, dynamic, condenser, or ribbon microphones. The signals amplified by Micstasy are available at the analog outputs for transmission, making an expensive splitter-box on stage obsolete. All functions can be remotely controlled via MIDI and MIDI over MADI, allowing the device to be placed close to the microphones and ensuring maximum sound quality. Adding an optional MADI card provides even more options. The I64 MADI card 8 (not included) provides serial pass-through functionality from one Micstasy to another (up to 8). All 64 audio signals are then available on the last device on a single line.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e8 high-quality microphone preamps with 85dB gain control in 0.5dB increments\u003c\/li\u003e\n\n\u003cli\u003eFull scale level of -55dBu \/ maximum input level of +30dBu\u003c\/li\u003e\n\n\u003cli\u003e8-channel high-quality line amplifier\u003c\/li\u003e\n\n\u003cli\u003eXLR and TRS Jack inputs with digital gain control (in 0.5dB increments)\u003c\/li\u003e\n\n\u003cli\u003e8-channel AD converter with very low latency and high signal-to-noise ratio thanks to CS5381 converters. Digital outputs provide the same signal as the line outputs\u003c\/li\u003e\n\n\u003cli\u003eFlexible \"multi-group ganging\" for multiple stereo groups, ideal for managing surround formats\u003c\/li\u003e\n\n\u003cli\u003eAnalog outputs: Maximum level up to approx. +27 dBu\u003c\/li\u003e\n\n\u003cli\u003eDigital outputs: D-sub connectors for 4x AES\/EBU up to 192kHz (plus 1 AES input as sync source) Dual ADAT for 8 channels at 96kHz\u003c\/li\u003e\n\n\u003cli\u003eRemote control via MIDI and MADI\u003c\/li\u003e\n\n\u003cli\u003eAll settings can be permanently saved in 8 customizable presets\u003c\/li\u003e\n\n\u003cli\u003eOptional I64 slot\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846407501,"sku":"RMEMIC","price":3915.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78536-large_default.jpg?v=1779946118"},{"product_id":"rme-dmc-842","title":"RME DMC-842 8-channel AES-42 interface and digital microphone controller","description":"\u003ch2\u003e8-channel AES-42 Interface and Digital Microphone Controller\u003c\/h2\u003e\n\u003cp\u003eThe DMC-842 is both an 8-channel AES42 interface and a digital microphone controller. The DMC-842 supports the AES42 standard, is remotely controllable via PC software via MIDI or MIDI over MADI, and integrates ADAT SMUX, AES\/EBU, MADI connections, and analog outputs. Also available as DMC-842 M version with MADI I 64 card.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eFully compatible with AES42\u003c\/li\u003e\n\n\u003cli\u003e8 XLR AES42 Inputs (AES3 compatible)\u003c\/li\u003e\n\n\u003cli\u003e8 balanced XLR line outputs\u003c\/li\u003e\n\n\u003cli\u003eSelectable 24-bit sample rate conversion per input\u003c\/li\u003e\n\n\u003cli\u003eSwitchable Digital Phantom Power per input\u003c\/li\u003e\n\n\u003cli\u003eSupports Mode 1 and Mode 2\u003c\/li\u003e\n\n\u003cli\u003e63dB Gain Range per channel, even in asynchronous Mode 1\u003c\/li\u003e\n\n\u003cli\u003e13-LED Level Meter per channel\u003c\/li\u003e\n\n\u003cli\u003eM\/S Encoding\/Decoding\u003c\/li\u003e\n\n\u003cli\u003e4x AES\/EBU OUT via D-sub, 8 channels @ 192 kHz\u003c\/li\u003e\n\n\u003cli\u003e2x ADAT Out, 8 Channels @ 96 kHz\u003c\/li\u003e\n\n\u003cli\u003eOptional MADI I\/O (I64 MADI Card) for serial cascading, digital\/analog return path\u003c\/li\u003e\n\n\u003cli\u003eMIDI I\/O\u003c\/li\u003e\n\n\u003cli\u003eWord clock I\/O\u003c\/li\u003e\n\n\u003cli\u003eFully remote controllable\u003c\/li\u003e\n\n\u003cli\u003eFuture-proof with flash updates\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eWidth: 483 mm\u003c\/li\u003e\n\n\u003cli\u003eHeight: 88 mm\u003c\/li\u003e\n\n\u003cli\u003eDepth: 200 mm\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846440269,"sku":"RMEDMC","price":3303.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78529-large_default.jpg?v=1779946119"},{"product_id":"adi-8-qs","title":"RME ADI-8 QS 8-CHANNEL AD\/DA CONVERTER","description":"\u003ch2\u003e8-CHANNEL AD\/DA CONVERTER, ADAT AND AES\/EBU 24Bit\/192K FORMATS\u003c\/h2\u003e\n\u003cp\u003eThe ADI-8 QS is an 8-channel hi-end converter that integrates excellent analog circuits with extremely low AD\/DA latency thanks to the latest generation of converter chips. Together with SteadyClock, the QS offers very high quality AD and DA conversion. Analog and digital limiters, 4 hardware reference levels up to +24 dBu, AES\/EBU and ADAT I\/O (optional MADI I\/O) at a sampling rate up to 192 kHz, remote control via MIDI, digital input and output adjustment, volume control for all 8 outputs, both separately and globally, digital thru mode... these and many other features make the QS truly unique. The MADI I 64 card is available as an option.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e8-channel AD converter, fully symmetrical design, 117 dBA\u003c\/li\u003e\n\n\u003cli\u003e8-channel DA converter, DC-coupled signal path, dual balanced output, 120 dBA\u003c\/li\u003e\n\n\u003cli\u003eLow latency conversion: only 8 samples delay\u003c\/li\u003e\n\n\u003cli\u003e4x AES\/EBU I\/O via D-Sub, 8 channels @ 192 kHz\u003c\/li\u003e\n\n\u003cli\u003e2x ADAT I\/O, 8 channels @ 96 kHz\u003c\/li\u003e\n\n\u003cli\u003eDigital Input\/Output Trim, 6dB range per I\/O\u003c\/li\u003e\n\n\u003cli\u003eAnalog and Digital Limiter for AD conversion\u003c\/li\u003e\n\n\u003cli\u003e16 LED Level Meters with 7 LEDs each\u003c\/li\u003e\n\n\u003cli\u003eRemote control for store\/recall, volume and DIM\u003c\/li\u003e\n\n\u003cli\u003eUnique SyncCheck technology to check Clock synchronization\u003c\/li\u003e\n\n\u003cli\u003eAll settings are permanently stored\u003c\/li\u003e\n\n\u003cli\u003eFully remote controllable\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846473037,"sku":"RMEADQS","price":2725.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78442-large_default.jpg?v=1779946119"},{"product_id":"rme-i64-madi-option-card","title":"RME I64 MADI Option Card for MADI for ADI-8 QS, Micstasy, and DMC-842","description":"\u003ch2\u003eOptional MADI card for ADI-8 QS, Micstasy, and DMC-842\u003c\/h2\u003e\n\u003cp\u003eThe optional I64 MADI Card adds 1 MADI Input\/Output (64 input channels and 64 output channels) to the Micstasy preamp, ADI-8 QS converter, and DMC-842. The card has optical and coaxial MADI connections; the signal is taken from the input where a valid input is detected. The two connections are redundant, meaning that if the signal is lost on the coaxial input, the signal is automatically taken from the optical input, or vice versa. With the OPTO-X, the HDSPe MADI FX becomes a MADI interface with 3 optical MADI I\/Os.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eFrequency Response -0.1 dB: 20 Hz - 100kHz\u003c\/li\u003e\n\n\u003cli\u003eTHD+N @ 30 dB Gain: \u0026lt; -100 dB, \u0026lt; 0.001 %\u003c\/li\u003e\n\n\u003cli\u003eSample Rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz, variable (external clocks)\u003c\/li\u003e\n\n\u003cli\u003eSample Rate Range: MADI: 32 - 192 kHz, word clock: 27 kHz - 200 kHz, AES: 28 kHz - 200 kHz\u003c\/li\u003e\n\n\u003cli\u003eCompatible with RME Micstasy\u003c\/li\u003e\n\n\u003cli\u003eAdds 1x 64 Channel MADI I\/O\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846505805,"sku":"RMEMAEQ","price":664.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78555-large_default.jpg?v=1779946120"},{"product_id":"rme-hdspe-aes","title":"RME HDSPE AES 32-Channel AES I\/O PCI Express Card","description":"\u003ch2\u003e32-channel 24 Bit\/192 kHz AES I\/O card - PCI express\u003c\/h2\u003e\n\u003cp\u003eThe HDSPe AES-32 is a 32-channel 24 Bit 192 kHz AES I\/O interface that can count on the high performance guaranteed by full support of the PCI Express protocol. It is a PCIe card equipped with 8 AES inputs and outputs up to 192 kHz. Equipped with MIDI I\/O ports, word clock, and an optional TCO module for synchronization to LTC and video signals. Finally, an AES interface with the renowned RME quality. The HDSP AES-32 represents the definitive solution for all recording studios, broadcast and TV, and wherever interfacing with machines adopting the professional AES standard is required. The interface consists of a main PCI Express card with word clock I\/O connections and a 25-pin D-sub for 4 inputs (XLRF) and 4 AES outputs (XLR-M). The expansion card adds channels 9-16 and 2 MIDI I\/O ports (via an additional cable). Thanks to TotalMix (a mixer based on the integrated DSP and fully remote controllable via MIDI), all 16 physical inputs can be freely routed to each of the 16 outputs, offering unprecedented monitoring functionalities. A 19\" 1U rack breakout box is available with connections accessible from both the front and rear panels: the BOB-32, with D-sub connections with Tascam and Yamaha pinout, also usable with other third-party digital equipment.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e192 kHz support without reduction in the number of channels\u003c\/li\u003e\n\n\u003cli\u003eNative support for Double and Quad Wire transfer protocols\u003c\/li\u003e\n\n\u003cli\u003eDirect conversion between these two formats\u003c\/li\u003e\n\n\u003cli\u003eSteadyClock technology for maximum jitter suppression and clock regeneration\u003c\/li\u003e\n\n\u003cli\u003eTotalMix: 512-channel mixer\/matrix with 40-bit internal resolution\u003c\/li\u003e\n\n\u003cli\u003e48 Peak\/RMS level indicators (hardware-computed)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846538573,"sku":"AES32E","price":885.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78527-large_default.jpg?v=1779946121"},{"product_id":"rme-adi-192-dd","title":"RME ADI-192 DD ADAT\/TDIF\/AES-EBU 8-Channel Converter","description":"\u003ch2\u003e\u003cspan\u003eADAT\/TDIF\/AES-EBU 8-CHANNEL 24-Bit\/192kHz CONVERTER\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eTriple digital format converter and Sample Rate converter with 8 channels, 192 kHz \/ 24 Bit: the best format and sample rate converter! A worthy successor to the acclaimed ADI-8 DD, the ADI-192 DD has been completely redesigned to be the best existing format and sample rate converter. In addition to the considerable improvements over the ADI-8 DD, the ADI-192 DD also stands out for several new features implemented for the first time. The unit consists of three 8-channel format converters with 24-bit audio resolution. The three outputs in ADAT, TDIF, and AES formats can independently access the three inputs of the same format. Thanks to the free selection of inputs, signals can be copied and distributed between all connected equipment without ever having to disconnect any cables. 8 \"real\" conversion channels from all ports (4 XLR AES\/EBU I\/O and 2 ADAT and TDIF) even at 96 kHz\/24 bit. At a sample rate of 192 kHz, 8 AES channels and 4 ADAT and TDIF channels are available. The ADI-192 DD represents the professional solution for converting digital formats in all types of applications, from 2 to 8 channels. Key features: • 192 kHz support for ADAT, TDIF and AES • 8-channel Sample Rate conversion up to 192kHz • Selectable Sample Rate conversion for AES, TDIF or ADAT ports • Supported level for Sample Rate conversion up to +6 dBFS • 8-channel conversion free of phase deviation (sub-sample synchronous) • SteadyClock technology for maximum jitter suppression and clock regeneration • Full AES\/TDIF\/ADAT SPDIF TOSLINK I\/O format converter • Direct support for Double and Quad Wire, S\/MUX and Double\/Quad Line, even when used as SRC • Special TDIF word clock output • Simplified user interface\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e192kHz support for ADAT, TDIF and AES\u003c\/li\u003e\n\n\u003cli\u003e8-Channel Sample Rate conversion up to 192kHz\u003c\/li\u003e\n\n\u003cli\u003eSelectable Sample Rate conversion for AES, TDIF or ADAT ports\u003c\/li\u003e\n\n\u003cli\u003eSupported level for Sample Rate conversion up to +6 dBFS\u003c\/li\u003e\n\n\u003cli\u003e8-channel conversion free of phase deviation (sub-sample synchronous)\u003c\/li\u003e\n\n\u003cli\u003eSteadyClock technology for maximum jitter suppression and clock regeneration\u003c\/li\u003e\n\n\u003cli\u003eFull AES\/TDIF\/ADAT SPDIF TOSLINK I\/O format converter\u003c\/li\u003e\n\n\u003cli\u003eDirect support for Double and Quad Wire, S\/MUX and Double\/Quad Line, even when used as SRC\u003c\/li\u003e\n\n\u003cli\u003eSpecial TDIF word clock output\u003c\/li\u003e\n\n\u003cli\u003eSimplified user interface\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846571341,"sku":"RMEAD19","price":1499.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78440-large_default.jpg?v=1779946121"},{"product_id":"rme-hdsp-9632-scheda-audio-pci-express","title":"RME HDSP 9632 PCI EXPRESS Audio Card","description":"\u003ch2\u003eRME HDSP 9632 PCI EXPRESS Audio Card\u003c\/h2\u003e\n\u003cp\u003eThe RME HDSP 9632 (Hammerfall DSP 9632) is the most versatile PCI EXPRESS audio card in the world. This card makes the dream of an All-In-One solution for every possible application a reality. As usual, RME made no compromises: the latest 192 kHz AD and DA converters with a signal-to-noise ratio exceeding 110 dB, all inputs and outputs simultaneously, optional high-quality analog expansion boards that are easy to install, TotalMix, a sensational newly developed clock section with maximum jitter suppression of external clock signals – all this combines into one audio card.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eBalanced stereo analog input and output, 24-bit\/192 kHz, \u0026gt; 110 dB SNR\u003c\/li\u003e\n\n\u003cli\u003eOptional analog expansion cards with 4 balanced inputs or outputs\u003c\/li\u003e\n\n\u003cli\u003eAll analog I\/Os capable of 192 kHz, constant number of available channels\u003c\/li\u003e\n\n\u003cli\u003e1 ADAT digital I\/O, supporting S\/MUX operation at 96 kHz\u003c\/li\u003e\n\n\u003cli\u003e1 SPDIF digital I\/O, 192 kHz compatible\u003c\/li\u003e\n\n\u003cli\u003e1 breakout cable for coaxial SPDIF *\u003c\/li\u003e\n\n\u003cli\u003eUp to 16 I\/Os can be used simultaneously!\u003c\/li\u003e\n\n\u003cli\u003e1 stereo headphone output, parallel to analog output, additional level settings\u003c\/li\u003e\n\n\u003cli\u003e1 MIDI I\/O with 16 channels of high-speed MIDI via breakout cable\u003c\/li\u003e\n\n\u003cli\u003eDIGICheck, RME's exclusive measurement and analysis tool\u003c\/li\u003e\n\n\u003cli\u003eHDSP Meter Bridge: freely scalable level meters, peak and RMS calculation directly in hardware\u003c\/li\u003e\n\n\u003cli\u003eTotalMix: 512-channel mixer with 40-bit internal resolution\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846604109,"sku":"RME9632","price":399.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/109500-large_default.jpg?v=1779946122"},{"product_id":"rme-hdspe-aio-scheda-audio-pci-express","title":"RME HDSPE AIO PCI Express sound card","description":"\u003ch2\u003ePCI express sound card\u003c\/h2\u003e\n\u003cp\u003eThe RME HDSPE AIO is an 'all-in-one' PCI express sound card with analog and digital connections.\u003cbr\u003eIt is probably the most versatile PCI Express audio interface on the market today, offering latest-generation 192 kHz AD and DA converters with a signal-to-noise ratio greater than 112 dB and, for the first time, all inputs and outputs simultaneously operational - including SPDIF (phono) and AES\/EBU (XLR).\u003cbr\u003eThe RME HDSPE AIO is to be considered the new PCI Express version of the award-winning HDSP 9632, with all the advantages provided by the new technology, mainly related to even more dynamic and flexible multi-track audio management, and even lower latency times.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e1 x Stereo Analog I\/O (192 kHz)\u003c\/li\u003e\n\n\u003cli\u003e1 x ADAT I\/O (up to 192 kHz via S\/MUX4)\u003c\/li\u003e\n\n\u003cli\u003e1 x SPDIF I\/O (192 kHz)\u003c\/li\u003e\n\n\u003cli\u003e1 x AES\/EBU I\/O (192 kHz)\u003c\/li\u003e\n\n\u003cli\u003e1 x MIDI I\/O\u003c\/li\u003e\n\n\u003cli\u003eTotalMix\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846636877,"sku":"RMEAIO","price":619.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/109501-large_default.jpg?v=1779946122"},{"product_id":"rme-hdspe-raydat-scheda-audio-pci-express","title":"RME HDSPe RayDAT PCI Express Audio Card","description":"\u003ch2\u003ePCI Express sound card\u003c\/h2\u003e\n\u003cp\u003eThe RME HDSPe RayDAT is a PCI Express sound card with 4 ADAT ports capable of managing 66 input and output channels! For the first time, all inputs and outputs are simultaneously operational, including SPDIF (phono) and AES\/EBU (XLR).\u003cbr\u003eThe RME HDSPe RayDAT is to be considered as the new PCI Express version of the award-winning HDSP 9652, with all the advantages provided by the new technology, mainly related to even more dynamic and flexible multi-track audio management, and even lower latency times.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e36 Inputs\/36 Outputs\u003c\/li\u003e\n\n\u003cli\u003e4 x ADAT I\/O (up to 192 kHz via S\/MUX4)\u003c\/li\u003e\n\n\u003cli\u003e1 x AES\/EBU I\/O (192 kHz)\u003c\/li\u003e\n\n\u003cli\u003e1 x SPDIF I\/O (192 kHz)\u003c\/li\u003e\n\n\u003cli\u003e2 x MIDI I\/O\u003c\/li\u003e\n\n\u003cli\u003eWord Clock I\/O\u003c\/li\u003e\n\n\u003cli\u003eTotalMix\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846669645,"sku":"RDHDRA","price":589.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/109503-large_default.jpg?v=1779946123"},{"product_id":"rme-octamic-xtc-preamplificatore-a-8-canali","title":"RME OCTAMIC XTC 8-Channel Preamp","description":"\u003ch2\u003e8-Channel Preamplifier\u003c\/h2\u003e\n\u003cp\u003eThe RME OCTAMIC XTC is an 8-channel preamplifier for microphones, line signals, and instruments with AD conversion up to 192KHz\/24bit and an AutoSet function.\u003cbr\u003eThe RME OCTAMIC XTC features a 4-channel DA converter for analog or digital monitoring, fully remote controllable via MIDI over USB, DIN port, and MADI.\u003cbr\u003eThe ADAT, AES, and optical MADI ports function as both outputs and inputs, configurable and easily routable from the front panel with its TFT display.\u003cbr\u003eAll of this makes the RME OCTAMIC XTC a complete and reliable digital signal converter.\u003cbr\u003eAll settings are saved and recalled from internal presets within the unit.\u003cbr\u003eOctaMic XTC integrates eight MIC\/LINE inputs, 4 switchable to Hi-Z, with a variety of digital formats never before seen in a device of this category: from the most common ADAT and AES\/EBU formats to the sophisticated 64-channel optical MADI. Analog signals are converted using RME's latest conversion technology.\u003cbr\u003eWhile maintaining the excellent sound and frequency response that have made the RME brand world-renowned, this preamp achieves imperceptible latency times and an excellent signal-to-noise ratio.\u003cbr\u003eThanks to the practical color TFT display, easily accessible configuration options reveal another unique feature: all analog and digital inputs, including up to 64 MADI channels and 8 AES\/EBU audio channels, can be freely assigned to any output - including the 24 channels of the USB 2.0 Class Compliant audio interface format.\u003cbr\u003eWhen connected via MIDI (DIN, MIDI over MADI, or USB) to an RME audio interface running TotalMix FX, the RME OCTAMIC XTC can be remotely controlled directly via TotalMix.\u003cbr\u003eThe perfect combination is the Fireface UFX paired with XTC.\u003cbr\u003eThe new RME OCTAMIC XTC, connected via ADAT to the UFX, can add 8 analog inputs and 4 analog outputs to RME's top-of-the-line interface. With 24 I\/O channels in Class Compliant mode, the RME OCTAMIC XTC is currently also the most flexible and advanced interface capable of working with an iPad (with the Apple Camera Connection Kit).\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e8 professional preamplifiers for microphones, instruments, and line signals\u003c\/li\u003e\n\n\u003cli\u003eNew A\/D converters\u003c\/li\u003e\n\n\u003cli\u003eDigital patchbay\u003c\/li\u003e\n\n\u003cli\u003eADAT\/AES\/MADI digital format converter\u003c\/li\u003e\n\n\u003cli\u003e64-channel MADI interface\u003c\/li\u003e\n\n\u003cli\u003e24 Bit \/ 192 kHz Digital Audio\u003c\/li\u003e\n\n\u003cli\u003eMIDI Remote Control\u003c\/li\u003e\n\n\u003cli\u003eUSB 2.0 Class Compliant Operation\u003c\/li\u003e\n\n\u003cli\u003eMonitoring and listening station\u003c\/li\u003e\n\n\u003cli\u003eFlexible audio interface for iPad®\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846702413,"sku":"RMEOMX","price":1999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/109505-large_default.jpg?v=1779946124"},{"product_id":"rme-wcm-scheda-word-clock-per-hdsp9632-e-aio","title":"RME WCM Word Clock Module for HDSP9632 and AIO","description":"\u003ch2\u003eWord Clock Card for HDSP9632 and AIO\u003c\/h2\u003e\n\u003cp\u003eThe RME WCM (Word Clock Module) is a card that adds a professional quality word clock input and output to DIGI96 series cards. An optimized low jitter PLL circuit, an integrated clock generator, and a unique test mode extend the powerful functionalities of our digital audio cards in a way that many professional users have requested.\u003cbr\u003eThanks to a newly designed input stage, the RME WCM achieves unsurpassed compatibility and reliability. LEDs for power, test mode, and LOCK clearly indicate what's happening.\u003cbr\u003eThe new and improved MKII module offers additional modes, controlled by simple DIP-switches. With these modes, the RME WCM is fully compatible with all currently used word clocks. Input and output can be set to single or double speed mode independently. It is also possible to activate an internal termination. Therefore, the T-connector and BNC terminator are no longer needed. The internal clock generator can operate not only at 44.1 kHz, but also at 48 kHz. Thanks to the single\/double mode of the input, these two sample rates extend to 44.1 kHz, 48 kHz, 88.2 kHz, and 96 kHz internally.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe module needs no driver and no slot on the main board\u003c\/li\u003e\n\n\u003cli\u003eLow jitter design: 2.5 ns typical in PLL mode (44.1 kHz)\u003c\/li\u003e\n\n\u003cli\u003ePLL operates flawlessly even with more than 40 ns of input jitter\u003c\/li\u003e\n\n\u003cli\u003eHigh sensitivity input stage works from 1 Vpp input level\u003c\/li\u003e\n\n\u003cli\u003eIgnores DC offsets in the word clock network\u003c\/li\u003e\n\n\u003cli\u003eOvervoltage protection on input and output\u003c\/li\u003e\n\n\u003cli\u003eShort-circuit protected output stage\u003c\/li\u003e\n\n\u003cli\u003eIntegrated clock generator, usable as master clock or for test purposes\u003c\/li\u003e\n\n\u003cli\u003eInternal clock switchable: 44.1 kHz, 48 kHz, 88.2 kHz, and 96 kHz\u003c\/li\u003e\n\n\u003cli\u003ePLL frequency range: 27 kHz - 102 kHz\u003c\/li\u003e\n\n\u003cli\u003eOutput frequency range: 27 kHz - 102 kHz\u003c\/li\u003e\n\n\u003cli\u003eBNC input, switchable high impedance (10 kOhm) or terminated (75 Ohm)\u003c\/li\u003e\n\n\u003cli\u003eBNC output, low impedance (10 Ohm)\u003c\/li\u003e\n\n\u003cli\u003ePower supply: from DIGI96 card, 12 V DC, 45 mA\u003c\/li\u003e\n\n\u003cli\u003eStandard slot, board dimensions 97 x 55 mm\u003c\/li\u003e\n\n\u003cli\u003e4 internal cables included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846735181,"sku":"RMEWCH","price":123.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/109513-large_default.jpg?v=1779946124"},{"product_id":"ai4s-192-aio","title":"RME AI4S-192\/AIO Analog Expansion Board for HDSP 9632 and HDSPe AIO","description":"\u003ch2\u003eAnalog expansion board for HDSP 9632 and HDSPe AIO\u003c\/h2\u003e\n\u003cp\u003eThe RME AI4S-192\/AIO is an analog expansion board for HDSP 9632 and HDSPe AIO, designed as a bracket with 4 stereo TRS jack outputs each. This allows for a maximum of 6 outputs (including the card's stereo I\/O).\u003cbr\u003eThe RME AI4S-192\/AIO offers the same performance as the HDSPe AIO's integrated stereo analog I\/O: up to 192 kHz, balanced connection, and a choice of three different reference levels, selected in the Settings dialog.\u003c\/p\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846767949,"sku":"AI4S","price":202.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/109514-large_default.jpg?v=1779946125"},{"product_id":"rme-ao4s-192aio-scheda-di-espansione-analogica-per-hdsp-9632-and-hdspe-aio","title":"RME AO4S-192\/AIO Analog Expansion Board for HDSP 9632 and HDSPe AIO","description":"\u003ch2\u003eAnalog Expansion Board for HDSP 9632 and HDSPe AIO\u003c\/h2\u003e\n\u003cp\u003eRME AO4S-192\/AIO is an analog expansion board for HDSP 9632 and HDSPe AIO, designed as a bracket with 4 stereo TRS jacks each. With this, a maximum of 6 inputs (including the stereo I\/O of the card) can be achieved.\u003cbr\u003eRME AO4S-192\/AIO offers the same performance as the integrated stereo analog I\/Os of HDSPe AIO: up to 192 kHz, balanced connection, and a choice of three different reference levels, selected in the Settings dialog box.\u003c\/p\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846800717,"sku":"AO4S","price":202.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/109515-large_default.jpg?v=1779946126"},{"product_id":"rme-brkmi","title":"RME BRKMI MIDI breakout cable","description":"\u003ch2\u003eMIDI Breakout Cable\u003c\/h2\u003e\n\u003cp\u003eRME BRKMI is a Mini Din to 4 MIDI breakout cable for HDSP9652 and HDSP MADI.\u003c\/p\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993846833485,"sku":"BRKMI","price":34.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/124788-large_default.jpg?v=1779946126"},{"product_id":"rme-adi-6432-r-redundant","title":"RME ADI-6432 R Redundant Converter with Redundant Power Supply","description":"\u003ch2\u003e64-channel MADI\u0026lt;\u0026gt;AES\/EBU format converter with redundant power supply\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe RME ADI-6432 Redundant is identical to the ADI-6432 but can be connected to two different electrical circuits. If one of these fails, the ADI-R 6432 will continue to operate without interruption. The RME ADI-6432 offers 64 channels of MADI to AES and AES to MADI conversion. Typical applications include two ADI-6432 units used as a digital multicore, or one unit used as an AES\/EBU front-end for the Hammerfall DSP MADI PCI card. It supports up to 192 kHz at 24-bit and has a 2U rack format to provide enough space for all connectors and control elements. MADI handles 64 audio channels at 24-bit at a sample rate up to 48 kHz, 32 channels up to 96 kHz, and 16 channels up to 192 kHz. All channels are transferred through a single cable, either coaxial (BNC) or optical network. In both cases, cables up to 100 meters long can be used. The AES\/EBU channels are provided as 32 AES\/EBU inputs and outputs via D-sub connectors. The ADI-6432 accepts 56 and 64 channels as well as 96k frames at the input, and can be set to generate these formats at the output.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eSupport for frequencies up to 192 kHz with MADI and AES\u003c\/li\u003e\n\n\u003cli\u003eFully remote controllable via MIDI\u003c\/li\u003e\n\n\u003cli\u003eMIDI data transfer via MADI\u003c\/li\u003e\n\n\u003cli\u003eSteadyClock technology for maximum jitter reduction and clock regeneration\u003c\/li\u003e\n\n\u003cli\u003e1x MADI I\/O (optical and coaxial)\u003c\/li\u003e\n\n\u003cli\u003e32x AES\/EBU I\/O (2 x 4 SUB-D)\u003c\/li\u003e\n\n\u003cli\u003e1x MIDI I\/O\u003c\/li\u003e\n\n\u003cli\u003eCom-Port I\/O (RS-232)\u003c\/li\u003e\n\n\u003cli\u003eWord Clock I\/O\u003c\/li\u003e\n\n\u003cli\u003eRedundant power supply\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993847226701,"sku":"RMEAD6R","price":3579.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78546-large_default.jpg?v=1779946134"},{"product_id":"rme-hdspe-madi-fx","title":"RME HDSPE MADI FX - PCI EXPRESS CARD 3 MADI CHANNELS WITH EFFECTS","description":"\u003ch2\u003e3-CHANNEL MADI PCI EXPRESS CARD WITH EFFECTS\u003c\/h2\u003e\u003cp\u003eThe new RME PCI Express HDSPe MADI FX interface represents a true revolution in the audio interface sector. Until now, no similar system existed in terms of performance and number of channels (390!). Three MADI I\/Os - two optical and one coaxial - an AES\/EBU I\/O, and an analog output for monitoring. The equipment is completed by 4 MIDI I\/Os and a Word Clock connection. Like all RME cards, the technology and connections are integrated into an extremely compact solution. Only one free PCIe slot on the motherboard and another free slot on the computer case are required. To guarantee the low-latency performance characteristic of RME interfaces, the HDSPe MADI FX utilizes the brand new, high-tech modular Hammerfall Pro Audio Core system. The new core is capable of processing up to 3 times more channels than the previous generation of RME MADI.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul class=\"listbullet\"\u003e\n\u003cli\u003ePCI Express interface\u003c\/li\u003e\n\u003cli\u003eChannels: 194 input \/ 196 output = 390 channels\u003c\/li\u003e\n\u003cli\u003e3 x MADI I\/O (2 x optical + 1 x coaxial)\u003c\/li\u003e\n\u003cli\u003eAES\/EBU I\/O (via breakout cable)\u003c\/li\u003e\n\u003cli\u003e3 x virtual MIDI I\/O on MADI input\u003c\/li\u003e\n\u003cli\u003e1 x MIDI I\/O via 5-pin DIN (breakout cable)\u003c\/li\u003e\n\u003cli\u003eStereo Analog Output\u003c\/li\u003e\n\u003cli\u003eWord Clock I\/O\u003c\/li\u003e\n\u003cli\u003eTotalMix FX with 192 kHz effects engine\u003c\/li\u003e\n\u003cli\u003eSample rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz, variable (Sync\/word clock)\u003c\/li\u003e\n\u003cli\u003eSample rate range: MADI: 32 kHz - 96 kHz, word clock: 27 kHz - 200 kHz\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993848013133,"sku":"RMEMFX","price":1549.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78438-large_default.jpg?v=1779946149"},{"product_id":"rme-hdspe-opto-x","title":"RME HDSPe Opto-X Expansion Board for HDSPe MADI FX","description":"\u003ch2\u003eExpansion Board for HDSPe MADI FX with Optical MADI Output\u003c\/h2\u003e\n\u003cp\u003eOPTO-X is an optional expansion board for the HDSPe MADI FX interface. Just like the included expansion board, OPTO-X has a Word Clock I\/O and a D-Sub connector for MIDI and AES\/EBU I\/O. OPTO-X allows you to replace the coaxial MADI connections of the HDSPe MADI FX with optical connections. With the OPTO-X, the HDSPe MADI FX becomes a MADI interface with 3 optical MADI I\/Os.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e1x MADI I\/O Optical\u003c\/li\u003e\n\n\u003cli\u003e1x MIDI I\/O via D-sub\u003c\/li\u003e\n\n\u003cli\u003e1x AES I\/O via D-sub\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993848242509,"sku":"RMEOPT","price":399.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78554-large_default.jpg?v=1779946157"},{"product_id":"rme-madiface-usb","title":"RME MADIFACE USB 64-Channel MADI Audio Interface","description":"\u003ch2\u003e64-Channel MADI Audio Interface\u003c\/h2\u003e\u003cp\u003eThe RME MADIFACE USB is a 64-channel MADI audio interface that can be used as a mixer, router, format converter, stream splitter, or signal repeater. It can be used for redundancy, automatic failover, and even to create ultra-low latency mixes between optical, coaxial, and USB 2.0 audio inputs.\u003cbr\u003eThe RME MADIFACE USB provides MADI I\/O over USB 2.0, supporting the format's full 64 channels for recording and playback on both Mac and Windows. Both inputs can be used for full redundancy operation. Optionally, both MADI I\/Os can be used simultaneously for full access to 128 input and output channels, mixed and routed by TotalMix. Even without a computer, it offers an extraordinary bidirectional format converter and active repeater functionality.\u003cbr\u003eIts robust, bus-powered design makes it as easy to use as it is reliable in operation. The RME MADIFACE USB is both MADI portability at its best, and a perfect desktop solution for connecting MADI equipment to any Mac and PC. A true gem in terms of flexibility, utility, and trouble-free operation, as expected from RME.\u003cbr\u003eThe RME MADIFACE USB offers several operating modes when used with a Mac or Windows computer: 64 Channel Mix, Redundancy mode, 128 Channel Mix, and a direct routing mode. The Disable TotalMix option completely disables TotalMix, the unit's flexible internal mixer and routing matrix. All input and output data goes directly to recording\/comes from playback, with no mixing or routing involved. In this mode, outputs mirror each other, carrying the same signal. In 64-Channel Mix mode, TotalMix shows 64 input, playback, and output channels. All settings in TotalMix use data from one MADI input port and send identical data to both MADI output ports. The currently active MADI input port can be configured in the Settings dialog. The AutoSelect option enables automatic input selection. By using both inputs simultaneously, AutoSelect puts the device into Seamless Redundancy mode. The RME MADIFACE USB will switch to the other input in real-time if the current one fails. In 128 Channel Mix mode, recording and playback are still limited to 64 channels, with the current input selected in the Settings dialog. But the other input is also available via TotalMix, and the output signal is not mirrored but separate, with TotalMix having 128 output channels. Applications like independent mix output, monitoring, and serial pass-through of the second source are just a few clicks away.\u003cbr\u003eSteadyClock and RME's well-known MADI compatibility ensure trouble-free operation with other devices. MIDI over MADI technology can be used to remotely control other MADI devices.\u003cbr\u003eThe RME MADIFACE USB comes with RME's exclusive software package for measuring, testing, and analyzing digital audio streams. On Mac OS X, it provides unique spectral analysis functions and features from hardware-calculated data to sophisticated multi-channel level meters. On Windows, an additional multi-track recorder and playback data visualization from audio software are also available.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eInputs\/Outputs: 2 MADI I\/O, optical and coaxial (BNC)\u003c\/li\u003e\n\u003cli\u003eMIDI Input and Output: Via virtual MIDI port\u003c\/li\u003e\n\u003cli\u003eClock Modes: Master (internal) and Slave (MADI input)\u003c\/li\u003e\n\u003cli\u003eSample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz, variable (Sync\/DDS)\u003c\/li\u003e\n\u003cli\u003eJitter: \u0026lt; 1 ns, internal and all inputs\u003c\/li\u003e\n\u003cli\u003eJitter Sensitivity: PLL works even at 100 ns jitter\u003c\/li\u003e\n\u003cli\u003eSeamless redundancy operation with both inputs\u003c\/li\u003e\n\u003cli\u003eTotalMix: 2048-channel mixer with 48-bit internal resolution\u003c\/li\u003e\n\u003cli\u003eTotalMix: Latency-free submixes and perfect ASIO direct monitoring\u003c\/li\u003e\n\u003cli\u003eInterface: USB 2.0, bus-powered\u003c\/li\u003e\n\u003cli\u003eComes with DIGICheck, RME's ultimate measurement, analysis, and testing tool\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993848537421,"sku":"RMEMAU","price":738.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/145621-large_default.jpg?v=1779946164"},{"product_id":"rme-madi-router","title":"RME MADI Router Patch bay and MADI format converter","description":"\u003ch2\u003eMADI patch bay and format converter with 4 MADI groups with presets\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eThe MADI Router is the first device RME is making available for its renewed Premium Line, with a wide range of top-tier products for multichannel digital transmission and conversion. The MADI Router features four groups with three different MADI I\/Os each and is used as a patch bay and format converter, making it absolutely indispensable for anyone working with the MADI protocol. Aside from perfect signal distribution quality, the MADI Router, compared to the award-winning MADI Bridge, allows the creation of output signals with combinations of audio channels from different MADI inputs. The MADI protocol (Multichannel Audio Digital Interface) has been globally defined by the AES and allows managing up to 64 channels at 24-bit with a frequency of 48 kHz or, alternatively, 32 channels at 24-bit and 96 kHz. One of the main innovations is the new RJ45 connector, which allows the use of standard Ethernet network cables for data transmission, previously only possible via a single coaxial cable with BNC connectors or on fiber optics. Now, with traditional network cables, cables up to 100m can be used, allowing for the first time audio transmission between two devices via a single cable and, not insignificantly, a considerable reduction in cabling costs.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e12 bridged MADI streams\u003c\/li\u003e\n\n\u003cli\u003e4 composite MADI streams\u003c\/li\u003e\n\n\u003cli\u003eOn-screen routing in 8-channel groups\u003c\/li\u003e\n\n\u003cli\u003e12 MADI ports (4x optical, 4x coaxial, 4x twisted pair)\u003c\/li\u003e\n\n\u003cli\u003eRedundant power supplies\u003c\/li\u003e\n\n\u003cli\u003eWord Clock I\/O\u003c\/li\u003e\n\n\u003cli\u003eRME redundant mode support\u003c\/li\u003e\n\n\u003cli\u003eUSB connector for firmware updates and preset storage\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eWidth: 440 mm\u003c\/li\u003e\n\n\u003cli\u003eHeight: 44 mm\u003c\/li\u003e\n\n\u003cli\u003eDepth: 240 mm\u003c\/li\u003e\n\n\u003cli\u003eWeight: 2.8kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993848602957,"sku":"RMEMAR","price":3199.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78560-large_default.jpg?v=1779946165"},{"product_id":"rme-quadmic-ii","title":"RME QUADMIC II 4-channel microphone preamplifier","description":"\u003ch2\u003e4-channel microphone preamplifier\u003c\/h2\u003e\u003cp\u003eThe RME QUADMIC II is a 4-channel microphone preamplifier ideal for recording studios and professional recordists. Excellent signal-to-noise ratio, even lower harmonic distortion, and a wide gain range, combined with the option of battery power, make the RME QUADMIC II the perfect choice for location recording and direct recording applications. Each of the 4 channels has a microphone and line input via Neutrik XLR\/TRS Combo, 48V phantom power, polarity inversion, and a low-cut filter. Furthermore, each channel has an LED system to indicate signal presence, clipping, and 48V activation. \u003cbr\u003eThe gain is between 6 and 60dB, making it usable with any source.\u003cbr\u003eOn the rear there are 4 analog line outputs in 6.3 mm TRS jack format.\u003cbr\u003eThe maximum output level (both balanced and unbalanced) is +21 dBu, perfectly compatible with RME interfaces and converters equipped with analog inputs.\u003cbr\u003eThe RME QUADMIC II adds 4 more microphone preamplifiers to any system where high quality and portability are required: in fact, by accepting supply voltages from 9 to 18V DC, it can be powered by any energy source, including batteries and rechargeable batteries.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003ePower supply: Supply voltage between 9 and 18V DC\u003c\/li\u003e\n\u003cli\u003eWorks with virtually any DC transformer, including rechargeable batteries.\u003c\/li\u003e\n\u003cli\u003eSwitching power supply included, 100-240 Volt\u003c\/li\u003e\n\u003cli\u003eMax. input level XLR: +15 dBu\u003c\/li\u003e\n\u003cli\u003eMax. input level TRS: +21 dBu\u003c\/li\u003e\n\u003cli\u003eMax. output level: +21 dBu\u003c\/li\u003e\n\u003cli\u003eSNR: 129 dB EIN @ 150 Ohm\u003c\/li\u003e\n\u003cli\u003eTHD: \u0026lt; 0.0005% @ 30 dB Gain\u003c\/li\u003e\n\u003cli\u003eFrequency response: 5 Hz - 200 kHz, - 0.5 dB\u003c\/li\u003e\n\u003cli\u003eHigh-pass filter at 80 Hz, 18 dB\/oct\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993848635725,"sku":"RMEQM2","price":617.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/145630-large_default.jpg?v=1779946166"},{"product_id":"octamic-ii","title":"RME OCTAMIC II 8-Channel Microphone Preamplifier","description":"\u003ch2\u003e8-Channel Microphone Preamp\u003c\/h2\u003e\n\u003cp\u003eThe RME OCTAMIC II is an 8-channel Hi-end microphone preamp providing 8-channel 192 kHz \/ 24 bit AD conversion with a combination of sophisticated components and approved RME technology.\u003cbr\u003eThe RME OCTAMIC II offers 8 balanced XLR mic\/line inputs via Neutrik XLR\/TRS combo jacks. Each channel contains switches for 48V phantom power, a low cut filter and phase inversion. The amplification can be set between 6 and 60 dB. LEDs for signal, clip and activated phantom power provide a full overview of the unit's status. When the special Clip Hold mode is active, any detected clip status will cause the corresponding LED to flash once per second. With this, the user gets a long-term peak detection and no longer needs to constantly watch the LEDs. At the same time momentary overloads are still displayed correctly.\u003cbr\u003eFrontside switches include power on\/off and output level, for a choice of -10 dBV, +4 dBu or Hi Gain (+19 dBu) as reference level. This unusual feature offers two advantages. Firstly, the reference level can easily be switched to match any current interface device from RME, from HDSP 9632 to Multiface up to the famous ADI-8 series converters. Secondly, the signal to noise ratio is optimized, and the Clip-LED will exactly match those of the ADI-8 (2 dB below 0 dBFS).\u003cbr\u003eThe balanced line level output signal is available on the rear of the unit via 8 stereo TRS jacks. The special developed internal high performance switching power supply enables the RME OCTAMIC II to operate within the range of 100 V to 240 V AC. It is short-circuit-proof, has an integrated line filter, is fully regulated against voltage fluctuations, and suppresses mains interference.\u003cbr\u003eThe RME OCTAMIC II's 8-channel AD conversion operates at up to 192 kHz. The digitalized signal is simultaneously available on the dual ADAT output (S\/MUX, up to 96 kHz) and on a DB-25 connector (4 AES\/EBU outputs, up to 192 kHz). The digital part can be synchronized internally (master) and externally via word clock, AES\/EBU and SPDIF.\u003cbr\u003eRME's outstanding SteadyClock(TM) ensures perfect AD conversion, as jitter on external sync sources is almost completely removed. All settings are made via DIP-switches on the rear of the RME OCTAMIC II. The analog outputs and both digital outputs operate simultaneously. The choice of reference level affects the analog outputs only, signal\/clip indication and AD conversion will only react to the gain potentiometers.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e8 balanced XLR\/TRS mic\/line inputs\u003c\/li\u003e\n\n\u003cli\u003eGain range: 54 dB\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: XLR 2 kOhm, TRS 5 kOhm\u003c\/li\u003e\n\n\u003cli\u003eAnalog Input Level: -40 dBu up to +21 dBu\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output Level: +21 dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 75 Ohms\u003c\/li\u003e\n\n\u003cli\u003eSwitchable output level: Hi Gain \/ +4 dBu \/ -10 dBV\u003c\/li\u003e\n\n\u003cli\u003eSignal to Noise Ratio (SNR): 129 dB EIN @ 150 Ohms\u003c\/li\u003e\n\n\u003cli\u003eTHD: \u0026lt; 0.0005 % @ 30 dB Gain\u003c\/li\u003e\n\n\u003cli\u003eWide frequency range (200 kHz) with special EMI input filter\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response -0.5 dB: 5 Hz - 200 kHz\u003c\/li\u003e\n\n\u003cli\u003eHigh-pass filter: 80 Hz, 18 dB\/Oct.\u003c\/li\u003e\n\n\u003cli\u003eLine Out: 1\/4\" TRS (6.3 mm stereo jack), servo-balanced\u003c\/li\u003e\n\n\u003cli\u003ePhantom power: +48 Volt switchable per channel\u003c\/li\u003e\n\n\u003cli\u003eInternal wide-range switching power supply 100-240 Volt AC\u003c\/li\u003e\n\n\u003cli\u003eAD conversion\u003c\/li\u003e\n\n\u003cli\u003eSNR: \u0026gt;110 dB(A)\u003c\/li\u003e\n\n\u003cli\u003eSupported sample rates: 28 kHz - 200 kHz\u003c\/li\u003e\n\n\u003cli\u003eTHD: \u0026lt; 0.0003 %, \u0026lt; -110 dB\u003c\/li\u003e\n\n\u003cli\u003eSync Sources: AES\/EBU (also coaxial SPDIF), word clock, internal\u003c\/li\u003e\n\n\u003cli\u003eSteadyClock(TM) ensures best sound quality even with nervous external clocks\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993848668493,"sku":"RMEOM2","price":1444.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/145613-large_default.jpg?v=1779946167"},{"product_id":"rme-fireface-802-interfaccia-audio-usbfw-30-canali","title":"RME Fireface 802 USB\/FW Audio Interface 30 channels","description":"\u003ch3\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eFor about 10 years, RME's Fireface 800 represented the absolute top in the range of professional audio interfaces, with an unlimited number of awards and recognitions, becoming an absolute standard for its excellent quality. Over these 10 years, RME naturally did not cease development and introduced the first professional USB audio interface, the Fireface UC, followed by the Fireface UFX and UCX, with FireWire and USB connections for maximum flexibility. The Fireface 802 was created to renew the Fireface 800 without altering the features that made this interface a global success, integrating the functionalities introduced by the cutting-edge interfaces developed by the German brand over the last 10 years.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e30 Input \/ 30 Output\u003c\/li\u003e\n\n\u003cli\u003e12 x Analog I\/O\u003c\/li\u003e\n\n\u003cli\u003e4 x Mic\/Instrument Preamp, classic technology\u003c\/li\u003e\n\n\u003cli\u003e1 x AES\/EBU I\/O\u003c\/li\u003e\n\n\u003cli\u003e2 x ADAT I\/O (or 1 x ADAT I\/O plus 1 x SPDIF I\/O optical)\u003c\/li\u003e\n\n\u003cli\u003e1 x Word Clock I\/O\u003c\/li\u003e\n\n\u003cli\u003e1 x MIDI I\/O\u003c\/li\u003e\n\n\u003cli\u003eFireWire and USB\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993849028941,"sku":"RMEFF8","price":1789.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/35399-large_default.jpg?v=1779946173"},{"product_id":"rme-dmc-842-m","title":"RME DMC-842 M 8-Channel AES-42 Interface with MADI I64 included","description":"\u003ch2\u003e8-channel AES-42 Interface and Digital Microphone Controller with MADI I64 interface included\u003c\/h2\u003e\u003cp\u003eThe DMC-842 is both an 8-channel AES42 interface and a digital microphone controller. The DMC-842 supports the AES42 standard, can be remotely controlled via PC software via MIDI or MIDI over MADI, and integrates ADAT SMUX, AES\/EBU, MADI connections, and analog outputs. MADI I64 card included.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFully AES42 compliant\u003c\/li\u003e\n\u003cli\u003e8 AES42 XLR Inputs (AES3 compatible)\u003c\/li\u003e\n\u003cli\u003e8 balanced XLR line outputs\u003c\/li\u003e\n\u003cli\u003eSelectable 24-bit sample rate conversion per input\u003c\/li\u003e\n\u003cli\u003eSwitchable Digital Phantom Power per input\u003c\/li\u003e\n\u003cli\u003eSupports Mode 1 and Mode 2\u003c\/li\u003e\n\u003cli\u003e63dB Gain Range per channel, even in asynchronous Mode 1\u003c\/li\u003e\n\u003cli\u003e13-LED level meter per channel\u003c\/li\u003e\n\u003cli\u003eM\/S Encoding\/Decoding\u003c\/li\u003e\n\u003cli\u003e4x AES\/EBU OUT via D-sub, 8 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003e2x ADAT Out, 8 Channels @ 96 kHz\u003c\/li\u003e\n\u003cli\u003eMADI I64 Card included for serial daisy-chaining, digital\/analog return path\u003c\/li\u003e\n\u003cli\u003eMIDI I\/O\u003c\/li\u003e\n\u003cli\u003eWord clock I\/O\u003c\/li\u003e\n\u003cli\u003eFully remote controllable\u003c\/li\u003e\n\u003cli\u003eFuture-proof with flash updates\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993849061709,"sku":"RMEDMM","price":4119.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78532-large_default.jpg?v=1779946175"},{"product_id":"rme-babyface-pro-interfaccia-audio-usb-24-canali","title":"Rme Babyface Pro USB 24-Channel Audio Interface","description":"\u003ch2\u003e\u003cstrong\u003e24-Channel USB Audio Interface - 192 kHz\/24 bit\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eCrafted from a single solid aluminum block, this portable professional audio interface integrates completely redesigned analog and digital circuits and new power-saving technologies that ensure optimal quality in all conditions.\u003c\/p\u003e\n\u003cp\u003eThe first difference that is immediately evident compared to the previous version of the Babyface (now discontinued) is the 'on board' availability of all main connections, eliminating the need for the external breakout cable, which was not always practical and functional. For the main inputs and outputs, RME has designed a new XLR socket that integrates perfectly into the chassis, allowing for good space saving. The two headphone outputs, one with a mini jack connector and one parallel TRS, guarantee an optimal signal level for every situation, regardless of the headphones used.\u003c\/p\u003e\n\u003cp\u003eThe two onboard digitally controlled preamplifiers feature individually selectable 48V phantom power: these brand new circuits offer up to 70 dB of gain, adjustable in 3 dB steps, with a relay-based PAD that ensures an exceptional level of EIN (Equivalent Input Noise), as well as overload protection and optimal gain even for microphones with low signal levels.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e• 24-Channel 192 kHz USB-powered\u003c\/p\u003e\n\u003cp\u003e• 12 Inputs and 12 Outputs\u003c\/p\u003e\n\u003cp\u003e• 4 x Analog Inputs (Mic, Line, Instrument)\u003c\/p\u003e\n\u003cp\u003e• 4 x Analog Outputs (2 x XLR, 2 x Headphone)\u003c\/p\u003e\n\u003cp\u003e• 1 x ADAT I\/O or 1 x SPDIF I\/O optical\u003c\/p\u003e\n\u003cp\u003e• 1 x MIDI I\/O\u003c\/p\u003e\n\u003cp\u003e• 1 x USB 2.0 (USB 3 compatible)\u003c\/p\u003e\n\u003cp\u003e• Digital Gain Control on all inputs\u003c\/p\u003e\n\u003cp\u003e• Separate outputs for high and low impedance headphones\u003c\/p\u003e\n\u003cp\u003e• TotalMix FX (with EQ, Reverb, Delay)\u003c\/p\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993849618765,"sku":"RMEBFP","price":822.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/36165-large_default.jpg?v=1779946185"},{"product_id":"rme-fireface-ufx-scheda-audio-thunderboltusb-30","title":"RME FIREFACE UFX+ Audio Interface Thunderbolt\/USB 3.0","description":"\u003ch2\u003eThunderbolt\/USB 3.0 Audio Interface\u003c\/h2\u003e\n\u003cp\u003eThe RME FIREFACE UFX+ is a 12-channel Thunderbolt\/USB 3.0 audio interface.\u003cbr\u003eThe RME FIREFACE UFX+ is the first RME audio interface to utilize Thunderbolt and USB 3 connections.\u003cbr\u003eThe RME FIREFACE UFX+ was designed to become the nerve center of any studio or live production situation, with the ability to manage a very high number of channels.\u003cbr\u003eWith an even wider range of options for connectivity and compatibility, the inclusion of DURec (Direct USB Recording) technology, and the combination of RME hardware and drivers that have always guaranteed extremely low latency, the RME FIREFACE UFX+ takes the quality and reliability of a product in this category to a new level.\u003cbr\u003eThe RME FIREFACE UFX+ features capabilities not present in previous models, including MADI connectivity (both optical and coaxial), which brings the total number of channels that can be managed by the interface to 188 in and out (128 more channels than the Fireface UFX). Additionally, a new DSP engine for zero-latency routing is integrated, as are new effects and dynamic processors for all channels.\u003cbr\u003eThe RME FIREFACE UFX+ provides USB 3.0 and Thunderbolt connections and the option to use the new optional ARC USB remote control.\u003cbr\u003eIt is, of course, compatible with both Mac OS X® and Windows®, with hot-plugging functionality.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eChannels: 94 Input \/ 94 Output\u003c\/li\u003e\n\n\u003cli\u003e12x Analog I\/O\u003c\/li\u003e\n\n\u003cli\u003e4x Mic\/Instrument Preamps, digitally controlled\u003c\/li\u003e\n\n\u003cli\u003e1x AES\/EBU I\/O\u003c\/li\u003e\n\n\u003cli\u003e2x ADAT I\/O (or 1x ADAT I\/O plus 1x Optical SPDIF I\/O)\u003c\/li\u003e\n\n\u003cli\u003e1x Word Clock I\/O, MADI Coaxial\u003c\/li\u003e\n\n\u003cli\u003e1x MADI optical I\/O\u003c\/li\u003e\n\n\u003cli\u003e2x MIDI I\/O\u003c\/li\u003e\n\n\u003cli\u003e1x Thunderbolt connectivity\u003c\/li\u003e\n\n\u003cli\u003e1x USB 3.0\u003c\/li\u003e\n\n\u003cli\u003eTotalMix FX\u003c\/li\u003e\n\n\u003cli\u003eAdvanced Remote Control USB (optional)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993861906765,"sku":"RMEFUP","price":2689.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/110677-large_default.jpg?v=1779946458"},{"product_id":"rme-premium-line-madiface-pro","title":"RME MADIFace Pro MADI USB 2\/3 Audio Interface 68 In\/Out, 4 Mic\/Line Analog In\/Out","description":"\u003ch2\u003eMADI USB 2\/3 68 In\/Out, 4 Mic\/Line Analog In\/Out Card\u003c\/h2\u003e\n\u003cp\u003eThe RME MADIFace Pro is an audio interface with \u003cspan\u003e64 channels of pristine audio over a single cable and an interface that fits in your laptop bag along with your computer. Thanks to its physical design and versatile I\/O, the MADIface Pro is the ideal mobile solution when quality audio is paramount. As well as for remote, live, broadcast and industrial applications, the MADIface Pro is also the complete studio solution. Optical MADI I\/Os offer 64 input and output channels and sample rates up to 192 kHz. It is fully supported in TotalMix FX, with analog I\/Os simultaneously available, resulting in 68 input and 68 output channels via USB2.0. To address increased power demands, RME has implemented a delayed MADI transceiver startup on power-up, and the ability to temporarily disable it when not needed. The MADIface Pro includes an external power supply with a locking connector.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eHousing milled from a single block of aluminum\u003c\/li\u003e\n\n\u003cli\u003eIntuitive and efficient user interface\u003c\/li\u003e\n\n\u003cli\u003eThreaded microphone stand mount on the bottom\u003c\/li\u003e\n\n\u003cli\u003eAll settings can be changed in real-time\u003c\/li\u003e\n\n\u003cli\u003eBuffer sizes \/ latencies from 32 to 8192 samples selectable\u003c\/li\u003e\n\n\u003cli\u003e64 channels via optical MADI\u003c\/li\u003e\n\n\u003cli\u003eClock slave and master modes\u003c\/li\u003e\n\n\u003cli\u003eAutomatic and intelligent clock control \/ master-slave\u003c\/li\u003e\n\n\u003cli\u003eSteadyClock: Jitter-immune, super-stable digital clock\u003c\/li\u003e\n\n\u003cli\u003eDDS technology for free sample rate setting\u003c\/li\u003e\n\n\u003cli\u003eSyncAlign guarantees sample-aligned and never swapped channels\u003c\/li\u003e\n\n\u003cli\u003eSyncCheck tests and reports the sync status of input signals\u003c\/li\u003e\n\n\u003cli\u003eTotalMix for latency-free submixes and perfect ASIO Direct Monitoring\u003c\/li\u003e\n\n\u003cli\u003eTotalMix: 9248 mixer channels with 46-bit internal resolution\u003c\/li\u003e\n\n\u003cli\u003eTotalMix FX: 3-band EQ, Low Cut, Reverb, Echo\u003c\/li\u003e\n\n\u003cli\u003e1x MIDI I\/O, 16 high-speed MIDI channels\u003c\/li\u003e\n\n\u003cli\u003e1x virtual MIDI port on MADI\u003c\/li\u003e\n\n\u003cli\u003e2x Digitally controlled microphone inputs of reference quality\u003c\/li\u003e\n\n\u003cli\u003e2x Balanced line outputs, +19dBu level\u003c\/li\u003e\n\n\u003cli\u003e1x Headphone output with separate driver stages for high and low impedance headphones\u003c\/li\u003e\n\n\u003cli\u003eDIGICheck DSP hardware level meter, peak and RMS calculation\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993862201677,"sku":"RMEMFP","price":999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78572-large_default.jpg?v=1779946466"},{"product_id":"rme-digiface-usb-interfacce-audio-usb","title":"RME DIGIFACE USB Audio Interfaces","description":"\u003ch2\u003eUSB Audio Interfaces\u003c\/h2\u003e\n\u003cp\u003eRME DIGIFACE USB is an extremely compact and portable digital audio interface with 4 optical ADAT\/SPDIF I\/O and a high-quality analog line\/phono output via a 6.3mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I\/O interface with phono and PCI interface, the RME DIGIFACE USB simplifies connection with USB 2, requires no external power supply, and also adds another optical I\/O, resulting in 32 input and output channels each when using optical ADAT.\u003cbr\u003eThe analog output accommodates channels 33\/34 and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows almost no routing and mixing limits (the Digiface USB does not include FX).\u003cbr\u003eEvery single optical port can use ADAT (up to 8 channels) or SPDIF (stereo). While the inputs automatically adapt to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. SMUX and SMUX4 are supported. Therefore, at 192 kHz, 8 channels are possible via 4 x SPDIF or ADAT on both inputs and outputs.\u003cbr\u003eIts small size, light weight, and bus-powered operation make the RME DIGIFACE USB extremely versatile and useful.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ch4\u003eOptical ADAT\/SPDIF Input\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003e4 TOSLINK, format according to Alesis specifications\u003c\/li\u003e\n\n\u003cli\u003eCompatible with SPDIF (IEC 60958)\u003c\/li\u003e\n\n\u003cli\u003eStandard: 32 channels 24-bit, up to 48 kHz\u003c\/li\u003e\n\n\u003cli\u003eDouble Speed (S\/MUX): 16 channels 24-bit 96 kHz\u003c\/li\u003e\n\n\u003cli\u003eQuad Speed (S\/MUX4): 8 channels 24-bit 192 kHz\u003c\/li\u003e\n\n\u003cli\u003eBitclock PLL ensures perfect synchronization even in vari-speed operation\u003c\/li\u003e\n\n\u003cli\u003eLock range: 31.5 kHz - 50 kHz\u003c\/li\u003e\n\n\u003cli\u003eJitter when synchronized to input signal: \u0026lt;1 ns\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eOptical ADAT\/SPDIF Output\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003e4 TOSLINK, format according to Alesis specifications\u003c\/li\u003e\n\n\u003cli\u003eCompatible with SPDIF (IEC 60958)\u003c\/li\u003e\n\n\u003cli\u003eStandard: 32 channels 24-bit, up to 48 kHz\u003c\/li\u003e\n\n\u003cli\u003eDouble Speed (S\/MUX): 16 channels 24-bit 96 kHz\u003c\/li\u003e\n\n\u003cli\u003eQuad Speed (S\/MUX4): 8 channels 24-bit 192 kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eAnalog Headphone Output 33\/34\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eDynamic Range (DR): 110 dB RMS unweighted, 113 dBA\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response at 44.1 kHz, -0.5 dB: 0 Hz - 20.8 kHz\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response at 96 kHz, -0.5 dB: 0 Hz - 45 kHz\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response at 192 kHz, -1 dB: 0 Hz - 89 kHz\u003c\/li\u003e\n\n\u003cli\u003eTHD @ -1dBFS: -96dB, 0.0016%\u003c\/li\u003e\n\n\u003cli\u003eTHD + N @ -1dBFS: -95 dB, 0.0017%\u003c\/li\u003e\n\n\u003cli\u003eChannel separation: \u0026gt;100 dB\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eOutput: 6.3mm TRS jack, unbalanced\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eOutput Impedance: 2 Ohms\u003c\/li\u003e\n\n\u003cli\u003eOutput Level at 0 dBFS, 1 kOhm load: +9.5 dBu\u003c\/li\u003e\n\n\u003cli\u003eMaximum Power @ 0.1% THD: 50 mW\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDigital\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eClocks: Internal, ADAT In, SPDIF In\u003c\/li\u003e\n\n\u003cli\u003eLow Jitter Design: \u0026lt;1 ns in PLL mode, all inputs\u003c\/li\u003e\n\n\u003cli\u003eInternal Clock: Jitter 800 ps, random spread spectrum\u003c\/li\u003e\n\n\u003cli\u003eJitter suppression of external clocks: \u0026gt;30 dB (2.4 kHz)\u003c\/li\u003e\n\n\u003cli\u003eEffective clock jitter influence on AD and DA conversion: close to zero\u003c\/li\u003e\n\n\u003cli\u003ePLL guarantees zero dropouts, even at more than 100 ns jitter\u003c\/li\u003e\n\n\u003cli\u003eSupported Sample Frequencies: 28 kHz up to 200 kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eGeneral\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003ePower supply: USB bus powered\u003c\/li\u003e\n\n\u003cli\u003eTypical power consumption: 1.2 Watts\u003c\/li\u003e\n\n\u003cli\u003eCurrent at 5 V operating with bus power: 230 mA\u003c\/li\u003e\n\n\u003cli\u003eMaximum power consumption: less than 2 Watts\u003c\/li\u003e\n\n\u003cli\u003eTemperature range: +5° to +50° Celsius (41°F to 122°F)\u003c\/li\u003e\n\n\u003cli\u003eRelative Humidity: \u0026lt;75%, non-condensing\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993866297677,"sku":"RMEDIF","price":444.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/138460-large_default.jpg?v=1779946565"},{"product_id":"rme-fireface-ufx-ii-scheda-audio-usb","title":"RME Fireface UFX II USB Audio Interface","description":"\u003ch2\u003eUSB Audio Interface\u003c\/h2\u003e\u003cp\u003eThe RME FIREFACE UFX II is a USB audio interface that represents the ultimate solution for transferring analog and digital audio data directly to a computer from virtually any source.\u003cbr\u003eNumerous exclusive features, well-thought-out configuration windows, an industry-leading mixing engine and monitoring solution, professional DSP effects, and cutting-edge analog circuitry with the latest digital converters place the RME FIREFACE UFX II at the top of the range of computer-based audio interfaces.\u003cbr\u003eWith exceptional flexibility and compatibility, the integration of DURec (Direct USB Recording), and RME's renowned low-latency hardware and driver designs, the FIREFACE UFX II delivers a rich feature set that will appeal to users in both high-end home studios and commercial audio production facilities.\u003cbr\u003eWith a capacity of 60 audio channels (30 inputs and 30 outputs), support for sample rates up to 192 kHz, and the flexibility provided by USB connectivity, the new RME FIREFACE UFX II is the ideal solution for a wide range of recording, mixing, and monitoring applications.\u003cbr\u003eThe RME FIREFACE UFX II offers excellent flexibility allowing the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the RME FIREFACE UFX II. Equally impressive is the unit's channel count: 12 analog, 16 ADAT, and 2 AES for 30 input channels and 30 output channels. In addition, with support for USB 2 connectivity, the new RIREFACE UFX II can be integrated with RME's optional ARC USB remote controller.\u003cbr\u003eThe RME FIREFACE UFX II incorporates premium AD\/DA converters, optimized analog I\/O circuitry, as well as improved SNR and THD values to ensure clean, crystal-clear, and transparent audio. A new PAD-free mic circuit design with a maximum input level of +18 dBu and a 75 dB gain range ensures trouble-free operation for the most demanding recording environments.\u003cbr\u003eFurthermore, the new low-impedance (2 Ohm) phone outputs with a maximum output level of +19 dBu provide ample power and output volume on any headphones, high or low impedance.\u003cbr\u003eSince 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique ability to create as many independent submixes as there are available output channels has made it the most flexible and powerful mixer of its kind.\u003cbr\u003eWith supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain but also makes software solutions with latency obsolete.\u003cbr\u003eTotalMix FX can completely replace an external mixer, allowing for the creation of multiple latency-free monitoring mixes with EQ, Dynamics, Reverb, and Delay for all outputs, including main monitors and headphone mixes for musicians.\u003cbr\u003eTotalMix FX for iPad™ adds full control of the hardware mixer and DSP effects for RME FIREFACE UFX +, UFX II, UFX, UCX, 802, Babyface, Babyface Pro, and MADIface Pro in Class Compliant mode and allows you to create, save, and load complete mixes directly from the iPad™\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e30 input \/ 30 output channels\u003c\/li\u003e\n\u003cli\u003e12 x Analog I\/O\u003c\/li\u003e\n\u003cli\u003e4 x Mic\/Instrument Preamp, digital control\u003c\/li\u003e\n\u003cli\u003e1 x AES\/EBU I\/O\u003c\/li\u003e\n\u003cli\u003e2 x ADAT I\/O (or 1 x ADAT I\/O plus 1 x optical SPDIF I\/O)\u003c\/li\u003e\n\u003cli\u003e1 x Word Clock I\/O\u003c\/li\u003e\n\u003cli\u003e2 x MIDI I\/O\u003c\/li\u003e\n\u003cli\u003e1 x USB 2.0\u003c\/li\u003e\n\u003cli\u003eTotalMix FX\u003c\/li\u003e\n\u003cli\u003eOptional: Advanced Remote Control USB\u003c\/li\u003e\n\u003cli\u003ePower supply: Internal switching power supply, 100 - 240 V AC, 36 Watts\u003c\/li\u003e\n\u003cli\u003eIdle power consumption: 19 Watts\u003c\/li\u003e\n\u003cli\u003eTypical power consumption: 22-25 Watts\u003c\/li\u003e\n\u003cli\u003eTemperature range: +5° to +50° C (41° F to 122° F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity: \u0026lt;75%, non-condensing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993866461517,"sku":"RMEUF2","price":2201.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/107892-large_default.jpg?v=1779946570"},{"product_id":"rme-adi-2-dac-fs-convertitore-ad-2-canali","title":"RME ADI-2 DAC FS 2-Channel A\/D Converter","description":"\u003ch2\u003e2-channel A\/D Converter\u003c\/h2\u003e\n\u003cp\u003eThe RME ADI-2 DAC is a 2-channel converter that builds on the success of the ADI-2 Pro. RME has modified some of the ADI-2 PRO's features, perfecting it for home and hi-fi needs. The RME ADI-2 DAC, built with the same technology as its predecessor, focuses on the quality of D\/A conversion, which has been significantly improved.\u003cbr\u003eThe RME ADI-2 DAC features balanced and unbalanced outputs, an extremely powerful headphone amplifier, and a very quiet output for in-ear monitors. The signal is processed via DSP, and the output is adjustable across 4 reference levels. It supports a sample rate of up to 768 kHz and can play DSD and Direct DSD files. This is the first RME device to utilize SteadyClock FS technology, which further reduces generated jitter thanks to an improved second PLL circuit. The RME ADI-2 DAC comes with a remote control with customizable functions, and additionally, through the autodark function, the front display will automatically turn off after 10 seconds of inactivity. This new generation model is equipped with Sabre converters.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e1 SPDIF coaxial input\u003c\/li\u003e\n\n\u003cli\u003e1 optical ADAT or SPDIF input\u003c\/li\u003e\n\n\u003cli\u003e1 unbalanced RCA analog stereo output\u003c\/li\u003e\n\n\u003cli\u003e1 balanced XLR analog stereo output\u003c\/li\u003e\n\n\u003cli\u003e1 Extreme Power headphone output\u003c\/li\u003e\n\n\u003cli\u003e1 Super Low Noise IEM output\u003c\/li\u003e\n\n\u003cli\u003e1 USB 2.0 (USB 3.0 compatible)\u003c\/li\u003e\n\n\u003cli\u003e1 Remote control included\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993895100749,"sku":"RMEADID","price":1215.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/113627-large_default.jpg?v=1779947283"},{"product_id":"rme-digiface-dante-interfaccia-usb-30-a-128-canali","title":"RME DIGIFACE DANTE 128-channel USB 3.0 Interface","description":"\u003ch2\u003e128-Channel USB 3.0 Interface\u003c\/h2\u003e\n\u003cp\u003eThe RME DIGIFACE DANTE is a 128-channel USB 3.0 interface that allows the transmission of 64 Dante and 64 MADI channels via a single USB 3.0 connection.\u003cbr\u003eThe Dante Audio Over IP protocol was developed by the Australian company Audinate and allows the transmission of uncompressed audio signals with low latency over long distances.\u003cbr\u003eFor greater flexibility and to support the growing popularity of solutions based on this protocol in the pro-audio industry, the Digiface Dante USB 3.0 offers a new mobile solution compared to previous internal Dante PCI cards.\u003cbr\u003ePower is supplied both via external PSU and via USB bus.\u003cbr\u003eWith the integration of the MADI drivers from the MADIface series, the RME DIGIFACE DANTE also allows the user to transfer up to 64 MADI channels via USB 3.0.\u003cbr\u003eFor this reason, it is possible to switch the BNC inputs for word clock to MADI I\/O.\u003cbr\u003eThe total of these 128 channels can be controlled via DANTE software and Total Mix FX with its routing and monitoring options.\u003cbr\u003eIn this way, TotalMix FX allows users to create independent sub-mixes depending on the number of available outputs.\u003cbr\u003eThe RME DIGIFACE DANTE has two banks of redundant network ports that can be used both as Input and as Output, but also as a switch and for redundant operations with primary and secondary networks in case of increased security requirements.\u003cbr\u003eIn addition, the interface can also be used as a 64-channel Dante\/MADI converter if the computer's USB connection is not in use.\u003cbr\u003eThe RME DIGIFACE DANTE also has a high-quality headphone monitoring output that can be used as a line output for transmitting analog stereo signals.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e256-Channel Dante \/ MADI \/ USB 3.0 Audio Interface\u003c\/li\u003e\n\n\u003cli\u003eStream up to 64 audio channels at 192kHz to and from a Dante network\u003c\/li\u003e\n\n\u003cli\u003eDual Word Clock ports also function as MADI I\/O with 64 additional channels\u003c\/li\u003e\n\n\u003cli\u003e2 banks of redundant Dante ports also function as a switch, connecting up to 4 network lines\u003c\/li\u003e\n\n\u003cli\u003eWorks as a convenient 64-channel Dante-to-MADI converter without USB\u003c\/li\u003e\n\n\u003cli\u003eTotalMix FX mixing software offers unlimited input and output routing\u003c\/li\u003e\n\n\u003cli\u003eTotalMix Remote provides remote control via iOS device, PC, or Mac\u003c\/li\u003e\n\n\u003cli\u003eBus-powered for convenient portability\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993909453133,"sku":"RMEDIDA","price":1278.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/110680-large_default.jpg?v=1779947575"},{"product_id":"rme-adi-2-fs-convertitore-adda","title":"RME ADI-2 FS AD\/DA Converter","description":"\u003ch2\u003eAD\/DA Converter\u003c\/h2\u003e\n\u003cp\u003eThe RME ADI-2 FS is a compact and extremely flexible 2-channel Hi-End AD\/DA converter that offers first-class conversion to\/from SPDIF, AES, and ADAT formats, up to 192 kHz.\u003cbr\u003eBalanced analog inputs and outputs, monitoring via headphone output, SteadyClock FS for optimal conversion quality, 3-stage hardware input and output control, and the additional D-D and A-A modes transform the RME ADI-2 FS into a universal tool and flexible problem solver. Its professional-grade sound also qualifies it as an extension for other premium converters.\u003cbr\u003eThe RME ADI-2 FS features two servo-balanced analog line inputs via XLR\/phone combo jacks, simultaneously usable balanced XLRs and unbalanced phone jacks, an adjustable high-power headphone output on the front, an optical SPDIF I\/O compatible with ADAT, and a coaxial SPDIF I\/O (RCA, AES\/EBU compatible).\u003cbr\u003eThe analog inputs use the advanced circuit design of the acclaimed ADI-2 Pro, thus offering extraordinarily low noise and distortion as well as an extended frequency response. Three different settings for input and output levels provide perfect compatibility in the analog domain. Another highlight is SteadyClock FS, the latest RME clocking technology for maximum jitter suppression and minimal self-jitter.\u003cbr\u003eThe RME ADI-2 FS also uses the conversion technology of the ADI-2 Pro: the AK557x and AK4490 family not only offer a 192 kHz sample rate and minimal distortion but also a dynamic range of 120 dBA.\u003cbr\u003eThe RME ADI-2 FS has more than just outstanding sound. It also provides exciting digital connectivity. The coaxial RCA SPDIF I\/O has a switchable channel status to make it fully compatible with AES\/EBU (a cable adapter is required). The optical TOSLINK I\/Os can handle up to 192 kHz and also function as ADAT I\/O, even at 192 kHz. Operation with SPDIF input and ADAT output or vice versa is supported, both in AD\/DA and D-D mode.\u003cbr\u003eWith the input selection set to DIG, the device functions as a digital format converter with simultaneous monitoring. The AD converter is disabled, the DA converter is still used to monitor the digital input signal, on the rear outputs and the headphone output. Format conversion is possible between all options: coaxial SPDIF (or AES) with professional or consumer status, as well as ADAT.\u003cbr\u003eThe ANA output selection connects the analog output circuits directly to the analog input circuits. The DA converter is no longer active. The AD converter continues to convert the analog input signal to SPDIF (AES) or ADAT, with both coaxial SPDIF and optical ADAT outputs simultaneously available. This \"analog bypass\" allows the RME ADI-2 FS to be used as an analog preamplifier. Gain and attenuation can be achieved through input and output level adjustment, or even fully variable when the VOL potentiometer is engaged. In this mode, the RME ADI-2 FS supports analog levels up to +22 dBu. In addition, it can function as a balanced to unbalanced converter and vice versa.\u003cbr\u003eThe front panel knob adjusts the headphone output volume. It can also be inserted into the rear signal path via a simple key combination, so that the rear line outputs can be continuously adjusted to the phono output level. The choice of three hardware levels remains available, thus allowing better matching of the desired levels on the front and rear outputs.\u003cbr\u003eThe RME ADI-2 FS uses a scaled-down version of the ADI-2 Pro's Extreme Power output stage. With power up to 0.7 watts per channel, output impedance of 0.1 ohms, a maximum output level of +19 dBu, and very low THD (-110 dB), the High Power² circuit is universally applicable. A relay ensures click-free power on and off.\u003cbr\u003ePower is supplied via an included external switching power supply with a lockable connector. Thanks to a wide operating voltage range of 9-15 volts, the ADI-2 FS can be easily used with battery or rechargeable battery, thus also for mobile use. It is also perfectly suited for e.g. galvanic isolation in laboratory or measurement applications.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ch4\u003eAnalog\u003c\/h4\u003e\n\u003ch5\u003eAD\u003c\/h5\u003e\n\u003cul\u003e\n\n\u003cli\u003eSignal-to-noise ratio (SNR) @ +19 dBu: 117 dB RMS unweighted, 121 dBA\u003c\/li\u003e\n\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.1 dB: 5 Hz - 20.5 kHz\u003c\/li\u003e\n\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 3 Hz - 45.5 kHz\u003c\/li\u003e\n\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 2 Hz - 92.7 kHz\u003c\/li\u003e\n\n\u003cli\u003eTHD @ -1 dBFS: -114 dB, 0.00015%\u003c\/li\u003e\n\n\u003cli\u003eTHD + N @ -1 dBFS: -112 dB, 0.00025%\u003c\/li\u003e\n\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\n\u003cli\u003eMaximum AD input level: +19 dBu\u003c\/li\u003e\n\n\u003cli\u003eInput: XLR or 1\/4\" TRS, electronically balanced\u003c\/li\u003e\n\n\u003cli\u003eBalanced input impedance: 36 kOhm, unbalanced: 18 kOhm\u003c\/li\u003e\n\n\u003cli\u003eSwitchable input sensitivity: +4 dBu, +13 dBu, +19 dBu @ 0 dBFS\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch5\u003eDA\u003c\/h5\u003e\n\u003cul\u003e\n\n\u003cli\u003eSignal-to-noise ratio (SNR): 117 dB RMS unweighted, 120 dBA\u003c\/li\u003e\n\n\u003cli\u003eFrequency response @ 44.1 kHz, -0.1 dB: 10 Hz - 20.2 kHz\u003c\/li\u003e\n\n\u003cli\u003eFrequency response @ 96 kHz, -0.5 dB: 5 Hz - 44.9 kHz\u003c\/li\u003e\n\n\u003cli\u003eFrequency response @ 192 kHz, -1 dB: 3 Hz - 88 kHz\u003c\/li\u003e\n\n\u003cli\u003eTHD @ -1 dBFS: -112 dB, 0.00025%\u003c\/li\u003e\n\n\u003cli\u003eTHD + N @ -1 dBFS: -110 dB, 0.00032%\u003c\/li\u003e\n\n\u003cli\u003eTHD @ -3 dBFS: -116 dB, 0.00016%\u003c\/li\u003e\n\n\u003cli\u003eChannel separation: \u0026gt; 110 dB\u003c\/li\u003e\n\n\u003cli\u003eMaximum DA output level: +19 dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput: XLR balanced, 1\/4\" TRS unbalanced\/balanced\u003c\/li\u003e\n\n\u003cli\u003eOutput impedance: XLR balanced 150 Ohm, TS unbalanced 100 Ohm\u003c\/li\u003e\n\n\u003cli\u003eSwitchable output level: +4 dBu, +13 dBu, +19 dBu @ 0 dBFS\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch5\u003eDA - Phones\u003cbr\u003eas DA, except:\u003c\/h5\u003e\n\u003cul\u003e\n\n\u003cli\u003eOutput: 6.3 mm stereo TRS, unbalanced\u003c\/li\u003e\n\n\u003cli\u003eOutput impedance: 0.1 Ohm\u003c\/li\u003e\n\n\u003cli\u003eOutput level at 0 dBFS, 100 Ohm load or higher: +19 dBu (6.9 Vrms)\u003c\/li\u003e\n\n\u003cli\u003eMaximum power 32 Ohm load: 0.7 W per channel (0.01% THD, +16 dBu, 4.9 Vrms)\u003c\/li\u003e\n\n\u003cli\u003eTHD 32 Ohm load @ +15 dBu: -110 dB, 0.0003%\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch5\u003eANA Mode (Analog In to Analog Out)\u003c\/h5\u003e\n\u003cul\u003e\n\n\u003cli\u003eSignal-to-noise ratio (SNR) @ +19 dBu: 123 dB RMS unweighted, 126 dBA\u003c\/li\u003e\n\n\u003cli\u003eSignal-to-noise ratio (SNR) @ +13 dBu: 119 dB RMS unweighted, 122 dBA\u003c\/li\u003e\n\n\u003cli\u003eSignal-to-noise ratio (SNR) @ +4 dBu: 112 dB RMS unweighted, 115 dBA\u003c\/li\u003e\n\n\u003cli\u003eFrequency response -0.5 dB: 1 Hz - 120 kHz\u003c\/li\u003e\n\n\u003cli\u003eTHD + N @ +19 dBu: -116 dB, 0.00016%\u003c\/li\u003e\n\n\u003cli\u003eChannel separation: \u0026gt; 120 dB\u003c\/li\u003e\n\n\u003cli\u003eMaximum input\/output level: +22 dBu\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDigital\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eClock: internal, ADAT input, SPDIF input\u003c\/li\u003e\n\n\u003cli\u003eExternal clock jitter suppression: \u0026gt; 50 dB (2.4 kHz)\u003c\/li\u003e\n\n\u003cli\u003eEffective influence of clock jitter on AD and DA conversion: close to zero\u003c\/li\u003e\n\n\u003cli\u003ePLL ensures zero dropouts, even with jitter over 100 ns\u003c\/li\u003e\n\n\u003cli\u003eDigital Bitclock PLL for seamless ADAT varispeed operation\u003c\/li\u003e\n\n\u003cli\u003eSupported sample rates with external clock (SPDIF): 28 kHz up to 200 kHz\u003c\/li\u003e\n\n\u003cli\u003eSupported sample rates with external clock (ADAT): 40 kHz up to 49 kHz\u003c\/li\u003e\n\n\u003cli\u003eInternal clocks: 32 kHz, 44.1 kHz, 48 kHz, 64 kHz, 88.2 kHz, 96 kHz, 176.8 kHz, 192 kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch5\u003eDigital I\/O\u003c\/h5\u003e\n\u003cul\u003e\n\n\u003cli\u003eDigital input coaxial transformer isolated\u003c\/li\u003e\n\n\u003cli\u003eFormats: optical (TOSLINK), RCA (SPDIF, AES\/EBU compatible)\u003c\/li\u003e\n\n\u003cli\u003eFormat SPDIF consumer according to IEC 60958\u003c\/li\u003e\n\n\u003cli\u003eProfessional format according to AES3-1992 Amendment 4\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch5\u003eCoaxial SPDIF\u003c\/h5\u003e\n\u003cul\u003e\n\n\u003cli\u003eRCA, according to IEC 60958\u003c\/li\u003e\n\n\u003cli\u003eHigh sensitivity RCA input stage: input level \u0026lt;0.2 Vpp\u003c\/li\u003e\n\n\u003cli\u003eRCA output voltage Consumer 0.7 V, Professional 1.4 V\u003c\/li\u003e\n\n\u003cli\u003eSingle Wire mode, sample rate from 28 kHz to 200 kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch5\u003eOptical SPDIF\u003c\/h5\u003e\n\u003cul\u003e\n\n\u003cli\u003e1 x optical, according to IEC 60958\u003c\/li\u003e\n\n\u003cli\u003eSample rate from 28 kHz to 200 kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch5\u003eADAT\u003c\/h5\u003e\n\u003cul\u003e\n\n\u003cli\u003eTOSLINK\u003c\/li\u003e\n\n\u003cli\u003eStandard: 8 channels 24 bit, up to 48 kHz\u003c\/li\u003e\n\n\u003cli\u003eDouble Speed ​​(S\/MUX): 4 channels 24 bit 96 kHz\u003c\/li\u003e\n\n\u003cli\u003eQuad Speed ​​(S\/MUX4): 2 channels 24 bit 192 kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eGeneral\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eIncluded power supply: external switching power supply, 100 - 240 V AC, 2 A, 24 Watts\u003c\/li\u003e\n\n\u003cli\u003eStand-by power consumption: 5.2 W (430 mA at 12V)\u003c\/li\u003e\n\n\u003cli\u003eMax. power consumption: 10 Watts (830 mA at 12V)\u003c\/li\u003e\n\n\u003cli\u003eTemperature range: +5° to +50° Celsius (41°F to 122°F)\u003c\/li\u003e\n\n\u003cli\u003eRelative humidity: \u0026lt;75%, non-condensing\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53993946022221,"sku":"RMEADI2FS","price":696.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/125081-large_default.jpg?v=1779948407"},{"product_id":"rme-babyface-pro-fs-interfaccia-audio-usb","title":"RME BABYFACE PRO FS USB Audio Interface","description":"\u003ch2\u003eUSB Audio Interface\u003c\/h2\u003e\n\u003cp\u003eThe RME BABYFACE PRO FS is a USB audio interface made from a single solid block of aluminum, featuring entirely redesigned analog and digital circuitry and new power-saving technologies, ensuring optimal quality under all conditions.\u003cbr\u003eThe first immediately noticeable difference compared to the previous version of the Babyface (now discontinued) is the on-board provision of all main connections, eliminating the need for the external breakout cable, which was not always practical or functional. For the main inputs and outputs, RME has designed an XLR socket that integrates perfectly into the chassis, saving considerable space. The two headphone outputs, one with a mini jack and one with a parallel TRS connector, ensure an optimal signal level for every situation, regardless of the headphones used.\u003cbr\u003eThe two on-board preamplifiers with digital control offer individually selectable 48V phantom power: these brand-new circuits provide up to 70 dB of gain, adjustable in 3 dB steps, with a PAD that guarantees an exceptional EIN (Equivalent Input Noise) level, as well as overload protection and optimal gain even for microphones with low output levels.\u003cbr\u003eThe extremely meticulous design of the RME BABYFACE PRO FS allows for operation without the need for external power in virtually any situation. The interface is perfectly stable with USB 3 bus power, and also with most USB 2 connections, without any degradation in performance. This makes the RME BABYFACE PRO FS the ideal solution for mobile recording, perfect for any occasion with a pair of condenser microphones.\u003cbr\u003eThe wide range of connections also includes TOSLINK optical input and output, usable as an ADAT port with SMUX support or as SPDIF for sessions up to 192 kHz. With an external ADAT converter, the RME BABYFACE PRO FS can manage 12 analog inputs and 12 analog outputs, making it a perfect device for multitrack recording in the studio and live. Instrument, line, or high-impedance signals can be connected to jack inputs 3 \u0026amp; 4, allowing you to record a guitar \"on the fly\" without the need for additional hardware. The features are completed by a MIDI input and output via a dedicated adapter cable.\u003cbr\u003eNaturally, the RME BABYFACE PRO FS also comes with RME's TotalMix FX software, available for Windows, Mac OS X, and iOS. TotalMix FX allows you to add EQ, reverb, and delay to all input and output channels up to 192 kHz. The Control Room section adds a series of advanced monitoring functions to the routing flexibility, significantly simplifying studio work.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e24-Channel 192 kHz\u003c\/li\u003e\n\n\u003cli\u003eUSB powered\u003c\/li\u003e\n\n\u003cli\u003e12 Inputs and 12 Outputs\u003c\/li\u003e\n\n\u003cli\u003e4 Analog Inputs (Mic, Line, Instrument)\u003c\/li\u003e\n\n\u003cli\u003e4 Analog Outputs (2 x XLR, 2 x Headphone)\u003c\/li\u003e\n\n\u003cli\u003e1 ADAT I\/O or 1 x SPDIF I\/O optical\u003c\/li\u003e\n\n\u003cli\u003e1 MIDI I\/O\u003c\/li\u003e\n\n\u003cli\u003e1 USB 2.0 (USB 3 compatible)\u003c\/li\u003e\n\n\u003cli\u003eDigital Gain Control on all inputs\u003c\/li\u003e\n\n\u003cli\u003eSeparate outputs for high and low impedance headphones\u003c\/li\u003e\n\n\u003cli\u003eTotalMix FX (with EQ, Reverb, Delay)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eWidth: 108 mm\u003c\/li\u003e\n\n\u003cli\u003eHeight: 35 mm\u003c\/li\u003e\n\n\u003cli\u003eDepth: 181 mm\u003c\/li\u003e\n\n\u003cli\u003eWeight: 0.68 Kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53994025648461,"sku":"RMEBFPFS","price":757.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/130805-large_default.jpg?v=1779949605"},{"product_id":"rme-12mic-preamplificatore-microfonico-a-controllo-digitale","title":"RME 12MIC Digitally Controlled Microphone Preamp","description":"\u003ch2\u003eDigitally Controlled Microphone Preamp\u003c\/h2\u003e\n\u003cp\u003eRME 12MIC is a remotely controllable, 12-channel digitally controlled microphone preamp with uncompromising A\/D conversion, integrated AVB and MADI connectivity, and a multitude of features designed to make it a perfect companion for any professional recording.\u003cbr\u003eThe PAD-free microphone input stages have a 75 dB gain range and accept signals up to +18 dBu. On the conversion side, outstanding SNR values show an astonishing 121.2 dB (A) on all channels. All twelve front XLR connections accept mic and line level signals, while the first four connections also accept TRS connectors, with switchable high impedance (Hi-Z) for instruments.\u003cbr\u003eBoth coaxial and optical MADI I\/O (via an SFP module) are available for independent or redundant operations and can be used to daisy-chain, merge, and convert MADI signals at incredibly low latency. Three optical ADAT outputs provide up to 24 audio channels at single speed (e.g. a combination of mic inputs, MADI signals and AVB signals) or 12 output channels at 96 kHz sample rate, ensuring compatibility with a wide range of audio interfaces. Additionally, the ADAT ports can also be used to send monitor mixes from AVB or MADI inputs to DAC headphone amplifiers.\u003cbr\u003eRME AVB Core has meticulously implemented IEEE standards for audio streaming, discovery and control, allowing RME devices to be fully discovered and controlled by any AVB controller, and making vendor-specific control protocols a thing of the past. Any signal reaching the RME 12MIC can be routed and streamed over a network with fixed latency and guaranteed bandwidth – no switch configuration required!\u003cbr\u003eRMB AVB devices can also be fully remote controlled via a web interface over any network link (including wirelessly over Wi-Fi), allowing for quick setup of gain groups, phantom power switching and routing of signals to headphones for monitoring. The integrated routing matrix allows for quick routing of all analog inputs directly to the headphone output, as well as all digital signals and AVB streams. As such, troubleshooting signals, clocks, connectivity or other issues is both simple and straightforward!\u003cbr\u003eRME 12MIC features full SteadyClock FS performance for the lowest jitter and highest jitter immunity. Excellent performance in all clocking modes and high-quality analog conversion for hearing your mix as it is. Digital format conversion in RME products is performed without any loss or degradation, and SteadyClock FS ensures that the sound image will never suffer degradation. This helps to optimize recordings and mixes because the sound stage has greater depth and clarity.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e4 x XLR-TRS combo inputs (P48 switchable on XLR \/ Hi-Z on TRS)\u003c\/li\u003e\n\n\u003cli\u003e8 x XLR microphone inputs (P48 switchable)\u003c\/li\u003e\n\n\u003cli\u003eAll analog inputs +18 dBu, 75 dB gain\u003c\/li\u003e\n\n\u003cli\u003eHeadphones output for monitoring all signals (stereo or balanced mono)\u003c\/li\u003e\n\n\u003cli\u003eWord clock I\/O (BNC)\u003c\/li\u003e\n\n\u003cli\u003e2 x RJ45 1 GigE AVB, 8 streams (up to 16 channels each) per direction with redundancy\u003c\/li\u003e\n\n\u003cli\u003e1 x coaxial MADI I\/O\u003c\/li\u003e\n\n\u003cli\u003eOptical MADI via optional SFP module\u003c\/li\u003e\n\n\u003cli\u003eMADI input redundancy (requires an optional SFP module)\u003c\/li\u003e\n\n\u003cli\u003e3 x ADAT outputs (24 ch. @ 48k, supports up to 192 kHz)\u003c\/li\u003e\n\n\u003cli\u003eInternal routing up to 268x282 channels\u003c\/li\u003e\n\n\u003cli\u003e19” 1U height housing\u003c\/li\u003e\n\n\u003cli\u003e1.54” color display with control knob and four buttons for convenient and direct access to all functions\u003c\/li\u003e\n\n\u003cli\u003eSteadyClock FS - ultra-low jitter digital clock technology\u003c\/li\u003e\n\n\u003cli\u003eRemote control via HTTP, JSON, IEEE 1722.1 AVDECC, MIDI over MADI\u003c\/li\u003e\n\n\u003cli\u003eInternal PSU, optional redundant 12V DC power supply\u003c\/li\u003e\n\n\u003cli\u003eUSB 2.0 (for remote control and firmware updates)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53994061693261,"sku":"RME12MIC","price":2414.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/125083-large_default.jpg?v=1779950279"},{"product_id":"rme-mrc-multi-remote-control-telecomando-a-infrarossi-per-unita-adi","title":"RME MRC MULTI-REMOTE CONTROL Infrared Remote Control for ADI units","description":"\u003ch2\u003eInfrared remote control for ADI units\u003c\/h2\u003e\n\u003cp\u003eRME MRC MULTI-REMOTE CONTROL is an infrared remote control for ADI units with 22 buttons for various functions and commands for maximum flexibility.\u003cbr\u003eThis well-designed remote control has clearly labelled buttons, readable even in dim light without reading glasses, a well-structured button layout that is easy to remember, and perfect button ergonomics. It also will not interfere with ATV or other devices.\u003cbr\u003eRME MRC MULTI-REMOTE CONTROL provides buttons for standby on\/off, volume, balance, bass and treble, input selection (optical, coaxial, USB), mute, volume on\/off, bass\/treble, and EQ. In addition, there are four programmable buttons that provide access to up to 52 different functions and commands for maximum flexibility.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eStandby on\/off\u003c\/li\u003e\n\n\u003cli\u003eVolume\u003c\/li\u003e\n\n\u003cli\u003eBalance\u003c\/li\u003e\n\n\u003cli\u003eBass and Treble\u003c\/li\u003e\n\n\u003cli\u003eInput selection (optical, coaxial, USB)\u003c\/li\u003e\n\n\u003cli\u003eMute\u003c\/li\u003e\n\n\u003cli\u003eVolume on\/off\u003c\/li\u003e\n\n\u003cli\u003eBass\/treble and EQ\u003c\/li\u003e\n\n\u003cli\u003e4 programmable buttons for up to 52 different functions and commands\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"RME Pro Line","offers":[{"title":"Default Title","offer_id":53994096525645,"sku":"RMEMRCMR","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/133008-large_default.jpg?v=1779951027"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/collections\/b91182d368380d666f71815922559fea.jpg?v=1780559341","url":"https:\/\/musicdelivery.net\/en\/collections\/rme-pro-line.oembed?page=3","provider":"Music Delivery","version":"1.0","type":"link"}