{"title":"Rupert Neve Designs","description":"\u003cp\u003eRupert Neve Designs is a legendary brand in the world of professional audio, founded by British engineer Rupert Neve, universally recognized as one of the greatest audio circuit designers in history. The company produces preamplifiers, equalizers, compressors, analog summing mixers, and signal processors that represent the highest quality standard for recording studios, mastering facilities, and live productions. Rupert Neve Designs products are appreciated for their characteristic musical sound, proprietary transformer construction, and meticulous attention to detail. On musicdelivery.net, you can purchase microphone preamplifiers, channel strips, master bus processors, and the entire range of Rupert Neve Designs products to take your professional audio to the highest level.\u003c\/p\u003e","products":[{"product_id":"rupert-neve-designs-5034-newton-channel","title":"Rupert Neve Designs 5034 Newton Channel","description":"\u003ch2\u003eModern and powerful channel strip with a rich sonic heritage.\u003c\/h2\u003e\n\u003cp\u003eIts intuitive design offers a classic and recognizable sound, along with the ability to shape sound with Rupert Neve Designs' signature characteristics. The Newton Channel is suitable for recording studios of various sizes and can be used both in the studio and live, allowing more industry professionals to experience the quality of RND products. Its name is inspired by Rupert's birthplace, Newton Abbot, England, and reflects his life's sonic journey: from tradition to modern, with everything in between. It is an extremely versatile and high-quality channel strip, capable of bringing any sound source to life with the typical classic Rupert Neve Designs sound. \u003c\/p\u003e\n\u003ch4\u003eOverview\u003c\/h4\u003e\n\u003cp\u003eThe Newton Channel includes a Class-A microphone preamplifier, a discrete and musical 3-band EQ section, a fast and flexible VCA compressor, and Rupert Neve Designs' exclusive transformer-coupled outputs with the innovative variable Silk Red \u0026amp; Blue harmonic generation circuit.\u003c\/p\u003e\n\u003ch4\u003eInput Stage and Microphone Preamplifier\u003c\/h4\u003e\n\u003cp\u003eThe Newton's microphone preamplifier offers the typical timbre and musicality of Rupert Neve Designs products. This preamp makes it easy to create a crisp, clean, and detailed sound. With 72 dB of gain, including 6 dB of fine trim control, the Newton is ideal for a wide range of sources. The input stage is designed to adapt to the impedances of normal microphone sources and can also handle line levels, making it possible to use a pair of Newtons during mixing. The Newton also includes a variable high-pass filter with a wide range of frequency adjustment and an independent bypass switch that allows for quick elimination of unwanted noise, resonances, or other low frequencies in the source signal.\u003c\/p\u003e\n\u003ch4\u003eThe Equalizer\u003c\/h4\u003e\n\u003cp\u003eThe Newton's EQ section is designed for speed and flexibility with simplified controls. The low and high frequency bands can be precisely adjusted using 31-step potentiometers, allowing for gain boosts or cuts of up to 12 dB. You can switch from delicate to extreme settings as needed. The Newton's parametric mid-band EQ includes another 31-step potentiometer and a wide range of mid-frequencies, adjustable between 220 Hz and 7 kHz. This makes the mid-frequency band particularly flexible, allowing you to reduce unwanted frequencies in the low-mid range, increase mid-frequency presence, or attenuate high-mid frequencies. The selection of a fixed Q ensures a balance between musicality and precision, wide enough for precise equalization without negatively interfering with adjacent frequencies. As with every section of the Newton Channel, the EQ also has an independent bypass button.\u003c\/p\u003e\n\u003ch4\u003eThe Compressor\u003c\/h4\u003e\n\u003cp\u003eThe Newton Channel also includes the latest version of Rupert Neve Designs' VCA compressor, with a +20 dB make-up gain and extensive control to adjust the desired amount of compression while maintaining the sound. There is also a \"pre EQ\/post EQ\" switch to position the compressor before or after the EQ section, as well as an independent bypass button.\u003c\/p\u003e\n\u003ch4\u003eVariable Silk\u003c\/h4\u003e\n\u003cp\u003eAt the end of the Newton's signal path is the exclusive variable Silk circuit, which allows you to amplify 2nd and 3rd harmonics through Rupert Neve Designs' custom output transformers, creating a vintage sound. With the adjustable Texture knob, you can precisely select the desired harmonic density. Red Silk mode accentuates harmonics in the high and upper-mid frequencies, while Blue mode emphasizes harmonics in the low and lower-mid frequencies. With the Silk\/Texture circuit engaged, the Newton's output stage enriches every track, imparting greater power and brilliance.\u003c\/p\u003e\n\u003ch4\u003eCustom Transformer Outputs\u003c\/h4\u003e\n\u003cp\u003eThe Newton Channel features a custom transformer-balanced line output stage. Additionally, there is a -6 dBu XLR output that allows for compensation of high input levels and Silk harmonic saturation. This allows you to take full advantage of the transformer harmonics without distorting the next device in the signal chain. Both outputs are active and can be used simultaneously.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eMic Gain: 12-step rotary switch controlling the mic preamp gain in 6 dB steps. For line-level input signals, set mic gain to \"0dB\" position.\u003c\/li\u003e\n\n\u003cli\u003e48V: Switch that illuminates RED when +48V Phantom power is active.\u003c\/li\u003e\n\n\u003cli\u003eØ (Polarity): Pushbutton switch that illuminates amber when engaged and inverts the preamp signal polarity.\u003c\/li\u003e\n\n\u003cli\u003eHPF: Switch that illuminates GREEN when the high pass filter is engaged.\u003c\/li\u003e\n\n\u003cli\u003eFREQ: 31-step potentiometer allowing the user to adjust the high pass filter cutoff frequency in a range from 20Hz to 250Hz.\u003c\/li\u003e\n\n\u003cli\u003eEQ IN: Switch that illuminates GREEN when the EQ section is activated.\u003c\/li\u003e\n\n\u003cli\u003eTRIM: 31-step potentiometer allowing the user to adjust the preamp gain by +\/- 6 dB.\u003c\/li\u003e\n\n\u003cli\u003eLF: 31-step potentiometer that controls the amount of boost or cut of the low frequency shelf in a range of +\/- 12dB.\u003c\/li\u003e\n\n\u003cli\u003e60\/150: Switch that selects between the two available low frequency shelves: 60Hz (OUT) and 150Hz (IN).\u003c\/li\u003e\n\n\u003cli\u003eMID FREQ: 31-step potentiometer controlling the frequency of the midband peaking EQ in a range between 220 Hz and 7 kHz.\u003c\/li\u003e\n\n\u003cli\u003eMID: 31-step potentiometer controlling the amount of boost or cut for the MID FREQ peaking EQ in a range of +\/- 12 dB.\u003c\/li\u003e\n\n\u003cli\u003e8K\/16K: Switch that selects between the two available high frequency shelves: 8kHz (OUT) and 16kHz (IN).\u003c\/li\u003e\n\n\u003cli\u003eHF: 31-step potentiometer controlling the amount of boost or cut for the high frequency shelf in a range of +\/- 12 dB.\u003c\/li\u003e\n\n\u003cli\u003eCOMP IN: Switch that illuminates GREEN when the compressor section is engaged.\u003c\/li\u003e\n\n\u003cli\u003eRELEASE: 31-step potentiometer controlling the compressor release time. The overall timing range available is from 50mS (FAST) to 500mS (SLOW).\u003c\/li\u003e\n\n\u003cli\u003eTHRESHOLD: 31-step potentiometer controlling the compressor threshold from +20dBu to -30dBu. When the input signal exceeds the set threshold level, compression begins with\u003c\/li\u003e\n\n\u003cli\u003ea soft-knee with a 2:1 ratio.\u003c\/li\u003e\n\n\u003cli\u003eGAIN: 31-step potentiometer controlling the compressor make-up gain in a range from -6dB to +20dB.\u003c\/li\u003e\n\n\u003cli\u003ePRE EQ: Pushbutton switch that, when active, routes the compression section before the EQ section.\u003c\/li\u003e\n\n\u003cli\u003eSILK: Illuminated pushbutton switch that toggles between the three available SILK modes: OFF, RED, and BLUE.\u003c\/li\u003e\n\n\u003cli\u003eTEXTURE: 31-step potentiometer controlling the amount of SILK harmonics added to the transformer output stage when SILK mode is activated.\u003c\/li\u003e\n\n\u003cli\u003eGR and OUT Metering: 8-segment LED meter indicating compressor gain reduction (dB) and output level (dBu).\u003c\/li\u003e\n\n\u003cli\u003ePOWER: LED that illuminates GREEN when the Newton Channel is powered on.\u003c\/li\u003e\n\n\u003cli\u003eNewton Rear Panel Features\u003c\/li\u003e\n\n\u003cli\u003ePOWER: IEC AC power input with integrated power switch. 100-240VAC at 50\/60Hz. Maximum power consumption 35 Watts AC power.\u003c\/li\u003e\n\n\u003cli\u003eGROUND LIFT: Slide switch that lifts Pin 1 of the XLR from chassis ground on the MAIN OUT and -6dB OUT to help isolate from ground interference.\u003c\/li\u003e\n\n\u003cli\u003e-6dB OUT: Balanced XLR output using a secondary lower-level output on the custom Rupert Neve Designs transformer.\u003c\/li\u003e\n\n\u003cli\u003eMAIN OUT: Balanced XLR output using the custom Rupert Neve Designs transformer.\u003c\/li\u003e\n\n\u003cli\u003eLINK: 1\/4\" TRS jack that allows two Newton Channel compressors to be linked for stereo operation. To be used exclusively with other Newton Channel LINK jacks.\u003c\/li\u003e\n\n\u003cli\u003eINPUT: Balanced XLR-1\/4\" TRS combo input that can be used for MIC or LINE level signals.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993131606349,"sku":"RNP5034","price":2097.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/189316-large_default.jpg?v=1779913949"},{"product_id":"rupert-neve-designs-mbt-master-bus-transformer","title":"Rupert Neve Designs MBT Master Bus Transformer","description":"\u003ch2\u003eStereo processor to give sonic color to complete mixes, groups, stems or individual tracks\u003c\/h2\u003e\u003cp\u003eTransformers have always been at the heart of Rupert Neve's device philosophy. Rupert Neve Designs' custom transformers are fundamental to all their products. The MBT, with these high-quality transformers, offers a wide range of sonic options to shape, enrich and enhance audio sources. It is an essential tool for improving sound musicality. It is perfectly suited for complete mixes, groups, stems or individual tracks, guaranteeing legendary tonal quality and a flexible set of controls. Creating Magic with HPF \u0026amp; Shelf EQ. The first main feature of the MBT is a frequency-adjustable high-pass filter from 100Hz to 15Hz, ideal for mix management. In addition, there is a new 2-band equalization section with a 3-octave range, gentle slopes and minimal phase rotation. This EQ is easy to use and adds color to tracks, especially when combined with the other sections of the MBT. Each EQ band offers an adjustable gain control from +\/- 9dB. The low-frequency band allows you to add or attenuate track power, while the high-frequency band allows precise adjustments in the mid-high and high range, adding clarity and brilliance to the sound. An interesting aspect of the MBT is how these sections can interact with each other. Sometimes, it may be useful to adjust the EQ before the other sections, but the MBT allows you to experiment with different combinations. New life with color comp. Thanks to the new Color Comp optical compressor, you can emphasize the non-linear distortion and \"colored\" characteristics of the Opto cell, giving new life and depth to the sound. It allows you to adjust compression with low values (2:1) for delicate compression or high values (5:1) for a more incisive effect. An adjustable high pass filter on the side-chain removes low frequencies from the circuit driving the compression, allowing low frequencies to pass without processing. This control, from 20Hz to 350Hz, offers a lot of flexibility in sound shaping. The Color Comp also has a Blend control to use the compressor in parallel with the uncompressed audio signal. This is useful for managing harmonic content, reducing dynamic range and controlling transients. It also allows you to adjust the threshold from 0dBu to +24dBu, with a gain reduction LED that lights up when the signal exceeds the threshold. It should be noted that the Color Comp introduces harmonic content even with slight gain reduction, so it should be listened to carefully even when gain reduction is not evident. It can vary the release time from 100mS to 1.5S. By increasing the ratio and reducing release times, you can achieve more pronounced \"pumping\" effects, while longer release times produce smoother compression. Finally, the Color Comp offers a 20dB Class-A makeup gain, which is useful for equalizing the level before and after signal compression, and for further enhancing harmonic characteristics through the Super Silk section. New Dimension with the Width Section. The Width section is designed to expand the perception of the stereo panorama without compromising the presence of low frequencies. The MBT's \"WIDTH\" controls are inspired by the Stereo Field Editor (SFE), but they have two important differences. Firstly, the MBT's Width control is purely additive, with a wider range for extreme operations. Secondly, there is a variable high-pass filter between 50Hz and 800Hz, which allows you to adjust the width so that the low frequencies remain anchored in the center of the mix, while the mids and highs are expanded to create a wider space. In addition, a subtle reduction in high frequencies in the stereo content has been introduced to avoid overemphasizing more annoying frequencies. Full harmonic control with Super Silk. Introduced almost twenty years ago, Rupert Neve Designs' Silk technology is much loved by professionals. Now, with Super Silk present on the MBT, a new level of harmonic manipulation is achieved. Super Silk offers independent controls for Red, Blue, Harmonics and Zener Drive, allowing unprecedented harmonic manipulation. Traditionally applied to the MBT's output transformers, Silk technology now offers greater control and flexibility. Super Silk includes extra transformers to expand the possibilities of this circuit. The user can push Super Silk for dynamic saturations and transient clipping or attenuate the signal with the Output Trim for more precise gain control. Silk Red accentuates harmonics in mid and high frequencies, adding brilliance, while Silk Blue accentuates harmonics in mid and low frequencies, increasing weight and depth. The Harmonics control increases harmonic content, saturating the MBT's custom transformers and interacting with the Silk Blue and Silk Red settings, offering infinite possibilities for timbral blending. Finally, the switchable Zener Drive is an asymmetrical diode-based soft clip circuit that primarily introduces odd-order harmonic content when the signal approaches the MBT's headroom limit, creating more aggressive sounds. Drive and Control Levels with I\/O Amplifiers. To maintain optimal gain control in the MBT, Class-A input and output amplifiers have been implemented. These output amplifiers power Rupert Neve Designs' custom transformers, contributing to balancing and line isolation. In this way, it is possible to push the transformers to the maximum and precisely balance the pre and post signals.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eBuilt with Rupert Neve Class-A transformers.\u003c\/li\u003e\n\u003cli\u003eRevitalizes mono or stereo tracks, stems and mixes with new controls.\u003c\/li\u003e\n\u003cli\u003eAdds body and power with the Super Silk circuit.\u003c\/li\u003e\n\u003cli\u003eIntroduces dynamic character with the optical cell Color Comp compressor.\u003c\/li\u003e\n\u003cli\u003eAllows quick tone adjustment with delicate and musical LF and HF Shelf EQ.\u003c\/li\u003e\n\u003cli\u003eThe Width section offers options to increase spatiality without losing focus.\u003c\/li\u003e\n\u003cli\u003eI\/O amplifiers to manage and adapt the levels of the interstage transformers.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993164996941,"sku":"RNDMBT","price":4108.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/185936-large_default.jpg?v=1779914158"},{"product_id":"rupert-neve-design-5017-predicompressore-con-variphase","title":"RUPERT NEVE DESIGNS 5017 Pre\/DI\/Compressor with Variphase","description":"\u003ch2 style=\"text-align:left;\"\u003ePre\/DI\/Compressor with Variphase\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN 5017 is a Pre\/DI\/Compressor with Variphase, featuring a robust and portable chassis with high-level Portico preamplifiers, compressors, and DI circuits, as well as dual-channel operability, variphase, silk, and DI\/mic functionalities. The RUPERT NEVE DESIGN 5017 is an innovative and powerful tool for recording or live performances. Replacing the Portico 5016 Mic Pre\/Variphase DI, the RUPERT NEVE DESIGN 5017 Mobile adds single-knob compression, DI\/mic blending, and the well-known design to a classic. With the custom transformers of the Portico series and silk mode, the sound signature of the RUPERT NEVE DESIGN 5017 is nothing short of legendary. The best microphone placement ever, regardless of the phase relationship to the direct signal. With the RUPERT NEVE DESIGN 5017, the Portico sound is always at your fingertips.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eMicrophone preamplifier and DI with compressor\u003c\/li\u003e\n\n\u003cli\u003eDual-channel operation with crossfade\u003c\/li\u003e\n\n\u003cli\u003eSilk circuit\u003c\/li\u003e\n\n\u003cli\u003eMic gain up to 66 dB\u003c\/li\u003e\n\n\u003cli\u003eDI gain up to 30 dB\u003c\/li\u003e\n\n\u003cli\u003eBalanced\/unbalanced Hi-Z input\u003c\/li\u003e\n\n\u003cli\u003e48 V Phantom Power\u003c\/li\u003e\n\n\u003cli\u003ePhase inversion\u003c\/li\u003e\n\n\u003cli\u003eThreshold control in the compressor\u003c\/li\u003e\n\n\u003cli\u003eFlexible adjustment via internal jumpers\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993847718221,"sku":"RN5017","price":1510.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/98097-large_default.jpg?v=1779946144"},{"product_id":"rupert-neve-design-5033-v-equalizzatore-a-5-bande","title":"RUPERT NEVE DESIGNS 5033-V 5-Band Equalizer","description":"\u003ch2\u003e5-band Equalizer\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN 5033-V is a 5-band equalizer with custom Rupert Neve input and output transformers, five EQ bands based on his traditional curves, a +\/- 12 dB input level adjustment, and five filter bypasses. It is available in horizontal or vertical format, for rack mounting or inclusion in a 5088 console.\u003cbr\u003eThe EQ section can be completely bypassed, and the unit can be used as a very high-quality line driver which, thanks to its transformers, can help add \"sweetness\" to a sound source.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eLMF: 1st unnumbered notch - 65.1 Hz \/ 2nd - 120.8 Hz \/ 4th - 248.9 Hz \/ 5th - 354.5 Hz\u003c\/li\u003e\n\n\u003cli\u003eMF: 1st unnumbered notch 443.6 Hz \/ 2nd - 693.9 Hz \/ 4th - 1.481 kHz \/ 5th - 2.225 kHz\u003c\/li\u003e\n\n\u003cli\u003eHMF: 1st unnumbered notch - 2.475 kHz \/ 2nd - 4.748 kHz \/ 4th - 9.612 kHz \/ 5th - 13.545 kHz\u003c\/li\u003e\n\n\u003cli\u003eThe LF and HF shelf frequencies are 3 dB lower than the highest point of the shelf\u003c\/li\u003e\n\n\u003cli\u003eLF: 1st unnumbered notch - 68.4 Hz \/ 2nd - 111.3 Hz \/ 4th - 155.6 Hz \/ 5th - 198 Hz\u003c\/li\u003e\n\n\u003cli\u003eHF: 1st unnumbered notch - 2.760 kHz \/ 2nd - 3.240 kHz \/ 4th - 5.6 kHz \/ 5th - 10.9 kHz\u003c\/li\u003e\n\n\u003cli\u003eTRIM: Provides gain adjustment up to a range of +\/- 12 dB.\u003c\/li\u003e\n\n\u003cli\u003eBYPASS: Activates or deactivates the entire EQ circuit\u003c\/li\u003e\n\n\u003cli\u003eLF SECTION: Continuously variable shelving filter with a frequency range from 30 Hz to 300 Hz; continuously variable gain of +\/- 12\u003c\/li\u003e\n\n\u003cli\u003eLMF SECTION: Continuously variable frequency range from 50 Hz to 400 Hz;\u003c\/li\u003e\n\n\u003cli\u003econtinuously variable Q; continuously variable gain of +\/- 12; In button engages or bypasses the LMF section\u003c\/li\u003e\n\n\u003cli\u003eLMF IN: Engages the LMF section into the circuit\u003c\/li\u003e\n\n\u003cli\u003eMF SECTION: Continuously variable frequency range from 330 Hz to 2500 Hz;\u003c\/li\u003e\n\n\u003cli\u003econtinuously variable Q; continuously variable gain of +\/- 12; In button engages or bypasses the MF section\u003c\/li\u003e\n\n\u003cli\u003eMF IN: Engages the MF section into the circuit\u003c\/li\u003e\n\n\u003cli\u003eHMF SECTION: Continuously variable frequency range from 5 kHz to 16 kHz;\u003c\/li\u003e\n\n\u003cli\u003econtinuously variable Q; continuously variable gain of +\/- 12; In button engages or bypasses the HMF section\u003c\/li\u003e\n\n\u003cli\u003eHMF IN: Engages the HMF section into the circuit\u003c\/li\u003e\n\n\u003cli\u003eHF SECTION: Continuously variable shelving with a frequency range between 2.5 kHz and 25 kHz; continuously variable gain of +\/- 12\u003c\/li\u003e\n\n\u003cli\u003eHF and LF IN: Engages the HF and LF Sections into the circuit\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993847783757,"sku":"5033-V","price":1950.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/98100-large_default.jpg?v=1779946145"},{"product_id":"rupert-neve-design-portico-5024-preamplificatore-4-canali","title":"RUPERT NEVE DESIGN PORTICO 5024 4-channel Preamplifier","description":"\u003ch2\u003eChannel Preamplifier\u003c\/h2\u003e\u003cp\u003eThe RUPERT NEVE DESIGN PORTICO 5024 is a 4-channel preamplifier that incorporates four channels of renowned preamplification, independent controls, two channels of DI inputs, and an M-S decoder in a 1U format. The RUPERT NEVE DESIGN PORTICO 5024 is equipped to enhance the front-end performance of any digital or analog recording system. Each channel of the RUPERT NEVE DESIGN PORTICO 5024 is based on custom transformers and Class A circuits found in the best-selling 5012.\u003cbr\u003eIn addition to 72dB of gain, the RUPERT NEVE DESIGN PORTICO 5024's microphone pres include individually selectable phase, mute, phantom power, a selectable high-pass filter, and the Silk circuit that produces the warmth and presence of famous classic designs. Channels 1 and 2 of the RUPERT NEVE DESIGN PORTICO 5024 feature a high-Z input designed for instrument-level sources. Channels 3 and 4 feature an M-S switch, allowing Mid-Side decoding without using multiple console channels.\u003cbr\u003eThe microphone input is balanced but not floating, using a Transformer-Like-Amplifier (T.L.A.) type configuration with a toroidal Common Mode Rejection low-pass filter that excludes frequencies above 150 kHz. The T.L.A. is followed by a true input transformer designed by Mr. Neve that allows handling a full +25 dBu input signal at unity gain without an input pad across the entire audio spectrum. This innovative solution combines the benefits of an electronically balanced and true transformer input.\u003cbr\u003eWhen Phantom voltage is off, this input functions as a high-quality line input with a 10K Ohm impedance.\u003cbr\u003eGreat care has been taken in the design of the RUPERT NEVE DESIGN PORTICO 5024 to produce the lowest possible noise and non-harmonic distortion. The carefully implemented signal paths and Class A operation are an important part of its sweet and quiet performance.\u003cbr\u003eAll Portico modules use input and output transformers and almost entirely discrete component amplifiers. In fact, the Line amplifiers alone, inserted into the signal chain, can improve the sound quality of many signal sources, especially those of digital origin. These are some of the factors that allow the RUPERT NEVE DESIGN PORTICO 5024 to perform so discreetly in the context of a very high-quality audio chain.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eSolid State Preamplifier\u003c\/li\u003e\n\u003cli\u003eNumber of Channels: 4\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 2Hz-160kHz\u003c\/li\u003e\n\u003cli\u003ePhantom Power\u003c\/li\u003e\n\u003cli\u003eAnalog Input: 4 x XLR, 2 x 1\/4\"\u003c\/li\u003e\n\u003cli\u003eAnalog Output: 4 x XLR\u003c\/li\u003e\n\u003cli\u003eRackmount Size: 1U\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993847816525,"sku":"RN5024","price":3330.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94966-large_default.jpg?v=1779946145"},{"product_id":"rupert-neve-design-portico-5045-gestore-di-livello-microfonico","title":"RUPERT NEVE DESIGNS PORTICO 5045 Primary Source Enhancer","description":"\u003ch2\u003eMicrophone Level Management\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN PORTICO 5045 Primary Source Enhancer is a two-channel microphone level manager extremely useful for reducing feedback. It allows for an increase of up to 20 dB in the feedback threshold of a microphone source without altering the tonal characteristics of the source in any way. The controls are extremely simple and require minimal user intervention: the RUPERT NEVE DESIGN PORTICO 5045 is ideal for houses of worship, stadiums, concert halls, and any other location where feedback is a problem.\u003c\/p\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN PORTICO 5045 has some characteristics similar to traditional noise gates, but it operates on a different principle. A common trait is that both reduce gain in the absence of a signal – or rather, both begin to attenuate when the signal drops below the user-set threshold. The RUPERT NEVE DESIGN PORTICO 5045 detects the presence of speech or singing and allows the signal to pass unaltered; when speech or singing stops, it decreases the gain, thereby reducing the system's tendency to go into feedback. But most importantly, the RUPERT NEVE DESIGN PORTICO 5045 does not use any type of filtering or digital processing to achieve significant results.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThreshold: Continuously variable from -20 to 10dBu\u003c\/li\u003e\n\n\u003cli\u003eDepth: Continuously variable from 0 to 20 dBu\u003c\/li\u003e\n\n\u003cli\u003ePeak Mode: A 50mS \/ B 100mS \/ C 200mS \/ D 750mS \/ E 1.5S \/ F 3S\u003c\/li\u003e\n\n\u003cli\u003eRMS Mode Time Constant Data collected using 10dB bursts.\u003c\/li\u003e\n\n\u003cli\u003eAttack: Fixed 20mS\u003c\/li\u003e\n\n\u003cli\u003eRelease: A: 20mS \/ B 200mS \/ C 1S \/ D 2S \/ E 5S \/ F 30S\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output Level: +25dBu\u003c\/li\u003e\n\n\u003cli\u003eTotal Harmonic Distortion and Noise (Feedback Suppressor Engaged Main Output): Better than 0.002%\u003c\/li\u003e\n\n\u003cli\u003eNoise (Feedback Suppressor Engaged: measured @ Main Output, unweighted, 22Hz-22kHz, input terminated by 50 ohms): Better than -100dBu \/ Better than -95dBu\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response (Main Output): @ 20Hz -3dB \/ @ 150kHz -3dB\u003c\/li\u003e\n\n\u003cli\u003eCrosstalk (Measured channel to channel): Better than -80dB @ 16kHz\u003c\/li\u003e\n\n\u003cli\u003eAll-analog design: The 5045 is built around custom transformers designed by Rupert Neve and does not use filtering or digital processing to preserve the integrity of the source.\u003c\/li\u003e\n\n\u003cli\u003eSimple controls: The 5045 has few controls and does not require constant intervention, so it can be used in all applications where a dedicated technician is not available.\u003c\/li\u003e\n\n\u003cli\u003eDepth: Sets the amount of attenuation introduced when the signal is below the set threshold. \"0\" means no attenuation, meaning the 5045 does not alter the gain of the input signal.\u003c\/li\u003e\n\n\u003cli\u003eThreshold: Sets the level at which the PSE begins to intervene\u003c\/li\u003e\n\n\u003cli\u003eTime constant: Determines the speed at which attenuation occurs\u003c\/li\u003e\n\n\u003cli\u003eRMS \/ Peak: When the button is engaged, the 5045 transitions faster from attenuation to normal level\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993847849293,"sku":"RN5045","price":2351.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94972-large_default.jpg?v=1779946146"},{"product_id":"rupert-neve-design-portico-ii-channel-strip-a-2-canali","title":"RUPERT NEVE DESIGNS PORTICO II CHANNEL 2-channel strip","description":"\u003ch2\u003e2-Channel Channel Strip\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN PORTICO II CHANNEL is a 2-channel channel strip created using the 5088’s high voltage topologies to create a channel strip with the highest sound quality. Comprised of a full-featured microphone preamplifier, 4-band EQ, compressor\/limiter, \"texture\" control, and level metering, the RUPERT NEVE DESIGN PORTICO II CHANNEL includes a host of new features including; variable Silk with Texture control, fully tunable de-esser, multiple filtering and VCA detection options, transient-optimized sliding HPF, and parallel compression blending. With its simple yet powerful topologies and extensive feature set, every element of the RUPERT NEVE DESIGN PORTICO II CHANNEL is geared towards empowering recording artists.\u003c\/p\u003e\n\u003ch4\u003eInput Section\u003c\/h4\u003e\n\u003cp\u003eInput signals can be derived from any of three sources; Microphone, Line, or DI. The microphone input has a non-reactive input impedance of 10K Ohms that handles a full 26dBu signal without the need for a pad. A primary Gain control provides 66dB of gain in 6dB increments for easy recall with a +\/- 6dB Trim for fine adjustment. A 20-250 Hz transient-optimized variable HPF is included. In addition, a 48 V Phantom Power switch, Phase Inversion, Signal Present indicator and a Mute switch are included. The preamplifier is a non-reactive TLA design that precludes the loading of microphones with limited driving capability and maintains a noise of 2 dB over a wide range.\u003cbr\u003eInserting a connector into the DI input selects a discrete 3M Ohm FET DI circuit with a transformed-coupled topography that optimizes both the microphone and DI inputs, allowing low-impedance microphones and high-impedance sources such as guitars and basses to sound their best. The Primary Gain and Trim controls are fully operational. A \"Thru\" jack on the front panel that duplicates the unaffected source signal allows for the use of an external amplifier, if needed. A \"Line\" switch selects the non-reactive input circuit of the XLR Line which includes the HPF and Level Trim controls.\u003c\/p\u003e\n\u003ch4\u003eTexture\u003c\/h4\u003e\n\u003cp\u003eOne of the key functions in the RUPERT NEVE DESIGN PORTICO II CHANNEL is the Texture section. Building on the \"Silk\" mode found in the original Portico mic preamps, Texture is designed to adjust the effective amount of musical harmonic content from the source material, effectively offering countless tonal options in a single device. The texture section can range from barely audible to dramatic, all controlled by a single knob. This always ensures the musical integrity of the source material itself so that it is not compromised by these harmonic controls.\u003cbr\u003eAs with the original Portico modules, the blue Silk mode works by reducing negative feedback on the output transformer and adjusting the frequency response more like Mr. Rupert Neve's vintage designs. This blue mode tends to affect harmonics generated by the low and mid-low frequencies of the source material, filling the sound from the bottom up. The red \"Silk +\" mode provides a different level of control, enhancing harmonics generated by the mid-high frequencies of the source material, adding a harmonic \"sparkle\" to the original signal.\u003c\/p\u003e\n\u003ch4\u003eEqualizer\u003c\/h4\u003e\n\u003cp\u003eThe EQ topologies in the RUPERT NEVE DESIGN PORTICO II CHANNEL's 4-band equalizer combine the beloved sound of several classic models, but are also capable of extremely fine surgical adjustments and spectacular boosts or cuts. By default, the EQ section follows the mic preamp and HPF and precedes the compressor, but this sequence can be inverted by activating the Post Comp switch.\u003cbr\u003eThe Low Shelf has an independent engage switch, Classic-Peak\/Accelerated-shelf selection, with a +\/- 12 dB level adjustment and selectable turnover frequencies of 35, 60, 100, and 220 Hz. The fully parametric LMF and HMF bands have a joint engage switch, providing a +\/- 12 dB level adjustment, a continuously variable \"Q\" from 0.7 to 5, and continuously variable frequency ranges from 70 to 1.4 kHz and from 700 Hz to 14 kHz. In addition to its standard capabilities, the HMF band can also be used to fine-tune the new De-Esser circuit.\u003cbr\u003eThe De-Esser can be varied from off to full effect and uses Frequency and \"Q\" controls to tame harsh sibilance in vocals and instruments with an independent high-mid limiter. Even when the De-Esser is active, the EQ level can still be used. The high frequency shelf has an independent engage switch, classic-peak\/accelerated-shelf selection, a +\/- 12 dB level adjustment and selectable turnover frequencies of 4.7, 6.8, 12, and 25 kHz.\u003c\/p\u003e\n\u003ch4\u003eCompressor\u003c\/h4\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN PORTICO II CHANNEL compressor section is exceptionally flexible. Like the Portico 5043, the VCA compressor has a choice of Feed-Forward\/Feed-Back modes, providing a transparent modern response (FF) or a smoother, more vintage response (FB). In addition to FF\/FB modes, there are also ratio controls from 1:1 to 40:1 and threshold from -30dBu to +20dBu, along with Attack from 20 to 75ms (.1 ms in Peak mode), Release from 100ms to 2.5s and Make-Up Gain from 0 to 20 dB. A link switch is provided to link the compressor action to that of an additional RUPERT NEVE DESIGN PORTICO II CHANNEL connected for stereo processing.\u003cbr\u003eThe Portico II compressor incorporates a host of new ways to tame and enhance dynamics. \"HPF to SC\" inserts the high-pass filter into the sidechain to handle intense low frequencies that might tilt the VCA's response with certain tracks and instruments. The \"Peak\" switch alters the compressor's attack to react to transients with a response time of approximately 1ms. When \"Peak\" is off, the compressor responds to the RMS signal along with the attack and release settings.\u003cbr\u003e\"Blend\" acts by creating a parallel mix between compressed and dry signals. By blending compressed and dry signals, you can increase the volume of quieter elements in the source material (e.g., the delicate snare drum on a track with much louder hits), while maintaining a natural dynamic feel for the louder elements.\u003cbr\u003eTo further control the sidechain, there is also a \"send\" and \"return\" insert that can be coupled with an external equalizer or other filters for further manipulation. The \"return\" can also be used as a \"key\" input to duck one signal under another. By connecting the \"link\" jack on the back of the RUPERT NEVE DESIGN PORTICO II CHANNEL to another Portico II link jack and activating the Link buttons, the compressor section can be used for stereo material.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eTexture Control for fine tuning harmonic ratio and timbre\u003c\/li\u003e\n\n\u003cli\u003ePost Comp moves the EQ downstream of the compressor\u003c\/li\u003e\n\n\u003cli\u003eMulti-variable De-Esser to soften harsh sibilance in vocals and instruments\u003c\/li\u003e\n\n\u003cli\u003eBlend gives continuously variable control to blend compressed and uncompressed signals\u003c\/li\u003e\n\n\u003cli\u003eFF\/FB changes VCA detection from a feed forward to a feedback design\u003c\/li\u003e\n\n\u003cli\u003eSuper Fast overrides attack settings, using a combination of Peak and RMS detection below 1ms\u003c\/li\u003e\n\n\u003cli\u003eSide Chain Send \/ Return\u003c\/li\u003e\n\n\u003cli\u003eExternal compressor side chain on 2 x TRS jacks\u003c\/li\u003e\n\n\u003cli\u003eDual 16-segment peak meters display compressor gain reduction and output levels\u003c\/li\u003e\n\n\u003cli\u003eContinuously adjustable high-pass filter from 20-250Hz\u003c\/li\u003e\n\n\u003cli\u003eHPF to Side Chain uses the HPF in the compressor side-chain\u003c\/li\u003e\n\n\u003cli\u003eGain provides 66dB in 6dB steps\u003c\/li\u003e\n\n\u003cli\u003eTrim: Continuous +\/- 6dB level control\u003c\/li\u003e\n\n\u003cli\u003eAll In EQ: Activates all EQ bands\u003c\/li\u003e\n\n\u003cli\u003eComp In: Activates the compressor section\u003c\/li\u003e\n\n\u003cli\u003ePhase Inversion\u003c\/li\u003e\n\n\u003cli\u003ePhantom Power: Selectable 48V\u003c\/li\u003e\n\n\u003cli\u003eDI: Discrete FET input for hi-Z instruments\u003c\/li\u003e\n\n\u003cli\u003eLine input: Selectable plus 4 balanced inputs\u003c\/li\u003e\n\n\u003cli\u003eDimensions: Rack, 2U\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993847882061,"sku":"RNPOCH","price":3468.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94975-large_default.jpg?v=1779946147"},{"product_id":"rupert-neve-design-portico-ii-master-buss-processor-compressorelimiter","title":"RUPERT NEVE DESIGN PORTICO II MASTER BUSS PROCESSOR Compressor\/limiter","description":"\u003ch2\u003eCompressor\/Limiter\u003c\/h2\u003e\n\u003cp\u003eBased on the high-voltage, discrete, Class-A signal paths made famous in the 5088 Mixer and the Portico II Channel, the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR is a creative tool that redefines the boundaries and limitations of traditional 2-channel compression and limiting. Though originally developed for mastering applications, the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR has quickly become a favorite of mixing engineers, tracking engineers and even FOH engineers. From mixing bass-heavy EDM to delicately mastering a chamber ensemble, it has something to offer everyone, regardless of use or genre.\u003cbr\u003eWith Rupert Neve-designed and manufactured input and output transformers, the 72V high voltage topology found in the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR will integrate seamlessly with any system. Additionally, the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR incorporates mastering-grade detented pots for fine-tuning its revolutionary dynamics, tone and stereo field controls. This new topology represents a significant evolution of Mr. Rupert Neve's classic designs with appreciable advantages in terms of headroom, dynamic range, distortion, noise, slew rate, bandwidth, and accuracy, while maintaining the sweet musical performance that has been a part of countless recordings.\u003c\/p\u003e\n\u003ch4\u003eThe Compressor\u003c\/h4\u003e\n\u003cp\u003eThe two compressor sections of the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR provide virtually endless dynamic possibilities for dual mono or stereo sources, with controls for ratio, threshold, attack, release, blend, HPF side chain, limit gain, and make-up gain. When engaged, the compressor section can be used in either feed-forward or feed-back mode to provide a transparent modern response (feed-forward) or a smoother, more musical vintage response (feed-back). Peak mode alters the attack of the compressor to react to peak transients with a response time of approximately 1ms. When the Peak switch is disengaged, the compressor responds to the RMS signal along with the attack and release settings. SC HPF inserts a 250 Hz high pass filter into the side chain to deal with intense low frequencies that might otherwise skew the VCA’s response with certain tracks and instruments. “Blend” creates a parallel mix between the compressed and dry signals. By blending the compressed and dry signals, you can increase the volume of quieter elements in the source material (e.g. the delicate snare ghost notes on a track with much louder hits), while still maintaining a natural dynamic feel for the louder elements.\u003cbr\u003eTo further control the side chain, there is also a “send” and “return” insert which can be coupled with an external EQ or other filters for further manipulation. The “return” can also be used as a “key” input for ducking one signal to another.\u003cbr\u003eWith the stereo link control engaged, ch.A acts as the master control.\u003c\/p\u003e\n\u003ch4\u003eThe Limiter\u003c\/h4\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR also features an extremely versatile, transparent, and musical limiter. At first glance, one might doubt the single knob, however, this limiter is extremely intelligent, knowing how to appropriately respond to various signals. Adaptive Release Technology is at the heart of this groundbreaking performance. By using a blend of release time constants, this limiter will simultaneously respond quickly to transient material (like the “snap” of a snare drum) and slowly to slower signals (like a bass guitar). This setup allows the limiter to grab a transient and let it go just an instant later, while also dealing with more constant signals in a slower, more musical way. In this way, the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR’s limiter can provide a far more aggressive amount of limiting than is typically possible, while still maintaining the essential character of the music and remaining free from the modulation distortion usually present in a fast-acting limiter.\u003cbr\u003eTypically there is a tradeoff between how quickly a limiter can react and the amount of modulation distortion in the lower frequencies. This is due to the fact that lower frequencies find their way into the side chain signal, switching the compressor on and off very quickly, which ends up modulating the overall signal. This is interesting to watch with sine waves, but is quite undesirable with music. The RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR has no such tradeoff, being able to have the best of both worlds: a fast, snappy response while maintaining the integrity and smoothness of the low end. In addition to the adaptive constant time circuitry, the release time is also varied with the position of the knob. When the knob is turned counter-clockwise, the release time is increased accordingly, as one would typically want a longer release time with a greater amount of reduction.\u003cbr\u003eThe new limiter found in the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR is designed to respond at a speed of 0.03 mS in order to reduce the first half of a 20 kHz waveform over threshold. It has an initial ratio of “medium knee” and within 3 dB of the threshold it reaches a ratio better than 10:1. A soft clip circuit catches any transients that might be in the “knee” when the threshold knob is set quite high. Both the limiter and soft clipper are removed from the circuit with the knob set fully clockwise. The release times are fully automatic and adjusted according to the average depth of limiting and duration of transients above threshold. The limiters share the same Class-A discrete gain module and VCA with the compressors, so use of the Limiter does not introduce more stages that music has to pass through. This combination of features provides exceptionally transparent limiting and often allows for twice the reduction as other limiters before objectionable artifacts become apparent.\u003c\/p\u003e\n\u003ch4\u003eThe Stereo Field Editor\u003c\/h4\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR's Stereo Field Editor brings traditional M-S techniques to new heights with width, depth, and corresponding band-pass filters.\u003cbr\u003eThe Stereo Field Editor allows the user to increase or decrease the width of a stereo image (wide\/mono) and adjust the amount of atmosphere inherent in the recording. When the width control is turned toward wide, the amount of difference material is increased, often resulting in more ambient material and accentuated stereo reverbs. Conversely, the stereo field is contracted when turned to mono, and, if the left and right channels are highly coherent (i.e. both channels include closely similar material that is in phase), this mono content is enhanced. If the phase of one of the input channels is then inverted, the mono content can be virtually eliminated. Because the amount of effect the width control has is entirely dependent on the amount of stereo information in the original source material and the interaction between the other stereo field editor controls, listening and experimenting are essential for the best results.\u003cbr\u003eThe depth control adjusts the spatial positioning of elements in the soundstage. Center panned elements like a lead instrument or vocal can be brought forward in a mix, relative to supporting instruments. In many cases, these same elements could be virtually eliminated without adversely affecting them. Used in conjunction, the depth and width controls effectively alter the ambience and perceived room size.\u003cbr\u003eTo fine tune the SFE, there are individual filters that allow for fine tuning of what information is being reintroduced by the depth and width circuits, thereby tailoring each effect to a specific bandwidth. For instance, if one wanted to increase the amount of low frequencies in the center image, engaging the SFE Depth and Depth EQ, set to LF, filters everything in the Mid signal but what is below the filter point (in this case, 250 Hz), and once reintroduced to the original would result in a perceived increase in low frequencies in the center image. It is also possible to do the same thing with the Width EQ, except increasing width, while cutting it, removes low frequencies from the sides, narrowing the low frequency perception to the center. Using the Width EQ again, this time set to HM (or LM as the case may be), increasing the amount of side-band passed information can provide a wonderful spread of instruments, reverb, and background vocals, giving the illusion that the sounds are spreading further, enveloping the listener.\u003cbr\u003eAnother technique available on the SFE is the routing of the Mid and Side signals to channel A and channel B’s compressors, respectively. Now any amount of depth or width being introduced is first routed to the compressors, enabling the user to utilize the compressor’s features on the Mid and Side information. Now it is possible to not only increase side information, but use the compressor to bring up some of the low-level information, or allow the user to tame an overly expressive lead vocal. With the addition of using the EQ section on the depth and width, a wide array of tools is available to the engineer.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003ePowerful 2-channel compressor \/ limiter \/ stereo field manipulator\u003c\/li\u003e\n\n\u003cli\u003eFull-featured compression sections for both channels, including attack, release, ratio, and threshold\u003c\/li\u003e\n\n\u003cli\u003eSide chain capability with high-pass filters for both compressors\u003c\/li\u003e\n\n\u003cli\u003eFeed-back\/Feed-forward controls allow you to select modern and vintage compression sounds\u003c\/li\u003e\n\n\u003cli\u003eTexture control with 2 Silk modes to add classic Neve warmth\u003c\/li\u003e\n\n\u003cli\u003eBlend controls allow you to mix the dry signal back into your compression, preserving transients while adding punch\u003c\/li\u003e\n\n\u003cli\u003eSimple and highly musical 1-Knob Limiter “Adaptive Release Technology” allows for limiting that does not alter or influence levels below threshold\u003c\/li\u003e\n\n\u003cli\u003eStereo Field Editor section includes independent controls for width and depth as well as width and depth EQ\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993847914829,"sku":"RNPOMB","price":4580.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94976-large_default.jpg?v=1779946148"},{"product_id":"rupert-neve-design-517-predicompressore-con-variphase","title":"RUPERT NEVE DESIGN 517 Pre\/DI\/Compressor with Variphase","description":"\u003ch2\u003ePre\/DI\/Compressor with Variphase\u003c\/h2\u003e\u003cp\u003eThe RUPERT NEVE DESIGN 517 is a Pre\/DI\/Compressor with Variphase based on the functions of the Portico 5017: it provides a microphone preamplifier, compressor, DI circuit, variphase, silk, and Mic\/DI channel mix functions within a high-quality module compatible with the 500 series. Silk: This feature enhances sound quality and adds a more vintage color by reducing negative feedback to achieve a very pleasant and musical sound.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic Gain: 0 dB to 66 dB.\u003c\/li\u003e\n\u003cli\u003eDI Gain: 0 dB to 30 dB.\u003c\/li\u003e\n\u003cli\u003eDI Input: High-impedance balanced or unbalanced input for instruments\u003c\/li\u003e\n\u003cli\u003ePhantom Power: The selector on the rear panel enables 48V power\u003c\/li\u003e\n\u003cli\u003ePhase Inversion: Inverts the phase of the input signal by 180 degrees\u003c\/li\u003e\n\u003cli\u003eThreshold: When the signal exceeds the set threshold here, the gain is reduced with a fixed compression ratio of 2:1, and fixed attack and release.\u003c\/li\u003e\n\u003cli\u003eIndicators: Show signal presence and clipping on the DI and Mic channels, and compressor activation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993847947597,"sku":"RN517","price":971.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/36916-large_default.jpg?v=1779946148"},{"product_id":"rupert-neve-design-543-compressorelimiter-serie-500","title":"RUPERT NEVE DESIGN 543 500-series Compressor\/Limiter","description":"\u003ch2\u003e500 Series Compressor\/Limiter\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGNS 543 is a 500 series Compressor\/Limiter that offers the discreet dynamic control, musicality, and robust limiting made famous in the Portico 5043 in the 500 series format. The RUPERT NEVE DESIGNS 543 features a fully controllable compressor-limiter with feed-forward\/feedback modes, Peak\/RMS detection, and a built-in side-chain high-pass filter. With an unrivaled legacy and extraordinary feature set, the RUPERT NEVE DESIGNS 543 offers a combination of warmth, flexibility, and precision that astounds sound engineers worldwide.\u003cbr\u003eBuilt upon Mr. Rupert Neve's custom transformer designs, each RUPERT NEVE DESIGNS 543 module includes individually controllable thresholds, attack, release, makeup gain, ratio, side-chain HPF, Feed-Forward\/Feed-Back selection, and Peak\/RMS detection modes. With the compressor inactive, the RUPERT NEVE DESIGNS 543 can be used as a high-output, transformer-coupled line amplifier, and two RUPERT NEVE DESIGNS 543s can be linked for stereo operation. The chassis is built to standard 500 series specifications, with power and I\/O supplied by the rack.\u003cbr\u003eIn order to control the gain, a V.C.A. or Voltage Controlled Amplifier (or Attenuator) is used.\u003cbr\u003eOne of the most unique features of the RUPERT NEVE DESIGNS 543 is the new Peak\/RMS mode also found in the Portico II channel. This switch allows the VCA (Voltage Controlled Amplifier) to respond to both RMS (Root Mean Square) and peak levels.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eGain Range: 6 dB to +20 dB.\u003c\/li\u003e\n\n\u003cli\u003eThreshold Range: 36 dB to +22 dB.\u003c\/li\u003e\n\n\u003cli\u003eRatio Range: 1.1:1 to limit (40:1).\u003c\/li\u003e\n\n\u003cli\u003eAttack range: 20 mS to 75 mS\u003c\/li\u003e\n\n\u003cli\u003eRelease Range: 100 mS to 2.5 seconds.\u003c\/li\u003e\n\n\u003cli\u003eFF\/FB: Feed-forward or Feed-Back VCA Control.\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output Level: Balanced and floating transformer output \/ Maximum output from 20 Hz to 40 kHz is +23 dBu.\u003c\/li\u003e\n\n\u003cli\u003eTotal Harmonic Distortion and Noise: @ 1kHz, +20 dBu output level, no load.\u003c\/li\u003e\n\n\u003cli\u003eMain output, compressor bypassed: Better than 0.0006%.\u003c\/li\u003e\n\n\u003cli\u003eMain output, compressor engaged: Better than 0.02%\u003c\/li\u003e\n\n\u003cli\u003eNoise: Measured at main output, unweighted, 22Hz-22kHz, terminated at 40 ohms. \/ With Gain at Unity, Compressor off, better than -103 dBu. \/ With Gain at Unity, compressor on, better than -92 dBu\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: Main output, unity gain, @ 18 Hz, +\/- .1 dB, @ 150 kHz -3 dB.\u003c\/li\u003e\n\n\u003cli\u003eCrosstalk measured at channel: Better than -90 dB at 15kHz.\u003c\/li\u003e\n\n\u003cli\u003eMeter: INPUT LEVEL and GAIN REDUCTION\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993847980365,"sku":"RN543","price":1037.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/35280-large_default.jpg?v=1779946148"},{"product_id":"rupert-neve-design-portico-5059-satellite-sommatore-16-x-22","title":"RUPERT NEVE DESIGN PORTICO 5059 SATELLITE 16 x 2+2 Summing Mixer","description":"\u003ch2\u003e16 x 2+2 Summing Mixer\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGNS PORTICO 5059 SATELLITE is a summing mixer featuring 16 channels with individual level, pan, insert, stereo-2 sends, and master texture controls, providing easy integration with outboard gear, comprehensive control for two separate stem mixes, and the ability to dial in analog mojo in two modes. With the same sonic heritage as the mixers used to create countless hits, the RUPERT NEVE DESIGNS PORTICO 5059 SATELLITE imbues tracks with the legendary warmth and presence of a Rupert Neve design.\u003cbr\u003eThe most important element of the RUPERT NEVE DESIGNS PORTICO 5059 SATELLITE is its legendary sound. Keys to the sonic prowess of the RUPERT NEVE DESIGNS PORTICO 5059 SATELLITE are the custom transformers and true Class A topologies found within. The RUPERT NEVE DESIGNS PORTICO 5059 SATELLITE's +\/- 24V Class A topologies have been refined over years to provide exceptional sonic performance and completely eliminate crossover distortion. Combined with Mr. Rupert Neve's transformer design and implementation, the RUPERT NEVE DESIGNS PORTICO 5059 SATELLITE achieves extraordinary purity, while conveying warmth and a larger than life sound reminiscent of classic Rupert designs.\u003cbr\u003eOne disadvantage of mixing \"in the box\" is the inability to use high-quality analog outboard equipment. Channel inserts are provided in the RUPERT NEVE DESIGNS PORTICO 5059 SATELLITE to simplify interconnections with external outboard equipment and to allow for further expansion of the 5059's capabilities. By connecting a second RUPERT NEVE DESIGNS PORTICO 5059 SATELLITE to the insert outputs of a 5059, the dual stereo outputs can be used as a way to add 4 auxes to each of the 16 channels.\u003cbr\u003eEach mix requires its own treatment; the continuously variable Texture controls with Silk and Silk+ modes allow the sound engineer to precisely tune the harmonic ratio and tonal quality of each stereo send of the RUPERT NEVE DESIGNS PORTICO 5059 SATELLITE, or leave each mix untouched. Silk mode accentuates transformer saturation in the high frequencies to add a \"sparkle\" to tracks. Silk+ mode accentuates low-frequency saturation to add thickness and density to any source - particularly useful for dry and somewhat anemic mixes. Unlike EQ, the texture control saturates the output transformers and adds musical harmonics to the source material based on the amount of texture applied.\u003cbr\u003eIn addition to providing aux functionality with a second 5059 module, the dual stereo outputs of the RUPERT NEVE DESIGNS PORTICO 5059 SATELLITE are generally used to create stem mixes. These mixes can be enhanced using the Silk\/Texture controls on the RUPERT NEVE DESIGNS PORTICO 5059 SATELLITE, then processed by buss compressors or other devices and fed into another mixer or an ADC.\u003cbr\u003eWith 16 channels of Rupert Neve-designed Class A magic and numerous tonal and routing options, the RUPERT NEVE DESIGNS PORTICO 5059 SATELLITE satellite mixer will enhance the audio and performance of the DAW studio to new levels.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ch4\u003eFrequency Response:\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003e100K load,\u003c\/li\u003e\n\n\u003cli\u003e+\/- 0.1 dB from 20 Hz to 20 kHz\u003c\/li\u003e\n\n\u003cli\u003e-3 dB at 3.5 Hz \/ 185 kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eNoise:\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eIEC-A-Weighted\u003c\/li\u003e\n\n\u003cli\u003eBuss Outputs: -106dBV\u003c\/li\u003e\n\n\u003cli\u003eSingle Channel Assigned @ -∞: -104dBV\u003c\/li\u003e\n\n\u003cli\u003eSingle Channel Assigned @ Unity: 103dBV\u003c\/li\u003e\n\n\u003cli\u003eSingle Channel Assigned @ +10dB: -100dBV\u003c\/li\u003e\n\n\u003cli\u003eUnweighted, 22Hz - 22kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eBuss Outputs:\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eSingle Channel Assigned @ -∞: -101dBV\u003c\/li\u003e\n\n\u003cli\u003eSingle Channel Assigned @ Unity: -100dBV\u003c\/li\u003e\n\n\u003cli\u003eSingle Channel Assigned @ +10dB: -97dBV\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eSignal-to-Noise:\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003e+20dBu output unweighted, 22 - 22kHz: 116dB\u003c\/li\u003e\n\n\u003cli\u003e+20dBu output, IEC A weighted: 119dB\u003c\/li\u003e\n\n\u003cli\u003e+4dBu output unweighted, 22 - 22kHz: 100dB\u003c\/li\u003e\n\n\u003cli\u003e+4dBu output, IEC A weighted: 103dB\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eOutput Level:\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eSumming Bus to XLR outputs, Maximum Output Level, 20Hz to 40kHz: +26dBu\u003c\/li\u003e\n\n\u003cli\u003eSingle channel to bus, Maximum Output Level, 20Hz to 40kHz: +24.5dBu\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eTotal Harmonic Distortion and Noise:\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003e1kHz output @ +20dBu: better than 0.003%\u003c\/li\u003e\n\n\u003cli\u003e20Hz output @ +20dBu: better than 0.005%\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eTotal Harmonic Distortion, Silk enabled:\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eBlue Silk - 100Hz output @ +20dBu, texture control 12 o'clock: typically 0.2%\u003c\/li\u003e\n\n\u003cli\u003eBlue Silk - 100Hz output @ +20dBu, texture control fully CW: typically 0.65%\u003c\/li\u003e\n\n\u003cli\u003eRed Silk - 100Hz output @ +20dBu, texture control 00:00: typically 0.1%\u003c\/li\u003e\n\n\u003cli\u003eRed Silk - 100Hz output @ +20dBu, texture control fully CW: typically 0.35%\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eSlew Rate:\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003e4V\/uS\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eCrosstalk:\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eFrom Buss1 to Buss2\u003c\/li\u003e\n\n\u003cli\u003e1kHz: better than -90dB\u003c\/li\u003e\n\n\u003cli\u003e10kHz: better than -70dB\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003ePower Consumption:\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eAC Mains, 100VAC to 240VAC, 50\/60Hz: 45 Watts\u003c\/li\u003e\n\n\u003cli\u003eFuses - not user accessible, internal to power supplies\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993848111437,"sku":"RNSASU","price":3905.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94978-large_default.jpg?v=1779946152"},{"product_id":"rupert-neve-design-511-preamplificatore-microfonico-con-silk-variabile","title":"RUPERT NEVE DESIGN 511 Microphone Preamp with variable SILK","description":"\u003ch2\u003eMicrophone Preamplifier with Variable SILK\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN 511 is a microphone preamplifier with variable SILK, based on the award-winning 517 module, featuring the same high-pass filter as the 5012 module and the variable Silk control derived from the 'flagship' Portico II Channel. With Silk, you can enhance sound quality and add a vintage color, reducing negative feedback to achieve a very pleasant and musical sound. The RUPERT NEVE DESIGN 511 naturally supports microphone or line sources, proving absolutely perfect with ribbon microphones, as well as dynamic, condenser, and tube microphones. The polarity inversion switch helps resolve any phase issues, while the high-pass filter allows you to address low-frequency noise and control the proximity effect of many microphones.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e1-channel microphone preamplifier\u003c\/li\u003e\n\n\u003cli\u003e+48V Phantom power can be switched on or off\u003c\/li\u003e\n\n\u003cli\u003e8-segment LED level meter\u003c\/li\u003e\n\n\u003cli\u003eHigh-pass filter can be set from 20 - 250 Hz\u003c\/li\u003e\n\n\u003cli\u003eTrim and Gain-Control\u003c\/li\u003e\n\n\u003cli\u003ePolarity is reversible\/can be switched\u003c\/li\u003e\n\n\u003cli\u003eSilk Mode\u003c\/li\u003e\n\n\u003cli\u003eForm factor: 500 module\u003c\/li\u003e\n\n\u003cli\u003eVoltage\/power required: +\/- 16 V DC 100 mA\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993848308045,"sku":"RN511","price":847.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/98068-large_default.jpg?v=1779946159"},{"product_id":"rupert-neve-design-542-tape-emulator-con-variable-silk-e-soft-clip-limiter","title":"RUPERT NEVE DESIGNS 542 Tape Emulator with Variable Silk \u0026 Soft Clip Limiter","description":"\u003ch2\u003eTape Emulator with Variable Silk and Soft Clip Limiter\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN 542 is a Tape Emulator with Variable Silk and Soft Clip Limiter, considered a follow-up to the Portico 5042. Both modules provide perfect tape sound emulation thanks to the use of some of the same components found in analog recorders. The module contains a circuit identical to that of the hardware it emulates: the circuit sends the signal to a tiny magnetic \"head\" coupled with a specially equalized playback amplifier. The RUPERT NEVE DESIGN 542 True Tape Emulator also includes the variable Silk\/Texture circuitry already present in the Portico II module series, which allows for detailed variation of the harmonic ratio and the tonality of the output transformer.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAPI 500 format\u003c\/li\u003e\n\n\u003cli\u003eTape saturation emulator\u003c\/li\u003e\n\n\u003cli\u003eTrim control (+\/- 12 dB PreTape Level Control)\u003c\/li\u003e\n\n\u003cli\u003eTape saturation effect can be continuously adjusted\u003c\/li\u003e\n\n\u003cli\u003eSilk function (Silk Red \u0026amp; Silk Blue) can be continuously adjusted\u003c\/li\u003e\n\n\u003cli\u003eBlend potentiometer determines the balance of Pre and Post-Tape signals\u003c\/li\u003e\n\n\u003cli\u003eTape characteristic can be switched between 15 IPS and 30 IPS\u003c\/li\u003e\n\n\u003cli\u003eDrive Meter shows the signal level on the \"Record Head\"\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993848340813,"sku":"RN542","price":995.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/79066-large_default.jpg?v=1779946160"},{"product_id":"rupert-neve-design-551-equalizzatore-ad-induzione-serie-500","title":"RUPERT NEVE DESIGN 551 Inductor EQ 500 Series","description":"\u003ch2\u003e500 Series Inductor EQ\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN 551 is a 3-band 500 Series Inductor Equalizer inspired by Mr. Neve's most acclaimed historical designs, featuring custom-made components such as inductors, transformers, and Class A gain stages. The true Neve sound, with present lows and harmonious highs, is finally available for the System 500 standard. The 3 inductor bands with custom hand-wound components of the RUPERT NEVE DESIGN 551 are crafted with the distinctive sound of Rupert Neve's vintage EQs in mind. The LOW FREQ band has a dense and resonant response and can be used (unlike the original design it was based on) as both a Shelf and a Peak filter, to add punch, dimensionality, and control to the low-end. The midrange inductor band is ideal for 'sweetening' vocal or instrumental tracks, making them more present in the mix, while the proportional \"Q\" factor response is effective for reducing the effect of problematic frequencies. The HF band has a hybrid design between vintage and modern, blending the best of inductor circuitry with capacitor circuitry for a vintage sound, but with greater control. The High Pass filter is 12dB per octave with a fixed cut at 80Hz and is perfect in conjunction with the LOW FREQ band to add presence to the lows without over-emphasizing them below. As in Neve's most acclaimed classic designs, each section of the EQ uses discrete Class A low-feedback electronics to prevent unwanted coloration during source processing.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ch4\u003eEqualizer not active\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eNoise: Measured at Main Output, 22Hz-22kHz, 40 Ohms balanced impedance. Better than -102dBV\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: Main output, no load +\/- 0.1dBu from 20Hz to 31.5kHz, -1dB @ 120kHz\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output Level: 23.25dBu\u003c\/li\u003e\n\n\u003cli\u003eTotal Harmonic Distortion and Noise: @ 1kHz, +20dBu output level, no load. Better than 0.0025%, @ 20Hz, +20dBu output level, no load. 0.13% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\n\u003cli\u003eHigh Pass Filter: -2.7dB @ 80Hz Slope 12dB\/Octave\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eActive Equalizer:\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eNoise: Measured at Main Output, 22Hz-22kHz, 40 Ohms balanced impedance. Better than -94dBV\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: Main output, no load +\/- 0.25dBu from 20Hz to 45kHz, -2dB @ 120kHz\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output Level: 23dBu\u003c\/li\u003e\n\n\u003cli\u003eTotal Harmonic Distortion and Noise: @ 1kHz, +20dBu output level, no load. Better than 0.009%, @ 20Hz, +20dBu output level, no load. 0.13% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993848897869,"sku":"RN551","price":1001.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/79065-large_default.jpg?v=1779946171"},{"product_id":"rupert-neve-designs-r6-lunchbox-per-6-moduli-serie-500","title":"Rupert Neve Designs R6 Six-Space 500 Series Rack","description":"\u003cp\u003eThanks to an abundant power supply and versatile connections, the RND R6 offers the solidity of a professional product built to the high standards expected from a reputable company like Rupert Neve Designs. From a power supply perspective, the R6 provides 150% more current than needed for a 6-module chassis to always ensure sufficient current, even in the event of higher than expected consumption. To keep power consumption under control and easily identify any issues with specific modules, the R6 is equipped with a series of LEDs on the front panel that show the actual current being used. The internal power supply has been carefully designed and double-shielded to prevent electromagnetic interference, even in the closest spaces. Thanks to these LEDs, you can get the best performance from your 500 series modules.\u003c\/p\u003e\n\u003cp\u003eWith a wide range of available connections, the rear panel is practically a standalone patchbay. The R6 features 8 balanced I\/O connections in DB-25, XLR, and TRS formats, all active and therefore interchangeable. This versatility is particularly useful when taking the R6 to another studio and being unsure of the available connection types, or when there is a need to convert connections between various TRS, DB-25, XLR formats, or even to another format, using the THRU functionality on channels 7-8.\u003c\/p\u003e\n\u003cp\u003eThe chassis is all steel with rubber feet on 2 sides, to support the unit both horizontally and vertically, and also has a sturdy foldable handle for transport. All connectors and accessories are of the highest quality and guarantee long-lasting reliability.\u003c\/p\u003e\n\u003cp\u003eSince the R6 is built to 500 series specifications, it will work perfectly with any properly designed module. For those slightly oversized modules, the R6 has movable screw holes for easier installation. Modules can be linked in stereo pairs via internal jumpers, and matching blanks are also available to cover any empty slots.\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993849553229,"sku":"RNDRN6","price":768.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/36920-large_default.jpg?v=1779946184"},{"product_id":"rupert-neve-design-rndi","title":"Rupert Neve Design RNDI Active DI Box","description":"\u003ch2\u003eNeve Transformer Direct Box for Instruments or Speakers\u003c\/h2\u003e\n\u003cp\u003eRupert Neve Design RNDI - a device capable of faithfully preserving sound, balancing the signal, and isolating the original signal. The RNDI leaves your instrument's sound intact, preserving every harmonic component of basses, guitars, acoustic instruments, and line sources. With the RNDI, sound becomes portable, remaining powerful and realistic – the only D.I. Box worthy of bearing Rupert Neve's name.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eBig, bold sound for basses, guitars, keyboards, and piezo instruments\u003c\/li\u003e\n\n\u003cli\u003eCustom transformers for powerful low-end and sweet high frequencies without sacrificing clarity\u003c\/li\u003e\n\n\u003cli\u003eFlat frequency response in the audible range 20Hz - 20KHz\u003c\/li\u003e\n\n\u003cli\u003eExtended response below 10Hz and above 100kHz\u003c\/li\u003e\n\n\u003cli\u003eTransformers and active circuits provide complete circuit isolation\u003c\/li\u003e\n\n\u003cli\u003eExtremely low output impedance and phase shift provide excellent consistent results\u003c\/li\u003e\n\n\u003cli\u003e1\/4\" In and Thru jacks\u003c\/li\u003e\n\n\u003cli\u003eGold-plated XLR Output\u003c\/li\u003e\n\n\u003cli\u003eSpeaker \/ Instrument and Ground \/ Lift switches\u003c\/li\u003e\n\n\u003cli\u003eLED current consumption meter\u003c\/li\u003e\n\n\u003cli\u003e48V Phantom power\u003c\/li\u003e\n\n\u003cli\u003eRobust steel chassis built for life on the road\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993849585997,"sku":"RNDDIB","price":391.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/79063-large_default.jpg?v=1779946184"},{"product_id":"rupert-neve-designs-rnhp-precision-headphone-amplifier","title":"RUPERT NEVE DESIGNS RNHP Headphone Amplifier","description":"\u003ch2\u003eHeadphone Preamplifier\u003c\/h2\u003e\u003cp\u003eThe RUPERT NEVE DESIGN RNHP is a headphone preamplifier based on the headphone output circuit of the 5060 Centerpiece Mixer, making it a reference amplifier, specifically calibrated for all types of headphones, with any impedance.\u003cbr\u003eThe RUPERT NEVE DESIGN RNHP features 3 inputs in three different formats: balanced +4dBu connection via XLR, unbalanced RCA, and a 3.5mm (1\/8\") mini-jack input.\u003cbr\u003eThe RUPERT NEVE DESIGN RNHP has the ability to optimally amplify any pair of headphones without compromise, with an unprecedented level of accuracy.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMaximum Input Levels: XLR I\/P \"A\": +22.8 dBu @ 1 kHz; RCA I\/P \"B\": +14.7 dBu @ 1 kHz; 3.5mm I\/P \"C\": +3.3 dBu @ 1 kHz\u003c\/li\u003e\n\u003cli\u003eOutput Power (Measured with typical headphones, Z): 44 Ohms, 3.617 VAC RMS @ 1 kHz = 300mW RMS; Typical load 16 Ohms, 1.933 VAC RMS @ 1 kHz = 230mW RMS; Typical load 150 Ohms, 5.108 VAC RMS @ 1 kHz = 175mW RMS\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: .08 Ohms @ 1 kHz, 16-150 Ohm load, 0 dBu input\u003c\/li\u003e\n\u003cli\u003eFrequency Response: +\/- .2 dB from 10 Hz to 120 kHz\u003c\/li\u003e\n\u003cli\u003eNoise (Measured with typical headphones, Z): 44 Ohms, BW 22 Hz - 22 kHz; XLR \"A\" Input: -101.9 dBV; RCA \"B\" Input: -100.9 dBV; 3.5mm \"C\" Input: -88.8 dBV\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 24 VDC @ 0.25 Amp (6 watts) minimum. Use with the included power adapter, as it has been carefully selected for the best power output and noise performance. It can also be used with a properly configured 24V battery.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993851978061,"sku":"RNDRNH","price":733.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/145599-large_default.jpg?v=1779946239"},{"product_id":"rupert-neve-designs-535","title":"RUPERT NEVE DESIGNS 535 Diode Bridge Compressor","description":"\u003ch2\u003eDiode Bridge Compressor\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGNS 535 is a diode bridge compressor originally developed for the acclaimed Shelford Channel’s dynamics circuit, which captures the soul of Rupert Neve’s original 2254 compressor while providing modern updates including advanced timing control, significantly lower noise, fully stepped controls and internal parallel processing capabilities.\u003cbr\u003eWhere the VCA compressor found in the Master Buss Processor provides unparalleled clarity, the thick, harmonically rich tonality of diode bridge compression can be essential to push key sources like vocals, electric guitars, bass, and drums to the forefront of a mix.\u003cbr\u003eUnderstanding the limitations of vintage units such as the legendary 2254, a painstaking effort was made to reproduce the unique tone of these classics while improving noise floor and accuracy, expanding inflexible time constants, adding full-wave sidechain detection for improved dynamic response, and widening the threshold and ratio control ranges.\u003cbr\u003eTHRESHOLD: A 31-position potentiometer sets the level at which compression begins, from -25dB to +20dB. Turning this control counter-clockwise will increase the amount of compression, turning it clockwise will decrease the amount of compression.\u003cbr\u003eRATIO: The RATIO control has six selectable positions on a rotary switch, allowing the user to set the slope of the compressor’s curve with pre-selected ratios from 1.5:1 to 8:1 for levels above the determined THRESHOLD. This range of compression ratios allows the user to compress moderately or heavily as desired.\u003cbr\u003eTIMING: The unified TIMING control is a six-position rotary switch that sets the attack and release times of the compressor. The time can be further modified by the FAST button:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003eFAST – Fast Attack (750us), Fast Release (130ms)\u003c\/li\u003e\n\n\u003cli\u003eMF – Medium Attack (2.25ms), Fast Release (130ms)\u003c\/li\u003e\n\n\u003cli\u003eMED – Medium Attack (2.25ms), Medium Release (400ms)\u003c\/li\u003e\n\n\u003cli\u003eMS: Medium Attack (4ms), Slow Release (725ms)\u003c\/li\u003e\n\n\u003cli\u003eSLOW – Slow Attack (10ms), Slow Release (1S)\u003c\/li\u003e\n\n\u003cli\u003eAUTO – Medium Attack (5ms), Dual-Decay Release (T1 500ms, T2 1S)\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\u003cp\u003eFAST: The FAST switch halves the attack and release times available on the TIMING control, effectively doubling the number of TIMING presets available to the user.\u003cbr\u003eBLEND: The BLEND control has 31 steps and allows the user to blend the uncompressed (dry) signal with the compressed (wet) signal. Turning the control towards 0% will shift the mix to the fully uncompressed dry signal, while turning the control towards 100% will shift the mix to the fully compressed signal. This feature allows for parallel compression, enabling a wide range of compression subtleties.\u003cbr\u003eGAIN: The GAIN control has 31 steps and allows the user to add make-up gain to the compressed signal to bring its level back to unity with the uncompressed input signal. It is much easier to evaluate the tonal effect of the compressor (via the COMP IN switch) when the compressed output level matches the uncompressed input level, thus eliminating potentially misleading level differences.\u003cbr\u003eCOMP IN: The COMP IN switch activates the compression circuit. By disengaging the COMP IN switch, the compressor is bypassed and the user can quickly compare the compressed sound to the dry input signal for an objective evaluation of the compressor’s sonic effect on the audio signal.\u003cbr\u003eLINK: The LINK switch allows the compressor to be linked to another 535 compressor module via a side-chain control voltage. In link mode, the compressor generating the greater side chain voltage (resulting in the greater amount of compression) will control the compression of both audio signal paths to maintain a correct central stereo image during compression.\u003cbr\u003eSIDE CHAIN HPF: The S\/C HPF switch allows the user to insert a 12dB\/octave 150Hz high-pass filter into the compressor’s side-chain. When this filter is engaged, the compressor will be significantly less sensitive to information below 150Hz. For example: when used on a drum kit, the low end of the kick drum would have a less proportional effect on the compression than a snare or cymbals, as a significant portion of the kick drum’s dynamic energy is focused below 150Hz.\u003cbr\u003eLEVEL \u0026amp; GAIN REDUCTION METERING: These two LED meters provide highly accurate representations of both the compressor’s output level and the amount of gain reduction applied to the input signal.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eLine input to line output (Compressor bypassed): Source z = 40 ohm balanced\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 10k Ohms\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 40 Ohms\u003c\/li\u003e\n\n\u003cli\u003eMaximum Input Level: +23.5 dBu\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output Level: +23.5 dBu\u003c\/li\u003e\n\n\u003cli\u003eNoise: 22 hz - 22 kHz BW; -101 dbu\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: Output XLR Cable 10 hz - 120 kHz, 30 ft; +\/- 0.25 db\u003c\/li\u003e\n\n\u003cli\u003eTHD+N: @ 1 khz @ max output level, 22 hz - 22 kHz BW; 0.001%\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993891660109,"sku":"RN535","price":1048.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/145649-large_default.jpg?v=1779947215"},{"product_id":"rupert-neve-design-mbc-convertitore-ad","title":"RUPERT NEVE DESIGN MBC A\/D Converter","description":"\u003ch2\u003eA\/D Converter\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN MBC is an ideal A\/D converter for tracking, mixing, or mastering, featuring dual analog circuitry that provides both a transformerless Class-A signal path (for the most transparent sound possible) and a more colored one, with custom audio transformers and variable Silk (to achieve a wide variety of tonal nuances).\u003cbr\u003eThe RUPERT NEVE DESIGN MBC was designed to deliver \"reference\" performance regardless of the desired genre or sonic character. The key to achieving this result lies in the quality of the analog circuitry.\u003cbr\u003eTo obtain a more powerful and distinctive sonic imprint, a custom transformer with Rupert Neve's famous Silk circuit can be inserted into the signal path, re-evoking the classic sound of his vintage designs. This transformer, unlike other RNDs designed for line-level outputs, is engineered to provide appropriate harmonic content even when feeding directly into the converter. With the addition of variable Silk, the user can precisely decide the amount of desired harmonic content. The \"Red\" mode emphasizes mid\/high harmonics, while \"Blue\" accentuates low-band harmonics. From a transparent sound without Silk to a decidedly more colored and vintage one with the Silk\/Texture circuit, the selectable transformer path can handle tracks with new and improved power. When maximum transparency and the highest sonic fidelity are required, the transformerless signal path allows for extraordinary clarity and detail.\u003cbr\u003eWhile many transformerless circuits suffer from poor sonic balance and a lack of \"punch,\" the Class-A circuit of the RUPERT NEVE DESIGN MBC has been meticulously designed to offer a beautiful sense of sonic naturalness, with lively detail in both high and low frequencies. The completely clean signal path is an essential complement to the classic and \"massive\" sound that transformers typically provide.\u003cbr\u003eRUPERT NEVE DESIGN has designed a limiter capable of functioning both as a high-quality musical \"sculpting\" tool, superior to plugin limiters, and continuing to serve as a \"safety\" limiter. To achieve this, RND has redefined the \"compound active release\" topology to improve both the accuracy and musicality of the limiter's response. The result is a limiter that offers both sonic transparency and the ability to push tracks and mixes to the limit without compromising the sonic integrity of the source. To further control the sound of the limiter, parameters have been provided to fine-tune its response. The integrated Side High-Pass Filter, adjustable from 20Hz to 250Hz, minimizes the limiter's reaction to low frequencies, which tend to have more \"sustain\" than highs. The threshold control sets the maximum level for the digital signal, and the variable release time alters the type of response to better suit different source types. To further raise levels within the limiter, the Class-A line amplifier can add 20dB of ultra-clean gain. The limiter can be used in either dual mono or stereo via the \"link\" switch, depending on the desired application.\u003cbr\u003eThe 24-bit\/192kHz converters of the RUPERT NEVE DESIGN MBC were developed after years of careful listening and represent a further improvement over those designed for the RMP-D8. The internal clock has ultra-low jitter and phase noise values, making recordings as accurate as possible. Simply put, the RUPERT NEVE DESIGN MBC recreates an unprecedented digital representation of analog signals.\u003cbr\u003eTo connect digital interfaces and consoles, the RUPERT NEVE DESIGN MBC features AES, S\/PDIF, and TOSLINK outputs capable of simultaneously outputting to multiple destinations. The word clock output allows the RUPERT NEVE DESIGN MBC to act as a high-end master clock for the entire setup, while the word clock input allows for external synchronization to a separate master clock. Finally, to perfectly integrate the RUPERT NEVE DESIGN MBC into a multichannel conversion environment, four standard levels from -14dBFS to -20dBFS can be selected to accurately match other converters. These calibration standards are implemented with a particularly high level of accuracy using high-precision resistors and relay-controlled stepped attenuation.\u003cbr\u003eA pair of 22-segment meters provides extremely precise control over the input conversion stage. This new design represents the highest resolution LED meter found in a Rupert Neve Designs product. For monitoring limiter gain reduction, there is an 8-segment meter designed to show transient reduction with great accuracy. Level meters can be further customized with 1 and 3-second peak hold options.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eXLR Line Input to AES3 Digital Output (Limiter Bypassed) – ZSOURCE= 40 Ω Balanced\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 9.9 kΩ\u003c\/li\u003e\n\n\u003cli\u003eCommon Mode Rejection @ 1 kHz: 105 dB typical\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eTransformerless Path\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eFrequency Response (20 Hz to 70 kHz): +\/- 0.025 dB typical\u003c\/li\u003e\n\n\u003cli\u003eTHD+N @1 kHz @ -2 dBFS (10 Hz - 22 kHz BW): 0.0009% typical\u003c\/li\u003e\n\n\u003cli\u003eNoise (BW 10 Hz - 22 kHz): -108 dBFS typical\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eTransformer Path\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eTransformer Frequency Response (20 Hz to 70 kHz): +\/- 0.1 dB typical\u003c\/li\u003e\n\n\u003cli\u003eTHD+N @1 kHz @ -2 dBFS (10 Hz - 22 kHz BW): 0.002% typical\u003c\/li\u003e\n\n\u003cli\u003eNoise (BW 10 Hz - 22 kHz): -114 dBFS typical\u003c\/li\u003e\n\n\u003cli\u003eLimiter Specifications (Transformerless Path Selected) - ZSOURCE= 40 Ω Balanced\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response (20 Hz to 70 kHz): +\/- 0.1 dB typical\u003c\/li\u003e\n\n\u003cli\u003eNoise @ 0 dB Make-Up Gain (10 Hz - 22 kHz BW): -107 dBFS typical\u003c\/li\u003e\n\n\u003cli\u003eNoise @ +20 dB Make-Up Gain (10 Hz - 22 kHz BW): -97 dBFS typical\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53994099802445,"sku":"RNP2MBC","price":4108.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/134589-large_default.jpg?v=1779951086"},{"product_id":"rupert-neve-design-5254-compressore-a-doppio-ponte-di-diodi","title":"RUPERT NEVE DESIGN 5254 Dual Diode Bridge Compressor","description":"\u003ch2\u003eDual Diode Bridge Compressor\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN 5254 is a dual diode bridge compressor designed to evoke the spirit of early vintage Rupert Neve Designs diode bridge compressors while incorporating modern features such as advanced timing control, significantly lower noise floor, stepped controls, high voltage power supply, internal parallel processing, and more. Unlike VCA compressors, which are designed to achieve accurate sonic clarity, the rich harmonic content of the Dual Diode Bridge Compressor is designed to produce a wide range of sonic colorations. Based on the circuits of the famous Shelford Channel, the RUPERT NEVE DESIGN 5254 can operate in either dual mono or stereo mode, along with custom Rupert Neve Designs transformers and Class A electronics, all housed in a 1U 19” chassis.\u003cbr\u003eUnderstanding the limitations of vintage unit topologies, RND's effort was to successfully reproduce the unique tone of these classic units while improving the noise floor, expanding the inflexible time constants, adding full-wave sidechain detection for improved dynamic response, and expanding the threshold and ratio controls. The Dual Diode Bridge Compressor, offering the powerful sound of these vintage units with controls tailored to modern needs, is a dynamic tool that can make its mark on any type of mix or track.\u003cbr\u003eThe unified TIMING controls consist of six selectable settings, carefully chosen for different applications, starting from the fixed, slow attack times of vintage units. The FAST and MF settings are designed to handle signals with many transients such as drums, plucked string instruments, and fast vocals. MED and MS have slightly slower attack and release times, allowing more transients to \"pass through\" with slightly longer recovery times. Finally, SLOW and AUTO are both very slow and have complex, non-linear release times, with softer and less audible level controls.\u003cbr\u003eThe FAST mode increases the speed of both attack and release times for each of the listed settings, effectively doubling the number of time constants from 6 to 12. FAST mode also allows for a significant increase in speed compared to vintage units, enabling greater versatility both sonically and operationally.\u003cbr\u003eFaster TIMING settings will generally lead to greater peak-to-peak control voltage ripple, thereby introducing greater harmonic content, which translates into greater coloration in the signal path. Slower TIMING settings will significantly soften the voltage control, reducing the production of harmonic content and thus achieving more transparent compression. It is interesting to note that, due to the nature of the topology, these time constants adapt depending on various factors: ratio, threshold, and source material. These timing shifts and dynamically generated harmonic contents are precisely the factors that characterize the sonic personality of the Dual Diode Bridge Compressor.\u003cbr\u003eGiven the colorful sonic character of the RUPERT NEVE DESIGN 5254's diode bridge, this integrated parallel compression proves particularly useful. The BLEND control allows the user to introduce small amounts of extreme compression into another clean signal, creating an emphasized but natural sound that maintains dynamic range with adjustable color and \"punch.\"\u003cbr\u003eIn addition to the TIMING control, the diode bridge compressor can be further manipulated with the RATIO, THRESHOLD, GAIN, S\/C HPF, S\/C INSERT, and LINK controls. The RATIO control has six selectable positions and allows the user to choose the slope of the compressor's curve with values ranging from 1.5:1 to 8:1. The THRESHOLD control allows the user to adjust the point at which compression begins, ranging from -25dBu to +20dBu. The GAIN control adds make-up gain ranging from -6dB to +20dB. The S\/C HPF is 12dB per octave with a continuous frequency control from 20Hz to 250Hz. This feature can be immensely useful for making the compressor respond less to the powerful (and often sustained) low frequencies of a mix or instrument, which might otherwise cause the compressor to respond with a \"muddy\" sound. The SC INSERT has an always-active send\/return for the compressor's sidechain, which can be used to insert a more adjustable EQ to further sculpt the compressor's response, or as a way to insert a key signal into the return, controlling compression via a separate source to act on the signal when the \"key\" signal goes above the threshold. LINK connects the control voltage of the two channels, so that when one channel is activated, the other will behave in the same way. This often helps maintain a solid central image in a stereo source.\u003cbr\u003eNOTE: For stereo sources, it is always best to listen to the \"unlinked\" signal anyway, as linking can sometimes diminish the stereo width when the compressors are triggered only on one side.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eXLR Line Input to XLR Line Output (Compressor Bypassed) ZSOURCE = 40 Ω Balanced\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 10 kΩ\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 40 Ω\u003c\/li\u003e\n\n\u003cli\u003eMaximum Input Level (+4dBu selected): +26.7 dBu typical\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output Level: +26.7 dBu typical\u003c\/li\u003e\n\n\u003cli\u003eNoise (22 Hz - 22 kHz BW): -104 dBu typical\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response (10 Hz to 120 kHz): +\/- 0.25 dB typical\u003c\/li\u003e\n\n\u003cli\u003eTHD + N @ 1 kHz @ Max Level (22 Hz - 22 kHz BW): 0.0008% typical\u003c\/li\u003e\n\n\u003cli\u003eNoise @ 0dB Make-Up Gain (22 Hz - 22 kHz BW): -84.5 dBu typical\u003c\/li\u003e\n\n\u003cli\u003eNoise @ +20dB Make-Up Gain (22 Hz - 22 kHz BW): -64.5 dBu typical\u003c\/li\u003e\n\n\u003cli\u003eFAST Attack 250μS - 2 mS \/\/ Release 100 mS - 200 mS typical\u003c\/li\u003e\n\n\u003cli\u003eMF (MEDIUM FAST) Attack 1 mS - 5 mS \/\/ Release 100 mS - 200 mS typical\u003c\/li\u003e\n\n\u003cli\u003eMED (MEDIUM) Attack 3 mS - 18 mS \/\/ Release 350 mS - 700 mS typical\u003c\/li\u003e\n\n\u003cli\u003eMS (MEDIUM SLOW) Attack 5mS - 40mS \/\/ Release 600mS - 1S typical\u003c\/li\u003e\n\n\u003cli\u003eSLOW Attack 10mS - 80 mS \/\/ Release 800mS - 1.5S typical\u003c\/li\u003e\n\n\u003cli\u003eAUTO Attack 5mS - 40mS \/\/ Release T1 400-900mS, T2 1-2S typical\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53994116579661,"sku":"RN5254","price":3091.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/138162-large_default.jpg?v=1779951465"},{"product_id":"rupert-neve-design-portico-ii-master-buss-processor-black-compressorelimiter","title":"RUPERT NEVE DESIGN PORTICO II MASTER BUSS PROCESSOR BLACK Compressor\/limiter","description":"\u003ch2\u003eCompressor \/ Limiter\u003c\/h2\u003e\n\u003cp\u003eBased on the high-voltage, discrete, Class A signal paths made famous in the 5088 Mixer and Portico II Channel, the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR is a creative tool that redefines the limits and limitations of traditional 2-channel compression and limiting. While originally developed for mastering applications, the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR has quickly become a favorite of mixing engineers, tracking engineers, and even FOH engineers. From mixing bass-heavy EDM to a delicate master of a chamber ensemble, it has something to offer everyone, regardless of usage or genre.\u003cbr\u003eWith Rupert Neve-designed and manufactured input and output transformers, the 72V high-voltage topology found in the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR will integrate seamlessly with any system. In addition, the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR incorporates mastering-grade detented pots to fine-tune its revolutionary dynamics, tone, and stereo field controls. This new topology represents a significant evolution of Mr. Rupert Neve’s classic designs with appreciable advantages in headroom, dynamic range, distortion, noise, slew rate, bandwidth, and accuracy, while maintaining the sweet musical performance that has been a part of countless recordings.\u003c\/p\u003e\n\u003ch4\u003eThe Compressor\u003c\/h4\u003e\n\u003cp\u003eThe two compressor sections of the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR offer virtually endless dynamics possibilities for dual mono or stereo sources, with controls for ratio, threshold, attack, release, blend, side chain HPF, gain limit, and make up. When activated, the compressor section can be used in either feed-forward or feed-back mode to provide a transparent modern response (feed-forward) or a smoother, more musical vintage response (feed-back). Peak mode alters the compressor's attack to react to peak transients with a response time of approximately 1ms. When the Peak switch is disengaged, the compressor responds to the RMS signal along with the attack and release settings. SC HPF inserts a 250 Hz high-pass filter into the side chain to manage intense low frequencies that might bias the VCA response with certain tracks and instruments. \"Blend\" creates a parallel mix between the compressed and dry signals. By blending the compressed and dry signals, you can increase the volume of quieter elements in the source material (e.g., the delicate snare on a track with much louder hits), while maintaining a natural dynamic feel for the louder elements.\u003cbr\u003eTo further control the side chain, there is also an \"send\" and \"return\" insert that can be coupled with an external equalizer or other filters for further manipulation. The \"return\" can also be used as a \"key\" input for ducking one signal to another.\u003cbr\u003eWith the stereo link control engaged, Ch. A acts as the master control.\u003c\/p\u003e\n\u003ch4\u003eThe Limiter\u003c\/h4\u003e\u003c!--nl__--\u003e\u003cp\u003eThe RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR also features an extremely versatile, transparent, and musical limiter. At first glance, one might question the single knob; however, this limiter is extremely intelligent, knowing how to respond appropriately to various signals. Adaptive release technology is at the heart of this groundbreaking performance. Using a blend of release time constants, this limiter will simultaneously respond quickly to transient material (like the \"snap\" of a snare) and slowly to slower signals (like a bass). This configuration allows the limiter to grab a transient and let it go just an instant later, while also dealing with more constant signals in a slower, more musical way. In this manner, the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR limiter can provide a much more aggressive amount of limiting than is typically possible, while maintaining the essential character of the music and remaining free from the modulation distortion usually present in a fast-acting limiter.\u003cbr\u003eTypically there is a compromise between how quickly a limiter can react and the amount of modulation distortion in the lower frequencies. This is because lower frequencies find their way into the side chain signal, switching the compressor on and off very quickly, which ends up modulating the overall signal. This is interesting to watch with sine waves, but is quite undesirable with music. The RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR does not have this compromise; it is able to have the best of both worlds: a fast and snappy response while maintaining the integrity and smoothness of the low end. In addition to the adaptive constant-time circuitry, the release time is also varied with the position of the knob. When the knob is rotated counter-clockwise, the release time is increased accordingly, as you would typically want a longer release time with a greater amount of reduction.\u003cbr\u003eThe new limiter found in the RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR is designed to respond at a rate of 0.03 mS in order to reduce the first half of a 20 kHz waveform beyond the threshold. It has an initial \"medium knee\" ratio and within 3 dB of the threshold it reaches a better than 10:1 ratio. A soft clip circuit catches transients that might be in the \"knee\" when the threshold knob is set quite high. Both the limiter and the soft clipper are excluded from the circuit with the knob fully clockwise. Release times are fully automatic and adjusted according to the average limiting depth and the duration of the transients above the threshold. The limiters share the same discrete Class A gain module and VCA with the compressors, so using the Limiter does not introduce more stages for the music to go through. This combination of features provides exceptionally transparent limiting and often allows for twice as much reduction as other limiters before objectionable artifacts become apparent.\u003c\/p\u003e\n\u003ch4\u003eThe Stereo Field Editor\u003c\/h4\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGNS PORTICO II MASTER BUSS PROCESSOR's Stereo Field Editor takes traditional M-S techniques to new heights with width, depth, and corresponding band-pass filters.\u003cbr\u003eThe Stereo Field Editor allows the user to increase or decrease the width of a stereo image (wide\/mono) and adjust the amount of atmosphere inherent in the recording. When the width control is rotated towards wide, the amount of difference material is increased, often resulting in more ambient material and accentuated stereo reverbs. Conversely, the stereo field is contracted when rotated to mono, and if the left and right channels are highly coherent (i.e., both channels include closely similar material that is in phase), this mono content is enhanced. If the phase of one of the input channels is then inverted, the mono content can be virtually eliminated. As the amount of effect the width control has depends entirely on the amount of stereo information in the original source material and the interaction between the other stereo field editor controls, listening and experimentation are essential for the best results.\u003cbr\u003eThe depth control adjusts the spatial placement of elements in the soundstage. Central pan elements such as a solo instrument or vocal can be brought forward in a mix, relative to supporting instruments. In many cases, these same elements could be virtually eliminated without negatively affecting it. Used together, the depth and width controls effectively alter the environment and perceived room size.\u003cbr\u003eTo fine-tune the SFE, there are individual filters that allow fine-tuning of which information is reintroduced by the depth and width circuits, thereby tailoring each effect to a specific bandwidth. For example, if you wanted to increase the amount of low frequencies in the center image, activating SFE Depth and Depth EQ, set to LF, filters everything in the Mid signal except what is below the filter point (in this case, 250 Hz), and once reintroduced to the original would result in a perceived increase in low frequencies in the center image. It is also possible to do the same thing with Width EQ, except that by increasing the width, cutting it, removing low frequencies from the sides, narrowing the perception of low frequencies to the center. Using the Width EQ again, this time set to HM (or LM depending on the case), increasing the amount of passed Side-band information can provide a wonderful spread of instruments, reverb, and background vocals, giving the illusion that the sounds are spreading further, enveloping the listener.\u003cbr\u003eAnother technique available on the SFE is routing the Mid and Side signals to the channel A and channel B compressors, respectively. Now any amount of depth or width that is introduced is first routed to the compressors, allowing the user to use the compressor features on the Mid and Side information. It is now possible not only to increase the side information, but to use the compressor to bring out some of the low-level information or allow the user to tame an overly expressive lead singer. With the addition of using the EQ section on depth and width, a wide range of tools is available to the engineer.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003ePowerful 2-channel compressor \/ limiter \/ stereo field manipulator\u003c\/li\u003e\n\n\u003cli\u003eFull compression sections for both channels, including attack, release, ratio, and threshold\u003c\/li\u003e\n\n\u003cli\u003eSide chain with high-pass filters for both compressors\u003c\/li\u003e\n\n\u003cli\u003eFeed-back\/Feed-forward controls allow selection of modern and vintage compression sounds\u003c\/li\u003e\n\n\u003cli\u003eTexture control with 2 Silk modes to add classic Neve warmth\u003c\/li\u003e\n\n\u003cli\u003eBlend controls allow you to re-mix the dry signal into your compression, preserving transients while adding punch\u003c\/li\u003e\n\n\u003cli\u003eSimple and highly musical 1-Knob Limiter \"Adaptive Release Technology\" allows for limiting that does not alter or influence levels below the threshold\u003c\/li\u003e\n\n\u003cli\u003eStereo Field Editor section includes independent controls for width and depth as well as width and depth EQ\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53994118086989,"sku":"RNPOMBB","price":5226.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/138163-large_default.jpg?v=1779951493"},{"product_id":"rupert-neve-design-5057-orbit-sommatore-16-x-2","title":"RUPERT NEVE DESIGNS 5057 ORBIT 16 x 2 Summing Mixer","description":"\u003ch2\u003e16 x 2 Summing Mixer\u003c\/h2\u003e\u003cp\u003eThe RUPERT NEVE DESIGN 5057 ORBIT is a 16 x 2 summing mixer that gives mixes the sound, width, and power that only an analog Class-A Rupert Neve summing mixer can provide. With Rupert Neve's famous custom transformers and Silk Red \u0026amp; Blue circuits for variable harmonic saturation, the RUPERT NEVE DESIGN 5057 ORBIT takes \"in-the-box\" mixes to new heights of depth and sonic clarity, without compromising the advantages of recall and a DAW-based workflow.\u003cbr\u003eThe RUPERT NEVE DESIGN 5057 ORBIT uses a custom output transformer originally developed for the Shelford Channel, which provides both a Main Output and a -6dB output. The latter allows the RUPERT NEVE DESIGN 5057 ORBIT to be driven to achieve more harmonic content from the transformer without clipping the next device in the chain. This transformer has become, over the years, a Rupert Neve trademark, and its sound can be found on countless records.\u003cbr\u003eIn addition to the choice of outputs, the continuous \"Texture\" control with Silk Red and Silk Blue modes gives complete control over the harmonic density and tone of the mix, or allows you to leave it clean and uncolored. Silk Red mode accentuates transformer saturation in the high and mid-high frequencies to amplify mid-range harmonics, often associated with vintage Rupert Neve equipment, while Silk Blue accentuates saturation in the low and mid-low frequencies to add \"sonic weight\" to any source. Especially for mixes that sound \"small.\" Unlike EQs, these controls saturate the output transformers and add harmonic saturation to the source depending on the amount of Texture applied.\u003cbr\u003eWhile the RUPERT NEVE DESIGN 5057 ORBIT is already an extremely effective tool on its own, to increase the number of channels, multiple units can be added via the Buss Link.\u003cbr\u003eWith precisely set channel levels and accurate mix buss attenuation via high-quality stepped switches, the pure signal path of the RUPERT NEVE DESIGN 5057 ORBIT and its matched channels provides very low (almost non-existent) crosstalk, within +\/-0.1dB. This will give mixes a wider and more accurate stereophonic image, tremendous depth, and the most direct signal path, allowing you to perceive every single detail of your mixes.\u003cbr\u003eThe elegant simplicity and precision (fixed level accuracy) of the RUPERT NEVE DESIGN 5057 ORBIT allows for quick and easily repeatable DAW-based recall from one mix to another, adding the rich, unparalleled sound quality of Mr. Neve's transformer-coupled Class-A mix buss.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e16 +\/- 21V Class-A Channels for massive headroom\u003c\/li\u003e\n\u003cli\u003eSilk Red \u0026amp; Blue Modes\u003c\/li\u003e\n\u003cli\u003eDual-tap output transformers: Create a sound rich in harmonics without clipping subsequent devices in the audio chain\u003c\/li\u003e\n\u003cli\u003eMono switch: Allows precise centering of any mono element in the mix, such as vocals, kick drum, snare drum, and bass\u003c\/li\u003e\n\u003cli\u003eExcellent linearity and precision, better than +\/-0.1dB per channel\u003c\/li\u003e\n\u003cli\u003eUltra-low crosstalk for great sonic depth and a wider, more open stereo image\u003c\/li\u003e\n\u003cli\u003eExpandable with other 5057 units via buss link to increase the number of channels\u003c\/li\u003e\n\u003cli\u003eRecallable, quick DAW-based recall with the added rich, unparalleled sound quality of Rupert Neve Designs\u003c\/li\u003e\n\u003cli\u003eRobust and compact 1U chassis design, with DB25 inputs and XLR outputs, compatible with other Rupert Neve Designs summing mixers to create an absolute top-tier modular mixing system\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 16 kΩ\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 10 Hz to 50 kHz: +\/- 0.1dB 150 kHz: -3dB\u003c\/li\u003e\n\u003cli\u003eNoise (22 Hz - 22 kHz): -90 dBu typical\u003c\/li\u003e\n\u003cli\u003eMaximum Input Level @ 1 kHz: +26dBu Maximum Output Level @ 1 kHz: +26dBu\u003c\/li\u003e\n\u003cli\u003eTHD+N% (22 Hz - 22 kHz): 0 dBu @ 1kHz: 0.003% +20 dBu @ 1kHz: 0.0006%\u003c\/li\u003e\n\u003cli\u003eCrosstalk: 1 kHz: -103 dBu 10 kHz: -93 dBu\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53994118119757,"sku":"RND5057","price":1975.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/138166-large_default.jpg?v=1779951494"},{"product_id":"rupert-neve-design-5025-dual-shelford-mic-pre","title":"RUPERT NEVE DESIGNS 5025 Dual Shelford Mic Pre","description":"\u003ch2\u003eTwo-Channel Microphone Preamp\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN 5025 Dual Shelford Mic Pre is a limited-edition, two-channel version of the top-of-the-range preamplifier that has quickly become an indispensable tool for countless sound engineers, producers, and musicians worldwide. The RUPERT NEVE DESIGN 5025 offers the sonic excellence of two Rupert Neve Designs Shelford microphone preamplifiers in a single module, with an internal power supply: in other words, you have two channels of the best microphone preamplification ever available.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color:#d0121a;\"\u003e\u003cstrong\u003eThis special production will be limited to just 300 units worldwide.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe best-selling Shelford Channel from the prestigious American brand is the definitive evolution of the original electronics of the classic 1073, 1064, and 2254. Like Mr. Rupert Neve's original designs, the Dual Shelford Pre uses a custom input transformer that provides the first 15 dB of gain. This custom transformer, along with its careful integration with the surrounding Class-A circuitry, is fundamental to the amplifier's sonic performance. While most of the harmonic richness of Rupert's designs comes from the output transformer and surrounding Class-A amplifiers, this input transformer provides unique sonorities. The technical reasons are primarily the result of the reactive impedance characteristic of the input transformer and how it interacts with the connected microphone, with a fine nonlinear harmonic enhancement of the lows and an unmistakable sweetness in the high frequencies. When creating the input stage for the Shelford Channel and Dual Shelford Pre, the goal was not simply to reintroduce classic designs, but to improve them by combining the unmistakable sound of vintage technology with broad bandwidth frequency response, with always excellent amplifier performance at any gain setting, and extremely low background noise. To achieve this, the custom transformer designs were optimized, and complete MuMetal shielding of the input transformer was implemented. The resulting preamplifier is flat from below 10Hz to above 60kHz, thus achieving the purest and most versatile sound possible.\u003cbr\u003eThe Dual Shelford Mic Pre's unique Silk \u0026amp; Texture circuit allows adjustment of the amount (and type) of harmonic content in the output stage. This means that the sound can range from transparent settings to others that produce almost 10 times the amount of color of vintage Neve modules. When applying SILK RED, you enhance the harmonic content generated by the high and mid-high frequencies of your source. This adds brilliance to the upper frequency range and is often ideal for sources like vocals, snare drums, strings, piano, and many other acoustic instruments. With SILK BLUE, you enhance the harmonics generated by the bass and mid-bass frequencies of the source. This tends to \"reinforce\" the signal, making it an excellent choice for drums, bass, heavy electric guitars, male vocals, and synthesizers.\u003cbr\u003eCompleting the Silk circuit are custom-designed output transformers, utilizing Rupert Neve Designs' unique dual-output topology. These offer both Main (+26 dBu) and -6dB (+20 dBu) outputs, allowing the engineer to drive the preamps into classic transformer saturation without clipping converters and other downstream devices in the audio chain. The main outputs are designed to capture a more pristine sound at high levels, avoiding any nonlinear coloration from the output stage. The -6dB outputs allow high gain levels on the Shelford without clipping most professional interfaces. On drums, vocals, guitars, and other instruments, these outputs make it easy to hit the \"sweet spot\" of the transformer's nonlinear harmonic content, bringing a recorded performance to life in a way that other preamps cannot match.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eInput Impedance: 2.2 kOhms\u003c\/li\u003e\n\n\u003cli\u003eMaximum Input Level: @ 1kHz: +24.9 dBu; @ 1 kHz (main output): +26.7 dBu; @ 1 kHz (-6dB output): +20.7 dBu\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: 20 Hz to 20 kHz: +\/- 0.25 dB; 10 Hz to 62 kHz: +\/- 0.5 dB; 5Hz: \u0026lt;\u0026lt; -3 dB; 70kHz: -3dB\u003c\/li\u003e\n\n\u003cli\u003eTHD+N% (BW 10Hz - 90kHz): Input 0dBu, 1kHz: \u0026lt;0.0025%; Input +20dBu, 1kHz: \u0026lt;0.008%\u003c\/li\u003e\n\n\u003cli\u003eOutput Noise on main out (BW 22Hz - 22kHz): Gain 0dB: -102 dBu; +30dB gain: -94 dBu; +66dB gain: -61 dBu; Ein (+66dB gain): -127 dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput Noise at -6db (BW 22Hz - 22kHz): Gain 0dB: -107 dBu; +30dB gain: -100 dBu; +66dB gain: -67 dBu; Ein (+66dB gain): -133 dBu\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53994208788813,"sku":"RND5025","price":4067.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/145895-large_default.jpg?v=1779952770"},{"product_id":"rupert-neve-designs-5046-optofet","title":"Rupert Neve Designs 5046 OptoFET","description":"\u003ch2\u003eDual Stage Compressor\u003c\/h2\u003e\n\u003cdiv id=\"description\" class=\"uk-active\"\u003e\n\n\u003cp\u003eThe OptoFET® is an extremely versatile analog compressor, combining a newly designed FET compression circuit with an optimized optical compression circuit, all in a single rack unit. For many years the RND engineering team experimented with FET compressor designs, but only recently was it felt that the time was right to release the first circuit of its kind. In Dual Stage mode, the FET and OPTO compressors operate in series for total dynamic control over the most critical sources. In Dual Band mode, each compressor works on a different frequency band, allowing independent processing that brings the OptoFET's dynamic and timbral control to an unprecedented level. While maintaining familiar features such as ultra-fast attack times and classic compression ratios, this compressor introduces distinctive elements that make it immediately recognizable as a Rupert Neve Designs product. There are also global controls that allow you to reverse the order of the two compressors in Dual Stage mode, and a variable crossover control to precisely adjust the separation between low and high bands in Dual Band mode. Although it is a mono unit, a pair of OptoFETs used in dual mono can offer a significant impact on stereo stems, groups or even complete mixes. Designed for tracking, touring, mixing, mastering and sound design, the OptoFET ensures exceptional control of the dynamics and timbral shape of the source. The GRIT mode transforms the FET compressor into a powerful wave shaper, introducing harmonic distortion concentrated on high frequencies. It can be used to slightly \"bring out\" a source or to radically transform it, especially in combination with the Blend control. Over the years RND has created several optical compression circuits, but the OptoFET's has been further developed to best complement the faster, high-frequency focused FET compressor. The OPTO compressor generates low-order harmonics and is characterized by slower attack and release times. With BLOOM active, low-order harmonics increase significantly, making the source warmer, rounder and fuller in the low frequencies. It is ideal for refining the timbre without resorting to a traditional EQ.\u003c\/p\u003e\n\n\u003ch3\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cul style=\"list-style-type:disc;\"\u003e\n\n\u003cli\u003eNew FET compressor and optimized OPTO compressor in a single 1U unit\u003c\/li\u003e\n\n\u003cli\u003eDual Stage or Dual Band compression modes\u003c\/li\u003e\n\n\u003cli\u003eComplete and independent controls for each compressor\u003c\/li\u003e\n\n\u003cli\u003eTop-of-the-range dynamic and harmonic control levels\u003c\/li\u003e\n\n\u003cli\u003eIndependent Blend for immediate parallel compression\u003c\/li\u003e\n\n\u003cli\u003eQuick reversal of compressor order\u003c\/li\u003e\n\n\u003cli\u003eVariable crossover for independent management of lows and highs\u003c\/li\u003e\n\n\u003cli\u003eGRIT and BLOOM modes for harmonic enrichment\u003c\/li\u003e\n\n\u003cli\u003eDual mono use with two units\u003c\/li\u003e\n\n\u003cli\u003eGlobal input and output trims\u003c\/li\u003e\n\n\u003cli\u003eDimensions: 48.3 x 21 x 4.5 cm\u003c\/li\u003e\n\n\u003cli\u003eWeight: 3.6 kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\n\u003c\/div\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53994425614669,"sku":"RN5046","price":2114.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/216896-large_default.jpg?v=1779956206"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/collections\/470d45e52304c644903402c132d6ed12.jpg?v=1780559362","url":"https:\/\/musicdelivery.net\/en\/collections\/rupert-neve-designs.oembed","provider":"Music Delivery","version":"1.0","type":"link"}