{"title":"System 500","description":null,"products":[{"product_id":"harrison-audio-32c-pre","title":"Harrison Audio 32C Pre+","description":"\u003ch3 id=\"description\" class=\"uk-active\"\u003e\u003c\/h3\u003e\n\u003ch2\u003eHarrison Audio 32C Pre+\u003c\/h2\u003e\n\u003cp\u003eThe 32Cpre+ takes the high-performance microphone preamplifier (transformer-coupled) from the 32Classic studio console, combines it with the renowned Harrison LP\/HP filters and offers it in Serie 500 format. Inspired by the iconic Harrison 3232, the 32Classic mixer and preamplifier is a reinvented American icon that delivers the sound that helped create some of the most iconic albums of the '70s and '80s. Thanks to the 32Cpre+, that Harrison sound is now available in Serie 500 format.\u003c\/p\u003e\n\u003cp\u003eHarrison consoles have helped create some of the most cherished and influential music tracks in history. Michael Jackson, ABBA, Led Zeppelin, Queen, Donald Fagen and many other iconic artists relied on Harrison production tools to create their multi-platinum albums. Harrison's latest range of Serie 500 modules leverages the sound and features that engineers like Bruce Swedien, Roger Nichols and Reinhold Mack trusted to create music that stands the test of time.\u003c\/p\u003e\n\u003cp\u003eThe 32Cpre+ delivers the warm, rich sound Harrison is renowned for. Full bass, open mids and soft, natural highs are the characteristics you expect from a preamp equipped with a Jensen JT-MB-CPCA transformer. The subtle roll-off at each end of the spectrum and the delicate phase shift created by the 1:1 ratio transformer give the microphone preamp such a sweet sound that you'll use it on any source.\u003c\/p\u003e\n\u003cp\u003eThe 32Cpre+ offers smooth gain from +20 to +70 dB capable of driving a wide range of microphone types, including ribbon mics. In addition to switches for 180° polarity inversion, 48V phantom power, -20dB pad and HiZ input, the front panel features an XLR combo connector with ¼\" jack that allows you to connect a microphone or instrument to the 32Cpre+ directly without accessing the rear panel of the Serie 500 rack.\u003c\/p\u003e\n\u003cp\u003eA Harrison microphone preamp wouldn't be complete without our legendary filters. Like those in the original 3232 and the latest 32Classic console, the filters feature a musical slope of 12 dB\/octave, with the high-pass filter featuring a distinctive 3 dB resonance peak. The high-pass filter range is between 25 Hz and 3.1 KHz, while the low-pass filter operates between 160 Hz and 20 KHz.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHarrison sound.\u003c\/li\u003e\n\u003cli\u003eBalanced microphone preamplifier with Jensen JT-MB-CPCA transformer.\u003c\/li\u003e\n\u003cli\u003eGain from +20 to +70 dB.\u003c\/li\u003e\n\u003cli\u003eXLR combo connector with ¼\" jack mounted on front.\u003c\/li\u003e\n\u003cli\u003e48V phantom power switch.\u003c\/li\u003e\n\u003cli\u003ePolarity inversion switch.\u003c\/li\u003e\n\u003cli\u003eHiZ impedance switch.\u003c\/li\u003e\n\u003cli\u003eInput overload LED.\u003c\/li\u003e\n\u003cli\u003eCompatible with Serie 500 frames.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Harrison Audio","offers":[{"title":"Default Title","offer_id":53993052143949,"sku":"723501X1","price":425.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/192718-large_default.jpg?v=1779912876"},{"product_id":"ssl-solid-state-logic-b-dyn-serie-500","title":"SSL Solid State Logic B-DYN 500 Series","description":"\u003ch2\u003eSL4000B Dynamics Module with Separate Compressor and Gate\/Expander\u003c\/h2\u003e\n\u003cp\u003eThe SSL B Dynamics (B-DYN) 500 series module reproduces the dynamics processor found in the SL 4000 B console channel strip and brings it to the 500 series format. Introduced in 1976, the SL 4000 B was Solid State Logic's first production console and was for years the nerve center of iconic control rooms like the \"Stone Room\" at Townhouse Studio (London), Le Studio (Montreal) and Record Plant (Los Angeles). Productions such as Phil Collins' \"In the Air Tonight\" and Peter Gabriel's \"Intruder\" were created with this console, both characterized by aggressive compression on drums and vocals. The B-DYN allows you to add to your production toolkit the saturated and colored compression of one of the most important and rare studio consoles ever created.\u003c\/p\u003e\n\u003ch4\u003eSpecifications\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eAuthentic replica of the SL 4000 B console dynamics section\u003c\/li\u003e\n\u003cli\u003eDesign based on SSL Bus Compressor\u003c\/li\u003e\n\u003cli\u003eIncludes Compressor\/Limiter section and Gate\/Expander section\u003c\/li\u003e\n\u003cli\u003eFeedback design with Peak sensing for an aggressive and decisive character\u003c\/li\u003e\n\u003cli\u003eFixed ratio values, 2:1, 4:1 and 10:1 with additional 'DS' mode\u003c\/li\u003e\n\u003cli\u003eFixed release times, DS, .2, .4, .8, 1.6 plus the renowned 'Auto'\u003c\/li\u003e\n\u003cli\u003eAutomatic make-up gain\u003c\/li\u003e\n\u003cli\u003eHigh Pass filter for Sidechain\u003c\/li\u003e\n\u003cli\u003eStereo Link mode\u003c\/li\u003e\n\u003cli\u003eClassic SSL sonic character\u003c\/li\u003e\n\u003cli\u003eCompressor\/Limiter:\u003c\/li\u003e\n\u003cli\u003eRATIO - Compression ratios in steps 2:1, 4:1, 10:1 and 'ds'. The 'ds' setting is fixed 10:1 with an additional sidechain filter. In 'out' position, the compressor is bypassed.\u003c\/li\u003e\n\u003cli\u003eTHRESH - Whenever a signal exceeds the level set by this control, the compressor begins to act with the ratio set by the Ratio. The Threshold and Ratio controls also provide automatic make-up gain.\u003c\/li\u003e\n\u003cli\u003eHPF – A high-pass filter at 6dB\/Oct set at 185 Hz in the compressor sidechain circuit to reduce \"pumping\" effect on lows.\u003c\/li\u003e\n\u003cli\u003eRELEASE – Fixed step release values range from .2 ms to 1.6 ms or between the two 'DS' and 'Auto' options.\u003c\/li\u003e\n\u003cli\u003eDS – De-Ess mode modifies the attack time from approximately 30 ms to 2 ms.\u003c\/li\u003e\n\u003cli\u003eDe-Ess Mode (DS):\u003c\/li\u003e\n\u003cli\u003eBy setting the Ratio and Release controls to 'DS' the B-DYN module is optimized to reduce sibilance (De-Essing). The ratio in De-Ess mode is 10:1 with the input to the S\/C circuit filtered, so it compresses when triggered by sibilance. The release is automatically varied based on the processed signal, between 30 and 50 ms values. This is a much faster release time than normally expected from an SSL dynamics processor. The attack time is also reduced to just 2 ms, slightly faster than the attack time in Fast mode on the classic E-Series Dynamics module.\n\u003cli\u003eGate\/Expander:\u003c\/li\u003e\n\u003cli\u003eThe Gate\/Expander section of the B-DYN can act as a Gate with 20:1 ratio or as an Expander with 2:1 ratio when the EXP button is pressed. Its attack time is 0.2 ms.\u003c\/li\u003e\n\u003cli\u003eRANGE - Controls the maximum amount of gain reduction applied by the Gate\/Expander. If set to 'out', the gate\/expander is bypassed.\u003c\/li\u003e\n\u003cli\u003eTHRESH - Sets the threshold above which the gate\/expander opens.\u003c\/li\u003e\n\u003cli\u003eRELEASE - Sets the time in which the signal remains audible after the Gate\/Expander closes.\u003c\/li\u003e\n\u003cli\u003eEXP - Switches the gate to expander mode, with a softer curve, for more subtle level control below the threshold.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":53993148055885,"sku":"729737X1","price":648.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/185934-large_default.jpg?v=1779914085"},{"product_id":"radial-engineering-q4","title":"Radial Engineering Q4","description":"\u003cp\u003e\u003cbr\u003e\tThe \u003cstrong\u003eRadial Q4\u003c\/strong\u003e brings 100% discrete electronics purity to produce a truly Class A variable state filter design. The Q4 is a line level piece of equipment designed to interface with balanced pro audio recording systems. It features 4 bands of EQ with shelving filters for highs and lows fixed at 100Hz and 10kHz, and 2 semi-parametric mid bands with a range between 300Hz and 2.4 kHz and between 1kHz and 12kHz respectively. Each mid frequency band is also equipped with a choice between wide or narrow Q, to open or sweet spot or tighten it for surgical precision. All frequencies are set with a 12 dB boost or cut. The EQ can be bypassed to compare the effect before and after equalization.\u003cbr\u003e\u003cbr\u003e\tThe preference for using Class A circuits over Class AB or other designs is well documented. Add this to the fact that Series 500 users seek the purity of analog and you'll immediately understand why the Q4 becomes so interesting. And once it's powered on, you'll immediately hear how good it sounds! It's unique!\u003cbr\u003e\u003cbr\u003e\tLike all other Radial Series 500 modules, the Q4 is built in aluminum to last over time and be protected from magnetic fields. Inside, the Q4 features a double-sided circuit board with 100% discrete components. These are hand-soldered for excellent signal flow. When mounted in a Workhorse rack, the Omniport connection functions as input\/output on a ¼\" TRS connector that can interface with a mixer's insert point using a simple TRS connector. The Q4 is made in Canada and comes with a 3-year warranty.\u003c\/p\u003e\u003cbr\u003e","brand":"RADIAL","offers":[{"title":"Default Title","offer_id":53993234891085,"sku":"GRAD8001186","price":699.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/187712-large_default.jpg?v=1779915477"},{"product_id":"rupert-neve-design-517-predicompressore-con-variphase","title":"RUPERT NEVE DESIGN 517 Pre\/DI\/Compressor with Variphase","description":"\u003ch2\u003ePre\/DI\/Compressor with Variphase\u003c\/h2\u003e\n\u003cp\u003eRUPERT NEVE DESIGN 517 is a Pre\/DI\/Compressor with Variphase based on the functions of the Portico 5017: it provides a microphone preamplifier, compressor, DI circuit, variphase, silk and Mic\/DI channel mix functions within a high-quality module compatible with the 500 series. Silk: allows you to improve sound quality and add more vintage colour, reducing negative feedback to achieve a very pleasant and musical sound.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMic Gain: From 0 dB to 66 dB.\u003c\/li\u003e\n\u003cli\u003eDI Gain: From 0 dB to 30 dB.\u003c\/li\u003e\n\u003cli\u003eDI Input: High impedance balanced or unbalanced input for instruments\u003c\/li\u003e\n\u003cli\u003ePhantom power: the selector on the rear panel allows you to enable 48V power\u003c\/li\u003e\n\u003cli\u003ePhase inversion: inverts the input signal phase by 180 degrees\u003c\/li\u003e\n\u003cli\u003eThreshold: When the signal exceeds the threshold set here, the gain is reduced with a fixed compression ratio of 2:1, and fixed attack and release.\u003c\/li\u003e\n\u003cli\u003eIndicators: show the presence of signal and clipping on the DI and Mic channels, and the activation of the compressor.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993847947597,"sku":"RN517","price":973.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/36916-large_default.jpg?v=1779946148"},{"product_id":"rupert-neve-design-543-compressorelimiter-serie-500","title":"RUPERT NEVE DESIGN 543 500-series Compressor\/Limiter","description":"\u003ch2\u003eCompressor\/Limiter 500 Series\u003c\/h2\u003e\n\u003cp\u003eRUPERT NEVE DESIGN 543 is a 500 Series Compressor\/Limiter that offers discrete dynamic control, musicality, and solid limiting made famous in the Portico 5043 in 500 series format. RUPERT NEVE DESIGN 543 features a fully controllable compressor limiter with feed-forward\/feedback modes, Peak\/RMS detection, and built-in high-pass side chain filter. With unrivaled heritage and an extraordinary set of features, RUPERT NEVE DESIGN 543 delivers a combination of warmth, flexibility, and precision capable of impressing sound engineers worldwide.\u003cbr\u003eBuilt on the foundation of Mr. Rupert Neve's custom transformer designs, each RUPERT NEVE DESIGN 543 module includes individually controllable thresholds, attack, release, makeup gain, ratio, side chain HPF, Feed-Forward\/Feed-Back selection, and Peak\/RMS detection mode. With the compressor bypassed, RUPERT NEVE DESIGN 543 can be used as a high-performance line amplifier with transformer coupling, and two RUPERT NEVE DESIGN 543 units can be linked for stereo operation. The chassis is built to standard 500 series specifications, with power and I\/O provided by the rack.\u003cbr\u003eTo control gain, a V.C.A. or Voltage Controlled Amplifier (or Attenuator) is used.\u003cbr\u003eOne of the most unique features of the RUPERT NEVE DESIGN 543 is the new Peak\/RMS mode also found in the Portico II channel. This switch allows the VCA (voltage controlled amplifier) to respond to both RMS (Root Mean Square) and peak levels.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eGain Range: -6 dB to +20 dB.\u003c\/li\u003e\n\u003cli\u003eThreshold Range: -36 dB to +22 dB.\u003c\/li\u003e\n\u003cli\u003eRatio Range: 1.1:1 to limit (40:1).\u003c\/li\u003e\n\u003cli\u003eAttack range: 20 mS to 75 mS\u003c\/li\u003e\n\u003cli\u003eRelease Range: 100 mS to 2.5 seconds.\u003c\/li\u003e\n\u003cli\u003eFF\/FB: VCA feed-forward or Feed-Back control.\u003c\/li\u003e\n\u003cli\u003eMaximum output level: Balanced transformer output and floating \/ Maximum output from 20 Hz to 40 kHz is +23 dBu.\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion and noise: @ 1kHz, +20 dBu output level, unloaded.\u003c\/li\u003e\n\u003cli\u003eMain output, compressor bypassed: Better than 0.0006%.\u003c\/li\u003e\n\u003cli\u003eMain output, compressor engaged: Better than 0.02%\u003c\/li\u003e\n\u003cli\u003eNoise: Measured at main output, unweighted, 22Hz-22kHz, terminated at 40 ohms. \/ With Gain at Unity, Compressor disabled, better than 103 dBu. \/ With Gain at Unity, compressor engaged, better than 92 dBu\u003c\/li\u003e\n\u003cli\u003eFrequency response: Main output, unity gain, @ 18 Hz, +\/- .1 dB, @ 150 kHz -3 dB.\u003c\/li\u003e\n\u003cli\u003eCrosstalk measured at channel: Better than 90 dB at 15kHz.\u003c\/li\u003e\n\u003cli\u003eMeter: INPUT LEVEL and GAIN REDUCTION\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993847980365,"sku":"RN543","price":939.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/35280-large_default.jpg?v=1779946148"},{"product_id":"solid-state-logic-e-series-611eq","title":"Solid State Logic E Series 611EQ 500 Series Equalizer","description":"\u003ch2\u003e4-Band Equalizer 500 Series, \"Brown\" or \"Black\" Series Switch\u003c\/h2\u003e\n\u003cp\u003eThe E Series EQ module reproduces the legendary sound of an 80s classic, the channel strip from the SSL 4000 E console, which we all appreciated in countless hit records. It contains two different EQs found on console versions produced between 1979 and 1987. Each EQ has unique response curves and timbral characteristics. They are distinguished by the colors used on the LF potentiometer for low frequencies, and thus the two timbres became known as the \"Brown\" and \"Black\" EQs, and both these sonic \"pastes\" are selectable on the E Series EQ module. The E Series EQ module also gives you access to the \"Brown\" EQ from the SSL E-Signature Channel Strip, now discontinued.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDual \"Black-242\" and \"Brown-02\" design\u003c\/li\u003e\n\u003cli\u003eBell curve option on HF and LF\u003c\/li\u003e\n\u003cli\u003eFully parametric LMF and HMF with Q\u003c\/li\u003e\n\u003cli\u003eBased on the classic 611E channel strip\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":53993848209741,"sku":"SSL720","price":899.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/79061-large_default.jpg?v=1779946156"},{"product_id":"rupert-neve-design-511-preamplificatore-microfonico-con-silk-variabile","title":"RUPERT NEVE DESIGN 511 Microphone Preamp with variable SILK","description":"\u003ch2\u003eMicrophone Preamplifier with Variable SILK\u003c\/h2\u003e\n\u003cp\u003eRUPERT NEVE DESIGN 511 is a microphone preamplifier with variable SILK based on the award-winning 517 module, featuring the same high-pass filter as the 5012 module and the variable Silk control derived from the flagship Portico II Channel. Through Silk, you can improve sound quality and add vintage color by reducing negative feedback to achieve a very pleasant and musical sound. RUPERT NEVE DESIGN 511 naturally supports microphone or line sources, proving absolutely perfect with ribbon microphones, but also dynamic, condenser, and tube microphones. The polarity inversion switch allows you to resolve any phase issues, while the high-pass filter lets you address low-frequency noise and control the proximity effect of many microphones.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e1-channel microphone preamplifier\u003c\/li\u003e\n\u003cli\u003e+48 V Phantom power can be enabled or disabled\u003c\/li\u003e\n\u003cli\u003e8-segment LED level meter\u003c\/li\u003e\n\u003cli\u003eHigh-pass filter can be set, 20 - 250 Hz\u003c\/li\u003e\n\u003cli\u003eTrim and Gain Control\u003c\/li\u003e\n\u003cli\u003ePolarity is reversible\/can be switched\u003c\/li\u003e\n\u003cli\u003eSilk Mode\u003c\/li\u003e\n\u003cli\u003eForm factor: 500 module\u003c\/li\u003e\n\u003cli\u003eVoltage\/Power required: +\/- 16 V DC 100 mA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993848308045,"sku":"RN511","price":777.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/98068-large_default.jpg?v=1779946159"},{"product_id":"rupert-neve-design-542-tape-emulator-con-variable-silk-e-soft-clip-limiter","title":"RUPERT NEVE DESIGNS 542 Tape Emulator with Variable Silk \u0026 Soft Clip Limiter","description":"\u003ch2\u003eTape Emulator with Variable Silk and Soft Clip Limiter\u003c\/h2\u003e\n\u003cp\u003eRUPERT NEVE DESIGN 542 is a Tape Emulator with Variable Silk and Soft Clip Limiter that should be considered as a follow-up to the Portico 5042. In fact, both modules are capable of providing perfect emulation of tape sound thanks to the use of some of the same components found in analog recorders. The module contains a circuit identical to that of the hardware it emulates: the circuit sends the signal to a tiny magnetic \"head\" coupled to a specially equalized playback amplifier. RUPERT NEVE DESIGN 542 True Tape Emulator also includes the variable Silk\/Texture circuitry already present in the Portico II module series, which allows for detailed variation of the harmonic ratio and tone of the output transformer.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAPI 500 Format\u003c\/li\u003e\n\u003cli\u003eTape saturation emulator\u003c\/li\u003e\n\u003cli\u003eLevel control (+\/- 12 dB PreTape Level Control)\u003c\/li\u003e\n\u003cli\u003eTape saturation effect can be continuously adjusted\u003c\/li\u003e\n\u003cli\u003eSilk function (Silk Red \u0026amp; Silk Blue) can be continuously adjusted\u003c\/li\u003e\n\u003cli\u003eBlend potentiometer determines the balance of Pre and Post-Tape signals\u003c\/li\u003e\n\u003cli\u003eTape characteristic can be changed between 15 IPS and 30 IPS\u003c\/li\u003e\n\u003cli\u003eDrive Meter shows the signal level on the \"Record Head\"\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993848340813,"sku":"RN542","price":939.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/79066-large_default.jpg?v=1779946160"},{"product_id":"looptrotter-sat-500-saturatore","title":"Looptrotter SAT 500","description":"\u003ch2\u003eSaturator\u003c\/h2\u003e\n\u003cp\u003eLOOPTROTTER SAT 500 is a single-channel module in 500 format equipped with a saturation circuit that adds low-order harmonics and evens out the signal, all in an extraordinarily musical and intuitive way. It can significantly increase the RMS level. The sound refers to old mixing consoles and recorders. LOOPTROTTER SAT 500 is equipped with unique solutions that shape the content of harmonics in the processed signal. The LO SAFE option activates the pre-emphasis and de-emphasis circuit, \"protecting\" the lowest frequencies from distortion. This option is particularly useful in the case of instruments with high low-frequency content, such as bass, drums, drum kit or the entire mix. The BAND SPLIT option divides the signal band into two frequency ranges. This solution allows you to saturate only the low frequencies, below the split point. The high frequencies above the split point are mixed with the saturated signal in an unaltered form. This option is perfect for \"thickening\" the sound of instruments, without the audible saturation of high frequencies. There are three split point frequencies to choose from: 800Hz, 2kHz and 6kHz. The saturation depth is smoothly controlled with the DRIVE knob. LOOPTROTTER SAT 500 has independent control over DRY and WET signal. The saturation depth (the amount of harmonics added) is indicated by two LEDs, which light up at 4 and 8% THD.\u003c\/p\u003e","brand":"Looptrotter","offers":[{"title":"Default Title","offer_id":53993848504653,"sku":"LOOSA5","price":604.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94552-large_default.jpg?v=1779946164"},{"product_id":"rupert-neve-design-551-equalizzatore-ad-induzione-serie-500","title":"RUPERT NEVE DESIGN 551 Inductor EQ 500 Series","description":"\u003ch2\u003eInductive Equalizer Series 500\u003c\/h2\u003e\n\u003cp\u003eRUPERT NEVE DESIGN 551 is a 3-band Series 500 inductive equalizer inspired by the most appreciated historical designs of Mr. Neve, with custom components handcrafted, such as inductors, transformers and Class A gain stages. The true Neve sound is finally available for the System 500 standard, with present lows and harmonious highs. The 3 inductive bands with custom hand-wound components of the RUPERT NEVE DESIGN 551 are crafted with the characteristic sound of Rupert Neve's vintage EQs in mind. The LOW FREQ band has a dense and resonant response and can be used (unlike the design it was drawn from) both as a Shelf filter and as a Peak, to add punch, dimensionality and control to the low range. The midrange band (with inductors) is ideal for 'sweetening' vocal or instrumental tracks, making them more present in the mix, while the proportional response of the \"Q\" factor is effective for reducing the effect of problematic frequencies. The HF band features a hybrid design between vintage and modern, blending the best of inductor circuitry with capacitor circuitry to achieve a vintage sound, but with greater control. The High Pass filter is a 12dB per octave with fixed cut at 80Hz and is perfect in conjunction with the LOW FREQ band to add presence to the lows without overloading them below. As in the most appreciated classic Neve designs, each section of the EQ uses discrete Class A electronics with low feedback, to prevent unwanted coloration during source processing.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ch4\u003ePassive Equalizer\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eNoise: Measured on Main Output, 22Hz-22kHz, impedance 40 Ohms balanced. Better than -102dBV\u003c\/li\u003e\n\u003cli\u003eFrequency Response: Main output, no load +\/- 0.1dBu from 20Hz to 31.5kHz,-1dB @ 120kHz\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: 23.25dBu\u003c\/li\u003e\n\u003cli\u003eTotal Harmonic Distortion and Noise: @ 1kHz, +20dBu output level, no load. Better than 0.0025%, @ 20Hz, +20dBu output level, no load. 0.13% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\u003cli\u003eHigh Pass Filter: -2.7dB @ 80Hz Slope 12dB\/Octave\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch4\u003eActive Equalizer:\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eNoise: Measured on Main Output, 22Hz-22kHz, impedance 40 Ohms balanced. Better than -94dBV\u003c\/li\u003e\n\u003cli\u003eFrequency Response: Main output, no load +\/- 0.25dBu from 20Hz to 45kHz, -2dB @ 120kHz\u003c\/li\u003e\n\u003cli\u003eMaximum Output Level: 23dBu\u003c\/li\u003e\n\u003cli\u003eTotal Harmonic Distortion and Noise: @ 1kHz, +20dBu output level, no load. Better than 0.009%, @ 20Hz, +20dBu output level, no load. 0.13% Typical (2nd and 3rd harmonic)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993848897869,"sku":"RN551","price":949.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/79065-large_default.jpg?v=1779946171"},{"product_id":"tb12-500","title":"Warm Audio TB12 500 Microphone Preamplifier 500 Series","description":"\u003ch2\u003eMicrophone Preamplifier with Tone Shaping 500 Series\u003c\/h2\u003e\n\u003cp\u003eWarm Audio Tone Beast TB12 is one of the best microphone preamplifiers on the market in its price range. It uses quality components built in the USA, normally found in significantly more expensive units.\u003cbr\u003eThe input stage can accommodate any type of source, line or microphone level. Thanks to the switch called TONE, the impedance is varied from 600 ohms to 150 ohms: this results in a +6dB increase bringing the maximum gain from +65dB to +71dB. This, in addition to making the unit a perfect complement for ribbon microphones, allows you to dramatically change the sound character of connected microphones or instruments. The TONE control affects all inputs (MIC, LINE and Hi-Z).\u003cbr\u003eThe 600 ohm impedance is recommended for condenser and dynamic microphones, while setting it to 150 ohms (TONE button pressed) will allow you to drive even the most difficult ribbons to amplify without problems. The TONE label is due to the fact that the frequency response is also modified, so it is advised to try the Tone Beast with the button in both positions and verify which solution is most pleasing, regardless of the source!\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCAPACITORS SWITCH\u003c\/li\u003e\n\u003cli\u003eTwo different capacitors can be selected, another trick up the TONE BEAST's sleeve!\u003c\/li\u003e\n\u003cli\u003eSTEEL and NICKEL, namely a TANTALIUM capacitor (vintage sound) and an ELECTROLYTIC one decidedly \"clean\".\u003c\/li\u003e\n\u003cli\u003eOUTPUT Transformer Switch\u003c\/li\u003e\n\u003cli\u003eThe output transformer can be completely bypassed, to also have a transparent preamp without transformers (the output is attenuated by 8dB).\u003c\/li\u003e\n\u003cli\u003eOUTPUT Transformer Selector Switch\u003c\/li\u003e\n\u003cli\u003eThis switch allows you to choose between two different CINEMAG output transformers. The \"Steel Core\" has a decidedly vintage flavor with a slight emphasis on mids; the \"50% Nickel Core\", designed by CineMag specifically for the Tone Beast, has more \"Clean\" sound characteristics.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":53993849291085,"sku":"TB12S5","price":599.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/35418-large_default.jpg?v=1779946179"},{"product_id":"looptrotter-saturamp-preamplificatore-con-unita-di-saturazione","title":"Looptrotter SATurAMP","description":"\u003ch2\u003e\u003cspan\u003ePreamplifier with saturation unit\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eLOOPTROTTER SATURAMP is a unique microphone\/instrument preamplifier, equipped with an original saturation unit in the 500 series rack format. Thanks to this unique combination, LOOPTROTTER SATURAMP is a versatile and creative tool, which allows for powerful sound, with great preservation of details, during recording. It not only incorporates LOOPTROTTER SATURAMP solutions inspired by 1960s designs, but also many original and modern ones, including digital control over most functions. This particular solution has eliminated mechanical switches from the signal path, which has greatly influenced the reliability and durability of LOOPTROTTER SATURAMP. Mechanical elements have been replaced with hermetic relays and semiconductor switches. At the LOOPTROTTER SATURAMP input there is a SOWTER transformer based on the AP2620, present in the legendary API preamplifiers. The operational amplifier, built entirely with discrete elements, is responsible for amplification. The design refers to the first operational amplifiers of the 1960s. However, the gain regulation solution comes from the 21st century - it is digitally controlled via micro buttons. The amplification value, expressed in dB, is displayed on the digital display.\u003c\/p\u003e\n\u003cp\u003eLOOPTROTTER SATURAMP is equipped with a high-pass filter with a slope of 12 dB per octave. There are three cutoff frequency options, with three different characteristics:\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003e60Hz - Chebyshev\u003c\/li\u003e\n\n\u003cli\u003e100Hz - Butterworth\u003c\/li\u003e\n\n\u003cli\u003e160 Hz - Bessel\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eThe core of LOOPTROTTER SATURAMP is a saturation unit that intelligently and intuitively smooths out signal peaks, adding low-order harmonics. Saturation works like a soft limiter, making it possible to record tracks with a high RMS signal level, without unwanted distortion, with a detailed, saturated and perfectly integrated sound in the mix. The instrumental input is based on discrete transistors, operating in class A. The FET transistor device has allowed the design of a unit, which enriches the signal with a small amount of even harmonic frequencies, positively affecting the sound of instruments connected directly to LOOPTROTTER SATURAMP. This refers not only to guitars and basses. LOOPTROTTER SATURAMP works extraordinarily with digital synthesizers, adding that warm and analog touch. The LOOPTROTTER SATURAMP signal path is minimalist and the applied elements are carefully selected in relation to the original audio character signed with Looptrotter. LOOPTROTTER SATURAMP represents the highest quality sound combined with an original analog touch. The LOOPTROTTER SATURAMP is 100% original design and has no analog or digital equivalents.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003epreamplifier with 66 dB amplification (60 dB gain + output + 6 dB)\u003c\/li\u003e\n\n\u003cli\u003egain on operational amplifier, discrete element construction\u003c\/li\u003e\n\n\u003cli\u003eobtain control without mechanical contacts\u003c\/li\u003e\n\n\u003cli\u003esmooth adjustment of the output level with the OUTPUT knob\u003c\/li\u003e\n\n\u003cli\u003einstrument input, Hi-Z, on the front panel (1M ohm impedance), discrete element construction\u003c\/li\u003e\n\n\u003cli\u003eoriginal saturation unit that adds low-order harmonic frequencies, also acting as a soft limiter\u003c\/li\u003e\n\n\u003cli\u003esignal peak indicated with LED\u003c\/li\u003e\n\n\u003cli\u003e2 LEDs indicating the signal saturation level (4% and 8% THD)\u003c\/li\u003e\n\n\u003cli\u003e3 LEDs indicating the output level\u003c\/li\u003e\n\n\u003cli\u003ePAD -20 dB\u003c\/li\u003e\n\n\u003cli\u003e48V phantom power\u003c\/li\u003e\n\n\u003cli\u003epolarity switch\u003c\/li\u003e\n\n\u003cli\u003ehigh-pass filter with a slope of 12 dB per octave, with selectable cutoff frequency and characteristic: 60 Hz - Chebyshev, 100Hz - Butterworth, 160 Hz - Bessel\u003c\/li\u003e\n\n\u003cli\u003eMUTE button - muting the preamplifier output\u003c\/li\u003e\n\n\u003cli\u003eSOWTER transformer in the signal path\u003c\/li\u003e\n\n\u003cli\u003e100% original design that guarantees a unique and original sound\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Looptrotter","offers":[{"title":"Default Title","offer_id":53993861939533,"sku":"LOOSM5","price":826.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94557-large_default.jpg?v=1779946459"},{"product_id":"warm-audio-wa12-500-preamplifcatore-microfonico-serie-500","title":"Warm Audio WA12 500 Microphone Preamplifier 500 Series","description":"\u003ch2\u003eApi 312-Style 500 Series Microphone Preamp\u003c\/h2\u003e\u003cp\u003eWarm Audio is a young Texan brand that produces high-quality preamplifiers at very affordable prices. Their main product, the WA12 preamp, is based on the design of the classic API 312 preamp and is available in two formats: the classic standalone rack and the 500 Series format, a convenient, practical, compact, and increasingly popular professional standard. The WA12 preamp was built with top-tier components normally only used for very high-end products, notably including Cinemag Made in USA transformers on both input and output.\u003cbr\u003eWarm Audio's goal is precisely to provide musicians with professional products that don't have prohibitive costs. The WA12 excels at capturing microphone and instrument signals with extraordinary clarity and warmth. The device provides 71dB of gain, and a convenient Tone button allows selecting the input impedance from 600 ohms to 150 ohms, affecting the microphone tone and the HI-Z high impedance inputs. The 2 Meg Ohm True HI-Z input on the front panel allows sending the instrument signal through the entire circuit, including the Cinemag transformers and amplifier, making it perfect for guitars, basses, keyboards, and any other instrument with a 1\/4″ jack output.\u003c\/p\u003e\u003ch3\u003e\n\u003cstrong\u003eSpecifications\u003c\/strong\u003e \u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e71dB of gain\u003c\/li\u003e\n\u003cli\u003eCustom design: Cinemag Made in USA transformers\u003c\/li\u003e\n\u003cli\u003eTone button: allows selecting input impedance from 600 ohms to 150 ohms. Affects microphone tone and HI-Z high impedance inputs.\u003c\/li\u003e\n\u003cli\u003eFully Discrete.\u003c\/li\u003e\n\u003cli\u003eHigh-voltage amplifier with '1731 style' operation.\u003c\/li\u003e\n\u003cli\u003e48 volt Phantom Power.\u003c\/li\u003e\n\u003cli\u003eBalanced Mic input: XLR or 1\/4″\/TRS.\u003c\/li\u003e\n\u003cli\u003eOutputs: XLR and 1\/4″\/TRS. \u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":53993864102221,"sku":"WA12S5","price":399.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/78579-large_default.jpg?v=1779946505"},{"product_id":"looptrotter-emperor-500-compressorelimiter-e-generatore-di-armoniche","title":"Looptrotter Emperor 500","description":"\u003ch2\u003eCompressor\/limiter and harmonic generator\u003c\/h2\u003e\n\u003cp\u003eLOOPTROTTER EMPEROR 500 is an analog dynamic processor, which depending on the settings can operate as a compressor, limiter or harmonic distortion generator. It has been designed to create original, vivid and analog sound for instruments.\u003cbr\u003eLOOPTROTTER EMPEROR 500 is equipped with an intuitive and easy to use control panel, which deliberately eliminates input\/output meters or sound reduction indicators, so that you can concentrate solely on the sound and not on the sight.\u003cbr\u003eLOOPTROTTER EMPEROR 500 is a creative device that gives the sound a powerful analog character. LOOPTROTTER EMPEROR 500 uniquely enhances the perceived volume, warms and brightens the audio signal, depending on the DRIVE settings.\u003cbr\u003eThe heart of LOOPTROTTER EMPEROR 500 is an FET transistor responsible for sound reduction and the introduction of a small amount of low-order harmonics, and its design is inspired by transistor limiters and compressors from the 60s. In addition, LOOPTROTTER EMPEROR 500 includes many original solutions derived from Looptrotter's long-term experience in building dynamic processors, which ensures a unique sound.\u003cbr\u003eLOOPTROTTER EMPEROR 500 is equipped with two independently operating filters integrated into the control circuit. This gives the possibility to create the timbre without unpleasant phase shifts: in case of low-frequency cutting in the control signal, LOOPTROTTER EMPEROR 500 acts more transparently and naturally with signals rich in low frequencies such as the kick drum or bass. This can reduce low-frequency distortion and the pumping effect; while boosting high frequencies in the control signal, LOOPTROTTER EMPEROR 500 behaves like an analog de-esser, or a very fast compressor for bright and dynamic instruments.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eLOOPTROTTER EMPEROR 500 offers three factory attack\/release presets:\u003c\/p\u003e\n\u003cul\u003e\n\n\u003cli\u003eFAST - the fastest attack and release setting of the processor makes LOOPTROTTER EMPEROR 500 operate as a limiter. This preset offers rich and dense input signal saturation;\u003c\/li\u003e\n\n\u003cli\u003eMED: this preset allows LOOPTROTTER EMPEROR 500 to operate as a fast compressor;\u003c\/li\u003e\n\n\u003cli\u003eSLOW: this preset makes LOOPTROTTER EMPEROR 500 more like an analog compressor than a limiter.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003cp\u003eLOOPTROTTER EMPEROR 500 also has independent control over the DRY and WET signal. This allows you to decide whether the audio tracks only need a slight coloration, preserving the original dynamics, or whether the signal needs to be run through LOOPTROTTER EMPEROR 500 100%.\u003c\/p\u003e","brand":"Looptrotter","offers":[{"title":"Default Title","offer_id":53993867182413,"sku":"LOOEML5","price":809.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94545-large_default.jpg?v=1779946588"},{"product_id":"golden-age-eq-573-equalizzatore-3-bande-rack-serie-500","title":"GOLDEN AGE EQ-573 EQUALIZER 3 BAND 500 SERIES RACK","description":"\u003cp\u003e3-band equalizer like the EQ-73 version but in 500 series rack format, with the addition of the high pass filter section with 18dB\/octave slope.\u003c\/p\u003e","brand":"GOLDEN AGE","offers":[{"title":"Default Title","offer_id":53993876357453,"sku":"GOLEQ573","price":198.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/72535-large_default.jpg?v=1779946936"},{"product_id":"golden-age-pre-573-mkii-preamplificatore-microfonico-rack-serie-500-di-box","title":"GOLDEN AGE PRE-573 MKII MICROPHONE PREAMPLIFIER 500 SERIES RACK DI-BOX","description":"\u003cp\u003ePre-73 preamp in 500-series rack format, with some additional features, such as: active DI input with 1.5Mohm impedance; Air mode that adds a slight boost above 10KHz; jumper to reduce input impedance and further enhance the Air effect.\u003c\/p\u003e","brand":"GOLDEN AGE","offers":[{"title":"Default Title","offer_id":53993876717901,"sku":"20230","price":294.79,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/72543-large_default.jpg?v=1779946941"},{"product_id":"rupert-neve-designs-535","title":"RUPERT NEVE DESIGNS 535 Diode Bridge Compressor","description":"\u003ch2\u003eDiode Bridge Compressor\u003c\/h2\u003e\n\u003cp\u003eThe RUPERT NEVE DESIGNS 535 is a diode bridge compressor originally developed for the acclaimed Shelford Channel’s dynamics circuit, which captures the soul of Rupert Neve’s original 2254 compressor while providing modern updates including advanced timing control, significantly lower noise, fully stepped controls and internal parallel processing capabilities.\u003cbr\u003eWhere the VCA compressor found in the Master Buss Processor provides unparalleled clarity, the thick, harmonically rich tonality of diode bridge compression can be essential to push key sources like vocals, electric guitars, bass, and drums to the forefront of a mix.\u003cbr\u003eUnderstanding the limitations of vintage units such as the legendary 2254, a painstaking effort was made to reproduce the unique tone of these classics while improving noise floor and accuracy, expanding inflexible time constants, adding full-wave sidechain detection for improved dynamic response, and widening the threshold and ratio control ranges.\u003cbr\u003eTHRESHOLD: A 31-position potentiometer sets the level at which compression begins, from -25dB to +20dB. Turning this control counter-clockwise will increase the amount of compression, turning it clockwise will decrease the amount of compression.\u003cbr\u003eRATIO: The RATIO control has six selectable positions on a rotary switch, allowing the user to set the slope of the compressor’s curve with pre-selected ratios from 1.5:1 to 8:1 for levels above the determined THRESHOLD. This range of compression ratios allows the user to compress moderately or heavily as desired.\u003cbr\u003eTIMING: The unified TIMING control is a six-position rotary switch that sets the attack and release times of the compressor. The time can be further modified by the FAST button:\u003c\/p\u003e\n\u003col\u003e\n\n\u003cli\u003eFAST – Fast Attack (750us), Fast Release (130ms)\u003c\/li\u003e\n\n\u003cli\u003eMF – Medium Attack (2.25ms), Fast Release (130ms)\u003c\/li\u003e\n\n\u003cli\u003eMED – Medium Attack (2.25ms), Medium Release (400ms)\u003c\/li\u003e\n\n\u003cli\u003eMS: Medium Attack (4ms), Slow Release (725ms)\u003c\/li\u003e\n\n\u003cli\u003eSLOW – Slow Attack (10ms), Slow Release (1S)\u003c\/li\u003e\n\n\u003cli\u003eAUTO – Medium Attack (5ms), Dual-Decay Release (T1 500ms, T2 1S)\u003c\/li\u003e\n\n\n\u003c\/ol\u003e\u003cp\u003eFAST: The FAST switch halves the attack and release times available on the TIMING control, effectively doubling the number of TIMING presets available to the user.\u003cbr\u003eBLEND: The BLEND control has 31 steps and allows the user to blend the uncompressed (dry) signal with the compressed (wet) signal. Turning the control towards 0% will shift the mix to the fully uncompressed dry signal, while turning the control towards 100% will shift the mix to the fully compressed signal. This feature allows for parallel compression, enabling a wide range of compression subtleties.\u003cbr\u003eGAIN: The GAIN control has 31 steps and allows the user to add make-up gain to the compressed signal to bring its level back to unity with the uncompressed input signal. It is much easier to evaluate the tonal effect of the compressor (via the COMP IN switch) when the compressed output level matches the uncompressed input level, thus eliminating potentially misleading level differences.\u003cbr\u003eCOMP IN: The COMP IN switch activates the compression circuit. By disengaging the COMP IN switch, the compressor is bypassed and the user can quickly compare the compressed sound to the dry input signal for an objective evaluation of the compressor’s sonic effect on the audio signal.\u003cbr\u003eLINK: The LINK switch allows the compressor to be linked to another 535 compressor module via a side-chain control voltage. In link mode, the compressor generating the greater side chain voltage (resulting in the greater amount of compression) will control the compression of both audio signal paths to maintain a correct central stereo image during compression.\u003cbr\u003eSIDE CHAIN HPF: The S\/C HPF switch allows the user to insert a 12dB\/octave 150Hz high-pass filter into the compressor’s side-chain. When this filter is engaged, the compressor will be significantly less sensitive to information below 150Hz. For example: when used on a drum kit, the low end of the kick drum would have a less proportional effect on the compression than a snare or cymbals, as a significant portion of the kick drum’s dynamic energy is focused below 150Hz.\u003cbr\u003eLEVEL \u0026amp; GAIN REDUCTION METERING: These two LED meters provide highly accurate representations of both the compressor’s output level and the amount of gain reduction applied to the input signal.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eLine input to line output (Compressor bypassed): Source z = 40 ohm balanced\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 10k Ohms\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 40 Ohms\u003c\/li\u003e\n\n\u003cli\u003eMaximum Input Level: +23.5 dBu\u003c\/li\u003e\n\n\u003cli\u003eMaximum Output Level: +23.5 dBu\u003c\/li\u003e\n\n\u003cli\u003eNoise: 22 hz - 22 kHz BW; -101 dbu\u003c\/li\u003e\n\n\u003cli\u003eFrequency Response: Output XLR Cable 10 hz - 120 kHz, 30 ft; +\/- 0.25 db\u003c\/li\u003e\n\n\u003cli\u003eTHD+N: @ 1 khz @ max output level, 22 hz - 22 kHz BW; 0.001%\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":53993891660109,"sku":"RN535","price":899.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/145649-large_default.jpg?v=1779947215"},{"product_id":"crane-song-falcon-compressore-valvolare-500-series","title":"CRANE SONG FALCON Tube Compressor 500 series","description":"\u003ch2\u003e500 Series Valve Compressor\u003c\/h2\u003e","brand":"CRANE SONG","offers":[{"title":"Default Title","offer_id":53993900736845,"sku":"CSFALCON","price":1418.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/81141-large_default.jpg?v=1779947382"},{"product_id":"crane-song-insigna-eq-a-3-bande-con-filtri-hi-cut-e-low-cut-500-series","title":"CRANE SONG INSIGNIA 3-band EQ with Hi cut and Low cut filters 500 series","description":"\u003ch2\u003e3-band EQ with Hi-cut and Low-cut filters 500 series\u003c\/h2\u003e\n\u003cp\u003eCompact equalizer that uses a dual triode circuit with a 12AX7 tube.\u003cbr\u003eIt features 24 dB\/octave high-pass and low-pass filters with 7 frequencies each.\u003cbr\u003eThe high and low bands are shelving with 8 frequencies each.\u003cbr\u003eThe mid band is \"peaking\" with 8 frequencies.\u003cbr\u003eThe three bands use RC buffer circuits in the negative feedback path on the tube amplifiers to achieve a rich-sounding equalizer.\u003c\/p\u003e","brand":"CRANE SONG","offers":[{"title":"Default Title","offer_id":53993900835149,"sku":"CSINSIGNA","price":1475.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/81145-large_default.jpg?v=1779947384"},{"product_id":"crane-song-syren-preamplificatore-valvolare-500-series","title":"CRANE SONG SYREN 500 series tube preamplifier","description":"\u003ch2\u003e500 series tube preamplifier\u003c\/h2\u003e\n\u003cp\u003eClassic preamplifier with dual-triode circuit using a 12AX7 tube.\u003cbr\u003eSYREN features a dual gain stage allowing for overdrive effects, a HI-z input, a 90 Hz and 24 db\/octave low-cut filter, and selectable -15 db and -25 db pads for connecting a wide range of signals.\u003c\/p\u003e","brand":"CRANE SONG","offers":[{"title":"Default Title","offer_id":53993900933453,"sku":"CSSYREN","price":1361.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/81149-large_default.jpg?v=1779947385"},{"product_id":"black-lion-audio-auteur-mkii-500-preamplificatore-microfonico-serie-500","title":"BLACK LION AUDIO AUTEUR MKII 500 500 Series Microphone Preamp","description":"\u003ch2\u003e500 Series Microphone Preamplifier\u003c\/h2\u003e\n\u003cp\u003eThe BLACK LION AUDIO AUTEUR MKII 500 is a single-channel 500 series preamplifier, featuring phantom power, phase, 13dBu pad, and Hi-Z input. The BLACK LION AUDIO AUTEUR MKII 500 is one of the best \"bang for your buck\" 500 series preamplifiers available! You get all the sound of the 1\/2 rack version, but with the added Hi-Z input! It features an ultra-fast input stage that captures many details and nuances, and a signal path transformer that adds some \"meat\" to the output.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e500 series format\u003c\/li\u003e\n\n\u003cli\u003eSingle channel\u003c\/li\u003e\n\n\u003cli\u003eUltra-high speed input stage\u003c\/li\u003e\n\n\u003cli\u003eEdcor Output Transformer\u003c\/li\u003e\n\n\u003cli\u003e67dB Gain\u003c\/li\u003e\n\n\u003cli\u003ePhantom Power\u003c\/li\u003e\n\n\u003cli\u003ePhase Switch\u003c\/li\u003e\n\n\u003cli\u003e13dBu Pad\u003c\/li\u003e\n\n\u003cli\u003eHi-Z Input\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eMic Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMax microphone input level: +1dBu\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 6000Ω\u003c\/li\u003e\n\n\u003cli\u003ePad: 13dBu\u003c\/li\u003e\n\n\u003cli\u003eGain (no pad): +16dB to +67dB\u003c\/li\u003e\n\n\u003cli\u003eEquivalent Input Noise (noise floor): -108 dBu\u003c\/li\u003e\n\n\u003cli\u003eTHD + N (@ +4dBu output):\u003c\/li\u003e\n\n\u003cli\u003e.0046% @ +12 dBu gain\u003c\/li\u003e\n\n\u003cli\u003e.0064% @ +24dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.012% @ +32dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.028% @ +40dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.085% @ +50dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.3% @ +62dBu Gain\u003c\/li\u003e\n\n\u003cli\u003eBandwidth (1kHz, 600Ω unbalanced source, unweighted): 10Hz to 30kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eD.I. Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMax D.I. Input Level: +18 dBu\u003c\/li\u003e\n\n\u003cli\u003eBalanced Input Impedance: 2.2 MΩ\u003c\/li\u003e\n\n\u003cli\u003eUnbalanced Input Impedance: 1.1 MΩ\u003c\/li\u003e\n\n\u003cli\u003ePad: 13dBu\u003c\/li\u003e\n\n\u003cli\u003eGain: +16dB to +67dB\u003c\/li\u003e\n\n\u003cli\u003eEquivalent Input Noise (noise floor): -82 dB\u003c\/li\u003e\n\n\u003cli\u003eTHD + N (@ +4dBu output):\u003c\/li\u003e\n\n\u003cli\u003e.007% @ +12dBu\u003c\/li\u003e\n\n\u003cli\u003e.11% @ +40dBu\u003c\/li\u003e\n\n\u003cli\u003eBandwidth (1kHz, 600Ω unbalanced source, unweighted): 10Hz to 30kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eOut Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMaximum Output Level: +28 dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 600Ω\u003c\/li\u003e\n\n\u003cli\u003ePower Supply\u003c\/li\u003e\n\n\u003cli\u003e+\/- 15v from 500 series rack\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMeasures 38.1 mm x 165.1 mm x 133.3 m\u003c\/li\u003e\n\n\u003cli\u003eWeight: 3.63 Kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"BLACK LION","offers":[{"title":"Default Title","offer_id":53993909027149,"sku":"AUTEURMK2500","price":198.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94621-large_default.jpg?v=1779947567"},{"product_id":"black-lion-audio-b12a-mkii-500-preamplificatore-microfonico-serie-500","title":"BLACK LION AUDIO B12A MKII 500 500 Series Microphone Preamplifier","description":"\u003ch2\u003e500 series microphone preamplifier\u003c\/h2\u003e\n\u003cp\u003eBLACK LION AUDIO B12A MKII 500 is the 500 series microphone preamplifier that packs the same punch as its 1\/2 rack \"cousin,\" but in the convenient and flexible 500 series format. The API®-style design features a delightful Cinemag input transformer, delivers massive portions of low-noise gain, and has the same classic American rock sound that the original API® 312A is known for!\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e500 Series format (lunchbox® required)\u003c\/li\u003e\n\n\u003cli\u003eCinemag Input Transformer\u003c\/li\u003e\n\n\u003cli\u003eEdcor Output Transformer\u003c\/li\u003e\n\n\u003cli\u003e70 dB gain\u003c\/li\u003e\n\n\u003cli\u003eHi-Z input (passive, unbalanced)\u003c\/li\u003e\n\n\u003cli\u003ePhantom power\u003c\/li\u003e\n\n\u003cli\u003e18dB Pad\u003c\/li\u003e\n\n\u003cli\u003ePhase switch\u003c\/li\u003e\n\n\u003cli\u003eControls: GAIN, 48V, PHASE (Ø), PAD, HI-Z, HI-Z IN\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eMic Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMaximum microphone input level: + 1dBu\u003c\/li\u003e\n\n\u003cli\u003eInput impedance: 200Ω\u003c\/li\u003e\n\n\u003cli\u003ePad: 18dB\u003c\/li\u003e\n\n\u003cli\u003eGain (no pad): + 26dB to + 70dB\u003c\/li\u003e\n\n\u003cli\u003eEquivalent input noise (self-noise): -120 dBu\u003c\/li\u003e\n\n\u003cli\u003eTHD + N (@ + 4dBu output):\u003c\/li\u003e\n\n\u003cli\u003e.010% @ +22 dBu\u003c\/li\u003e\n\n\u003cli\u003e.010% @ +36 dBu\u003c\/li\u003e\n\n\u003cli\u003e.041% @ +56 dBu\u003c\/li\u003e\n\n\u003cli\u003e.122% @ +66 dBu\u003c\/li\u003e\n\n\u003cli\u003eBandwidth (1kHz, 150Ω source, unweighted): 10Hz to 30kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eD.I. Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMax D.I. Input Level: + 18 dBu\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 1.1 MΩ\u003c\/li\u003e\n\n\u003cli\u003ePad: none\u003c\/li\u003e\n\n\u003cli\u003eGain: + 10dB to + 53dB\u003c\/li\u003e\n\n\u003cli\u003eEquivalent input noise (self-noise): -94 dB\u003c\/li\u003e\n\n\u003cli\u003eTHD + N (@ + 4dBu output):\u003c\/li\u003e\n\n\u003cli\u003e.009% @ +10 dBu\u003c\/li\u003e\n\n\u003cli\u003e.115% @ +36 dBu\u003c\/li\u003e\n\n\u003cli\u003eBandwidth (1kHz, 600Ω unbalanced source, unweighted): 10Hz to 30kHz\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eOutput Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMaximum output level: + 28 dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput impedance: 600Ω\u003c\/li\u003e\n\n\u003cli\u003ePower supply\u003c\/li\u003e\n\n\u003cli\u003e+\/- 15v (lunchbox® supply)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMeasurements: 38.1 mm x 165.1 mm x 133.35 mm\u003c\/li\u003e\n\n\u003cli\u003eWeight: 3.62 Kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"BLACK LION","offers":[{"title":"Default Title","offer_id":53993909125453,"sku":"B12AMK2500","price":338.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94625-large_default.jpg?v=1779947568"},{"product_id":"black-lion-audio-b173-500-preamplificatore-microfonico-serie-500","title":"BLACK LION AUDIO B173 500 500 Series Microphone Preamplifier","description":"\u003ch2\u003e500 series microphone preamplifier\u003c\/h2\u003e\n\u003cp\u003eBLACK LION AUDIO B173 500 is a 500 series 1073-style microphone preamplifier identical to the original B173. Not a single component or design feature was compromised during the conversion to a smaller package. As a result, the circuit boards are packed with all kinds of delightful components, including a robust Cinemag input transformer! The power supply is the backbone of any preamplifier design and can have a huge impact on the overall sound and performance of the preamplifier. The +24V rail needed to power the BLACK LION AUDIO B173 500 is carefully converted from the +\/- 16V rails of a 500 series rack using a custom DC-DC converter circuit specifically designed to avoid any unwanted noise or modulation from the signal path. Complete isolation is then achieved through the use of inductors, ferrite beads, decoupling capacitors, power regulation, and a custom enclosure surrounding the entire circuit. The BLACK LION AUDIO B173 500's discrete \"Class A\" circuitry combined with high-end components offers a new approach to a classic sound that will not disappoint!\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e500 series format (requires 500 series rack)\u003c\/li\u003e\n\n\u003cli\u003eCinemag Input Transformer\u003c\/li\u003e\n\n\u003cli\u003eEdcor Output Transformer\u003c\/li\u003e\n\n\u003cli\u003e80dB Gain\u003c\/li\u003e\n\n\u003cli\u003eHi-Z Input (passive, unbalanced)\u003c\/li\u003e\n\n\u003cli\u003ePhantom Power\u003c\/li\u003e\n\n\u003cli\u003ePhase Switch\u003c\/li\u003e\n\n\u003cli\u003eOutput Attenuator\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eMic Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMaximum microphone input level: +1 dBu\u003c\/li\u003e\n\n\u003cli\u003eInput Impedance: 200Ω\u003c\/li\u003e\n\n\u003cli\u003eGain: +12 dB to +80 dB\u003c\/li\u003e\n\n\u003cli\u003eEquivalent Input Noise (noise floor): -103 dB\u003c\/li\u003e\n\n\u003cli\u003eTHD + N (@ +4dBu output):\u003c\/li\u003e\n\n\u003cli\u003e.072% at +8 dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.074% @ +29 dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.082% @ +44 dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.152% at +60 dBu Gain\u003c\/li\u003e\n\n\u003cli\u003e.709% @ +76 dBu Gain\u003c\/li\u003e\n\n\u003cli\u003eBandwidth (1kHz, 150Ω source, unweighted): 10Hz to 30kHz\u003c\/li\u003e\n\n\u003cli\u003eHi-Z Section\u003c\/li\u003e\n\n\u003cli\u003eTHD + N (@ +4dBu output):\u003c\/li\u003e\n\n\u003cli\u003e.0045% @ +10 dBu\u003c\/li\u003e\n\n\u003cli\u003e.0076% @ +15 dBu\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eOutput Section\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMaximum output level: +29 dBu\u003c\/li\u003e\n\n\u003cli\u003eOutput Impedance: 600Ω\u003c\/li\u003e\n\n\u003cli\u003ePower Supply\u003c\/li\u003e\n\n\u003cli\u003e+24 V supplied by very low noise,\u003c\/li\u003e\n\n\u003cli\u003ecustom power supply (500 series rack\u003c\/li\u003e\n\n\u003cli\u003erequired)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eMeasurements: 38.1 mm x 165.1 mm x 135.35 mm\u003c\/li\u003e\n\n\u003cli\u003eWeight: 0.54 Kg\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"BLACK LION","offers":[{"title":"Default Title","offer_id":53993909190989,"sku":"B173500","price":369.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94629-large_default.jpg?v=1779947570"},{"product_id":"solid-state-logic-vhd-preamplificatore-serie-500","title":"SOLID STATE LOGIC VHD 500 Series Preamp","description":"\u003ch2\u003e500 series preamplifier\u003c\/h2\u003e\n\u003cp\u003eThe SOLID STATE LOGIC VHD is a preamplifier that finally brings the versatile preamplifier technology found in the Duality console, the top-of-the-range SSL line found in the world's major studios, within reach of studios of all sizes. The SOLID STATE LOGIC VHD is a very versatile device for recording and processing phases: this module guarantees the ultra-clean sound of SSL SuperAnalogue™ preamplifiers, but also features VHD - Variable Harmonic Drive mode, the patented SSL system which, through a 100% analog signal path, is capable of generating rich harmonic distortions.\u003cbr\u003eBy increasing the input gain, the VHD circuit progressively introduces 2nd or 3rd order harmonic distortion, or a combination of the two.\u003cbr\u003eAt lower gain levels, VHD adds a slight harmonic distortion that warms the source in an extremely 'soft' way, imitating the behavior of a classic tube or transistor circuit.\u003cbr\u003eAs the gain increases to extreme values, the distortion becomes greater, leading to more pronounced effects for typical transistor grunge sounds.\u003cbr\u003eThe SOLID STATE LOGIC VHD offers the user the maximum versatility of a studio-quality preamplifier: whether you are looking for the typical ultra-clean sound of traditional SSL consoles, or a subtle tube or transistor distortion, up to gradually reaching total distortion effects, the SOLID STATE LOGIC VHD will change normal expectations of what a preamplifier can do. The VHD section of the SOLID STATE LOGIC VHD module has three rotary controls: Drive selects the type of harmonic distortion, varying between 2nd and 3rd harmonic and blending between the two - Gain controls the input gain with a range between +20 and +75dB - Trim adjusts the output level (-2\/+020dB) for a perfect level match with other devices, because by its nature the VHD circuit can significantly amplify the signal. The SOLID STATE LOGID VHD module has other features for studio use: a signal presence LED, an adjustable High-Pass Filter (HPF) between 15Hz and 500Hz, a Hi-Z selector for perfect impedance matching with any microphone, +48V phantom power, PAD for use also with line signals and a phase inversion switch.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eSuperAnalogue™ series preamplifier used in the Duality\u003c\/li\u003e\n\n\u003cli\u003eVHD control that simulates variable 2nd and 3rd order harmonic distortion\u003c\/li\u003e\n\n\u003cli\u003eVariable LF Filter from 15Hz to 500Hz\u003c\/li\u003e\n\n\u003cli\u003eHi-Z switch for high impedance sources\u003c\/li\u003e\n\n\u003cli\u003e+48V Phantom Power with status LED\u003c\/li\u003e\n\n\u003cli\u003ePAD for use with line sources\u003c\/li\u003e\n\n\u003cli\u003ePhase inversion switch\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":53993911353677,"sku":"SSLVH5","price":579.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94938-large_default.jpg?v=1779947611"},{"product_id":"solid-state-logic-xr621-preamplificatore-superanalogue","title":"SOLID STATE LOGIC XR621 SuperAnalogue™ Preamplifier","description":"\u003ch2\u003eSuperAnalogue™ Preamplifier\u003c\/h2\u003e\n\u003cp\u003eThe SOLID STATE LOGIC XR621 is a SuperAnalogue™ preamplifier (Mic\/Instrument\/Line) designed for maximum transparency and versatility.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eUltra-wideband electronically balanced microphone input with gain control from -5dB to +75dB and Pad switch\u003c\/li\u003e\n\n\u003cli\u003eContinuously variable input impedance control (from 1.2kOhm to 10kOhm) allows handling of signals from instruments or a wide range of microphones\u003c\/li\u003e\n\n\u003cli\u003ePhase invert and phantom power\u003c\/li\u003e\n\n\u003cli\u003eDedicated additional XLR line input\u003c\/li\u003e\n\n\u003cli\u003eFront panel instrument input with ground lift switch\u003c\/li\u003e\n\n\u003cli\u003e12dB\/octave HF filter with independent activation\u003c\/li\u003e\n\n\u003cli\u003e18dB\/octave LF filter with independent activation\u003c\/li\u003e\n\n\u003cli\u003eIndependent routing to L \u0026amp; R recording bus\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\u003ch4\u003eDimensions\u003c\/h4\u003e\n\u003cul\u003e\n\n\u003cli\u003eDepth 200 mm\u003c\/li\u003e\n\n\u003cli\u003eHeight 171 mm\u003c\/li\u003e\n\n\u003cli\u003eWidth 35mm\u003c\/li\u003e\n\n\u003cli\u003eWeight 260 g\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":53993911484749,"sku":"SSL621","price":899.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/94946-large_default.jpg?v=1779947613"},{"product_id":"heritage-audio-2264-jr-compressorepre-serie-500","title":"HERITAGE AUDIO 2264 JR 500 Series Compressor\/Preamp","description":"\u003ch2\u003eCompressor\/Pre 500 Series\u003c\/h2\u003e\n\u003cp\u003eThe HERITAGE AUDIO 2264 JR is a 2-slot 500 series Compressor\/Pre based on the classic diode-bridge principle.\u003cbr\u003eThe compression characteristics, key components, and design are the same as found in the Heritage Audio classic 2264E compressor. A 60dB HA1073 microphone preamplifier has been implemented for when compression is not needed.\u003cbr\u003ePhantom power is also available.\u003cbr\u003eIts audio path is fully discrete Class A, 2n3055 driven, transformer balanced.\u003cbr\u003eAll controls are mounted on rotary switches for easy recall and high precision.\u003cbr\u003eA high-pass filter has been added to the sidechain to prevent bass signals from driving the compression.\u003cbr\u003eIt features discrete inputs for Compression\/Line amp (left slot input) and mic (right slot input).\u003cbr\u003eOutput in both cases is on the left slot output.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eMicrophone input impedance: 1200 Ohm. Input is transformer balanced and floating.\u003c\/li\u003e\n\n\u003cli\u003eLine input impedance: 10KOhm bridging, transformer balanced and floating.\u003c\/li\u003e\n\n\u003cli\u003eOutput impedance: less than 75 ohm, transformer balanced and floating, into a 600 ohm load.\u003c\/li\u003e\n\n\u003cli\u003eMaximum output: greater than + 26 dBu, 600 ohm terminated.\u003c\/li\u003e\n\n\u003cli\u003eTHD: less than 0.025% at 1 kHz, less than 0.05% at 100 Hz.\u003c\/li\u003e\n\n\u003cli\u003eFrequency response: 20 Hz (+ 0.3 dB) to 20 Khz (-0.2 dB).\u003c\/li\u003e\n\n\u003cli\u003eMaximum microphone gain: 60 dB.\u003c\/li\u003e\n\n\u003cli\u003eMaximum line gain: 20 dB.\u003c\/li\u003e\n\n\u003cli\u003eMaximum power consumption: less than 110 mA @ + - 16VDC.\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"HERITAGE AUDIO","offers":[{"title":"Default Title","offer_id":53993913712973,"sku":"HA2264JR","price":1269.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/95298-large_default.jpg?v=1779947749"},{"product_id":"heritage-audio-bt-500-modulo-streaming","title":"HERITAGE AUDIO BT-500 Streaming Module","description":"\u003ch2\u003eStreaming module\u003c\/h2\u003e\n\u003cp\u003eThe HERITAGE AUDIO BT-500 is a streaming module designed to finally solve the connectivity problems of mobile devices in a professional studio environment.\u003cbr\u003eThe HERITAGE AUDIO BT-500 streams audio from your mobile device via Bluetooth and provides a fully balanced stereo output, +22dBu.\u003cbr\u003eUsing the latest generation Bluetooth audio technology, the best codecs supported by devices, and a state-of-the-art Burr Brown-based analog signal path, it solves the classic, irritating problem of connecting an iOS or Android device to your studio setup.\u003cbr\u003eUntil now, this problem has been solved using mini-jack to XLR adapter cables, but the limitations of mobile device analog audio paths have become clearly apparent.\u003cbr\u003eThe HERITAGE AUDIO BT-500 automatically recognizes the best codec option for your device and uses it for streaming.\u003cbr\u003eApple's iTunes Store and YouTube use AAC natively, so streaming from an iPhone or iPad will result in a lossless transmission, much better than a wired analog connection!!\u003cbr\u003eMost Android devices have already adopted the APTX codec, which is almost lossless and the standard adopted by high-quality wireless headphones and soundbars.\u003cbr\u003eIn case your device does not support either AAC or APTX, the HERITAGE AUDIO BT-500 will transmit audio using the classic SBC codec.\u003cbr\u003eThe HERITAGE AUDIO BT-500 replaces your mobile device's analog circuit with a fully differential Burr Brown balanced output stage that delivers a full 0 dBi = +22 dBu output capable of driving a 600 ohm load. This allows for direct level comparisons when mastering or mixing with Apple's iTunes Store or reference mixes stored for mobile devices.\u003c\/p\u003e\n\u003ch3\u003eSpecs\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eMicrophone input impedance: HI, minimum 1200 Ohm, LO, minimum 300 Ohm. Higher gain positions gradually have higher impedances, optimal for low-gain ribbon microphones. The input is transformer-balanced and floating.\u003c\/li\u003e\n\n\u003cli\u003eLine input impedance: 10KOhm bridging, transformer-balanced and floating.\u003c\/li\u003e\n\n\u003cli\u003eOutput impedance: less than 75 ohms, transformer-balanced and floating, to drive a 600 ohm load.\u003c\/li\u003e\n\n\u003cli\u003eMaximum output: greater than +26 dBu into 600 ohms,\u003c\/li\u003e\n\n\u003cli\u003eTHD: less than 0.025% at 1 kHz, less than 0.05% at 100 Hz.\u003c\/li\u003e\n\n\u003cli\u003eFrequency response: 20 Hz (+0.3 dB) to 20 Khz (-0.2 dB).\u003c\/li\u003e\n\n\u003cli\u003eMaximum gain: slightly over 70 dB.\u003c\/li\u003e\n\n\u003cli\u003eNoise: less than -100dBu.\u003c\/li\u003e\n\n\u003cli\u003ePower consumption: less than 80 mA per rail @ +- 16VDC\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"HERITAGE AUDIO","offers":[{"title":"Default Title","offer_id":53993913844045,"sku":"HABT500","price":220.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/95311-large_default.jpg?v=1779947751"},{"product_id":"heritage-audio-1084-preamplificatore-microfonico","title":"HERITAGE AUDIO 1084 Microphone Preamplifier","description":"\u003ch2\u003eMicrophone Preamplifier\u003c\/h2\u003e\n\u003cp\u003eThe HERITAGE AUDIO 1084 is a microphone preamplifier designed to fill the input module slots in the restoration process of vintage 80-series audio mixing consoles.\u003cbr\u003eIt is also compatible with Power Audio Frame 8 and Rack 2 enclosures.\u003cbr\u003eParticular attention has been paid to sourcing the correct components that ensure the performance is as close as possible to a 1070s unit, as is possible nowadays.\u003cbr\u003eCustom polystyrene and film capacitors have been developed to perfectly match the Siemens Styroflex and Mullard Mustard types from the late 60s and early 70s.\u003cbr\u003eCustom input transformers have also been designed in collaboration with Carnhill Transformers' Oxford factory to meet our special requirements.\u003cbr\u003eThe HERITAGE AUDIO 1084 is entirely handcrafted in our facilities in Spain, using the same wiring and soldering techniques from the 70s. Its entire circuit is contained in five plug-in cards.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003eMicrophone input impedance: HI, minimum 1200 Ohm, LO, minimum 300 Ohm. Higher gain settings have progressively greater impedances, optimal for low-gain ribbon microphones. Input is transformer balanced and floating\u003c\/li\u003e\n\n\u003cli\u003eLine input impedance: 10KOhm bridging, transformer balanced and floating\u003c\/li\u003e\n\n\u003cli\u003eOutput impedance: less than 75 ohms, transformer balanced and floating, to drive a 600 ohm load\u003c\/li\u003e\n\n\u003cli\u003eMaximum output level: greater than +26 dBu into 600 ohms\u003c\/li\u003e\n\n\u003cli\u003eTHD: less than 0.025% at 1 kHz, less than 0.05% at 100 Hz\u003c\/li\u003e\n\n\u003cli\u003eFrequency response: 20 Hz (+0.3 dB) to 20 kHz (-0.2 dB)\u003c\/li\u003e\n\n\u003cli\u003eMaximum gain: slightly greater than 80 dB\u003c\/li\u003e\n\n\u003cli\u003eNoise: less than -100dBu\u003c\/li\u003e\n\n\u003cli\u003ePower consumption: less than 110 mA at 24 V DC\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"HERITAGE AUDIO","offers":[{"title":"Default Title","offer_id":53993914204493,"sku":"HA1084","price":3230.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/95443-large_default.jpg?v=1779947759"},{"product_id":"heritage-audio-ram-system-500-monitor-controller","title":"HERITAGE AUDIO RAM SYSTEM 500 Monitor controller","description":"\u003ch2\u003eMonitor controller\u003c\/h2\u003e\u003cp\u003eThe HERITAGE AUDIO RAM SYSTEM 500 is a completely unique monitor controller, unprecedented in the industry, providing a mastering-level monitoring solution for the 500 series.\u003cbr\u003eAs a double-width 500 series plug-in unit, it serves as a compact, zero-compromise monitoring station for home, professional, or mobile studios. It features a stereo speaker output and a powerful headphone amplifier, two balanced stereo inputs, and a Bluetooth input for convenient wireless connection to mobile devices. The HERITAGE AUDIO RAM SYSTEM 500 uses state-of-the-art analog circuitry for maximum transparency and minimum background noise and distortion. The entire signal path, including the 64-step relay attenuation system, is designed with gold-plated switching relays, storing the stereo accuracy and sound quality found only in systems costing 10 times as much.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eMaster-level stereo monitoring for studios\u003c\/li\u003e\n\u003cli\u003eDouble-width 500 series module: requires a compatible 500 series chassis\u003c\/li\u003e\n\u003cli\u003e3 stereo inputs, including rear chassis connections\u003c\/li\u003e\n\u003cli\u003eNeutrik Combo stereo input on the front panel\u003c\/li\u003e\n\u003cli\u003eBluetooth wireless input (compatible with AAC, APTX, and SBC files)\u003c\/li\u003e\n\u003cli\u003e1 stereo speaker output\u003c\/li\u003e\n\u003cli\u003e1 high-current headphone output\u003c\/li\u003e\n\u003cli\u003e20dB DIM, MUTE, and MONO functions\u003c\/li\u003e\n\u003cli\u003e64-point relay-based attenuation for master level control in 1 dB steps\u003c\/li\u003e\n\u003cli\u003eThe ultra-high-level, high-current audiophile headphone amplifier amplifies all hi-lo-Z headphones without coloration or noise\u003c\/li\u003e\n\u003cli\u003eState-of-the-art analog circuit for superior transparency and extremely low noise and distortion\u003c\/li\u003e\n\u003cli\u003eAll gold-plated relay-based switching for every function, including inputs and outputs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"HERITAGE AUDIO","offers":[{"title":"Default Title","offer_id":53993916924237,"sku":"HARAM500","price":499.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/103615-large_default.jpg?v=1779947824"},{"product_id":"solid-state-logic-six-ch-module-channel-strip-serie-500","title":"SOLID STATE LOGIC SIX CH MODULE 500 series channel strip","description":"\u003ch2\u003e500 series channel strip\u003c\/h2\u003e\u003cp\u003eThe SOLID STATE LOGIC SIX CH MODULE is a 500 series channel strip that uses the Superanalogue channel processing features of SSL's Six console, including the preamp, EQ, and single-control compressor.\u003cbr\u003eUsing the same technology as the SiX and large-format SSL consoles, the SOLID STATE LOGIC SIX CH MODULE features a SuperAnalogueTM mic pre, offering a wide gain range and ultra-low noise. It's clean, fast, and punchy: the perfect preamp for any source material.\u003cbr\u003eThe EQ section of the SOLID STATE LOGIC SIX CH MODULE is a classic SSL-style gentle, broad-stroke two-band design with high and low shelving filters at 3.5 kHz and 60 Hz, +\/- 15 dB gain range. Each band can be independently switched between shelving and bell curves. The bell curves change center frequency to operate at 5 kHz and 200 Hz, giving greater versatility from the two controls.\u003cbr\u003eThe \"one knob\" compressor offers powerful and versatile performance with seemingly simple controls and uses SSL's proven feed-forward circuit design, with program-dependent attack time and automatic make-up gain to maintain signal level.\u003cbr\u003eThe front-panel TRS line input offers a convenient way to add instruments on the fly or use the SOLID STATE LOGIC SIX CH MODULE as a feature-rich summing module. The nominal 10 kΩ line input impedance can be changed to 1 MΩ via the Hi-Z switch. The 1MΩ impedance makes this input suitable for high-impedance sources such as passive guitar pickups without the need for an external DI box.\u003c\/p\u003e\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eModule Signal: Mono\u003c\/li\u003e\n\u003cli\u003ePreamp Gain: Variable from +6 to +72 dB (Mic), -3 to +63dB (Line)\u003c\/li\u003e\n\u003cli\u003eMic Pre EIN: Typically 129dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: \u0026lt;0.0015%\u003c\/li\u003e\n\u003cli\u003eCMRR: \u0026gt;80dB (mic), \u0026gt;70dB (line)\u003c\/li\u003e\n\u003cli\u003eSSL SuperAnalogueTM mic preamp\u003c\/li\u003e\n\u003cli\u003e+48V phantom power\u003c\/li\u003e\n\u003cli\u003ePhase invert switch\u003c\/li\u003e\n\u003cli\u003e5-segment LED meter in dBu\u003c\/li\u003e\n\u003cli\u003eSwitchable 12 dB\/oct, 75 Hz high-pass filter (HPF)\u003c\/li\u003e\n\u003cli\u003eClassic SSL HF and LF EQ\u003c\/li\u003e\n\u003cli\u003eSwitchable between shelving and bell curve\u003c\/li\u003e\n\u003cli\u003eSingle-knob channel compressor with variable threshold\u003c\/li\u003e\n\u003cli\u003eFront-panel TRS line input with 1 MΩ Hi-Z switch\u003c\/li\u003e\n\u003cli\u003eDedicated Trim output\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":53994131325261,"sku":"729736X1","price":333.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/139540-large_default.jpg?v=1779951608"},{"product_id":"solid-state-logic-ultraviolet-stereo-equaliser-equalizzatore-stereo-formato-500","title":"SOLID STATE LOGIC ULTRAVIOLET STEREO EQUALISER 500 series stereo equalizer","description":"\u003ch2\u003e500 Series Stereo Equaliser\u003c\/h2\u003e\n\u003cp\u003eThe SOLID STATE LOGIC ULTRAVIOLET STEREO EQUALISER is a 500 series stereo equalizer that recreates Fusion's acclaimed minimum phase shift Violet stereo EQ section, while adding two fully parametric SSL mid-band equalizers with \"Focus\" modes. These are classic SSL parametric mid-bands capable of traditional SSL processing techniques, but they also go far beyond, offering absolute surgical precision down to \"notch\" style filtering.\u003cbr\u003eFocus mode allows users to \"focus\" on problem frequencies or specific frequencies they wish to accentuate or attenuate. Pressing the \"Focus\" switch further narrows the chosen Q setting and increases the available gain range beyond the normal +\/- 9 dB operation, up to a massive +\/- 18 dB.\u003cbr\u003eThe HPF of the SOLID STATE LOGIC ULTRAVIOLET STEREO EQUALISER offers a world of flexibility when processing the low-end. Interaction with the LF shelving band offers unique ways to sculpt signals including the sought-after boost + cut effect. The dedicated Trim control allows \"hitting\" the converters with plenty of headroom or in the perfect amount when clipping is desired.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\n\u003cli\u003e4-band stereo equalizer\u003c\/li\u003e\n\n\u003cli\u003eBands with high and low shelving\u003c\/li\u003e\n\n\u003cli\u003eMinimum phase design inherited from Fusion\u003c\/li\u003e\n\n\u003cli\u003eDual fully parametric mid bands\u003c\/li\u003e\n\n\u003cli\u003e\"Focus\" mode\u003c\/li\u003e\n\n\u003cli\u003eFixed frequency high-pass filter\u003c\/li\u003e\n\n\u003cli\u003eDedicated Trim output\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":53994131358029,"sku":"729734X1","price":475.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/139543-large_default.jpg?v=1779951609"},{"product_id":"heritage-audio-haost8-adat","title":"HERITAGE AUDIO HAOST8 ADAT","description":"\u003cp\u003eFor those who have always wanted to get the most out of their audio interface, it is now finally possible to make the most of it with the OST-8 ADAT. After listening to our customers' requests, we decided to respond to their needs. Many people rely on the ADAT format, and almost every professional sound card includes an ADAT connection. Therefore, incorporating an ADAT output is simply a logical progression for our designs. With the OST-8 ADAT, we have introduced an 8-slot 500 series rack with its own integrated premium converter to make capturing, processing, and digitizing signals at the highest possible quality a simple reality to achieve. Once again, Heritage Audio has relied on its proven On Slot Technology to ensure the cleanest and most protected environment for your valuable 500 series modules. Not only does it offer unparalleled filtering and isolation for each slot, but you can also be sure to get the best possible performance as each module is individually regulated, essentially providing its own dedicated power supply and ensuring it receives all the power it needs. There are two indicator lights for each slot confirming the use of the correct voltage (±16 V). The OST-8 ADAT incorporates a premium high-quality 24 Bit\/192 kHz ADC converter that can operate as a MASTER or SLAVE unit with a BNC connector for synchronization via Word Clock. Straight out of the box, you already have a top-of-the-range 8-channel converter ready to use, with the possibility of gradually adding special 500 series modules to complete your unique recording or mixing rig. One of the most interesting features is the ability to individually select, per channel, the input routed to the ADC. This means you can choose between the signal directly from the INPUT, the signal after passing through the 500 module, or an EXTERNAL IN ADC signal. This latter option is very interesting as it offers further possibilities for signal processing before the conversion phase. The OST-8 ADAT is built with the same solidity as all Heritage Audio products and includes gold-plated XLR connectors, with duplicated inputs and outputs on DB25 connectors for added convenience. The LINK button on the back has become indispensable as it allows you to internally connect the output of one module to the input of the adjacent module without the need for patch cables. • XLR inputs and outputs: gold-plated balanced +4 dB connectors • DB25: 25-pin balanced +4 dB connectors for 8 channels • On Slot Technology • Maximum audio rail current: 1.8 A per rail, or 400 mA per slot (whichever is reached first) • Maximum phantom power current: 140 mA • Operating voltage: universal 100-240 V AC\u003c\/p\u003e","brand":"HERITAGE AUDIO","offers":[{"title":"Default Title","offer_id":53994438525261,"sku":"OST8ADAT","price":1095.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/217998-large_default.jpg?v=1779956376"},{"product_id":"heritage-audio-haost10-v2","title":"HERITAGE AUDIO HAOST10 V2","description":"\u003cp\u003eThe OST-10 V2.0 500-series rack is designed to house any 500-series module and device, including double-width modules and even the most demanding Class-A and vacuum tube designs. The OST-10 V2.0 features Heritage Audio's On Slot Technology, which provides maximum protection, filtering, and isolation to each channel. While most 500-series racks on the market have a relatively simple power design that essentially feeds every channel in parallel, each channel of the OST-10 V2.0 has its own power supply, individually regulated and isolated from the rest. This ensures that every 500-series module installed performs at its best, and that no power-hungry or faulty module compromises the performance of another. Besides reducing interference, many 500-series devices actually show lower self-noise and better performance when installed in the OST-10 V2.0, especially microphone preamplifiers. An exciting new feature in the V2.0 model is the Link function, which allows you to link each channel to the next with the push of a button on the back panel, without the need for patch cables. Like all Heritage Audio products, the OST-10 V2.0 500-series rack is built using the most cutting-edge methods in manufacturing and design, never compromising on audio quality - all at Heritage Audio's headquarters in Madrid, Spain. The 500-format is here to stay - get ready! With the popularity of 500-series modules showing no signs of slowing down, it makes more sense than ever, for both professional and home studios, to have plenty of slots available to house a growing collection of new and used 500-series modules. While a 500-series rack might not seem like the most exciting thing in the studio, it is indispensable. It makes sense to choose one that is durable, rightly priced, compatible with any module, and most importantly, one that brings out the best and cleanest performance from your gear. With the OST-10 V2.0 you have the perfect solution to house up to ten 500-series modules in a rack that enhances their sonic potential, in a portable and robust unit that doesn't break the bank. Your 500-series modules have never been so pampered! • On Slot Technology • Max audio rail current: 1.8 A per rail, or 400 mA per slot (whichever comes first) • Max phantom power current: 140 mA • Operating voltage: 100-240 V AC\u003c\/p\u003e","brand":"HERITAGE AUDIO","offers":[{"title":"Default Title","offer_id":53994438558029,"sku":"OST10","price":775.65,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/218003-large_default.jpg?v=1779956377"},{"product_id":"locomotive-audio-86b-1","title":"Locomotive Audio 86B-1","description":"\u003ch1 data-end=\"92\" data-start=\"0\" data-section-id=\"zcsuri\"\u003eAmerican-Style Mono Tube Preamplifier – Versatility Redefined with the 86B-1\u003c\/h1\u003e\n\u003cp data-end=\"616\" data-start=\"94\"\u003eLooking for a tube preamplifier capable of delivering warmth, clarity, and vintage character in any situation? The 86B-1 Mono Tube Preamp is designed for maximum versatility, allowing you to capture any sound source: from brilliant vocals and natural acoustic instruments to punchy drums and rich, full-bodied saturation. Developed for sound engineers and producers, the 86B-1 offers a wide tonal range within an American-style mono tube circuit inspired by the 1950s.\u003c\/p\u003e\n\u003ch3 data-end=\"666\" data-start=\"618\" data-section-id=\"5gvtv5\"\u003eRoots in Classic Tube Circuitry\u003c\/h3\u003e\n\u003cp data-end=\"1036\" data-start=\"668\"\u003eThe 86B-1 draws inspiration from 1950s American tube circuits, offering a rich and deep harmonic profile capable of bringing even the coldest or characterless modern audio chains back to life. From the most delicate nuances to warm and enveloping sounds, this preamplifier brings color, depth, and personality to recordings.\u003c\/p\u003e\n\u003ch2 data-end=\"1101\" data-start=\"1038\" data-section-id=\"1t5zdmz\"\u003ePrecision Components for Uncompromising Sound\u003c\/h2\u003e\n\u003ch3 data-end=\"1136\" data-start=\"1103\" data-section-id=\"1av2bno\"\u003eHigh-Quality Transformers\u003c\/h3\u003e\n\u003cp data-end=\"1468\" data-start=\"1138\"\u003eThe 86B-1 is equipped with MuMetal shielded input transformers and nickel and steel output transformers, ensuring an extremely clean audio path, effective shielding, and robust, reliable construction. These components form the foundation of top-tier sound reproduction.\u003c\/p\u003e\n\u003ch3 data-end=\"1502\" data-start=\"1470\" data-section-id=\"4to2mr\"\u003ePremium Tube Selection\u003c\/h3\u003e\n\u003cp data-end=\"1754\" data-start=\"1504\"\u003eThe preamplifier uses a 6BR7 tube in the input stage and a 12AY7 in the output stage, offering up to 75 dB of gain and an authentically tube sound, characterized by warmth, musicality, and great definition.\u003c\/p\u003e\n\u003ch2 data-end=\"1805\" data-start=\"1756\" data-section-id=\"yrau4n\"\u003eIntuitive LED Output Level Indicator\u003c\/h2\u003e\n\u003cp data-end=\"1899\" data-start=\"1807\"\u003eA three-color LED indicator allows you to monitor the signal level in real-time:\u003c\/p\u003e\n\u003cul data-end=\"2004\" data-start=\"1901\"\u003e\n\n\u003cli data-end=\"1931\" data-start=\"1901\" data-section-id=\"15dtiht\"\u003eGreen – Optimal level\u003c\/li\u003e\n\n\u003cli data-end=\"1969\" data-start=\"1932\" data-section-id=\"bldv3k\"\u003eYellow – Approaching peak\u003c\/li\u003e\n\n\u003cli data-end=\"2004\" data-start=\"1970\" data-section-id=\"113b7sn\"\u003eRed – Saturation\/Clipping\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-end=\"2065\" data-start=\"2006\" data-section-id=\"wrgovt\"\u003eAdvanced Features for Maximum Sonic Flexibility\u003c\/h2\u003e\n\u003cp data-end=\"2383\" data-start=\"2067\"\u003eDesigned to meet the needs of modern studios, the 86B-1 combines operational simplicity and great flexibility thanks to an intuitive two-knob control system. This approach allows for precise control over the desired tube coloration and tonal character for any recording.\u003c\/p\u003e\n\u003ch3 data-end=\"2415\" data-start=\"2385\" data-section-id=\"1sv4o0i\"\u003eKey Features\u003c\/h3\u003e\n\u003cul data-end=\"2768\" data-start=\"2417\"\u003e\n\n\u003cli data-end=\"2492\" data-start=\"2417\" data-section-id=\"1kszrdn\"\u003e20 dB pad for optimal handling of high-level sources\u003c\/li\u003e\n\n\u003cli data-end=\"2570\" data-start=\"2493\" data-section-id=\"5andct\"\u003e85 Hz high-pass filter to eliminate unwanted low frequencies\u003c\/li\u003e\n\n\u003cli data-end=\"2665\" data-start=\"2571\" data-section-id=\"7tew08\"\u003eSelectable microphone input impedance to match different microphone types\u003c\/li\u003e\n\n\u003cli data-end=\"2768\" data-start=\"2666\" data-section-id=\"m2b0b7\"\u003eHigh-impedance DI input on the front panel, ideal for directly connected instruments\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-end=\"2954\" data-start=\"2770\"\u003eThanks to these functions, the 86B-1 is destined to become a fundamental element in any studio rack, offering an enormous variety of sonic possibilities in a compact format.\u003c\/p\u003e\n\u003ch2 data-end=\"3021\" data-start=\"2956\" data-section-id=\"1a54spw\"\u003eThe 86B-1's Legacy: Vintage Inspiration, Modern Performance\u003c\/h2\u003e\n\u003cp data-end=\"3350\" data-start=\"3023\"\u003eOriginally introduced in 2014 as a modern evolution of the Ampex 601, the Locomotive 286A (predecessor of the current 86B-1 and 86B-2) reinterpreted the renowned original design while maintaining its distinctive elements, such as the pentode and dual triode stages, responsible for its characteristic vintage sound.\u003c\/p\u003e\n\u003cp data-end=\"3609\" data-start=\"3352\"\u003eUnlike the historic model, which could encounter difficulties with high-output microphones, the 86B-1 has been optimized with greater input headroom and all the essential functions for contemporary professional use:\u003c\/p\u003e\n\u003cul data-end=\"3734\" data-start=\"3611\"\u003e\n\n\u003cli data-end=\"3634\" data-start=\"3611\" data-section-id=\"zvqd2h\"\u003ePhantom power\u003c\/li\u003e\n\n\u003cli data-end=\"3656\" data-start=\"3635\" data-section-id=\"iowgp\"\u003eAttenuation pad\u003c\/li\u003e\n\n\u003cli data-end=\"3681\" data-start=\"3657\" data-section-id=\"1dbv0tc\"\u003ePolarity inversion\u003c\/li\u003e\n\n\u003cli data-end=\"3711\" data-start=\"3682\" data-section-id=\"1qhl7j2\"\u003eHigh-pass filter (low cut)\u003c\/li\u003e\n\n\u003cli data-end=\"3734\" data-start=\"3712\" data-section-id=\"12tj214\"\u003eDedicated DI input\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-end=\"3915\" data-start=\"3736\"\u003eThe result is an extremely versatile tool, designed to meet the demands of modern audio productions without sacrificing the charm of classic equipment.\u003c\/p\u003e\n\u003ch2 data-end=\"3953\" data-start=\"3917\" data-section-id=\"8wtcx5\"\u003eEmpower Your Creative Process\u003c\/h2\u003e\n\u003cp data-end=\"4253\" data-start=\"3955\"\u003eIn the world of professional audio, the right equipment can make the difference between a good recording and a memorable one. The 86B-1 offers that special character that allows sound engineers to focus on creativity and the pursuit of the best possible result.\u003c\/p\u003e\n\u003cp data-end=\"4473\" data-start=\"4255\"\u003eThanks to its wide tonal palette, this preamplifier is capable of inspiring new ideas and contributing to the creation of professional-sounding productions, rich in personality and profoundly musical.\u003c\/p\u003e","brand":"Locomotive Audio","offers":[{"title":"Default Title","offer_id":54092430147917,"sku":"LOCO86B-1","price":1019.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/Layer_1__76568.jpg?v=1781256546"},{"product_id":"locomotive-audio-l72p-1","title":"Locomotive Audio L72P-1","description":"\u003ch1 data-section-id=\"1vufprp\" data-start=\"0\" data-end=\"76\"\u003eLocomotive Audio L72P-1 – 500 Series Tube Microphone Preamp\u003c\/h1\u003e\n\u003cp data-start=\"78\" data-end=\"579\"\u003eThe Locomotive Audio L72P-1 brings the unmistakable sound of legendary V72-style German broadcast preamplifiers to the modern 500 series format. Inspired by the classic console amplifier modules originally made for the German radio network, the L72P-1 delivers solid, deep lows, rich, creamy mids, and smooth, never aggressive highs, characteristics that have made these vintage circuits highly prized in professional recording studios.\u003c\/p\u003e\n\u003cp data-start=\"581\" data-end=\"1126\"\u003eDesigned for sound engineers seeking authentic vintage character with the flexibility of modern systems, the L72P-1 combines internally wound transformers, a carefully recreated plate choke, flexible gain control, a dedicated line input, and reliable modern tube options. The result is a characterful tube preamplifier, capable of capturing the essence of the original V72 sound while offering practical functionality for contemporary recording and mixing workflows.\u003c\/p\u003e\n\u003ch2 data-section-id=\"15qjo48\" data-start=\"1128\" data-end=\"1153\"\u003eThe Heart of the V72 Sound\u003c\/h2\u003e\n\u003cp data-start=\"1155\" data-end=\"1232\"\u003eAt the core of the Locomotive Audio L72P-1 are three fundamental components:\u003c\/p\u003e\n\u003cul data-start=\"1234\" data-end=\"1347\"\u003e\n\n\u003cli data-section-id=\"lqdhyp\" data-start=\"1234\" data-end=\"1267\"\u003eCustom input transformer\u003c\/li\u003e\n\n\u003cli data-section-id=\"urjats\" data-start=\"1268\" data-end=\"1299\"\u003eCustom output transformer\u003c\/li\u003e\n\n\u003cli data-section-id=\"4pcj5p\" data-start=\"1300\" data-end=\"1347\"\u003eThree-chamber plate choke\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"1349\" data-end=\"1765\"\u003eThese elements were developed in-house by Locomotive Audio to closely mimic the behavior and response of the vintage modules that inspired the design. They contribute significantly to the unit’s sonic character, providing punchy lows, rich low-mids, smooth highs, and the musical saturation typical of classic German tube preamplifiers.\u003c\/p\u003e\n\u003ch2 data-section-id=\"6e4vst\" data-start=\"1767\" data-end=\"1811\"\u003eIncreased Gain and Level Control\u003c\/h2\u003e\n\u003cp data-start=\"1813\" data-end=\"2012\"\u003eThe L72P-1 offers up to 54 dB of gain adjustable in 4 dB steps, providing significantly more flexibility compared to the original vintage modules, which offered up to 34 dB of gain.\u003c\/p\u003e\n\u003cp data-start=\"2014\" data-end=\"2289\"\u003eA 5-position rotary output attenuator allows for fine-tuning of the final level in 2 dB increments, enabling the preamp to be driven for color and saturation while maintaining precise level control throughout the signal chain.\u003c\/p\u003e\n\u003ch2 data-section-id=\"p2jjnm\" data-start=\"2291\" data-end=\"2340\"\u003eLine Inputs and Pad for Greater Flexibility\u003c\/h2\u003e\n\u003cp data-start=\"2342\" data-end=\"2470\"\u003eTo adapt to various studio situations, the L72P-1 includes dedicated XLR line inputs, as well as two attenuation levels:\u003c\/p\u003e\n\u003cul data-start=\"2472\" data-end=\"2501\"\u003e\n\n\u003cli data-section-id=\"rdidj0\" data-start=\"2472\" data-end=\"2486\"\u003e20 dB Pad\u003c\/li\u003e\n\n\u003cli data-section-id=\"rcxj09\" data-start=\"2487\" data-end=\"2501\"\u003e34 dB Pad\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"2503\" data-end=\"2773\"\u003eThis configuration makes the unit suitable for both use as a microphone preamplifier and as a color amplifier for line signals, useful for mix processing, stereo bus coloration, or for adding V72-style weight and depth to already recorded tracks.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1vq0d8c\" data-start=\"2775\" data-end=\"2806\"\u003eModern Tube Technology\u003c\/h2\u003e\n\u003cp data-start=\"2808\" data-end=\"2890\"\u003eInstead of using the now rare EF86 or EF804 pentode tubes, the L72P-1 employs:\u003c\/p\u003e\n\u003cul data-start=\"2892\" data-end=\"2957\"\u003e\n\n\u003cli data-section-id=\"1cua8xg\" data-start=\"2892\" data-end=\"2916\"\u003e2x 6922 \/ E88CC tubes\u003c\/li\u003e\n\n\u003cli data-section-id=\"1rvwm6g\" data-start=\"2917\" data-end=\"2957\"\u003eDual-triode cascode configuration\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"2959\" data-end=\"3144\"\u003eThis solution was chosen to replicate the behavior of the original pentode circuit, while offering a quieter, more reliable, and readily available solution.\u003c\/p\u003e\n\u003cp data-start=\"3146\" data-end=\"3256\"\u003eThe design is optimized for 6922\/E88CC, but also supports other common dual triode tubes like the 12AU7.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1nzfg66\" data-start=\"3258\" data-end=\"3304\"\u003eTwo Different Transformer Configurations\u003c\/h2\u003e\n\u003cp data-start=\"3306\" data-end=\"3505\"\u003eThe L72P-1 comes standard with the input transformer in the \"S\" configuration, which offers a slightly more linear high-frequency response compared to the non-\"S\" broadcast version.\u003c\/p\u003e\n\u003cp data-start=\"3507\" data-end=\"3704\"\u003eFor those who prefer an alternative response, a version with a non-\"S\" transformer is available. Additionally, a jumper on the board allows selection of the input transformer load between:\u003c\/p\u003e\n\u003cul data-start=\"3706\" data-end=\"3723\"\u003e\n\n\u003cli data-section-id=\"gtm0im\" data-start=\"3706\" data-end=\"3714\"\u003e400 kΩ\u003c\/li\u003e\n\n\u003cli data-section-id=\"fj0f2w\" data-start=\"3715\" data-end=\"3723\"\u003e200 kΩ\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"3725\" data-end=\"3792\"\u003ea modification commonly associated with \"S\" configured modules.\u003c\/p\u003e\n\u003ch2 data-section-id=\"mslteg\" data-start=\"3794\" data-end=\"3809\"\u003eApplications\u003c\/h2\u003e\n\u003cp data-start=\"3811\" data-end=\"3831\"\u003eThe L72P-1 is suitable for:\u003c\/p\u003e\n\u003cul data-start=\"3833\" data-end=\"3952\"\u003e\n\n\u003cli data-section-id=\"1j4h2nv\" data-start=\"3833\" data-end=\"3839\"\u003eVocals\u003c\/li\u003e\n\n\u003cli data-section-id=\"1rlxse8\" data-start=\"3840\" data-end=\"3860\"\u003eAcoustic instruments\u003c\/li\u003e\n\n\u003cli data-section-id=\"1895bv4\" data-start=\"3861\" data-end=\"3871\"\u003eDrums\u003c\/li\u003e\n\n\u003cli data-section-id=\"hin3hb\" data-start=\"3872\" data-end=\"3889\"\u003eElectric bass\u003c\/li\u003e\n\n\u003cli data-section-id=\"52wauy\" data-start=\"3890\" data-end=\"3900\"\u003eGuitars\u003c\/li\u003e\n\n\u003cli data-section-id=\"z8vgq9\" data-start=\"3901\" data-end=\"3917\"\u003eSynthesizers\u003c\/li\u003e\n\n\u003cli data-section-id=\"iwww6j\" data-start=\"3918\" data-end=\"3952\"\u003eStereo or line-level sources from mix\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-section-id=\"1vry1ox\" data-start=\"3954\" data-end=\"3983\"\u003eKey Features\u003c\/h2\u003e\n\u003cul data-start=\"3985\" data-end=\"4640\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\n\n\u003cli data-section-id=\"19xe0mf\" data-start=\"3985\" data-end=\"4056\"\u003eV72-style tube microphone preamplifier in 500 series format\u003c\/li\u003e\n\n\u003cli data-section-id=\"prenim\" data-start=\"4057\" data-end=\"4105\"\u003eInspired by classic German broadcast modules\u003c\/li\u003e\n\n\u003cli data-section-id=\"44ex5h\" data-start=\"4106\" data-end=\"4149\"\u003eUp to 54 dB of gain in 4 dB steps\u003c\/li\u003e\n\n\u003cli data-section-id=\"hh7hkb\" data-start=\"4150\" data-end=\"4200\"\u003eInternally wound transformers and plate choke\u003c\/li\u003e\n\n\u003cli data-section-id=\"1ki1gdw\" data-start=\"4201\" data-end=\"4249\"\u003e2x 6922\/E88CC tubes in cascode configuration\u003c\/li\u003e\n\n\u003cli data-section-id=\"12nj2wb\" data-start=\"4250\" data-end=\"4292\"\u003eAlso compatible with tubes like 12AU7\u003c\/li\u003e\n\n\u003cli data-section-id=\"1ieiyvg\" data-start=\"4293\" data-end=\"4322\"\u003eDedicated XLR line inputs\u003c\/li\u003e\n\n\u003cli data-section-id=\"jgwhe9\" data-start=\"4323\" data-end=\"4368\"\u003e20 dB and 34 dB pads for line-level signals\u003c\/li\u003e\n\n\u003cli data-section-id=\"gkcp1s\" data-start=\"4369\" data-end=\"4421\"\u003e5-position output attenuator in 2 dB steps\u003c\/li\u003e\n\n\u003cli data-section-id=\"6nw4yd\" data-start=\"4422\" data-end=\"4461\"\u003eStandard \"S\" input transformer\u003c\/li\u003e\n\n\u003cli data-section-id=\"1kh157z\" data-start=\"4462\" data-end=\"4490\"\u003eOptional non-\"S\" version\u003c\/li\u003e\n\n\u003cli data-section-id=\"nxd0ah\" data-start=\"4491\" data-end=\"4549\"\u003eSelectable transformer load (400 kΩ \/ 200 kΩ)\u003c\/li\u003e\n\n\u003cli data-section-id=\"l54v9m\" data-start=\"4550\" data-end=\"4622\"\u003eSound with solid lows, rich mids, smooth highs, and low distortion\u003cbr\u003e\n\n\u003c\/li\u003e\n\n\n\u003c\/ul\u003e","brand":"Locomotive Audio","offers":[{"title":"Default Title","offer_id":54092594020685,"sku":"LOCOL72P-1","price":1159.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/T72P-1-Front__03985.jpg?v=1781258036"},{"product_id":"locomotive-audio-power-mu-500","title":"Locomotive Audio Power-MU 500","description":"\u003ch1 data-section-id=\"hyuu9s\" data-start=\"0\" data-end=\"98\"\u003eLocomotive Audio Power-MU 500 – High-End Vari-Mu Tube Stereo Compressor for 500 Series\u003c\/h1\u003e\n\u003cp data-start=\"100\" data-end=\"663\"\u003eThe Locomotive Audio Power-MU 500 is a premium vari-mu stereo compressor designed for the 500 series format. Geared towards discerning audio professionals, it delivers the rich warmth and musicality characteristic of tube compression, combined with modern features like stepped controls for precise recall of settings. Whether it's for delicate \"glue\" on the stereo bus or aggressive compression for dense harmonic coloration, the Power-MU 500 provides world-class analog sound with full operational control.\u003c\/p\u003e\n\u003ch2 data-section-id=\"zwwi6u\" data-start=\"665\" data-end=\"709\"\u003eSmooth and Musical Tube Compression\u003c\/h2\u003e\n\u003cp data-start=\"711\" data-end=\"1117\"\u003eAt the heart of the Power-MU 500 are two NOS 6N3P tubes per channel, ensuring true vari-mu operation and the rich, warm, harmonically complex sound that only tubes can deliver. Custom interstage transformers guarantee a smooth and musical compression response, avoiding harsh artifacts and preserving the natural character of the signal even with high gain reduction.\u003c\/p\u003e\n\u003ch2 data-section-id=\"12qerer\" data-start=\"1119\" data-end=\"1177\"\u003eAdvanced Control and Total Recall of Settings\u003c\/h2\u003e\n\u003cp data-start=\"1179\" data-end=\"1468\"\u003eThanks to AC and DC threshold controls, the Power-MU offers detailed management of attack, ratio, and compression knee. It can transition from transparent and gentle dynamic management to more aggressive and punchy limiting, adapting to any mixing context.\u003c\/p\u003e\n\u003cp data-start=\"1470\" data-end=\"1666\"\u003eThe 21-position stepped knobs for input, output, and threshold allow for precise and repeatable recall of settings, making it ideal for professional workflows and mix revisions.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1b7gndz\" data-start=\"1668\" data-end=\"1716\"\u003eEssential Features for the Modern Studio\u003c\/h2\u003e\n\u003cp data-start=\"1718\" data-end=\"1742\"\u003eThe Power-MU 500 includes:\u003c\/p\u003e\n\u003cul data-start=\"1744\" data-end=\"2012\"\u003e\n\n\u003cli data-section-id=\"wjeqgm\" data-start=\"1744\" data-end=\"1783\"\u003eSidechain low-cut filter (Off–350 Hz)\u003c\/li\u003e\n\n\u003cli data-section-id=\"1n0xaas\" data-start=\"1784\" data=\"end=\"\u003eStereo link switch\u003c\/li\u003e\n\n\u003cli data-section-id=\"16u1zwp\" data-start=\"1814\" data-end=\"1848\"\u003eHardwire bypass\u003c\/li\u003e\n\n\u003cli data-section-id=\"1pblr3f\" data-start=\"1849\" data-end=\"1919\"\u003eDual-mode VU meter for gain reduction and output monitoring\u003c\/li\u003e\n\n\u003cli data-section-id=\"1cqf127\" data-start=\"1920\" data=\"end=\"\u003eCustom backlit Sifam VU meter\u003c\/li\u003e\n\n\u003cli data-section-id=\"yijsev\" data-start=\"1973\" data-end=\"2012\"\u003eHeavy-duty steel chassis\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"2014\" data-end=\"2147\"\u003eThe combination of these elements reflects a very high level of construction, designed to withstand intensive professional use.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1iqbt79\" data-start=\"2149\" data-end=\"2202\"\u003eWhy Choose the Locomotive Audio Power-MU 500?\u003c\/h2\u003e\n\u003cul data-start=\"2204\" data-end=\"2657\"\u003e\n\n\u003cli data-section-id=\"19n4pd5\" data-start=\"2204\" data-end=\"2262\"\u003eTrue stereo vari-mu compression in 500 series format\u003c\/li\u003e\n\n\u003cli data-section-id=\"16tuear\" data-start=\"2263\" data-end=\"2333\"\u003eNOS tubes and custom transformers for a classic tube sound\u003c\/li\u003e\n\n\u003cli data-section-id=\"lnm3h6\" data-start=\"2334\" data-end=\"2392\"\u003eStepped controls for precise and instant recall\u003c\/li\u003e\n\n\u003cli data-section-id=\"4xsf74\" data-start=\"2393\" data-end=\"2444\"\u003eStereo link for stable image coherence\u003c\/li\u003e\n\n\u003cli data-section-id=\"wv1wfg\" data-start=\"2445\" data-end=\"2515\"\u003eSidechain low-cut filter to avoid pumping on low frequencies\u003c\/li\u003e\n\n\u003cli data-section-id=\"4jtwff\" data-start=\"2516\" data-end=\"2602\"\u003eHardwire bypass and power switch to preserve tubes and components\u003c\/li\u003e\n\n\u003cli data-section-id=\"1fhy8n9\" data-start=\"2603\" data-end=\"2657\"\u003eExtremely robust, lifetime-guaranteed construction\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-section-id=\"nuamdv\" data-start=\"2659\" data-end=\"2681\"\u003eTechnical Specifications\u003c\/h2\u003e\n\u003cul data-start=\"2683\" data-end=\"3030\"\u003e\n\n\u003cli data-section-id=\"1y4p0xh\" data-start=\"2683\" data-end=\"2708\"\u003eTubes: 2 × NOS 6N3P\u003c\/li\u003e\n\n\u003cli data-section-id=\"epxh9c\" data-start=\"2709\" data-end=\"2741\"\u003eInput impedance: 22 kΩ\u003c\/li\u003e\n\n\u003cli data-section-id=\"1djxs4n\" data-start=\"2742\" data-end=\"2774\"\u003eOutput impedance: \u0026lt; 100 Ω\u003c\/li\u003e\n\n\u003cli data-section-id=\"1hrmvwj\" data-start=\"2775\" data-end=\"2810\"\u003eAttack time: 10 ms – 75 ms\u003c\/li\u003e\n\n\u003cli data-section-id=\"mzexcu\" data-start=\"2811\" data-end=\"2848\"\u003eRelease time: 150 ms – 1.5 s\u003c\/li\u003e\n\n\u003cli data-section-id=\"11i70ah\" data-start=\"2849\" data-end=\"2890\"\u003eFrequency response: 20 Hz – 20 kHz\u003c\/li\u003e\n\n\u003cli data-section-id=\"3wxarr\" data-start=\"2891\" data-end=\"2906\"\u003eTHD+N: \u0026lt; 1%\u003c\/li\u003e\n\n\u003cli data-section-id=\"p5jfhu\" data-start=\"2907\" data-end=\"2943\"\u003eSignal-to-noise ratio: \u0026gt; 70 dB\u003c\/li\u003e\n\n\u003cli data-section-id=\"e4dwtk\" data-start=\"2944\" data-end=\"2998\"\u003ePower consumption: +16 V \/ 260 mA, –16 V \/ 300 mA\u003c\/li\u003e\n\n\u003cli data-section-id=\"2pw1jz\" data-start=\"2999\" data-end=\"3030\"\u003eWeight: 5 lbs (approx. 2.27 kg)\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"3032\" data-end=\"3411\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe Locomotive Audio Power-MU 500 is designed for mix and mastering engineers who want to add professional-grade color, depth, and control to their audio chain. From \"glue\" on the drum bus to full track mastering, this compressor is a benchmark solution for stereo tube compression in the 500 series format.\u003c\/p\u003e","brand":"Locomotive Audio","offers":[{"title":"Default Title","offer_id":54094250148173,"sku":"LOCOPOWERMU","price":1699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/POWER-MU-500__07190.webp?v=1781267784"},{"product_id":"locomotive-audio-40am-1","title":"Locomotive Audio 40AM-1","description":"\u003ch1 data-section-id=\"f2b77b\" data-start=\"0\" data-end=\"100\"\u003e1940s American-Style Mono Preamp with Octal Tubes – Designed for a Big, Full Sound\u003c\/h1\u003e\n\u003cp data-start=\"102\" data-535=\"\"\u003eThe 40AM preamp is your gateway to achieving that sought-after vintage sound of the 1940s. Inspired by iconic models like the RCA BA-11A and Gates SA-70, this preamplifier combines design elements from both into a single solution. Capable of powerful drive yet extremely versatile, the 40AM allows you to achieve recordings that embody the warmth and character of a bygone era.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1d3c3kg\" data-start=\"537\" data-end=\"557\"\u003eThe 40AM Experience\u003c\/h2\u003e\n\u003cp data-start=\"559\" data-end=\"946\"\u003eWhile it can be driven into distortion by saturating the input or utilizing maximum output headroom, the true strength of the 40AM lies in the subtle nuances achievable by adjusting its various sections. Between the choice of input transformer windings and the 5-position \"Response\" selector, you can precisely shape the sonic character of any source.\u003c\/p\u003e\n\u003cp data-start=\"948\" data-end=\"973\"\u003eAdditional features include:\u003c\/p\u003e\n\u003cul data-start=\"975\" data-end=\"1052\"\u003e\n\n\u003cli data-section-id=\"1dqo7b0\" data-start=\"975\" data-end=\"991\"\u003e20 dB Pad\u003c\/li\u003e\n\n\u003cli data-section-id=\"1qvvc7e\" data-start=\"992\" data-end=\"1018\"\u003e85 Hz Low-Cut Filter\u003c\/li\u003e\n\n\u003cli data-section-id=\"nom739\" data-start=\"1019\" data-end=\"1052\"\u003eHigh-Impedance DI Input\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"1054\" data-end=\"1145\"\u003emaking the 40AM an extremely comprehensive unit, capable of sculpting sound in a targeted way.\u003c\/p\u003e\n\u003ch2 data-section-id=\"1euq9ra\" data-start=\"1147\" data-end=\"1163\"\u003eTransformers\u003c\/h2\u003e\n\u003cp data-start=\"1165\" data-end=\"1350\"\u003eMuMetal shielded input transformers and internally wound nickel and steel output transformers. These components are fundamental to the unit's sonic character.\u003c\/p\u003e\n\u003ch2 data-section-id=\"urpe5q\" data-start=\"1352\" data-end=\"1362\"\u003eTubes\u003c\/h2\u003e\n\u003cp data-start=\"1364\" data-end=\"1502\"\u003eTwo 6SJ7 octal tubes (one configured as a pentode and one as a triode) amplify the signal, offering up to 52 dB of maximum gain.\u003c\/p\u003e\n\u003ch2 data-section-id=\"iwfqqh\" data-start=\"1504\" data-end=\"1524\"\u003eResponse Knob\u003c\/h2\u003e\n\u003cp data-start=\"1526\" data-end=\"1629\"\u003eA 5-position rotary selector allows you to shape the overall tonal balance of the signal.\u003c\/p\u003e\n\u003cul data-start=\"1631\" data-end=\"1871\"\u003e\n\n\u003cli data-section-id=\"zpffq8\" data-start=\"1631\" data-end=\"1706\"\u003ePosition 5: emphasizes high and low frequencies, rich and more saturated sound\u003c\/li\u003e\n\n\u003cli data-section-id=\"8kqdv0\" data-start=\"1707\" data-end=\"1800\"\u003ePosition 1: attenuates extremes and highlights mids, with greater harmonic character\u003c\/li\u003e\n\n\u003cli data-section-id=\"8jgzx\" data-start=\"1801\" data-end=\"1871\"\u003ePosition 4: recommended starting point for a more neutral sound\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch2 data-section-id=\"12ndgyg\" data-start=\"1873\" data-end=\"1900\"\u003eOutput LED Indicator\u003c\/h2\u003e\n\u003cp data-start=\"1902\" data-end=\"1955\"\u003e3-color LED indicator for signal level:\u003c\/p\u003e\n\u003cp data-start=\"1957\" data-end=\"1979\"\u003eGreen → Yellow → Red\u003c\/p\u003e\n\u003ch2 data-section-id=\"12uembm\" data-start=\"1981\" data-end=\"2002\"\u003eSound Controls\u003c\/h2\u003e\n\u003ch3 data-section-id=\"12rhpil\" data-start=\"2346\" data-end=\"2363\"\u003eResponse Knob\u003c\/h3\u003e\n\u003cp data-start=\"2365\" data-end=\"2440\"\u003eControls the frequency response and harmonic behavior of the signal:\u003c\/p\u003e\n\u003cul data-start=\"2442\" data-end=\"2665\"\u003e\n\n\u003cli data-section-id=\"1sx7ryi\" data-start=\"2442\" data-end=\"2525\"\u003eHigher settings: brighter and fuller sound, less perceived distortion\u003c\/li\u003e\n\n\u003cli data-section-id=\"1jfbokz\" data-start=\"2526\" data-end=\"2616\"\u003eLower settings: attenuated highs, softer lows, and greater emphasis on mids\u003c\/li\u003e\n\n\u003cli data-section-id=\"pqmeeh\" data-start=\"2617\" data-end=\"2665\"\u003eRecommended neutral setting: position 4\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003ch3 data-section-id=\"mx8xjs\" data-start=\"2667\" data-end=\"2681\"\u003eLevel Knob\u003c\/h3\u003e\n\u003cp data-start=\"2683\" data-end=\"2900\"\u003eAllows precise adjustments of the output level. It interacts slightly with the Response control: reducing the level may result in a slight darkening of the sound, which can be compensated for using the Response selector.\u003c\/p\u003e\n\u003ch2 data-section-id=\"l0viof\" data-start=\"2902\" data-end=\"2929\"\u003eProject Inspiration\u003c\/h2\u003e\n\u003cp data-start=\"2931\" data-end=\"3101\"\u003eCombining vintage circuits requires time and attention to achieve the right balance. When well executed, it allows for the integration of strengths from multiple historical designs.\u003c\/p\u003e\n\u003cp data-start=\"3103\" data-end=\"3140\"\u003eThe 40AM is born from the combination of:\u003c\/p\u003e\n\u003cul data-start=\"3142\" data-end=\"3256\"\u003e\n\n\u003cli data-section-id=\"rk1p5x\" data-start=\"3142\" data-end=\"3187\"\u003ePentode input stage of the RCA BA-11A\u003c\/li\u003e\n\n\u003cli data-section-id=\"x4qzkk\" data-start=\"3188\" data-end=\"3256\"\u003eTriode output stage and feedback structure of the Gates SA-70\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\u003cp data-start=\"3258\" data-end=\"3375\"\u003eThe result is a rich, compressed sound that integrates perfectly with the 86B and WT-72 models from the same line.\u003c\/p\u003e\n\u003ch2 data-section-id=\"rjwue0\" data-start=\"3377\" data-end=\"3405\"\u003eUnlock Your Creativity\u003c\/h2\u003e\n\u003cp data-start=\"3407\" data-end=\"3664\"\u003eFinding the right piece of hardware that can give sound that \"something extra\" is often one of the hardest parts of studio work. Having a combination of stimulating tools available is one of the best ways to foster creativity.\u003c\/p\u003e\n\u003cp data-start=\"3666\" data-end=\"3820\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe 40AM is designed precisely for this: to help unleash creative potential and allow you to focus on producing high-level audio.\u003c\/p\u003e","brand":"Locomotive Audio","offers":[{"title":"Default Title","offer_id":54094368964941,"sku":"LOCO40AM-1","price":1189.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0972\/0643\/6173\/files\/Layer_1__68071.jpg?v=1781268017"}],"url":"https:\/\/musicdelivery.net\/en\/collections\/system-500.oembed?page=2","provider":"Music Delivery","version":"1.0","type":"link"}