{"title":"500 Series","description":"\u003cp\u003eDiscover Series 500 modules, the compact rack format that revolutionized the professional recording studio. In this category you'll find preamps, equalizers, compressors, saturators, and audio processors in the standard API 500 Series format, compatible with all lunchboxes and chassis of the series. The Series 500 format allows you to build your customized signal chain, combining modules from different manufacturers in a single rack. Ideal for home studios and professional studios seeking premium sound quality in a compact size. At Music Delivery, you'll find the best 500 series modules from the most renowned brands in professional audio.\u003c\/p\u003e","products":[{"product_id":"harrison-audio-32c-pre","title":"Harrison Audio 32C Pre+","description":"\u003ch3 id=\"description\" class=\"uk-active\"\u003e\u003c\/h3\u003e\n\u003ch2\u003eHarrison Audio 32C Pre+\u003c\/h2\u003e\n\u003cp\u003eThe 32Cpre+ takes the high-performance (transformer-coupled) microphone preamplifier from the 32Classic studio console, combines it with the renowned Harrison LP\/HP filters, and offers it in a 500 Series format. Inspired by the iconic Harrison 3232, the 32Classic mixer and preamplifier is a reimagined American icon, delivering the sounds that contributed to some of the most iconic albums of the '70s and '80s. Thanks to the 32Cpre+, that Harrison sound is now available in a 500 series format.\u003c\/p\u003e\n\u003cp\u003eHarrison consoles have helped create some of the most beloved and influential music in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagen, and many other iconic artists have relied on Harrison production tools to create their multi-platinum albums. Harrison's latest range of 500 Series modules leverages the sound and features that engineers like Bruce Swedien, Roger Nichols, and Reinhold Mack trusted to create music that stands the test of time.\u003c\/p\u003e\n\u003cp\u003eThe 32Cpre+ delivers the warm, rich sound for which Harrison is renowned. Full lows, open mids, and soft, natural highs are the characteristics you expect from a preamplifier equipped with a Jensen JT-MB-CPCA transformer. The slight roll-off at each end of the spectrum and the delicate phase shift created by the 1:1 ratio transformer give the microphone preamplifier such a sweet sound that you will use it on any source.\u003c\/p\u003e\n\u003cp\u003eThe 32Cpre+ offers a smooth gain from +20 to +70 dB, capable of driving a wide range of microphone types, including ribbon microphones. In addition to switches for 180° polarity inversion, 48V phantom power, a -20dB pad, and HiZ input, the front panel features a combo XLR connector with a ¼\" jack, allowing you to connect a microphone or instrument directly to the 32Cpre+ without needing to access the rear panel of the 500 Series rack.\u003c\/p\u003e\n\u003cp\u003eA Harrison microphone preamplifier wouldn't be complete without our legendary filters. Like those found in the original 3232 and the latest 32Classic console, the filters have a musical slope of 12 dB\/octave, with the high-pass filter featuring a distinctive 3 dB resonant peak. The high-pass filter range is between 25 Hz and 3.1 KHz, while the low-pass filter operates between 160 Hz and 20 KHz.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe Harrison Sound.\u003c\/li\u003e\n\n\u003cli\u003eBalanced microphone preamplifier with Jensen JT-MB-CPCA transformer.\u003c\/li\u003e\n\n\u003cli\u003eGain from +20 to +70 dB.\u003c\/li\u003e\n\n\u003cli\u003eFront-mounted combo XLR connector with ¼\" jack.\u003c\/li\u003e\n\n\u003cli\u003e48V phantom power switch.\u003c\/li\u003e\n\n\u003cli\u003ePolarity inversion switch.\u003c\/li\u003e\n\n\u003cli\u003eHiZ impedance switch.\u003c\/li\u003e\n\n\u003cli\u003eInput overload LED.\u003c\/li\u003e\n\n\u003cli\u003eCompatible with 500 Series racks.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003e\u003c\/p\u003e","brand":"HARRISON AUDIO","offers":[{"title":"Default Title","offer_id":53993052143949,"sku":"723501X1","price":545.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/192718-large_default.jpg?v=1779912876"},{"product_id":"ssl-solid-state-logic-b-dyn-serie-500","title":"SSL Solid State Logic B-DYN 500 Series","description":"\u003ch2\u003eSL4000B Dynamics Module with Separate Compressor and Gate\/Expander\u003c\/h2\u003e\u003cp\u003eThe SSL B Dynamics (B-DYN) 500 series module takes the dynamics processor found in the SL 4000 B console channel strip and brings it to the 500 series format. Introduced in 1976, the SL 4000 B was Solid State Logic's first production console and for years was the nerve center of iconic control rooms such as the \"Stone Room\" at Townhouse Studios (London), Le Studio (Montreal), and Record Plant (Los Angeles). Productions such as Phil Collins' \"In the Air Tonight\" and Peter Gabriel's \"Intruder\" were made with this console, both characterized by characterful compression on drums and vocals. The B-DYN allows you to add the saturated and colored compression of one of the most important and rare studio consoles ever made to your production toolkit.\u003c\/p\u003e\u003ch4\u003eSpecifications\u003c\/h4\u003e\u003cul\u003e\n\u003cli\u003eAuthentic replica of the SL 4000 B console dynamics section\u003c\/li\u003e\n\u003cli\u003eDesign based on the SSL Bus Compressor\u003c\/li\u003e\n\u003cli\u003eIncludes a Compressor\/Limiter section and a Gate\/Expander section\u003c\/li\u003e\n\u003cli\u003eFeedback design with Peak sensing for an aggressive and decisive character\u003c\/li\u003e\n\u003cli\u003eFixed ratio values, 2:1, 4:1, and 10:1 with additional 'DS' mode\u003c\/li\u003e\n\u003cli\u003eFixed release times, DS, .2, .4, .8, 1.6 plus the famous 'Auto'\u003c\/li\u003e\n\u003cli\u003eAutomatic make-up gain\u003c\/li\u003e\n\u003cli\u003eSidechain High Pass filter\u003c\/li\u003e\n\u003cli\u003eStereo Link mode\u003c\/li\u003e\n\u003cli\u003eNew (classic) SSL sounds\u003c\/li\u003e\n\u003cli\u003eCompressor\/Limiter:\u003c\/li\u003e\n\u003cli\u003eRATIO - Step compression ratios 2:1, 4:1, 10:1 and 'ds'. The 'ds' setting is fixed 10:1 with an additional sidechain filter. In the 'out' position, the compressor is bypassed.\u003c\/li\u003e\n\u003cli\u003eTHRESH - Whenever a signal exceeds the level set by this control, the compressor begins to act with the ratio set by Ratio. The Threshold and Ratio controls also provide automatic make-up gain.\u003c\/li\u003e\n\u003cli\u003eHPF – A 6dB\/Oct high-pass filter tuned to 185 Hz in the compressor's sidechain circuit to reduce \"pumping\" on the lows.\u003c\/li\u003e\n\u003cli\u003eRELEASE – Fixed step release values range from .2 ms to 1.6 ms or between the two 'DS' and 'Auto' options.\u003c\/li\u003e\n\u003cli\u003eDS – De-Ess mode changes the attack time from approximately 30 ms to 2 ms.\u003c\/li\u003e\n\u003cli\u003eDe-Ess Mode (DS):\u003c\/li\u003e\n\u003cli\u003eBy setting the Ratio and Release controls to 'DS', the B-DYN module is optimized for de-essing. The ratio in De-Ess mode is 10:1 with the S\/C circuit input filtered, so that it compresses when triggered by sibilance. The release is automatically varied based on the processed signal, between 30 and 50 ms. This is a much faster release time than one would normally expect from an SSL dynamics processor. The attack time is also reduced to just 2 ms, even faster than the attack time in Fast mode on the classic E-Series Dynamics module.\u003c\/li\u003e\n\u003cli\u003eGate\/Expander:\u003c\/li\u003e\n\u003cli\u003eThe B-DYN's Gate\/Expander section can act as a Gate with a 20:1 Gate ratio or as an Expander with a 2:1 ratio when the EXP button is pressed. Its attack time is 0.2 ms.\u003c\/li\u003e\n\u003cli\u003eRANGE - Controls the maximum amount of gain reduction applied by the Gate\/Expander. When set to 'out', the gate\/expander is bypassed.\u003c\/li\u003e\n\u003cli\u003eTHRESH - Sets the threshold above which the gate\/expander opens.\u003c\/li\u003e\n\u003cli\u003eRELEASE - Sets the time the signal remains audible after the Gate\/Expander closes.\u003c\/li\u003e\n\u003cli\u003eEXP - Switches the gate to expander mode, with a gentler curve, for more subtle level control below the threshold.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":53993148055885,"sku":"729737X1","price":635.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/185934-large_default.jpg?v=1779914085"},{"product_id":"igs-ne573-preamplificatore-serie-500","title":"IGS NE573 500 Series Preamp","description":"\u003ch2\u003eNeve 1073-style 500 series preamplifier\u003c\/h2\u003e\n\u003cp\u003eClassic transformer-coupled, pure class-A preamplifier, now in 500 series format. Front panels and knobs are identical to the original, but the exterior is the easiest thing to replicate. The true beauty of the NE73 is in its circuitry. The unit operates at 24 volts, with Carnhill transformers on inputs and outputs, Grayhill switches, and Motorola transistors on the output stage, just like the first version of the original preamp... which was featured on some of the world's best records! Operating at 24 volts of power, with components identical to the original, it will bring back the sound of the golden age of recording production.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e","brand":"Igs","offers":[{"title":"Default Title","offer_id":53993224798541,"sku":"IGS573","price":764.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/185956-large_default.jpg?v=1779915304"},{"product_id":"radial-engineering-q4","title":"Radial Engineering Q4","description":"\u003cp\u003e\u003cbr\u003e\tThe \u003cstrong\u003eRadial Q4\u003c\/strong\u003e brings the purity of 100% discrete electronics to produce a true Class-A state-variable filter design. The Q4 is a line-level device designed to interface with balanced pro-audio recording systems. It features 4 bands of EQ with shelving filters for high and low frequencies fixed at 100Hz and 10kHz, and 2 semi-parametric mid-bands ranging from 300Hz to 2.4kHz and from 1kHz to 12kHz respectively. Each mid-frequency band also offers a choice between wide or narrow Q, to open up the sweet spot or tighten it for surgical precision. All frequencies are set with a boost or cut of 12 dB. The EQ can be bypassed to compare the effect before and after equalization.\u003cbr\u003e\u003cbr\u003e\tThe preference for using Class-A circuits over Class-AB or other designs is well-documented. Add this to the fact that Series 500 users seek analog purity and you'll immediately understand why the Q4 becomes so interesting. And once you turn it on, you'll immediately hear how good it sounds! It's unique!\u003cbr\u003e\u003cbr\u003e\tLike all other Radial Series 500 modules, the Q4 is made of aluminum for durability and protection from magnetic fields. Inside, the Q4 features a double-sided circuit board with 100% discrete components. These are hand-soldered for optimal signal flow. When mounted in a Workhorse rack, the Omniport connection functions as a ¼” TRS input\/output connector that can interface with a mixer's insert point using a simple TRS connector. The Q4 is built in Canada and comes with a 3-year warranty.\u003c\/p\u003e\u003cbr\u003e","brand":"RADIAL","offers":[{"title":"Default Title","offer_id":53993234891085,"sku":"GRAD8001186","price":699.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/187712-large_default.jpg?v=1779915477"},{"product_id":"rupert-neve-design-517-predicompressore-con-variphase","title":"RUPERT NEVE DESIGN 517 Pre\/DI\/Compressor with Variphase","description":"\u003ch2\u003ePre\/DI\/Compressor with Variphase\u003c\/h2\u003e\u003cp\u003eThe RUPERT NEVE DESIGN 517 is a Pre\/DI\/Compressor with Variphase based on the functions of the Portico 5017: it provides a microphone preamplifier, compressor, DI circuit, variphase, silk, and Mic\/DI channel mix functions within a high-quality module compatible with the 500 series. Silk: This feature enhances sound quality and adds a more vintage color by reducing negative feedback to achieve a very pleasant and musical sound.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMic Gain: 0 dB to 66 dB.\u003c\/li\u003e\n\u003cli\u003eDI Gain: 0 dB to 30 dB.\u003c\/li\u003e\n\u003cli\u003eDI Input: High-impedance balanced or unbalanced input for instruments\u003c\/li\u003e\n\u003cli\u003ePhantom Power: The selector on the rear panel enables 48V power\u003c\/li\u003e\n\u003cli\u003ePhase Inversion: Inverts the phase of the input signal by 180 degrees\u003c\/li\u003e\n\u003cli\u003eThreshold: When the signal exceeds the set threshold here, the gain is reduced with a fixed compression ratio of 2:1, and fixed attack and release.\u003c\/li\u003e\n\u003cli\u003eIndicators: Show signal presence and clipping on the DI and Mic channels, and compressor activation.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993847947597,"sku":"RN517","price":971.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/36916-large_default.jpg?v=1779946148"},{"product_id":"rupert-neve-design-543-compressorelimiter-serie-500","title":"RUPERT NEVE DESIGN 543 500-series Compressor\/Limiter","description":"\u003ch2\u003e500 Series Compressor\/Limiter\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGNS 543 is a 500 series Compressor\/Limiter that offers the discreet dynamic control, musicality, and robust limiting made famous in the Portico 5043 in the 500 series format. The RUPERT NEVE DESIGNS 543 features a fully controllable compressor-limiter with feed-forward\/feedback modes, Peak\/RMS detection, and a built-in side-chain high-pass filter. With an unrivaled legacy and extraordinary feature set, the RUPERT NEVE DESIGNS 543 offers a combination of warmth, flexibility, and precision that astounds sound engineers worldwide.\u003cbr\u003eBuilt upon Mr. Rupert Neve's custom transformer designs, each RUPERT NEVE DESIGNS 543 module includes individually controllable thresholds, attack, release, makeup gain, ratio, side-chain HPF, Feed-Forward\/Feed-Back selection, and Peak\/RMS detection modes. With the compressor inactive, the RUPERT NEVE DESIGNS 543 can be used as a high-output, transformer-coupled line amplifier, and two RUPERT NEVE DESIGNS 543s can be linked for stereo operation. The chassis is built to standard 500 series specifications, with power and I\/O supplied by the rack.\u003cbr\u003eIn order to control the gain, a V.C.A. or Voltage Controlled Amplifier (or Attenuator) is used.\u003cbr\u003eOne of the most unique features of the RUPERT NEVE DESIGNS 543 is the new Peak\/RMS mode also found in the Portico II channel. This switch allows the VCA (Voltage Controlled Amplifier) to respond to both RMS (Root Mean Square) and peak levels.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eGain Range: 6 dB to +20 dB.\u003c\/li\u003e\n\n\u003cli\u003eThreshold Range: 36 dB to +22 dB.\u003c\/li\u003e\n\n\u003cli\u003eRatio Range: 1.1:1 to limit (40:1).\u003c\/li\u003e\n\n\u003cli\u003eAttack range: 20 mS to 75 mS\u003c\/li\u003e\n\n\u003cli\u003eRelease Range: 100 mS to 2.5 seconds.\u003c\/li\u003e\n\n\u003cli\u003eFF\/FB: Feed-forward or Feed-Back VCA Control.\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output Level: Balanced and floating transformer output \/ Maximum output from 20 Hz to 40 kHz is +23 dBu.\u003c\/li\u003e\n\n\u003cli\u003eTotal Harmonic Distortion and Noise: @ 1kHz, +20 dBu output level, no load.\u003c\/li\u003e\n\n\u003cli\u003eMain output, compressor bypassed: Better than 0.0006%.\u003c\/li\u003e\n\n\u003cli\u003eMain output, compressor engaged: Better than 0.02%\u003c\/li\u003e\n\n\u003cli\u003eNoise: Measured at main output, unweighted, 22Hz-22kHz, terminated at 40 ohms. \/ With Gain at Unity, Compressor off, better than -103 dBu. \/ With Gain at Unity, compressor on, better than -92 dBu\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: Main output, unity gain, @ 18 Hz, +\/- .1 dB, @ 150 kHz -3 dB.\u003c\/li\u003e\n\n\u003cli\u003eCrosstalk measured at channel: Better than -90 dB at 15kHz.\u003c\/li\u003e\n\n\u003cli\u003eMeter: INPUT LEVEL and GAIN REDUCTION\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993847980365,"sku":"RN543","price":1037.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/35280-large_default.jpg?v=1779946148"},{"product_id":"solid-state-logic-e-series-611eq","title":"Solid State Logic E Series 611EQ 500 Series Equalizer","description":"\u003ch2\u003e500 Series 4-Band Equalizer, \"Brown\" or \"Black\" Series Switch\u003c\/h2\u003e\u003cp\u003eThe E Series EQ module reproduces the legendary sound of an 80s classic, the SSL 4000 E console channel strip, which we've all enjoyed on countless hit records. It contains two different EQs that were found on console versions produced between 1979 and 1987. Each EQ has unique response curves and tonal characteristics. They are distinguished by the colors used on the LF (low frequency) potentiometer, and thus the two tones became known as the \"Brown\" and \"Black\" EQs. Both of these tonal \"flavors\" are selectable on the E Series EQ module. The E Series EQ module therefore also provides you with the \"Brown\" EQ from the now-discontinued SSL E-Signature Channel Strip.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eDual \"Black-242\" and \"Brown-02\" design\u003c\/li\u003e\n\u003cli\u003eBell curve option on HF and LF\u003c\/li\u003e\n\u003cli\u003eFully parametric LMF and HMF with Q\u003c\/li\u003e\n\u003cli\u003eBased on the classic 611E channel strip\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":53993848209741,"sku":"SSL720","price":899.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/79061-large_default.jpg?v=1779946156"},{"product_id":"rupert-neve-design-511-preamplificatore-microfonico-con-silk-variabile","title":"RUPERT NEVE DESIGN 511 Microphone Preamp with variable SILK","description":"\u003ch2\u003eMicrophone Preamplifier with Variable SILK\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN 511 is a microphone preamplifier with variable SILK, based on the award-winning 517 module, featuring the same high-pass filter as the 5012 module and the variable Silk control derived from the 'flagship' Portico II Channel. With Silk, you can enhance sound quality and add a vintage color, reducing negative feedback to achieve a very pleasant and musical sound. The RUPERT NEVE DESIGN 511 naturally supports microphone or line sources, proving absolutely perfect with ribbon microphones, as well as dynamic, condenser, and tube microphones. The polarity inversion switch helps resolve any phase issues, while the high-pass filter allows you to address low-frequency noise and control the proximity effect of many microphones.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e1-channel microphone preamplifier\u003c\/li\u003e\n\n\u003cli\u003e+48V Phantom power can be switched on or off\u003c\/li\u003e\n\n\u003cli\u003e8-segment LED level meter\u003c\/li\u003e\n\n\u003cli\u003eHigh-pass filter can be set from 20 - 250 Hz\u003c\/li\u003e\n\n\u003cli\u003eTrim and Gain-Control\u003c\/li\u003e\n\n\u003cli\u003ePolarity is reversible\/can be switched\u003c\/li\u003e\n\n\u003cli\u003eSilk Mode\u003c\/li\u003e\n\n\u003cli\u003eForm factor: 500 module\u003c\/li\u003e\n\n\u003cli\u003eVoltage\/power required: +\/- 16 V DC 100 mA\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993848308045,"sku":"RN511","price":847.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/98068-large_default.jpg?v=1779946159"},{"product_id":"rupert-neve-design-542-tape-emulator-con-variable-silk-e-soft-clip-limiter","title":"RUPERT NEVE DESIGNS 542 Tape Emulator with Variable Silk \u0026 Soft Clip Limiter","description":"\u003ch2\u003eTape Emulator with Variable Silk and Soft Clip Limiter\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN 542 is a Tape Emulator with Variable Silk and Soft Clip Limiter, considered a follow-up to the Portico 5042. Both modules provide perfect tape sound emulation thanks to the use of some of the same components found in analog recorders. The module contains a circuit identical to that of the hardware it emulates: the circuit sends the signal to a tiny magnetic \"head\" coupled with a specially equalized playback amplifier. The RUPERT NEVE DESIGN 542 True Tape Emulator also includes the variable Silk\/Texture circuitry already present in the Portico II module series, which allows for detailed variation of the harmonic ratio and the tonality of the output transformer.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eAPI 500 format\u003c\/li\u003e\n\n\u003cli\u003eTape saturation emulator\u003c\/li\u003e\n\n\u003cli\u003eTrim control (+\/- 12 dB PreTape Level Control)\u003c\/li\u003e\n\n\u003cli\u003eTape saturation effect can be continuously adjusted\u003c\/li\u003e\n\n\u003cli\u003eSilk function (Silk Red \u0026amp; Silk Blue) can be continuously adjusted\u003c\/li\u003e\n\n\u003cli\u003eBlend potentiometer determines the balance of Pre and Post-Tape signals\u003c\/li\u003e\n\n\u003cli\u003eTape characteristic can be switched between 15 IPS and 30 IPS\u003c\/li\u003e\n\n\u003cli\u003eDrive Meter shows the signal level on the \"Record Head\"\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993848340813,"sku":"RN542","price":995.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/79066-large_default.jpg?v=1779946160"},{"product_id":"rubber-bands-500","title":"IGS RUBBER BAND 500 ANALOG PASSIVE EQUALIZER","description":"\u003ch2\u003e500 SERIES ANALOG PASSIVE EQUALIZER\u003c\/h2\u003e\n\u003cp\u003eRubber Bands 500 is a passive equalizer with a great sound despite its small size. It features Carnhill balancing transformers and a discrete power supply circuit. The entire filtering section uses passive circuitry, faithfully reflecting analog equalizers from the 1960s.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003ePotentiometers:* HC (High Cut)* HB (High Boost)* Q * HC (High Cut) * HB (High Boost)\u003c\/li\u003e\n\n\u003cli\u003eSwitches:* HC: 6, 10, 20 kHz\u003c\/li\u003e\n\n\u003cli\u003eQ factor: 0.5 - 4\u003c\/li\u003e\n\n\u003cli\u003eBypass\u003c\/li\u003e\n\n\u003cli\u003eBoost\/Cut Range: +\/- 15 dB\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance (balanced): 1k ohm\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance (balanced): 600 ohm, Carnhill transformer\u003c\/li\u003e\n\n\u003cli\u003eAudio transformers Yes, Carnhill\u003c\/li\u003e\n\n\u003cli\u003eOperating level: +4 dBu\u003c\/li\u003e\n\n\u003cli\u003eMaximum input level: +20 dBu\u003c\/li\u003e\n\n\u003cli\u003eMaximum output level: +22 dBu\u003c\/li\u003e\n\n\u003cli\u003eNoise level: -99 dBA\u003c\/li\u003e\n\n\u003cli\u003eFrequency response: 5 Hz to 20k Hz, +\/- 0.1 dB\u003c\/li\u003e\n\n\u003cli\u003eDistortion: (@ 20 HZ - 20 KHZ)\u003c\/li\u003e\n\n\u003cli\u003eTHD+N: 0.012%\u003c\/li\u003e\n\n\u003cli\u003ePower consumption: 3.5W\u003c\/li\u003e\n\n\u003cli\u003eWeight: 1kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003e\u003c\/p\u003e","brand":"Igs","offers":[{"title":"Default Title","offer_id":53993848439117,"sku":"IGSRUB","price":724.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78493-large_default.jpg?v=1779946162"},{"product_id":"looptrotter-sat-500-saturatore","title":"LOOPTROTTER SAT 500 Saturator","description":"\u003ch2\u003eSaturator\u003c\/h2\u003e\n\u003cp\u003eThe LOOPTROTTER SAT 500 is a single-channel 500 series module with a saturation circuit that adds low-order harmonics and smoothes the signal, all in an extraordinarily musical and intuitive way. It can significantly increase the RMS level. The sound refers to old mixing consoles and tape recorders. The LOOPTROTTER SAT 500 features unique solutions that shape the harmonic content in the processed signal. The LO SAFE option activates the pre-emphasis and de-emphasis circuit, \"protecting\" lower frequencies from distortion. This option is particularly useful for instruments with high low-frequency content, such as bass, drums, drum groups, or the entire mix. The BAND SPLIT option divides the signal band into two frequency ranges. This solution allows only the low frequencies, below the split point, to be saturated. The high frequencies above the split point are mixed with the saturated signal in an unaltered form. This option is perfect for \"thickening\" the sound of instruments without audible saturation of high frequencies. There are three split point frequencies to choose from: 800Hz, 2kHz, and 6kHz. The saturation depth is seamlessly controlled with the DRIVE knob. The LOOPTROTTER SAT 500 has independent control over the DRY and WET signals. The saturation depth (the amount of added harmonics) is indicated by two LEDs, which light up at 4 and 8% THD.\u003c\/p\u003e","brand":"Looptrotter","offers":[{"title":"Default Title","offer_id":53993848504653,"sku":"LOOSA5","price":604.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94552-large_default.jpg?v=1779946164"},{"product_id":"rupert-neve-design-551-equalizzatore-ad-induzione-serie-500","title":"RUPERT NEVE DESIGN 551 Inductor EQ 500 Series","description":"\u003ch2\u003e500 Series Inductor EQ\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGN 551 is a 3-band 500 Series Inductor Equalizer inspired by Mr. Neve's most acclaimed historical designs, featuring custom-made components such as inductors, transformers, and Class A gain stages. The true Neve sound, with present lows and harmonious highs, is finally available for the System 500 standard. The 3 inductor bands with custom hand-wound components of the RUPERT NEVE DESIGN 551 are crafted with the distinctive sound of Rupert Neve's vintage EQs in mind. The LOW FREQ band has a dense and resonant response and can be used (unlike the original design it was based on) as both a Shelf and a Peak filter, to add punch, dimensionality, and control to the low-end. The midrange inductor band is ideal for 'sweetening' vocal or instrumental tracks, making them more present in the mix, while the proportional \"Q\" factor response is effective for reducing the effect of problematic frequencies. The HF band has a hybrid design between vintage and modern, blending the best of inductor circuitry with capacitor circuitry for a vintage sound, but with greater control. The High Pass filter is 12dB per octave with a fixed cut at 80Hz and is perfect in conjunction with the LOW FREQ band to add presence to the lows without over-emphasizing them below. As in Neve's most acclaimed classic designs, each section of the EQ uses discrete Class A low-feedback electronics to prevent unwanted coloration during source processing.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ch4\u003eEqualizer not active\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eNoise: Measured at Main Output, 22Hz-22kHz, 40 Ohms balanced impedance. Better than -102dBV\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: Main output, no load +\/- 0.1dBu from 20Hz to 31.5kHz, -1dB @ 120kHz\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output Level: 23.25dBu\u003c\/li\u003e\n\n\u003cli\u003eTotal Harmonic Distortion and Noise: @ 1kHz, +20dBu output level, no load. Better than 0.0025%, @ 20Hz, +20dBu output level, no load. 0.13% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\n\u003cli\u003eHigh Pass Filter: -2.7dB @ 80Hz Slope 12dB\/Octave\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eActive Equalizer:\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eNoise: Measured at Main Output, 22Hz-22kHz, 40 Ohms balanced impedance. Better than -94dBV\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: Main output, no load +\/- 0.25dBu from 20Hz to 45kHz, -2dB @ 120kHz\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output Level: 23dBu\u003c\/li\u003e\n\n\u003cli\u003eTotal Harmonic Distortion and Noise: @ 1kHz, +20dBu output level, no load. Better than 0.009%, @ 20Hz, +20dBu output level, no load. 0.13% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993848897869,"sku":"RN551","price":1001.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/79065-large_default.jpg?v=1779946171"},{"product_id":"igs-tubecore-500","title":"IGS TUBECORE 500 TUBE COMPRESSOR","description":"\u003ch2\u003e500 SERIES TUBE COMPRESSOR\u003c\/h2\u003e\n\u003cp\u003eTUBECORE 500 is a 500 series compressor with a symmetrically transformer-balanced circuit. The compressor's design is based on the classic vari-mu solution. TUBECORE 500 is a true mono tube compressor where compression occurs by exploiting the remote cut-off of the tube's biasing. Perfect for use as a mono tracking compressor or (in a matched pair version) as an advanced mastering tool.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eVari Mu Compressor\u003c\/li\u003e\n\n\u003cli\u003eBypass\u003c\/li\u003e\n\n\u003cli\u003eStereo Link\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance (balanced) 600 ohm, Carnhill transformer\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance (balanced) 600 ohm, Sowter transformer\u003c\/li\u003e\n\n\u003cli\u003eOperating Level: +4 dBu\u003c\/li\u003e\n\n\u003cli\u003eMaximum Input Level: +22 dBu\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output Level: +22 dBu\u003c\/li\u003e\n\n\u003cli\u003eNoise Level: -99 dBA\u003c\/li\u003e\n\n\u003cli\u003eMaximum Gain: 40 dB\u003c\/li\u003e\n\n\u003cli\u003eMaximum Gain Reduction 30 dB\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: +\/-0.2dB: 20Hz-20KHz\u003c\/li\u003e\n\n\u003cli\u003eRelease: 0.1s - 4s\u003c\/li\u003e\n\n\u003cli\u003eAttack: 10 - 300 ms\u003c\/li\u003e\n\n\u003cli\u003eWeight 2 kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Igs","offers":[{"title":"Default Title","offer_id":53993849127245,"sku":"IGSTB5","price":947.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78497-large_default.jpg?v=1779946175"},{"product_id":"tb12-500","title":"Warm Audio TB12 500 Microphone Preamplifier 500 Series","description":"\u003ch2\u003e500 Series Tone Shaping Microphone Preamp\u003c\/h2\u003e\u003cp\u003eThe Warm Audio Tone Beast TB12 is one of the best microphone preamps on the market in its price range. It uses quality USA-made components, typically found in much more expensive machines.\u003cbr\u003eThe input stage can accommodate any type of source, line or microphone. Thanks to the switch called TONE, the impedance is varied from 600 ohms to 150 ohms: this results in a +6dB increase, raising the maximum gain from +65dB to +71dB. This, in addition to making the unit a perfect complement for ribbon microphones, allows for a significant change in the tonal character of connected microphones or instruments. The TONE control affects all inputs (MIC, LINE, and Hi-Z).\u003cbr\u003eThe 600 ohm impedance is recommended for condenser and dynamic microphones, while setting it to 150 ohms (TONE button pressed) will allow you to drive even the most difficult-to-amplify ribbons without problems. The TONE label is due to the fact that the frequency response is also modified, so it is advisable to try the Tone Beast with the button in both positions and verify which solution is more pleasing, regardless of the source!\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eCAPACITORS SWITCH\u003c\/li\u003e\n\u003cli\u003eTwo different capacitors can be selected, another arrow in the TONE BEAST's quiver!\u003c\/li\u003e\n\u003cli\u003eSTEEL and NICKEL, meaning a TANTALUM capacitor (vintage sound) and a decidedly \"clean\" ELECTROLYTIC one.\u003c\/li\u003e\n\u003cli\u003eOUTPUT Transformer Switch\u003c\/li\u003e\n\u003cli\u003eThe output transformer can be completely bypassed, to also have a transparent, transformerless preamp (the output is attenuated by 8dB).\u003c\/li\u003e\n\u003cli\u003eOUTPUT Transformer Selector Switch\u003c\/li\u003e\n\u003cli\u003eThis switch allows you to choose between two different CINEMAG output transformers. The \"Steel Core\" has a decidedly Vintage flavor with a slight emphasis on the mids; the \"50% Nickel Core\", designed by CineMag specifically for the Tone Beast, has more \"Clean\" sonic characteristics.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":53993849291085,"sku":"TB12S5","price":599.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/35418-large_default.jpg?v=1779946179"},{"product_id":"looptrotter-saturamp-preamplificatore-con-unita-di-saturazione","title":"LOOPTROTTER SATURAMP Preamplifier with saturation unit","description":"\u003ch2\u003e\u003cspan\u003ePreamplifier with saturation unit\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eLOOPTROTTER SATURAMP is a unique microphone\/instrument preamplifier, equipped with an original saturation unit in the 500 series rack format. Thanks to this unique combination, LOOPTROTTER SATURAMP is a versatile and creative tool, which allows for powerful sound, with great preservation of details, during recording. It not only incorporates LOOPTROTTER SATURAMP solutions inspired by 1960s designs, but also many original and modern ones, including digital control over most functions. This particular solution has eliminated mechanical switches from the signal path, which has greatly influenced the reliability and durability of LOOPTROTTER SATURAMP. Mechanical elements have been replaced with hermetic relays and semiconductor switches. At the LOOPTROTTER SATURAMP input there is a SOWTER transformer based on the AP2620, present in the legendary API preamplifiers. The operational amplifier, built entirely with discrete elements, is responsible for amplification. The design refers to the first operational amplifiers of the 1960s. However, the gain regulation solution comes from the 21st century - it is digitally controlled via micro buttons. The amplification value, expressed in dB, is displayed on the digital display.\u003c\/p\u003e\n\u003cp\u003eLOOPTROTTER SATURAMP is equipped with a high-pass filter with a slope of 12 dB per octave. There are three cutoff frequency options, with three different characteristics:\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e60Hz - Chebyshev\u003c\/li\u003e\n\n\u003cli\u003e100Hz - Butterworth\u003c\/li\u003e\n\n\u003cli\u003e160 Hz - Bessel\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eThe core of LOOPTROTTER SATURAMP is a saturation unit that intelligently and intuitively smooths out signal peaks, adding low-order harmonics. Saturation works like a soft limiter, making it possible to record tracks with a high RMS signal level, without unwanted distortion, with a detailed, saturated and perfectly integrated sound in the mix. The instrumental input is based on discrete transistors, operating in class A. The FET transistor device has allowed the design of a unit, which enriches the signal with a small amount of even harmonic frequencies, positively affecting the sound of instruments connected directly to LOOPTROTTER SATURAMP. This refers not only to guitars and basses. LOOPTROTTER SATURAMP works extraordinarily with digital synthesizers, adding that warm and analog touch. The LOOPTROTTER SATURAMP signal path is minimalist and the applied elements are carefully selected in relation to the original audio character signed with Looptrotter. LOOPTROTTER SATURAMP represents the highest quality sound combined with an original analog touch. The LOOPTROTTER SATURAMP is 100% original design and has no analog or digital equivalents.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003epreamplifier with 66 dB amplification (60 dB gain + output + 6 dB)\u003c\/li\u003e\n\n\u003cli\u003egain on operational amplifier, discrete element construction\u003c\/li\u003e\n\n\u003cli\u003eobtain control without mechanical contacts\u003c\/li\u003e\n\n\u003cli\u003esmooth adjustment of the output level with the OUTPUT knob\u003c\/li\u003e\n\n\u003cli\u003einstrument input, Hi-Z, on the front panel (1M ohm impedance), discrete element construction\u003c\/li\u003e\n\n\u003cli\u003eoriginal saturation unit that adds low-order harmonic frequencies, also acting as a soft limiter\u003c\/li\u003e\n\n\u003cli\u003esignal peak indicated with LED\u003c\/li\u003e\n\n\u003cli\u003e2 LEDs indicating the signal saturation level (4% and 8% THD)\u003c\/li\u003e\n\n\u003cli\u003e3 LEDs indicating the output level\u003c\/li\u003e\n\n\u003cli\u003ePAD -20 dB\u003c\/li\u003e\n\n\u003cli\u003e48V phantom power\u003c\/li\u003e\n\n\u003cli\u003epolarity switch\u003c\/li\u003e\n\n\u003cli\u003ehigh-pass filter with a slope of 12 dB per octave, with selectable cutoff frequency and characteristic: 60 Hz - Chebyshev, 100Hz - Butterworth, 160 Hz - Bessel\u003c\/li\u003e\n\n\u003cli\u003eMUTE button - muting the preamplifier output\u003c\/li\u003e\n\n\u003cli\u003eSOWTER transformer in the signal path\u003c\/li\u003e\n\n\u003cli\u003e100% original design that guarantees a unique and original sound\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Looptrotter","offers":[{"title":"Default Title","offer_id":53993861939533,"sku":"LOOSM5","price":826.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94557-large_default.jpg?v=1779946459"},{"product_id":"warm-audio-wa12-500-preamplifcatore-microfonico-serie-500","title":"Warm Audio WA12 500 Microphone Preamplifier 500 Series","description":"\u003ch2\u003eApi 312-Style 500 Series Microphone Preamp\u003c\/h2\u003e\u003cp\u003eWarm Audio is a young Texan brand that produces high-quality preamplifiers at very affordable prices. Their main product, the WA12 preamp, is based on the design of the classic API 312 preamp and is available in two formats: the classic standalone rack and the 500 Series format, a convenient, practical, compact, and increasingly popular professional standard. The WA12 preamp was built with top-tier components normally only used for very high-end products, notably including Cinemag Made in USA transformers on both input and output.\u003cbr\u003eWarm Audio's goal is precisely to provide musicians with professional products that don't have prohibitive costs. The WA12 excels at capturing microphone and instrument signals with extraordinary clarity and warmth. The device provides 71dB of gain, and a convenient Tone button allows selecting the input impedance from 600 ohms to 150 ohms, affecting the microphone tone and the HI-Z high impedance inputs. The 2 Meg Ohm True HI-Z input on the front panel allows sending the instrument signal through the entire circuit, including the Cinemag transformers and amplifier, making it perfect for guitars, basses, keyboards, and any other instrument with a 1\/4″ jack output.\u003c\/p\u003e\u003ch3\u003e\n\u003cstrong\u003eSpecifications\u003c\/strong\u003e \u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e71dB of gain\u003c\/li\u003e\n\u003cli\u003eCustom design: Cinemag Made in USA transformers\u003c\/li\u003e\n\u003cli\u003eTone button: allows selecting input impedance from 600 ohms to 150 ohms. Affects microphone tone and HI-Z high impedance inputs.\u003c\/li\u003e\n\u003cli\u003eFully Discrete.\u003c\/li\u003e\n\u003cli\u003eHigh-voltage amplifier with '1731 style' operation.\u003c\/li\u003e\n\u003cli\u003e48 volt Phantom Power.\u003c\/li\u003e\n\u003cli\u003eBalanced Mic input: XLR or 1\/4″\/TRS.\u003c\/li\u003e\n\u003cli\u003eOutputs: XLR and 1\/4″\/TRS. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":53993864102221,"sku":"WA12S5","price":399.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78579-large_default.jpg?v=1779946505"},{"product_id":"igs-audio-panzer-500-lunchbox-10-slot-con-alimentatore-system-500","title":"IGS AUDIO PANZER 500 Lunchbox 10 Slot with System 500 PSU","description":"\u003ch2\u003e10-Slot Lunchbox with System 500 Power Supply\u003c\/h2\u003e\n\u003cp\u003eThe IGS AUDIO PANZER 500 Lunchbox, handcrafted in Poland, is a 3U rack-mountable power supply capable of housing up to 10 500-series modules. The inputs and outputs for each channel\/module in the Panzer 500 Lunchbox all feature standard XLR connections. Adjacent modules can be linked using the provided jumpers.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eStereo link: yes (via PCB jumper)\u003c\/li\u003e\n\n\u003cli\u003eNumber of slots: 10\u003c\/li\u003e\n\n\u003cli\u003eCurrent: 420mA per slot (200mA @ +16V, 200mA @ -16V, 20mA @ +48V)\u003c\/li\u003e\n\n\u003cli\u003eOverload protection: Yes, global and individual\u003c\/li\u003e\n\n\u003cli\u003ePhantom power: Yes\u003c\/li\u003e\n\n\u003cli\u003eVoltage indicators: Yes 3 x LED\u003c\/li\u003e\n\n\u003cli\u003eVoltage: 115\/230V, 60\/50Hz\u003c\/li\u003e\n\n\u003cli\u003eConsumption: 160W at full load\u003c\/li\u003e\n\n\u003cli\u003ePower supply: external, linear\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMeasurements: 20 x 40 x 50 cm\u003c\/li\u003e\n\n\u003cli\u003eWeight: 8 kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Igs","offers":[{"title":"Default Title","offer_id":53993864134989,"sku":"IGSPAN","price":881.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/111050-large_default.jpg?v=1779946506"},{"product_id":"looptrotter-emperor-500-compressorelimiter-e-generatore-di-armoniche","title":"LOOPTROTTER EMPEROR 500 Compressor\/limiter and harmonic generator","description":"\u003ch2\u003eCompressor\/limiter and harmonic generator\u003c\/h2\u003e\n\u003cp\u003eLOOPTROTTER EMPEROR 500 is an analog dynamic processor, which depending on the settings can operate as a compressor, limiter or harmonic distortion generator. It has been designed to create original, vivid and analog sound for instruments.\u003cbr\u003eLOOPTROTTER EMPEROR 500 is equipped with an intuitive and easy to use control panel, which deliberately eliminates input\/output meters or sound reduction indicators, so that you can concentrate solely on the sound and not on the sight.\u003cbr\u003eLOOPTROTTER EMPEROR 500 is a creative device that gives the sound a powerful analog character. LOOPTROTTER EMPEROR 500 uniquely enhances the perceived volume, warms and brightens the audio signal, depending on the DRIVE settings.\u003cbr\u003eThe heart of LOOPTROTTER EMPEROR 500 is an FET transistor responsible for sound reduction and the introduction of a small amount of low-order harmonics, and its design is inspired by transistor limiters and compressors from the 60s. In addition, LOOPTROTTER EMPEROR 500 includes many original solutions derived from Looptrotter's long-term experience in building dynamic processors, which ensures a unique sound.\u003cbr\u003eLOOPTROTTER EMPEROR 500 is equipped with two independently operating filters integrated into the control circuit. This gives the possibility to create the timbre without unpleasant phase shifts: in case of low-frequency cutting in the control signal, LOOPTROTTER EMPEROR 500 acts more transparently and naturally with signals rich in low frequencies such as the kick drum or bass. This can reduce low-frequency distortion and the pumping effect; while boosting high frequencies in the control signal, LOOPTROTTER EMPEROR 500 behaves like an analog de-esser, or a very fast compressor for bright and dynamic instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLOOPTROTTER EMPEROR 500 offers three factory attack\/release presets:\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eFAST - the fastest attack and release setting of the processor makes LOOPTROTTER EMPEROR 500 operate as a limiter. This preset offers rich and dense input signal saturation;\u003c\/li\u003e\n\n\u003cli\u003eMED: this preset allows LOOPTROTTER EMPEROR 500 to operate as a fast compressor;\u003c\/li\u003e\n\n\u003cli\u003eSLOW: this preset makes LOOPTROTTER EMPEROR 500 more like an analog compressor than a limiter.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eLOOPTROTTER EMPEROR 500 also has independent control over the DRY and WET signal. This allows you to decide whether the audio tracks only need a slight coloration, preserving the original dynamics, or whether the signal needs to be run through LOOPTROTTER EMPEROR 500 100%.\u003c\/p\u003e","brand":"Looptrotter","offers":[{"title":"Default Title","offer_id":53993867182413,"sku":"LOOEML5","price":809.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94545-large_default.jpg?v=1779946588"},{"product_id":"golden-age-eq-573-equalizzatore-3-bande-rack-serie-500","title":"GOLDEN AGE EQ-573 EQUALIZER 3 BAND 500 SERIES RACK","description":"\u003cp\u003e3-band equalizer like the EQ-73 version but in 500 series rack format, with the addition of the high pass filter section with 18dB\/octave slope.\u003c\/p\u003e","brand":"GOLDEN AGE","offers":[{"title":"Default Title","offer_id":53993876357453,"sku":"GOLEQ573","price":198.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/72535-large_default.jpg?v=1779946936"},{"product_id":"golden-age-pre-573-mkii-preamplificatore-microfonico-rack-serie-500-di-box","title":"GOLDEN AGE PRE-573 MKII MICROPHONE PREAMPLIFIER 500 SERIES RACK DI-BOX","description":"\u003cp\u003ePre-73 preamp in 500-series rack format, with some additional features, such as: active DI input with 1.5Mohm impedance; Air mode that adds a slight boost above 10KHz; jumper to reduce input impedance and further enhance the Air effect.\u003c\/p\u003e","brand":"GOLDEN AGE","offers":[{"title":"Default Title","offer_id":53993876717901,"sku":"20230","price":299.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/72543-large_default.jpg?v=1779946941"},{"product_id":"rupert-neve-designs-535","title":"RUPERT NEVE DESIGNS 535 Diode Bridge Compressor","description":"\u003ch2\u003eDiode Bridge Compressor\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGNS 535 is a diode bridge compressor originally developed for the acclaimed Shelford Channel’s dynamics circuit, which captures the soul of Rupert Neve’s original 2254 compressor while providing modern updates including advanced timing control, significantly lower noise, fully stepped controls and internal parallel processing capabilities.\u003cbr\u003eWhere the VCA compressor found in the Master Buss Processor provides unparalleled clarity, the thick, harmonically rich tonality of diode bridge compression can be essential to push key sources like vocals, electric guitars, bass, and drums to the forefront of a mix.\u003cbr\u003eUnderstanding the limitations of vintage units such as the legendary 2254, a painstaking effort was made to reproduce the unique tone of these classics while improving noise floor and accuracy, expanding inflexible time constants, adding full-wave sidechain detection for improved dynamic response, and widening the threshold and ratio control ranges.\u003cbr\u003eTHRESHOLD: A 31-position potentiometer sets the level at which compression begins, from -25dB to +20dB. Turning this control counter-clockwise will increase the amount of compression, turning it clockwise will decrease the amount of compression.\u003cbr\u003eRATIO: The RATIO control has six selectable positions on a rotary switch, allowing the user to set the slope of the compressor’s curve with pre-selected ratios from 1.5:1 to 8:1 for levels above the determined THRESHOLD. This range of compression ratios allows the user to compress moderately or heavily as desired.\u003cbr\u003eTIMING: The unified TIMING control is a six-position rotary switch that sets the attack and release times of the compressor. The time can be further modified by the FAST button:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003eFAST – Fast Attack (750us), Fast Release (130ms)\u003c\/li\u003e\n\n\u003cli\u003eMF – Medium Attack (2.25ms), Fast Release (130ms)\u003c\/li\u003e\n\n\u003cli\u003eMED – Medium Attack (2.25ms), Medium Release (400ms)\u003c\/li\u003e\n\n\u003cli\u003eMS: Medium Attack (4ms), Slow Release (725ms)\u003c\/li\u003e\n\n\u003cli\u003eSLOW – Slow Attack (10ms), Slow Release (1S)\u003c\/li\u003e\n\n\u003cli\u003eAUTO – Medium Attack (5ms), Dual-Decay Release (T1 500ms, T2 1S)\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\u003cp\u003eFAST: The FAST switch halves the attack and release times available on the TIMING control, effectively doubling the number of TIMING presets available to the user.\u003cbr\u003eBLEND: The BLEND control has 31 steps and allows the user to blend the uncompressed (dry) signal with the compressed (wet) signal. Turning the control towards 0% will shift the mix to the fully uncompressed dry signal, while turning the control towards 100% will shift the mix to the fully compressed signal. This feature allows for parallel compression, enabling a wide range of compression subtleties.\u003cbr\u003eGAIN: The GAIN control has 31 steps and allows the user to add make-up gain to the compressed signal to bring its level back to unity with the uncompressed input signal. It is much easier to evaluate the tonal effect of the compressor (via the COMP IN switch) when the compressed output level matches the uncompressed input level, thus eliminating potentially misleading level differences.\u003cbr\u003eCOMP IN: The COMP IN switch activates the compression circuit. By disengaging the COMP IN switch, the compressor is bypassed and the user can quickly compare the compressed sound to the dry input signal for an objective evaluation of the compressor’s sonic effect on the audio signal.\u003cbr\u003eLINK: The LINK switch allows the compressor to be linked to another 535 compressor module via a side-chain control voltage. In link mode, the compressor generating the greater side chain voltage (resulting in the greater amount of compression) will control the compression of both audio signal paths to maintain a correct central stereo image during compression.\u003cbr\u003eSIDE CHAIN HPF: The S\/C HPF switch allows the user to insert a 12dB\/octave 150Hz high-pass filter into the compressor’s side-chain. When this filter is engaged, the compressor will be significantly less sensitive to information below 150Hz. For example: when used on a drum kit, the low end of the kick drum would have a less proportional effect on the compression than a snare or cymbals, as a significant portion of the kick drum’s dynamic energy is focused below 150Hz.\u003cbr\u003eLEVEL \u0026amp; GAIN REDUCTION METERING: These two LED meters provide highly accurate representations of both the compressor’s output level and the amount of gain reduction applied to the input signal.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eLine input to line output (Compressor bypassed): Source z = 40 ohm balanced\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 10k Ohms\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 40 Ohms\u003c\/li\u003e\n\n\u003cli\u003eMaximum Input Level: +23.5 dBu\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output Level: +23.5 dBu\u003c\/li\u003e\n\n\u003cli\u003eNoise: 22 hz - 22 kHz BW; -101 dbu\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: Output XLR Cable 10 hz - 120 kHz, 30 ft; +\/- 0.25 db\u003c\/li\u003e\n\n\u003cli\u003eTHD+N: @ 1 khz @ max output level, 22 hz - 22 kHz BW; 0.001%\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993891660109,"sku":"RN535","price":1048.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/145649-large_default.jpg?v=1779947215"},{"product_id":"crane-song-falcon-compressore-valvolare-500-series","title":"CRANE SONG FALCON Tube Compressor 500 series","description":"\u003ch2\u003e500 Series Valve Compressor\u003c\/h2\u003e","brand":"CRANE SONG","offers":[{"title":"Default Title","offer_id":53993900736845,"sku":"CSFALCON","price":1418.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/81141-large_default.jpg?v=1779947382"},{"product_id":"crane-song-insigna-eq-a-3-bande-con-filtri-hi-cut-e-low-cut-500-series","title":"CRANE SONG INSIGNIA 3-band EQ with Hi cut and Low cut filters 500 series","description":"\u003ch2\u003e3-band EQ with Hi-cut and Low-cut filters 500 series\u003c\/h2\u003e\n\u003cp\u003eCompact equalizer that uses a dual triode circuit with a 12AX7 tube.\u003cbr\u003eIt features 24 dB\/octave high-pass and low-pass filters with 7 frequencies each.\u003cbr\u003eThe high and low bands are shelving with 8 frequencies each.\u003cbr\u003eThe mid band is \"peaking\" with 8 frequencies.\u003cbr\u003eThe three bands use RC buffer circuits in the negative feedback path on the tube amplifiers to achieve a rich-sounding equalizer.\u003c\/p\u003e","brand":"CRANE SONG","offers":[{"title":"Default Title","offer_id":53993900835149,"sku":"CSINSIGNA","price":1475.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/81145-large_default.jpg?v=1779947384"},{"product_id":"crane-song-syren-preamplificatore-valvolare-500-series","title":"CRANE SONG SYREN 500 series tube preamplifier","description":"\u003ch2\u003e500 series tube preamplifier\u003c\/h2\u003e\n\u003cp\u003eClassic preamplifier with dual-triode circuit using a 12AX7 tube.\u003cbr\u003eSYREN features a dual gain stage allowing for overdrive effects, a HI-z input, a 90 Hz and 24 db\/octave low-cut filter, and selectable -15 db and -25 db pads for connecting a wide range of signals.\u003c\/p\u003e","brand":"CRANE SONG","offers":[{"title":"Default Title","offer_id":53993900933453,"sku":"CSSYREN","price":1361.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/81149-large_default.jpg?v=1779947385"},{"product_id":"black-lion-audio-auteur-mkii-500-preamplificatore-microfonico-serie-500","title":"BLACK LION AUDIO AUTEUR MKII 500 500 Series Microphone Preamp","description":"\u003ch2\u003e500 Series Microphone Preamplifier\u003c\/h2\u003e\n\u003cp\u003eThe BLACK LION AUDIO AUTEUR MKII 500 is a single-channel 500 series preamplifier, featuring phantom power, phase, 13dBu pad, and Hi-Z input. The BLACK LION AUDIO AUTEUR MKII 500 is one of the best \"bang for your buck\" 500 series preamplifiers available! You get all the sound of the 1\/2 rack version, but with the added Hi-Z input! It features an ultra-fast input stage that captures many details and nuances, and a signal path transformer that adds some \"meat\" to the output.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e500 series format\u003c\/li\u003e\n\n\u003cli\u003eSingle channel\u003c\/li\u003e\n\n\u003cli\u003eUltra-high speed input stage\u003c\/li\u003e\n\n\u003cli\u003eEdcor Output Transformer\u003c\/li\u003e\n\n\u003cli\u003e67dB Gain\u003c\/li\u003e\n\n\u003cli\u003ePhantom Power\u003c\/li\u003e\n\n\u003cli\u003ePhase Switch\u003c\/li\u003e\n\n\u003cli\u003e13dBu Pad\u003c\/li\u003e\n\n\u003cli\u003eHi-Z Input\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eMic Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMax microphone input level: +1dBu\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 6000Ω\u003c\/li\u003e\n\n\u003cli\u003ePad: 13dBu\u003c\/li\u003e\n\n\u003cli\u003eGain (no pad): +16dB to +67dB\u003c\/li\u003e\n\n\u003cli\u003eEquivalent Input Noise (noise floor): -108 dBu\u003c\/li\u003e\n\n\u003cli\u003eTHD + N (@ +4dBu output):\u003c\/li\u003e\n\n\u003cli\u003e.0046% @ +12 dBu gain\u003c\/li\u003e\n\n\u003cli\u003e.0064% @ +24dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.012% @ +32dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.028% @ +40dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.085% @ +50dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.3% @ +62dBu Gain\u003c\/li\u003e\n\n\u003cli\u003eBandwidth (1kHz, 600Ω unbalanced source, unweighted): 10Hz to 30kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eD.I. Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMax D.I. Input Level: +18 dBu\u003c\/li\u003e\n\n\u003cli\u003eBalanced Input Impedance: 2.2 MΩ\u003c\/li\u003e\n\n\u003cli\u003eUnbalanced Input Impedance: 1.1 MΩ\u003c\/li\u003e\n\n\u003cli\u003ePad: 13dBu\u003c\/li\u003e\n\n\u003cli\u003eGain: +16dB to +67dB\u003c\/li\u003e\n\n\u003cli\u003eEquivalent Input Noise (noise floor): -82 dB\u003c\/li\u003e\n\n\u003cli\u003eTHD + N (@ +4dBu output):\u003c\/li\u003e\n\n\u003cli\u003e.007% @ +12dBu\u003c\/li\u003e\n\n\u003cli\u003e.11% @ +40dBu\u003c\/li\u003e\n\n\u003cli\u003eBandwidth (1kHz, 600Ω unbalanced source, unweighted): 10Hz to 30kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eOut Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMaximum Output Level: +28 dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 600Ω\u003c\/li\u003e\n\n\u003cli\u003ePower Supply\u003c\/li\u003e\n\n\u003cli\u003e+\/- 15v from 500 series rack\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMeasures 38.1 mm x 165.1 mm x 133.3 m\u003c\/li\u003e\n\n\u003cli\u003eWeight: 3.63 Kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"BLACK LION","offers":[{"title":"Default Title","offer_id":53993909027149,"sku":"AUTEURMK2500","price":198.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94621-large_default.jpg?v=1779947567"},{"product_id":"black-lion-audio-b12a-mkii-500-preamplificatore-microfonico-serie-500","title":"BLACK LION AUDIO B12A MKII 500 500 Series Microphone Preamplifier","description":"\u003ch2\u003e500 series microphone preamplifier\u003c\/h2\u003e\n\u003cp\u003eBLACK LION AUDIO B12A MKII 500 is the 500 series microphone preamplifier that packs the same punch as its 1\/2 rack \"cousin,\" but in the convenient and flexible 500 series format. The API®-style design features a delightful Cinemag input transformer, delivers massive portions of low-noise gain, and has the same classic American rock sound that the original API® 312A is known for!\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e500 Series format (lunchbox® required)\u003c\/li\u003e\n\n\u003cli\u003eCinemag Input Transformer\u003c\/li\u003e\n\n\u003cli\u003eEdcor Output Transformer\u003c\/li\u003e\n\n\u003cli\u003e70 dB gain\u003c\/li\u003e\n\n\u003cli\u003eHi-Z input (passive, unbalanced)\u003c\/li\u003e\n\n\u003cli\u003ePhantom power\u003c\/li\u003e\n\n\u003cli\u003e18dB Pad\u003c\/li\u003e\n\n\u003cli\u003ePhase switch\u003c\/li\u003e\n\n\u003cli\u003eControls: GAIN, 48V, PHASE (Ø), PAD, HI-Z, HI-Z IN\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eMic Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMaximum microphone input level: + 1dBu\u003c\/li\u003e\n\n\u003cli\u003eInput impedance: 200Ω\u003c\/li\u003e\n\n\u003cli\u003ePad: 18dB\u003c\/li\u003e\n\n\u003cli\u003eGain (no pad): + 26dB to + 70dB\u003c\/li\u003e\n\n\u003cli\u003eEquivalent input noise (self-noise): -120 dBu\u003c\/li\u003e\n\n\u003cli\u003eTHD + N (@ + 4dBu output):\u003c\/li\u003e\n\n\u003cli\u003e.010% @ +22 dBu\u003c\/li\u003e\n\n\u003cli\u003e.010% @ +36 dBu\u003c\/li\u003e\n\n\u003cli\u003e.041% @ +56 dBu\u003c\/li\u003e\n\n\u003cli\u003e.122% @ +66 dBu\u003c\/li\u003e\n\n\u003cli\u003eBandwidth (1kHz, 150Ω source, unweighted): 10Hz to 30kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eD.I. Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMax D.I. Input Level: + 18 dBu\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 1.1 MΩ\u003c\/li\u003e\n\n\u003cli\u003ePad: none\u003c\/li\u003e\n\n\u003cli\u003eGain: + 10dB to + 53dB\u003c\/li\u003e\n\n\u003cli\u003eEquivalent input noise (self-noise): -94 dB\u003c\/li\u003e\n\n\u003cli\u003eTHD + N (@ + 4dBu output):\u003c\/li\u003e\n\n\u003cli\u003e.009% @ +10 dBu\u003c\/li\u003e\n\n\u003cli\u003e.115% @ +36 dBu\u003c\/li\u003e\n\n\u003cli\u003eBandwidth (1kHz, 600Ω unbalanced source, unweighted): 10Hz to 30kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eOutput Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMaximum output level: + 28 dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput impedance: 600Ω\u003c\/li\u003e\n\n\u003cli\u003ePower supply\u003c\/li\u003e\n\n\u003cli\u003e+\/- 15v (lunchbox® supply)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMeasurements: 38.1 mm x 165.1 mm x 133.35 mm\u003c\/li\u003e\n\n\u003cli\u003eWeight: 3.62 Kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"BLACK LION","offers":[{"title":"Default Title","offer_id":53993909125453,"sku":"B12AMK2500","price":338.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94625-large_default.jpg?v=1779947568"},{"product_id":"black-lion-audio-b173-500-preamplificatore-microfonico-serie-500","title":"BLACK LION AUDIO B173 500 500 Series Microphone Preamplifier","description":"\u003ch2\u003e500 series microphone preamplifier\u003c\/h2\u003e\n\u003cp\u003eBLACK LION AUDIO B173 500 is a 500 series 1073-style microphone preamplifier identical to the original B173. Not a single component or design feature was compromised during the conversion to a smaller package. As a result, the circuit boards are packed with all kinds of delightful components, including a robust Cinemag input transformer! The power supply is the backbone of any preamplifier design and can have a huge impact on the overall sound and performance of the preamplifier. The +24V rail needed to power the BLACK LION AUDIO B173 500 is carefully converted from the +\/- 16V rails of a 500 series rack using a custom DC-DC converter circuit specifically designed to avoid any unwanted noise or modulation from the signal path. Complete isolation is then achieved through the use of inductors, ferrite beads, decoupling capacitors, power regulation, and a custom enclosure surrounding the entire circuit. The BLACK LION AUDIO B173 500's discrete \"Class A\" circuitry combined with high-end components offers a new approach to a classic sound that will not disappoint!\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e500 series format (requires 500 series rack)\u003c\/li\u003e\n\n\u003cli\u003eCinemag Input Transformer\u003c\/li\u003e\n\n\u003cli\u003eEdcor Output Transformer\u003c\/li\u003e\n\n\u003cli\u003e80dB Gain\u003c\/li\u003e\n\n\u003cli\u003eHi-Z Input (passive, unbalanced)\u003c\/li\u003e\n\n\u003cli\u003ePhantom Power\u003c\/li\u003e\n\n\u003cli\u003ePhase Switch\u003c\/li\u003e\n\n\u003cli\u003eOutput Attenuator\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eMic Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMaximum microphone input level: +1 dBu\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 200Ω\u003c\/li\u003e\n\n\u003cli\u003eGain: +12 dB to +80 dB\u003c\/li\u003e\n\n\u003cli\u003eEquivalent Input Noise (noise floor): -103 dB\u003c\/li\u003e\n\n\u003cli\u003eTHD + N (@ +4dBu output):\u003c\/li\u003e\n\n\u003cli\u003e.072% at +8 dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.074% @ +29 dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.082% @ +44 dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.152% at +60 dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.709% @ +76 dBu Gain\u003c\/li\u003e\n\n\u003cli\u003eBandwidth (1kHz, 150Ω source, unweighted): 10Hz to 30kHz\u003c\/li\u003e\n\n\u003cli\u003eHi-Z Section\u003c\/li\u003e\n\n\u003cli\u003eTHD + N (@ +4dBu output):\u003c\/li\u003e\n\n\u003cli\u003e.0045% @ +10 dBu\u003c\/li\u003e\n\n\u003cli\u003e.0076% @ +15 dBu\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eOutput Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMaximum output level: +29 dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 600Ω\u003c\/li\u003e\n\n\u003cli\u003ePower Supply\u003c\/li\u003e\n\n\u003cli\u003e+24 V supplied by very low noise,\u003c\/li\u003e\n\n\u003cli\u003ecustom power supply (500 series rack\u003c\/li\u003e\n\n\u003cli\u003erequired)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMeasurements: 38.1 mm x 165.1 mm x 135.35 mm\u003c\/li\u003e\n\n\u003cli\u003eWeight: 0.54 Kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"BLACK LION","offers":[{"title":"Default Title","offer_id":53993909190989,"sku":"B173500","price":369.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94629-large_default.jpg?v=1779947570"},{"product_id":"fredenstein-artistic-leveler-compressore-opto-serie-500","title":"FREDENSTEIN ARTISTIC LEVELER 500 series opto compressor","description":"\u003ch2\u003e500 series opto compressor\u003c\/h2\u003e\n\u003cp\u003eThe FREDENSTEIN ARTISTIC LEVELER is a single-channel opto compressor. When used in FREDENSTEIN Bento 6 or Bento 10 racks, an external side chain input is available via the Aux input connector, which is a very rare (perhaps unique) feature for a 500 series compressor. It allows an alternate sound to control the gain which can be used for a number of creative techniques made popular in EDM and rap.\u003cbr\u003eThe FREDENSTEIN ARTISTIC LEVELER features rotary controls for Input Gain, Release Time, Compression Ratio (2:1 to 7.5:1), Make-up Gain, and Wet-Dry Mixing (parallel compression). The FREDENSTEIN ARTISTIC LEVELER is particularly gentle at low ratios and seems to improve anything it acts upon. The attack time can be set in three steps and the side chain low-cut filter offers two settings. There is also a switch for Bypass and another for Link. The LED bar graph meter indicates gain reduction in the range of 1 dB to 16 dB.\u003cbr\u003eLike many opto compressors, the FREDENSTEIN ARTISTIC LEVELER features a fixed threshold. Compression depth is controlled by changing the input gain. And like the FREDENSTEIN ARTISTIC COMPRESSOR, the signal path features the discrete FREDENSTEIN OPA2 and American transformer for a classic sound and solid driving capability. Opto compressors could be characterized as generally soft and gentle compared to FET compressors which can be fast and aggressive; however, the control range of this machine opens many other doors. Especially if the external Side-Chain input is used, the signal dynamics can be controlled by another source, allowing for more creative sounds.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eFrequency response: 20 Hz - 20,000 Hz, +\/- 1 dB\u003c\/li\u003e\n\n\u003cli\u003eMake-up gain: + 20 dB\u003c\/li\u003e\n\n\u003cli\u003eDistortion: \u0026lt;0.05%, no compression\u003c\/li\u003e\n\n\u003cli\u003eNoise: \u0026lt;-86 dB, no make-up gain (+ 4 dBu reference) Input Impedance: \u0026gt; 5000 Ohms\u003c\/li\u003e\n\n\u003cli\u003eMaximum input level: + 26dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput impedance: 600 Ohms\u003c\/li\u003e\n\n\u003cli\u003eMaximum output level: + 26 dBu\u003c\/li\u003e\n\n\u003cli\u003eClip indicator: + 24 dBu\u003c\/li\u003e\n\n\u003cli\u003eInput Gain Range: -10 dB to +20 dB\u003c\/li\u003e\n\n\u003cli\u003eSide-chain filter: 150 or 300 Hz (switchable)\u003c\/li\u003e\n\n\u003cli\u003eAttack Time: 0.5, 5 and 25 ms (switchable)\u003c\/li\u003e\n\n\u003cli\u003eRelease Time: 70 ms to 2.5s\u003c\/li\u003e\n\n\u003cli\u003eCompression ratio: 2:1 to 7.5:1\u003c\/li\u003e\n\n\u003cli\u003ePower consumption: +\/- 16V \u0026lt; +\/-75mA (~2W)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Fredenstein","offers":[{"title":"Default Title","offer_id":53993909616973,"sku":"FREDARTLEV","price":293.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94693-large_default.jpg?v=1779947579"},{"product_id":"fredenstein-magic-pre-preamplificatore-serie-500","title":"FREDENSTEIN MAGIC PRE 500 Series Preamplifier","description":"\u003ch2\u003e500 series Preamplifier\u003c\/h2\u003e\n\u003cp\u003eFREDENSTEIN MAGIC PRE is a 500 series preamplifier whose main feature is the vintage \"magic eye\" vacuum tube which glows green to indicate the output level. The \"Magic Eye\" tube is perhaps the most eye-catching visual feature of this preamp and something everyone notices in any rack. In addition to being simply fun and another way to impress clients, this visual treatment complements the rich vintage character of the preamp. The \"eye\" closes near optimal output levels.\u003cbr\u003eFREDENSTEIN MAGIC PRE follows what could be considered a very traditional topology that uses both an input transformer and an output transformer. Both are high quality American transformers. In particular, the steel core output transformer is a very important sound shaping component that helps produce a smooth vintage feel without being dark or just \"mid-high\" or mushy.\u003cbr\u003eA single discrete amplifier is used for the active gain element, and there are no chip-based amplifiers in the signal path. To achieve a high level of performance, the circuit relies on our OPA2 discrete audio op-amp. As in all FREDENSTEIN products, the OPA2 is not a copy of an older design, but is a completely new design made in SMT technology with matched and integrated dual input transistors to ensure significantly improved specifications compared to older models. The OPA2, in the tradition of similar modules, is encapsulated and can be replaced without tools. Its industry standard pin-out makes it compatible with many other amplifier modules.\u003cbr\u003eA high impedance 2 MOhms direct input is located on the front panel, accepts unbalanced signals, the rear microphone input is automatically disconnected when a plug is inserted into the DI connector.\u003cbr\u003eFeatures include a maximum gain of 70 dB, a 20 dB pad and Phantom-Power support, plus a new feature simply called \"Color\". The \"Color\" switch is designed to produce a tube-like harmonic content that, while not drawing attention to itself, can bring certain sounds to life and bring them forward in the mix and make them more detailed and dimensional. While the color circuit increases distortion, the audible effect is so subtle that few people would ever describe the effect as \"distorted\".\u003cbr\u003eLike all FREDENSTEIN products, FREDENSTEIN MAGIC PRE is designed by a German-American team and manufactured in Taiwan.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eFrequency response: 20 Hz - 40,000 Hz, +\/- 1 dB\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDistortion\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003e1kHz: \u0026lt;0.03% at +4 dBu output level \/ \u0026lt;0.015% at +20 dBu output level \/ \u0026lt;0.04% at +26 dBu output level (clip at +28 dBu)\u003c\/li\u003e\n\n\u003cli\u003e50Hz: \u0026lt;0.08% at +4 dBu output level \/ \u0026lt;0.08% at +20 dBu output level\u003c\/li\u003e\n\n\u003cli\u003e10kHz: \u0026lt;0.02% at +4 dBu output level \/ \u0026lt;0.05% at +20 dBu output level\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cul\u003e\n\n\u003cli\u003eInput Noise: \u0026lt;-127 dB\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: \u0026gt;1600 Ohms\u003c\/li\u003e\n\n\u003cli\u003eDI Impedance: \u0026gt;2 MOhms\u003c\/li\u003e\n\n\u003cli\u003eMaximum input level: +10 dBu, Pad activated\u003c\/li\u003e\n\n\u003cli\u003eMaximum DI input level: +18 dBu unbalanced\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 600 ohms\u003c\/li\u003e\n\n\u003cli\u003eMaximum output level: +26 dBu\u003c\/li\u003e\n\n\u003cli\u003eInput attenuator: -20 dB (switchable)\u003c\/li\u003e\n\n\u003cli\u003eMaximum Gain (XLR): 70 dB\u003c\/li\u003e\n\n\u003cli\u003eMinimum Gain: 35 dB\u003c\/li\u003e\n\n\u003cli\u003eMinimum Gain with 20dB Pad activated: 15 dB\u003c\/li\u003e\n\n\u003cli\u003eMaximum Gain (DI): 42 dB\u003c\/li\u003e\n\n\u003cli\u003eMinimum Gain: 8 dB\u003c\/li\u003e\n\n\u003cli\u003eMinimum Gain with 20dB Pad activated: -12 dB\u003c\/li\u003e\n\n\u003cli\u003eCurrent Increase: +100mA, -160m\u003c\/li\u003e\n\n\u003cli\u003eDistortion with Color activated: approximately 0.1% at -10 dBu output level \/ approximately 1% at -5 dBu output level \/ approximately 3% at 0 dBu output level \/ approximately 4.5% at +24 dBu output level\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: 20 Hz - 20,000 Hz, +\/- 1 dB\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Fredenstein","offers":[{"title":"Default Title","offer_id":53993909649741,"sku":"FREDMAGPRE","price":465.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94695-large_default.jpg?v=1779947579"},{"product_id":"fredenstein-f610-ue1-equalizatore-stereo-digitale","title":"FREDENSTEIN F610 UE1 Digital Stereo Equalizer","description":"\u003ch2\u003eDigital Stereo Equalizer\u003c\/h2\u003e\n\u003cp\u003eThe FREDENSTEIN F610 UE1 (Universal Entzerrer) is a digitally controlled analog stereo quad equalizer and 30-band spectrum analyzer in a double-width 500 series cassette.\u003cbr\u003eFor the first time in a 500 series module, FREDENSTEIN has been able to implement a high-resolution 3.5\" color LCD display including a capacitive touch controller, thus bringing the 500 series into the 21st century.\u003cbr\u003eThe four filters are all identical and each can be tuned from 20 Hz to 20 KHz. The rotary encoder frequency knob allows access to approximately 190 different frequencies per filter, while the USB interface allows a frequency resolution of 1 Hz. The maximum filter gain is +\/- 16 dB. In case more gain is needed, additional filters can be set at the same frequency for a ridiculous boost or cut up to 64 dB. The Q factor of each filter can vary from 0.4 to 7.9. The gain can be adjusted from -16 dB to +16 dB in 0.25 dB increments, clearly meeting the demands of modern sophisticated mastering. Filter characteristic 1 can be changed from band-pass to low-shelf and filter 4 to high-shelf.\u003cbr\u003eIn addition, a variable second-order low-cut filter with a range from 20 Hz to 975 Hz is provided, as well as a \"Color\" function that provides a tube-like sound. The hard-bypass allows for quick evaluation of the EQ effect.\u003cbr\u003eThe 30-band spectrum analyzer features a 60 dB dynamic range with selectable sensitivity from +6 dBu to +24 dBu in 6 dB steps. The choice of feeding the input or output signal to the analyzer adds to the versatility of the F610.\u003cbr\u003eUp to 99 complete settings can be stored in the internal non-volatile memory, and a Micro-USB interface provides full control from a host computer connected via RS232 over USB.\u003cbr\u003eThe name FREDENSTEIN F610 UE1 is a tribute to the classic K\u0026amp;H UE-100. \"Entzerrer\" is the German technical term for equalizer.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e4-band equalizer with variable Q\u003c\/li\u003e\n\n\u003cli\u003eHigh-resolution 3.5-inch color LCD capacitive touch-controller display\u003c\/li\u003e\n\n\u003cli\u003e30-band spectrum analyzer\u003c\/li\u003e\n\n\u003cli\u003eEach band with a gain\/reduction of ±16 dB and a variable Q from 0.9 to 7.9\u003c\/li\u003e\n\n\u003cli\u003eFilters 1 and 4 can switch from bandpass to low shelving and high shelving, respectively\u003c\/li\u003e\n\n\u003cli\u003eVariable 2nd order high-pass filter with a function range from 20 Hz to 600 Hz\u003c\/li\u003e\n\n\u003cli\u003eColor function that imparts a tube-like flavor\u003c\/li\u003e\n\n\u003cli\u003eHard-bypass for quick comparison between wet and dry signals\u003c\/li\u003e\n\n\u003cli\u003eFrequency response: 10Hz-30,000Hz at -0.5 dB \/ 6Hz-60,000 Hz at -3 dB\u003c\/li\u003e\n\n\u003cli\u003eDistortion (THD \u0026amp; N): \u0026lt;0.004% at output level +24 dBu\u003c\/li\u003e\n\n\u003cli\u003eSignal to Noise (S\/N): -106 dB at output level +26 dB\u003c\/li\u003e\n\n\u003cli\u003eCrosstalk at 10 kHz: \u0026lt;-102 dB\u003c\/li\u003e\n\n\u003cli\u003eMax. Input Level: +26 dBu\u003c\/li\u003e\n\n\u003cli\u003eMax. Output Level: +27 dBu\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 20 kOhm (electronically balanced)\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 44 ohm (electronically balanced)\u003c\/li\u003e\n\n\u003cli\u003ePower Consumption: +16V Rail \u0026lt;400 mA \/ -16V Rail \u0026lt;350 mA\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Fredenstein","offers":[{"title":"Default Title","offer_id":53993909715277,"sku":"FREDF610UE1","price":1799.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94706-large_default.jpg?v=1779947581"},{"product_id":"fredenstein-f602-compressore-vari-mu","title":"FREDENSTEIN F602 Multi Compressor","description":"\u003ch2\u003eVariable-mu Compressor\u003c\/h2\u003e\n\u003cp\u003eThe FREDENSTEIN F602 is a high-performance variable transconductance (often falsely called \"variable mu\") compressor for professional recording and mastering engineers. The FREDENSTEIN F602 features the original remote cut-off dual triode valve used in many vintage designs (Gates, Fairchild, and GE to name a few) called the 6386LGP. The signal path is very short and delivers the smoothness you would expect from a great piece of vintage gear. The innovative transformer-less input circuit provides clarity while the large Lundahl output transformer adds character.\u003cbr\u003eThe FREDENSTEIN F602 uses a DSP to continuously monitor the 6386 valve and optimize its operating points. This has several advantages including automatic self-test and calibration but also allows for a larger control range and much faster gain reduction.\u003cbr\u003eThe FREDENSTEIN F602 features rotary controls for Threshold, Ratio (2:1 to 20:1), Make-up Gain, Mix (Blend), Attack (250 uS to 15.5 mS), and Release (12 mS to 5 S). There are push buttons for Bypass (true hard bypass), Hard Knee \/ Soft Knee, Link (up to 10 units), and Meter Mode (VU or Gain Reduction). The LINK switch is also a standby switch which allows the tube circuit to be shut down if the F602 is not in use while the rack is still powered, thus extending tube life.\u003cbr\u003eThe FREDENSTEIN F602 provides exceptional attack and release times that no other \"vari-mu\" compressor can come close to. Usually, such fast settings would have a \"thumping\" side effect when the gain reduction changes, but the FREDENSTEIN F602 with its DSP regulating the valve and maintaining almost perfect balance, this problem does not occur.\u003cbr\u003eThe MIX control is also interesting. Fully counter-clockwise, a switch engages, sending only the compressed signal to the output. Conversely, fully clockwise, another switch engages, sending only the uncompressed signal to the output. Between these two extremes, mixing is variable, which is typically exploited to preserve some transients while increasing the level of quieter signals. Similarly, when the Release control is fully counter-clockwise, a program-dependent Auto-Release setting is activated, and when the Threshold control is fully counter-clockwise, compression is deactivated.\u003cbr\u003eGain reduction is displayed traditionally with a VU meter, and the Clip indicator lights up if the output reaches +24 dBu. The buttons illuminate when engaged.\u003cbr\u003eThe specifications are more than respectable for this type of compressor. Lower distortion, wider frequency response, and lower noise than much more expensive units. The high-current design and unusually low output impedance allow it to drive even the most difficult and complex loads without sonic impact.\u003cbr\u003eOf course, in this small 500-series unit there is an intelligent design with a vacuum tube, DSP control, MCU, digital attenuators, high-voltage regulators, Lundahl transformer, a discrete line driver, and high-performance analog signal. It should also be noted that it is truly well-designed, using the highest quality parts - and built as solid as a tank. Expect it to be reliable and professional.\u003cbr\u003eDue to the high power consumption of approximately 8W, not all lunchboxes and racks are suitable for this module. Of course, FREDENSTEIN lunchboxes and racks are well-equipped to handle these loads. Like all FREDENSTEIN products, the FREDENSTEIN F602 is designed by a German-American team and manufactured in Taiwan.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eReference Level: 0 db = +4 dBu (American Studio Standard) Make-up gain: 0 to +20 dB\u003c\/li\u003e\n\n\u003cli\u003eThreshold: -25 dB to +9 dB\u003c\/li\u003e\n\n\u003cli\u003eAttack Time Range: 250 to 15.5 ms\u003c\/li\u003e\n\n\u003cli\u003eRelease Time Range: 12 ms to 5 s\u003c\/li\u003e\n\n\u003cli\u003eRatio: 2:1 to 20:1\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: 20Hz - 20,000Hz, +\/- 1dB\u003c\/li\u003e\n\n\u003cli\u003eDistortion: \u0026lt;0.01% S\/N Ratio: \u0026gt;90dB at 0dB gain\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: \u0026gt;10KOhm\u003c\/li\u003e\n\n\u003cli\u003eMaximum Input Level: +24 dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 20 Ohm\u003c\/li\u003e\n\n\u003cli\u003eMax. Output Current: +\/- 200 mA Max.\u003c\/li\u003e\n\n\u003cli\u003eOutput Level: +26 dBu\u003c\/li\u003e\n\n\u003cli\u003ePower Consumption: +16 V +250 mA, -16V -200 mA\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Fredenstein","offers":[{"title":"Default Title","offer_id":53993909780813,"sku":"FREDF602","price":999.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94713-large_default.jpg?v=1779947582"},{"product_id":"fredenstein-f600a-compressore-serie-500","title":"FREDENSTEIN F600A 500 Series Compressor","description":"\u003ch2\u003e500 Series Compressor\u003c\/h2\u003e\n\u003cp\u003eThe FREDENSTEIN F600A is a unique 500 series compressor. It does not use VCAs, FETs, Optos, Tubes (vari-mu), diode bridges, or pulse-width switching. Instead, it uses a pair of digitally controlled attenuators\/amplifiers for gain reduction and make-up gain. This provides a unique and extremely versatile sound, regardless of what other compressors you might own. It has been described as exceptionally smooth, clean, and capable of extreme output levels.\u003cbr\u003eThe FREDENSTEIN F600A is a high-performance tool for professional sound and mastering engineers. It comprises an analog gain control circuit and a digital side-chain based on two DSPs. This technology can easily achieve more than 20 dB of gain reduction while maintaining very low distortion. Up to ten units can be linked together to form a very accurate multichannel compressor.\u003cbr\u003eFamiliar controls include; Threshold, Ratio (from 1:1 to 100:1), Attack and Release (dB\/linear), and make-up gain. One button selects RMS or PEAK and Hard-Knee or Soft-Knee, another selects Link, and another button is used for Bypass. A tunable high-pass filter can be adjusted from flat up to 4 kHz. The FREDENSTEIN F600A can be used as a De-Esser or, at the limit, as a cutting speed limiter. It also uses an analog VU meter to traditionally display gain reduction.\u003cbr\u003eWhen inserted into a FREDENSTEIN BENTO 6D or 10D, settings will automatically be displayed on the BENTO's LCD screen, which makes accurate recalls a breeze.\u003cbr\u003eThe FREDENSTEIN F600A features both an external and internal fully balanced signal path with much lower distortion than conventional compressors. This results in more pronounced and cleaner sounds. It does not sound \"digital\" and does not sound like a plug-in - it is still analog. The extremely low output impedance with its high current design can withstand even the most difficult and complex loads up to +26 dBu without sonic impact.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eReference Level: 0 db = +4 dBu (American Studio Standard)\u003c\/li\u003e\n\n\u003cli\u003eMake-up gain: 0 to +15.5 dB\u003c\/li\u003e\n\n\u003cli\u003eThreshold: -24 dB to +7 dB (-20 dBu - +11 dBu)\u003c\/li\u003e\n\n\u003cli\u003eAttack: 1 ms\/dB to 31 ms\/dB\u003c\/li\u003e\n\n\u003cli\u003eRelease: 2 ms\/dB to 129 ms\/dB\u003c\/li\u003e\n\n\u003cli\u003eRatio: 1:2 to 1:100\u003c\/li\u003e\n\n\u003cli\u003eHigh-pass filter: flat to 4000Hz\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: 20H-20,000Hz, +\/- 0.2 dB\u003c\/li\u003e\n\n\u003cli\u003eDistortion: \u0026lt;0.01%\u003c\/li\u003e\n\n\u003cli\u003eS\/N Ratio: \u0026gt;90dB at 0dB gain\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: \u0026gt;10KOhm\u003c\/li\u003e\n\n\u003cli\u003eMax. Input Level: +24 dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 20 OhmMax.\u003c\/li\u003e\n\n\u003cli\u003eOutput Current: +\/- 200 mA\u003c\/li\u003e\n\n\u003cli\u003eMax. Output Level: +26 dBu\u003c\/li\u003e\n\n\u003cli\u003ePower Consumption: +\/- 16 V, +\/- 200 mA\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Fredenstein","offers":[{"title":"Default Title","offer_id":53993910501709,"sku":"FREDF600A","price":435.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94822-large_default.jpg?v=1779947596"},{"product_id":"fredenstein-f601a-preamplificatore-microfonico","title":"FREDENSTEIN F601A Microphone Preamplifier","description":"\u003ch2\u003eMicrophone Preamplifier\u003c\/h2\u003e\u003cp\u003eThe FREDENSTEIN F601A is a professional high-performance microphone preamplifier. It is the only microphone preamp that allows you to choose whether to use the input transformer as well as the output transformer. Each of the two has a switch and gain compensation for easy comparisons.\u003cbr\u003eThe high-quality Lundahl transformers used are very transparent, which means that these switches tend to have only a subtle sonic effect, and whatever combination is chosen, the performance is always exceptional. Often the advantages of transformers relate to noise rejection and galvanic isolation, but with some penalty in absolute distortion and frequency response, but with Lundahls, the benefits can be useful and the losses tend to be very minimal.\u003cbr\u003eThe FREDENSTEIN F601A uses a fully discrete Class-A gain stage with an innovative Zero-Negative-Feedback design. This dramatically improves low-frequency and transient reproduction and provides detailed high-frequency information. This preamplifier has been described as silky, smooth, and warm, yet tends to be very fast and detailed.\u003cbr\u003eControls include; Gain (0 to 78 dB!), Input Impedance (1000 or 300 ohms), Low Cut filter (60 Hz), phantom power and polarity. It also has a front panel DI input for instruments. The output level is displayed with a conventional VU meter.\u003cbr\u003eBehind the front panel, which controls gain and other functions, the FREDENSTEIN F601A incorporates several dozen high-quality sealed relays controlled by a 32-bit MCU. If inserted into a FREDENSTEIN BENTO 6D or 10D, the settings will automatically be shown on the Bento's LCD display, which makes accurate recalls a breeze.\u003cbr\u003eThe FREDENSTEIN F601A's very low noise, inherently low distortion, and wide frequency response will provide exceptional sonic results. It largely outperforms \"classic\" microphone preamplifiers.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFrequency Response: 20 Hz - 20,000 Hz, +\/- 0.5dB\u003c\/li\u003e\n\u003cli\u003eDistortion: \u0026lt;0.1%\u003c\/li\u003e\n\u003cli\u003eInput Noise: \u0026lt;-129 dB\u003c\/li\u003e\n\u003cli\u003eInput Impedance:\u0026gt; 1KOhm (300 Ohms LOW-Z)\u003c\/li\u003e\n\u003cli\u003eMax. Input Level: + 12 dBu\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 20 ohm max.\u003c\/li\u003e\n\u003cli\u003eOutput Level: + 26 dBu\u003c\/li\u003e\n\u003cli\u003eClip Indicator: + 24 dBu\u003c\/li\u003e\n\u003cli\u003eInput Attenuator: - 20 dB (automatic)\u003c\/li\u003e\n\u003cli\u003eHigh-pass filter: 60 Hz (switchable)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fredenstein","offers":[{"title":"Default Title","offer_id":53993910698317,"sku":"FREDF601A","price":709.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94843-large_default.jpg?v=1779947599"},{"product_id":"fredenstein-f603a-equalizzatore-a-4-bande","title":"FREDENSTEIN F603A 4-Band Equalizer","description":"\u003ch2\u003e4-band Equalizer\u003c\/h2\u003e\n\u003cp\u003eThe FREDENSTEIN F603A is a high-performance 4-band equalizer for tracking and mixing, featuring a high Q-factor (Q=2).\u003cbr\u003eThe FREDENSTEIN F603A is equipped with passive LC (Inductor\/Capacitor) filters combined with a very short signal path. The low and high frequency filters are shelving type, while the mid frequencies are band-pass filters. Each shelving filter has four different frequencies, while the band-pass filters offer six. The active filter range is indicated by LEDs. For easy sound comparisons, a true \"hard\" bypass is available.\u003cbr\u003eThe gain range for each filter is +\/- 16 dB. The FREDENSTEIN F603A offers unparalleled silkiness, yet at the same time an extremely detailed sonic range. The high-power output stage with an impedance of less than 20 Ohms and a drive capability of up to +\/- 200 mA guarantees no loss of performance even with the most demanding complex loads.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eFrequency Response: 20 Hz - 20,000 Hz, +\/- 0.2 dB\u003c\/li\u003e\n\n\u003cli\u003eDistortion: \u0026lt;0.01%\u003c\/li\u003e\n\n\u003cli\u003eS\/N Ratio: \u0026gt; 90 dB at 0dB gain\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: \u0026gt; 10KOhm\u003c\/li\u003e\n\n\u003cli\u003eMax. Input Level: + 24 dBu balanced\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 20 Ohm\u003c\/li\u003e\n\n\u003cli\u003eMax. Output Current: +\/- 200 mA\u003c\/li\u003e\n\n\u003cli\u003eMax. Output Level: + 26 dBu balanced\u003c\/li\u003e\n\n\u003cli\u003eHigh Shelving Filter: 9 KHz - 12 kHz in 4 steps\u003c\/li\u003e\n\n\u003cli\u003eHigh Shelving Gain: +\/- 16 dB\u003c\/li\u003e\n\n\u003cli\u003eHi Mid Band Pass Filter: 1000 Hz - 5000 Hz in 6 steps\u003c\/li\u003e\n\n\u003cli\u003eHi Mid Band Pass Gain: +\/- 16 dB\u003c\/li\u003e\n\n\u003cli\u003eHi Mid Filter Q: 2\u003c\/li\u003e\n\n\u003cli\u003eLow Mid Band Pass Filter: 200 Hz - 800 Hz in 6 steps\u003c\/li\u003e\n\n\u003cli\u003eLow Mid Band Pass Gain: +\/- 16 dB\u003c\/li\u003e\n\n\u003cli\u003eLow Mid Filter Q: 2\u003c\/li\u003e\n\n\u003cli\u003eLow Shelving Filter: 35 Hz - 120 Hz in 4 steps\u003c\/li\u003e\n\n\u003cli\u003eLow Shelving Gain: +\/- 16 dB\u003c\/li\u003e\n\n\u003cli\u003eCurrent Consumption: +\/- 16 V, +\/- 200 mA (600 ohm load)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Fredenstein","offers":[{"title":"Default Title","offer_id":53993910731085,"sku":"FREDF603A","price":499.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94844-large_default.jpg?v=1779947600"},{"product_id":"fredenstein-f603b-equalizzatore-a-4-bande","title":"FREDENSTEIN F603B 4-Band Equalizer","description":"\u003ch2\u003e4-band Equalizer\u003c\/h2\u003e\n\u003cp\u003eThe FREDENSTEIN F603B is a high-performance 4-band equalizer for tracking and mixing with a reduced bell curve (Q=0.8).\u003cbr\u003eThe FREDENSTEIN F603B features passive LC (Inductor\/Capacitor) filters combined with a very short signal path. The low and high frequency filters are shelving type, while the mid frequencies are bandpass filters. Each shelving filter has four different frequencies, while the bandpass filters offer six. The active filter range is indicated by LEDs. For easy sonic comparisons, a true \"hard\" bypass is available.\u003cbr\u003eThe gain range for each filter is +\/- 16 dB. The FREDENSTEIN F603B offers unparalleled silkiness, yet at the same time an extremely detailed sonic range. The high-power output stage with an impedance of less than 20 Ohms and a driving capability of up to +\/- 200 mA guarantees no loss of performance even with the most demanding complex loads.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eFrequency Response: 20 Hz - 20,000 Hz, +\/- 0.2 dB\u003c\/li\u003e\n\n\u003cli\u003eDistortion: \u0026lt;0.01%\u003c\/li\u003e\n\n\u003cli\u003eS\/N Ratio: \u0026gt; 90 dB at 0dB gain\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: \u0026gt; 10KOhm\u003c\/li\u003e\n\n\u003cli\u003eMax. Input Level: + 24 dBu balanced\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 20 Ohms\u003c\/li\u003e\n\n\u003cli\u003eMax. Output Current: +\/- 200 mA\u003c\/li\u003e\n\n\u003cli\u003eMax. Output Level: + 26 dBu balanced\u003c\/li\u003e\n\n\u003cli\u003eHigh Shelving Filter: 9 KHz - 13 kHz in 4 steps\u003c\/li\u003e\n\n\u003cli\u003eHigh Shelving Gain: +\/- 16 dB\u003c\/li\u003e\n\n\u003cli\u003eHi Mid Band Pass Filter: 1000 Hz - 5000 Hz in 6 steps\u003c\/li\u003e\n\n\u003cli\u003eHi Mid Band Pass Gain: +\/- 16 dB\u003c\/li\u003e\n\n\u003cli\u003eHi Mid Filter Q: 0.8\u003c\/li\u003e\n\n\u003cli\u003eLow Mid Band Pass Filter: 200 Hz - 800 Hz in 6 steps\u003c\/li\u003e\n\n\u003cli\u003eLow Mid Band Pass Gain: +\/- 16 dB\u003c\/li\u003e\n\n\u003cli\u003eLow Mid Filter Q: 0.8\u003c\/li\u003e\n\n\u003cli\u003eLow Shelving Filter: 60 Hz - 230 Hz in 4 steps\u003c\/li\u003e\n\n\u003cli\u003eLow Shelving Gain: +\/- 16 dB\u003c\/li\u003e\n\n\u003cli\u003eCurrent Consumption: +\/- 16 V, +\/- 200 mA (600 ohm load)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Fredenstein","offers":[{"title":"Default Title","offer_id":53993910763853,"sku":"FREDF603B","price":499.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94845-large_default.jpg?v=1779947601"},{"product_id":"fredenstein-f605-amplificatore-per-cuffie","title":"FREDENSTEIN F605 Headphone Amplifier","description":"\u003ch2\u003eHeadphone Amplifier\u003c\/h2\u003e\n\u003cp\u003eThe FREDENSTEIN F605 is a professional high-performance headphone amplifier, providing effective headphone volume control for live or studio applications in conjunction with a Fredenstein Bento rack. Bento racks provide two inputs per slot, so stereo modules are possible.\u003cbr\u003e5 toggle switches provide convenient monitoring modes. The top switch simply swaps the left channel with the right. The next two switches select the left or right channel and present them as mono on the headphones. We often use these to compare two mono sources. The two bottom switches simply invert the polarity (phase) of each output. These switches are very useful for vocalists, where there might be a phase shift between the voice heard through bone conduction and the entire recording path of the microphone, preamplifier, processing, and possibly converters.\u003cbr\u003eThe FREDENSTEIN F605 features balanced inputs, extended signal manipulation, and a low output impedance to connect headphones from 20 Ohms to 600 Ohms. It is an unusual module compared to typical 500 series, but it is extraordinarily useful in daily use.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eFrequency Response: 10 Hz - 30,000 Hz, +\/- 0.5 dB\u003c\/li\u003e\n\n\u003cli\u003eDistortion: \u0026lt;0.01%\u003c\/li\u003e\n\n\u003cli\u003eSNR: \u0026lt;-100 dB\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: \u0026gt; 40 KOhm\u003c\/li\u003e\n\n\u003cli\u003eMax. Input Level: + 24dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 5 Ohm (recommended load \u0026gt; 20 Ohm)\u003c\/li\u003e\n\n\u003cli\u003eMax. Output Level: + 24 dBu\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Fredenstein","offers":[{"title":"Default Title","offer_id":53993910960461,"sku":"FREDF605","price":349.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94881-large_default.jpg?v=1779947603"},{"product_id":"fredenstein-f606-convertitore-di-segnale-sbilanciatobilanciato","title":"FREDENSTEIN F606 Unbalanced\/Balanced Signal Converter","description":"\u003ch2\u003eUnbalanced\/Balanced Signal Converter\u003c\/h2\u003e\n\u003cp\u003eFREDENSTEIN F606 is a high-performance two-channel unbalanced\/balanced signal converter with variable gain. It also provides polarity inversion for each side and a clip indicator. FREDENSTEIN F606 is designed for Bento racks, providing two inputs per slot, making stereo modules possible.\u003cbr\u003eThis module is perhaps most commonly used to connect consumer devices in a professional studio, such as connecting a client's portable device in the control room. It can also be used to connect hi-fi equipment, synthesizers, guitar amp modelers, etc. Typically, a low-noise, high-impedance input is required. Consumer equipment may have a lower gain level of 10-20 dB required, however, fixed gain is rarely optimal. With 26 dB of available gain, high-quality volume control, and phase switches make setup work that would otherwise be compromised easy.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eFrequency Response: 10 Hz - 30,000 Hz, +\/- 0.5 dB\u003c\/li\u003e\n\n\u003cli\u003eDistortion: \u0026lt;0.01%\u003c\/li\u003e\n\n\u003cli\u003eSNR: \u0026lt;-100 dB\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 100 KOhms\u003c\/li\u003e\n\n\u003cli\u003eMax. Input Level: +18 dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 50 ohms\u003c\/li\u003e\n\n\u003cli\u003eMax. Output Level: +24 dBu\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Fredenstein","offers":[{"title":"Default Title","offer_id":53993910993229,"sku":"FREDF606","price":299.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94882-large_default.jpg?v=1779947604"},{"product_id":"fredenstein-f607-monitor-controller","title":"FREDENSTEIN F607 Monitor Controller","description":"\u003ch2\u003eMonitor controller\u003c\/h2\u003e\u003cp\u003eThe FREDENSTEIN F607 is a high-performance monitor controller, offering effective monitor volume control for large and small studios. The FREDENSTEIN F607 is designed for Bento racks which provide two inputs per slot, so stereo configurations are possible.\u003cbr\u003eThe FREDENSTEIN F607 features a second unbalanced stereo input and control functions for mute, dim, mono, and balance. The unbalanced input on the front panel is ideal for connecting a portable device.\u003cbr\u003eA smart feature of the FREDENSTEIN F607 is the Calibrate button, which allows individual left\/right balance settings for the MAIN and AUX inputs, and relative gain adjustment for the AUX input for level matching and signal comparison. The Calibrate button can also be used to set different DIM depths compared to the default -20 dB. When used in a Bento D rack, all parameters can be monitored on the LCD display.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eFrequency response: 10 Hz - 30,000 Hz, +\/- 0.5 dB\u003c\/li\u003e\n\u003cli\u003eDistortion: \u0026lt; 0.01%\u003c\/li\u003e\n\u003cli\u003eSNR: \u0026gt; 100 dB\u003c\/li\u003e\n\u003cli\u003eInput impedance: \u0026gt; 40 KOhm\u003c\/li\u003e\n\u003cli\u003eMax. Input Level: + 24dBu\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 200 ohms (recommended load \u0026gt; 1.2 KOhm)\u003c\/li\u003e\n\u003cli\u003eMax. Output Level: + 24 dBu\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fredenstein","offers":[{"title":"Default Title","offer_id":53993911025997,"sku":"FREDF607","price":475.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94883-large_default.jpg?v=1779947605"},{"product_id":"fredenstein-f609-preamplificatore-microfonico-valvolare","title":"FREDENSTEIN F609 Tube Microphone Preamp","description":"\u003ch2\u003eTube Microphone Preamp\u003c\/h2\u003e\n\u003cp\u003eThe FREDENSTEIN F609 is a tube microphone preamp, utilizing two dual triodes, an ECC802S (12AU7) and an ECC803S (12AX7), in a single 500 series rack module. It provides a +160V power supply to prevent starving the tubes. The FREDENSTEIN F609 uses high-quality input and output transformers manufactured in America.\u003cbr\u003eThe main feature of the FREDENSTEIN F609 is the combination of the Input Gain knob (from 0 to +70 dB) plus the Output Gain, along with the signal path of the tube circuit. The output level control allows you to change the amplifier characteristics until you achieve true old-school tube distortion. The sound is very smooth with a wide and well-defined low end.\u003cbr\u003eThe FREDENSTEIN F609 is particularly interesting in combination with the FREDENSTEIN F602 tube compressor, if you like high-end vintage tones and the character of original tubes. It pairs excellently with the Artistic Compressor and the Artistic Leveller for a sound reminiscent of traditional 1970s tube microphone preamps in chain with FET or opto solid-state compressors. Some engineers keep all three together.\u003cbr\u003eOther features include: a 20dB pad, polarity control, phantom power, a two-stage low-cut filter, and a standby mode to preserve the tubes when not in use. The traditional VU meter is standard.\u003cbr\u003eNot all racks can provide the 250 mA required by the F609, but any Bento series is suitable for this purpose.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eFrequency Response: 20 Hz - 20,000 Hz, +\/- 1 dB\u003c\/li\u003e\n\n\u003cli\u003eDistortion: \u0026lt;0.1%\u003c\/li\u003e\n\n\u003cli\u003eInput Noise: \u0026lt;-127 dB\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: \u0026gt;1200 Ohm\u003c\/li\u003e\n\n\u003cli\u003eMax. Input Level: +12 dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 200 ohm\u003c\/li\u003e\n\n\u003cli\u003eMax. Output Level: +26 dBu\u003c\/li\u003e\n\n\u003cli\u003eClip Indicator: +24 dBu\u003c\/li\u003e\n\n\u003cli\u003eInput Attenuator PAD: -20 dB\u003c\/li\u003e\n\n\u003cli\u003eHigh Pass Filter: 50 Hz or 100 Hz (switchable)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Fredenstein","offers":[{"title":"Default Title","offer_id":53993911058765,"sku":"FREDF609","price":585.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94884-large_default.jpg?v=1779947605"},{"product_id":"solid-state-logic-vhd-preamplificatore-serie-500","title":"SOLID STATE LOGIC VHD 500 Series Preamp","description":"\u003ch2\u003e500 series preamplifier\u003c\/h2\u003e\n\u003cp\u003eThe SOLID STATE LOGIC VHD is a preamplifier that finally brings the versatile preamplifier technology found in the Duality console, the top-of-the-range SSL line found in the world's major studios, within reach of studios of all sizes. The SOLID STATE LOGIC VHD is a very versatile device for recording and processing phases: this module guarantees the ultra-clean sound of SSL SuperAnalogue™ preamplifiers, but also features VHD - Variable Harmonic Drive mode, the patented SSL system which, through a 100% analog signal path, is capable of generating rich harmonic distortions.\u003cbr\u003eBy increasing the input gain, the VHD circuit progressively introduces 2nd or 3rd order harmonic distortion, or a combination of the two.\u003cbr\u003eAt lower gain levels, VHD adds a slight harmonic distortion that warms the source in an extremely 'soft' way, imitating the behavior of a classic tube or transistor circuit.\u003cbr\u003eAs the gain increases to extreme values, the distortion becomes greater, leading to more pronounced effects for typical transistor grunge sounds.\u003cbr\u003eThe SOLID STATE LOGIC VHD offers the user the maximum versatility of a studio-quality preamplifier: whether you are looking for the typical ultra-clean sound of traditional SSL consoles, or a subtle tube or transistor distortion, up to gradually reaching total distortion effects, the SOLID STATE LOGIC VHD will change normal expectations of what a preamplifier can do. The VHD section of the SOLID STATE LOGIC VHD module has three rotary controls: Drive selects the type of harmonic distortion, varying between 2nd and 3rd harmonic and blending between the two - Gain controls the input gain with a range between +20 and +75dB - Trim adjusts the output level (-2\/+020dB) for a perfect level match with other devices, because by its nature the VHD circuit can significantly amplify the signal. The SOLID STATE LOGID VHD module has other features for studio use: a signal presence LED, an adjustable High-Pass Filter (HPF) between 15Hz and 500Hz, a Hi-Z selector for perfect impedance matching with any microphone, +48V phantom power, PAD for use also with line signals and a phase inversion switch.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eSuperAnalogue™ series preamplifier used in the Duality\u003c\/li\u003e\n\n\u003cli\u003eVHD control that simulates variable 2nd and 3rd order harmonic distortion\u003c\/li\u003e\n\n\u003cli\u003eVariable LF Filter from 15Hz to 500Hz\u003c\/li\u003e\n\n\u003cli\u003eHi-Z switch for high impedance sources\u003c\/li\u003e\n\n\u003cli\u003e+48V Phantom Power with status LED\u003c\/li\u003e\n\n\u003cli\u003ePAD for use with line sources\u003c\/li\u003e\n\n\u003cli\u003ePhase inversion switch\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":53993911353677,"sku":"SSLVH5","price":579.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94938-large_default.jpg?v=1779947611"},{"product_id":"solid-state-logic-xr621-preamplificatore-superanalogue","title":"SOLID STATE LOGIC XR621 SuperAnalogue™ Preamplifier","description":"\u003ch2\u003eSuperAnalogue™ Preamplifier\u003c\/h2\u003e\n\u003cp\u003eThe SOLID STATE LOGIC XR621 is a SuperAnalogue™ preamplifier (Mic\/Instrument\/Line) designed for maximum transparency and versatility.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eUltra-wideband electronically balanced microphone input with gain control from -5dB to +75dB and Pad switch\u003c\/li\u003e\n\n\u003cli\u003eContinuously variable input impedance control (from 1.2kOhm to 10kOhm) allows handling of signals from instruments or a wide range of microphones\u003c\/li\u003e\n\n\u003cli\u003ePhase invert and phantom power\u003c\/li\u003e\n\n\u003cli\u003eDedicated additional XLR line input\u003c\/li\u003e\n\n\u003cli\u003eFront panel instrument input with ground lift switch\u003c\/li\u003e\n\n\u003cli\u003e12dB\/octave HF filter with independent activation\u003c\/li\u003e\n\n\u003cli\u003e18dB\/octave LF filter with independent activation\u003c\/li\u003e\n\n\u003cli\u003eIndependent routing to L \u0026amp; R recording bus\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eDepth 200 mm\u003c\/li\u003e\n\n\u003cli\u003eHeight 171 mm\u003c\/li\u003e\n\n\u003cli\u003eWidth 35mm\u003c\/li\u003e\n\n\u003cli\u003eWeight 260 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":53993911484749,"sku":"SSL621","price":899.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94946-large_default.jpg?v=1779947613"},{"product_id":"heritage-audio-2264-jr-compressorepre-serie-500","title":"HERITAGE AUDIO 2264 JR 500 Series Compressor\/Preamp","description":"\u003ch2\u003eCompressor\/Pre 500 Series\u003c\/h2\u003e\n\u003cp\u003eThe HERITAGE AUDIO 2264 JR is a 2-slot 500 series Compressor\/Pre based on the classic diode-bridge principle.\u003cbr\u003eThe compression characteristics, key components, and design are the same as found in the Heritage Audio classic 2264E compressor. A 60dB HA1073 microphone preamplifier has been implemented for when compression is not needed.\u003cbr\u003ePhantom power is also available.\u003cbr\u003eIts audio path is fully discrete Class A, 2n3055 driven, transformer balanced.\u003cbr\u003eAll controls are mounted on rotary switches for easy recall and high precision.\u003cbr\u003eA high-pass filter has been added to the sidechain to prevent bass signals from driving the compression.\u003cbr\u003eIt features discrete inputs for Compression\/Line amp (left slot input) and mic (right slot input).\u003cbr\u003eOutput in both cases is on the left slot output.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eMicrophone input impedance: 1200 Ohm. Input is transformer balanced and floating.\u003c\/li\u003e\n\n\u003cli\u003eLine input impedance: 10KOhm bridging, transformer balanced and floating.\u003c\/li\u003e\n\n\u003cli\u003eOutput impedance: less than 75 ohm, transformer balanced and floating, into a 600 ohm load.\u003c\/li\u003e\n\n\u003cli\u003eMaximum output: greater than + 26 dBu, 600 ohm terminated.\u003c\/li\u003e\n\n\u003cli\u003eTHD: less than 0.025% at 1 kHz, less than 0.05% at 100 Hz.\u003c\/li\u003e\n\n\u003cli\u003eFrequency response: 20 Hz (+ 0.3 dB) to 20 Khz (-0.2 dB).\u003c\/li\u003e\n\n\u003cli\u003eMaximum microphone gain: 60 dB.\u003c\/li\u003e\n\n\u003cli\u003eMaximum line gain: 20 dB.\u003c\/li\u003e\n\n\u003cli\u003eMaximum power consumption: less than 110 mA @ + - 16VDC.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"HERITAGE AUDIO","offers":[{"title":"Default Title","offer_id":53993913712973,"sku":"HA2264JR","price":1269.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/95298-large_default.jpg?v=1779947749"},{"product_id":"heritage-audio-bt-500-modulo-streaming","title":"HERITAGE AUDIO BT-500 Streaming Module","description":"\u003ch2\u003eStreaming module\u003c\/h2\u003e\n\u003cp\u003eThe HERITAGE AUDIO BT-500 is a streaming module designed to finally solve the connectivity problems of mobile devices in a professional studio environment.\u003cbr\u003eThe HERITAGE AUDIO BT-500 streams audio from your mobile device via Bluetooth and provides a fully balanced stereo output, +22dBu.\u003cbr\u003eUsing the latest generation Bluetooth audio technology, the best codecs supported by devices, and a state-of-the-art Burr Brown-based analog signal path, it solves the classic, irritating problem of connecting an iOS or Android device to your studio setup.\u003cbr\u003eUntil now, this problem has been solved using mini-jack to XLR adapter cables, but the limitations of mobile device analog audio paths have become clearly apparent.\u003cbr\u003eThe HERITAGE AUDIO BT-500 automatically recognizes the best codec option for your device and uses it for streaming.\u003cbr\u003eApple's iTunes Store and YouTube use AAC natively, so streaming from an iPhone or iPad will result in a lossless transmission, much better than a wired analog connection!!\u003cbr\u003eMost Android devices have already adopted the APTX codec, which is almost lossless and the standard adopted by high-quality wireless headphones and soundbars.\u003cbr\u003eIn case your device does not support either AAC or APTX, the HERITAGE AUDIO BT-500 will transmit audio using the classic SBC codec.\u003cbr\u003eThe HERITAGE AUDIO BT-500 replaces your mobile device's analog circuit with a fully differential Burr Brown balanced output stage that delivers a full 0 dBi = +22 dBu output capable of driving a 600 ohm load. This allows for direct level comparisons when mastering or mixing with Apple's iTunes Store or reference mixes stored for mobile devices.\u003c\/p\u003e\n\u003ch3\u003eSpecs\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eMicrophone input impedance: HI, minimum 1200 Ohm, LO, minimum 300 Ohm. Higher gain positions gradually have higher impedances, optimal for low-gain ribbon microphones. The input is transformer-balanced and floating.\u003c\/li\u003e\n\n\u003cli\u003eLine input impedance: 10KOhm bridging, transformer-balanced and floating.\u003c\/li\u003e\n\n\u003cli\u003eOutput impedance: less than 75 ohms, transformer-balanced and floating, to drive a 600 ohm load.\u003c\/li\u003e\n\n\u003cli\u003eMaximum output: greater than +26 dBu into 600 ohms,\u003c\/li\u003e\n\n\u003cli\u003eTHD: less than 0.025% at 1 kHz, less than 0.05% at 100 Hz.\u003c\/li\u003e\n\n\u003cli\u003eFrequency response: 20 Hz (+0.3 dB) to 20 Khz (-0.2 dB).\u003c\/li\u003e\n\n\u003cli\u003eMaximum gain: slightly over 70 dB.\u003c\/li\u003e\n\n\u003cli\u003eNoise: less than -100dBu.\u003c\/li\u003e\n\n\u003cli\u003ePower consumption: less than 80 mA per rail @ +- 16VDC\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"HERITAGE AUDIO","offers":[{"title":"Default Title","offer_id":53993913844045,"sku":"HABT500","price":220.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/95311-large_default.jpg?v=1779947751"},{"product_id":"heritage-audio-1084-preamplificatore-microfonico","title":"HERITAGE AUDIO 1084 Microphone Preamplifier","description":"\u003ch2\u003eMicrophone Preamplifier\u003c\/h2\u003e\n\u003cp\u003eThe HERITAGE AUDIO 1084 is a microphone preamplifier designed to fill the input module slots in the restoration process of vintage 80-series audio mixing consoles.\u003cbr\u003eIt is also compatible with Power Audio Frame 8 and Rack 2 enclosures.\u003cbr\u003eParticular attention has been paid to sourcing the correct components that ensure the performance is as close as possible to a 1070s unit, as is possible nowadays.\u003cbr\u003eCustom polystyrene and film capacitors have been developed to perfectly match the Siemens Styroflex and Mullard Mustard types from the late 60s and early 70s.\u003cbr\u003eCustom input transformers have also been designed in collaboration with Carnhill Transformers' Oxford factory to meet our special requirements.\u003cbr\u003eThe HERITAGE AUDIO 1084 is entirely handcrafted in our facilities in Spain, using the same wiring and soldering techniques from the 70s. Its entire circuit is contained in five plug-in cards.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eMicrophone input impedance: HI, minimum 1200 Ohm, LO, minimum 300 Ohm. Higher gain settings have progressively greater impedances, optimal for low-gain ribbon microphones. Input is transformer balanced and floating\u003c\/li\u003e\n\n\u003cli\u003eLine input impedance: 10KOhm bridging, transformer balanced and floating\u003c\/li\u003e\n\n\u003cli\u003eOutput impedance: less than 75 ohms, transformer balanced and floating, to drive a 600 ohm load\u003c\/li\u003e\n\n\u003cli\u003eMaximum output level: greater than +26 dBu into 600 ohms\u003c\/li\u003e\n\n\u003cli\u003eTHD: less than 0.025% at 1 kHz, less than 0.05% at 100 Hz\u003c\/li\u003e\n\n\u003cli\u003eFrequency response: 20 Hz (+0.3 dB) to 20 kHz (-0.2 dB)\u003c\/li\u003e\n\n\u003cli\u003eMaximum gain: slightly greater than 80 dB\u003c\/li\u003e\n\n\u003cli\u003eNoise: less than -100dBu\u003c\/li\u003e\n\n\u003cli\u003ePower consumption: less than 110 mA at 24 V DC\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"HERITAGE AUDIO","offers":[{"title":"Default Title","offer_id":53993914204493,"sku":"HA1084","price":3230.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/95443-large_default.jpg?v=1779947759"},{"product_id":"heritage-audio-ram-system-500-monitor-controller","title":"HERITAGE AUDIO RAM SYSTEM 500 Monitor controller","description":"\u003ch2\u003eMonitor controller\u003c\/h2\u003e\u003cp\u003eThe HERITAGE AUDIO RAM SYSTEM 500 is a completely unique monitor controller, unprecedented in the industry, providing a mastering-level monitoring solution for the 500 series.\u003cbr\u003eAs a double-width 500 series plug-in unit, it serves as a compact, zero-compromise monitoring station for home, professional, or mobile studios. It features a stereo speaker output and a powerful headphone amplifier, two balanced stereo inputs, and a Bluetooth input for convenient wireless connection to mobile devices. The HERITAGE AUDIO RAM SYSTEM 500 uses state-of-the-art analog circuitry for maximum transparency and minimum background noise and distortion. The entire signal path, including the 64-step relay attenuation system, is designed with gold-plated switching relays, storing the stereo accuracy and sound quality found only in systems costing 10 times as much.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMaster-level stereo monitoring for studios\u003c\/li\u003e\n\u003cli\u003eDouble-width 500 series module: requires a compatible 500 series chassis\u003c\/li\u003e\n\u003cli\u003e3 stereo inputs, including rear chassis connections\u003c\/li\u003e\n\u003cli\u003eNeutrik Combo stereo input on the front panel\u003c\/li\u003e\n\u003cli\u003eBluetooth wireless input (compatible with AAC, APTX, and SBC files)\u003c\/li\u003e\n\u003cli\u003e1 stereo speaker output\u003c\/li\u003e\n\u003cli\u003e1 high-current headphone output\u003c\/li\u003e\n\u003cli\u003e20dB DIM, MUTE, and MONO functions\u003c\/li\u003e\n\u003cli\u003e64-point relay-based attenuation for master level control in 1 dB steps\u003c\/li\u003e\n\u003cli\u003eThe ultra-high-level, high-current audiophile headphone amplifier amplifies all hi-lo-Z headphones without coloration or noise\u003c\/li\u003e\n\u003cli\u003eState-of-the-art analog circuit for superior transparency and extremely low noise and distortion\u003c\/li\u003e\n\u003cli\u003eAll gold-plated relay-based switching for every function, including inputs and outputs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"HERITAGE AUDIO","offers":[{"title":"Default Title","offer_id":53993916924237,"sku":"HARAM500","price":499.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/103615-large_default.jpg?v=1779947824"},{"product_id":"heritage-audio-ram-system-5000-monitor-controller","title":"HERITAGE AUDIO RAM SYSTEM 5000 Monitor controller","description":"\u003ch2\u003eMonitor controller\u003c\/h2\u003e\u003cp\u003eThe HERITAGE AUDIO RAM SYSTEM 5000 is a monitor controller consisting of a desktop wireless remote monitor controller and a 19\" rack unit designed for maximum flexibility. Configurable for 5.1 or stereo, the HERITAGE AUDIO RAM SYSTEM 5000 offers generous I\/O for easy integration into your monitoring setup.\u003cbr\u003eFor the modern hybrid studio, it offers all the functionalities of a large-format center console section, including speaker switching, DIM, MUTE and SOLO functions, subwoofer management, headphone amplification, cue-mix distribution, wireless talkback, premium digital inputs, Wolfson D\/A conversion, and even Bluetooth for easy integration of mobile devices. Whether you are mixing hit records or sound for picture, the HERITAGE AUDIO RAM SYSTEM 5000 will take your monitoring precision and versatility to a whole new level.\u003cbr\u003eThe HERITAGE AUDIO RAM SYSTEM 5000 features 64-step gold-plated relay ladder attenuation for master level control, a feature usually only found on high-end, high-end consoles.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eAll functions on high-quality illuminated etched buttons\u003c\/li\u003e\n\u003cli\u003eConfigurable for 5.1 or stereo\u003c\/li\u003e\n\u003cli\u003e4 pairs of balanced analog inputs +4dBu in Stereo mode\u003c\/li\u003e\n\u003cli\u003e1 5.1 input plus an additional +4dBu analog stereo input\u003c\/li\u003e\n\u003cli\u003e1 pair of unbalanced analog inputs on RCA connectors\u003c\/li\u003e\n\u003cli\u003eWolfson WM8741 24-bit\/192 kHz DAC selectable between AES\/EBU, S\/PDIF, and Toslink\u003c\/li\u003e\n\u003cli\u003eProfessional audio quality Bluetooth input for easy integration of mobile devices\u003c\/li\u003e\n\u003cli\u003e4 pairs of CUE inputs on D-sub connectors for cue-mix distribution to artists\u003c\/li\u003e\n\u003cli\u003e1 x 5.1 output plus 2 additional stereo outputs in 5.1 mode\u003c\/li\u003e\n\u003cli\u003e5 pairs of stereo outputs in stereo mode\u003c\/li\u003e\n\u003cli\u003eIndependent MIX output (pre-fader; follows Input)\u003c\/li\u003e\n\u003cli\u003eIndependent subwoofer output facilitates secondary sharing between different speaker sets, including 5.1\u003c\/li\u003e\n\u003cli\u003e2 user-assignable preset levels for easy recall of common settings\u003c\/li\u003e\n\u003cli\u003eMUTE, DIM, MONO, and PHASE REVERSE functions\u003c\/li\u003e\n\u003cli\u003eMUTE\/SOLO functions for individual speakers\u003c\/li\u003e\n\u003cli\u003e2 top-tier diamond-buffer-based headphone amplifiers, capable of driving any hi-lo Z headphones without coloration or noise\u003c\/li\u003e\n\u003cli\u003eHeadphone source selectable between mix and cue signals\u003c\/li\u003e\n\u003cli\u003eWireless talkback with console-style management, including Talkback to Cue, Talkback to Mix, and Talkback to All\u003c\/li\u003e\n\u003cli\u003eThe remote control includes a long-life battery, rechargeable via USB cable\u003c\/li\u003e\n\u003cli\u003eThe main unit includes the charging dock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"HERITAGE AUDIO","offers":[{"title":"Default Title","offer_id":53993916989773,"sku":"HARAM5000","price":1990.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/103622-large_default.jpg?v=1779947826"},{"product_id":"solid-state-logic-six-ch-module-channel-strip-serie-500","title":"SOLID STATE LOGIC SIX CH MODULE 500 series channel strip","description":"\u003ch2\u003e500 series channel strip\u003c\/h2\u003e\u003cp\u003eThe SOLID STATE LOGIC SIX CH MODULE is a 500 series channel strip that uses the Superanalogue channel processing features of SSL's Six console, including the preamp, EQ, and single-control compressor.\u003cbr\u003eUsing the same technology as the SiX and large-format SSL consoles, the SOLID STATE LOGIC SIX CH MODULE features a SuperAnalogueTM mic pre, offering a wide gain range and ultra-low noise. It's clean, fast, and punchy: the perfect preamp for any source material.\u003cbr\u003eThe EQ section of the SOLID STATE LOGIC SIX CH MODULE is a classic SSL-style gentle, broad-stroke two-band design with high and low shelving filters at 3.5 kHz and 60 Hz, +\/- 15 dB gain range. Each band can be independently switched between shelving and bell curves. The bell curves change center frequency to operate at 5 kHz and 200 Hz, giving greater versatility from the two controls.\u003cbr\u003eThe \"one knob\" compressor offers powerful and versatile performance with seemingly simple controls and uses SSL's proven feed-forward circuit design, with program-dependent attack time and automatic make-up gain to maintain signal level.\u003cbr\u003eThe front-panel TRS line input offers a convenient way to add instruments on the fly or use the SOLID STATE LOGIC SIX CH MODULE as a feature-rich summing module. The nominal 10 kΩ line input impedance can be changed to 1 MΩ via the Hi-Z switch. The 1MΩ impedance makes this input suitable for high-impedance sources such as passive guitar pickups without the need for an external DI box.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eModule Signal: Mono\u003c\/li\u003e\n\u003cli\u003ePreamp Gain: Variable from +6 to +72 dB (Mic), -3 to +63dB (Line)\u003c\/li\u003e\n\u003cli\u003eMic Pre EIN: Typically 129dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt;0.0015%\u003c\/li\u003e\n\u003cli\u003eCMRR: \u0026gt;80dB (mic), \u0026gt;70dB (line)\u003c\/li\u003e\n\u003cli\u003eSSL SuperAnalogueTM mic preamp\u003c\/li\u003e\n\u003cli\u003e+48V phantom power\u003c\/li\u003e\n\u003cli\u003ePhase invert switch\u003c\/li\u003e\n\u003cli\u003e5-segment LED meter in dBu\u003c\/li\u003e\n\u003cli\u003eSwitchable 12 dB\/oct, 75 Hz high-pass filter (HPF)\u003c\/li\u003e\n\u003cli\u003eClassic SSL HF and LF EQ\u003c\/li\u003e\n\u003cli\u003eSwitchable between shelving and bell curve\u003c\/li\u003e\n\u003cli\u003eSingle-knob channel compressor with variable threshold\u003c\/li\u003e\n\u003cli\u003eFront-panel TRS line input with 1 MΩ Hi-Z switch\u003c\/li\u003e\n\u003cli\u003eDedicated Trim output\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":53994131325261,"sku":"729736X1","price":335.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/139540-large_default.jpg?v=1779951608"},{"product_id":"solid-state-logic-ultraviolet-stereo-equaliser-equalizzatore-stereo-formato-500","title":"SOLID STATE LOGIC ULTRAVIOLET STEREO EQUALISER 500 series stereo equalizer","description":"\u003ch2\u003e500 Series Stereo Equaliser\u003c\/h2\u003e\n\u003cp\u003eThe SOLID STATE LOGIC ULTRAVIOLET STEREO EQUALISER is a 500 series stereo equalizer that recreates Fusion's acclaimed minimum phase shift Violet stereo EQ section, while adding two fully parametric SSL mid-band equalizers with \"Focus\" modes. These are classic SSL parametric mid-bands capable of traditional SSL processing techniques, but they also go far beyond, offering absolute surgical precision down to \"notch\" style filtering.\u003cbr\u003eFocus mode allows users to \"focus\" on problem frequencies or specific frequencies they wish to accentuate or attenuate. Pressing the \"Focus\" switch further narrows the chosen Q setting and increases the available gain range beyond the normal +\/- 9 dB operation, up to a massive +\/- 18 dB.\u003cbr\u003eThe HPF of the SOLID STATE LOGIC ULTRAVIOLET STEREO EQUALISER offers a world of flexibility when processing the low-end. Interaction with the LF shelving band offers unique ways to sculpt signals including the sought-after boost + cut effect. The dedicated Trim control allows \"hitting\" the converters with plenty of headroom or in the perfect amount when clipping is desired.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e4-band stereo equalizer\u003c\/li\u003e\n\n\u003cli\u003eBands with high and low shelving\u003c\/li\u003e\n\n\u003cli\u003eMinimum phase design inherited from Fusion\u003c\/li\u003e\n\n\u003cli\u003eDual fully parametric mid bands\u003c\/li\u003e\n\n\u003cli\u003e\"Focus\" mode\u003c\/li\u003e\n\n\u003cli\u003eFixed frequency high-pass filter\u003c\/li\u003e\n\n\u003cli\u003eDedicated Trim output\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":53994131358029,"sku":"729734X1","price":467.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/139543-large_default.jpg?v=1779951609"},{"product_id":"solid-state-logic-stereo-bus-compressor-module-compressore-serie-500","title":"SOLID STATE LOGIC STEREO BUS COMPRESSOR MODULE 500 Series Compressor","description":"\u003ch2\u003e500 series Compressor\u003c\/h2\u003e\n\u003cp\u003eThe SOLID STATE LOGIC STEREO BUS COMPRESSOR MODULE is the legendary SSL Stereo Bus Compressor, now in 500 series format. Often imitated but never equaled, the compressor from the center section of Solid State Logic's 1980s G-Series analog console is a legend in audio production. It's a simple unit with a simple purpose: it makes full mixes sound bigger, with more power, punch, and drive.\u003cbr\u003eThe SOLID STATE LOGIC STEREO BUS COMPRESSOR MODULE brings cohesion and strength to the mix and to this day remains a key element of the SSL sound, becoming not only a tool for production but a part of the creative process for top engineers and producers.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eThe legendary SSL G-Series stereo bus compressor\u003c\/li\u003e\n\n\u003cli\u003eThe \"glue\" and \"punch maker\"\u003c\/li\u003e\n\n\u003cli\u003eAdditional compression ratio settings 1.5\/3\/10\u003c\/li\u003e\n\n\u003cli\u003eRenowned \"Auto\" release\u003c\/li\u003e\n\n\u003cli\u003eSwitchable HPF in sidechain at 30Hz\/60Hz\/106Hz\/125Hz\/185Hz\u003c\/li\u003e\n\n\u003cli\u003eSidechain In\/Out switch\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":53994136764749,"sku":"729726X3","price":984.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/139539-large_default.jpg?v=1779951704"},{"product_id":"solid-state-logic-e-series-dynamics-module-modulo-dinamico-serie-500","title":"SOLID STATE LOGIC E-SERIES DYNAMICS MODULE 500 series dynamics module","description":"\u003ch2\u003e500 Series Dynamic Module\u003c\/h2\u003e\n\u003cp\u003eThe SOLID STATE LOGIC E-SERIES DYNAMICS MODULE is a 500 series dynamics module that features the legendary sonic signature of an early 80's classic, the SL 4000 E console channel strip, found on countless 80's recordings. The SOLID STATE LOGIC E-SERIES DYNAMICS MODULE features a compressor\/limiter and an expander\/gate, both of which faithfully reproduce the circuits and key components that define the sound of the original SL 611E series channel strip.\u003cbr\u003eA true RMS converter is used in the sidechain, while the gain is an all-discrete design identical to the Class A VCA chip used in the original unit. The compressor contains additional switching options to defeat the \"over-easy\" curve and to use a linear release instead of the more common logarithmic curve. 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