Rme Pro Line Fireface 802 FS AE

The Fireface 802 FS AE is a highly integrated professional audio solution, ideal for both studio and live use, housed in a 19" rack unit. Designed for those seeking an uncompromising interface in terms of sound quality, stability, and ultra-low latency operation, and who want an unparalleled set of professional features. Once again, RME has set a new standard with an interface that includes the best of the best and even more. 60 audio channels, high-quality microphone preamplifiers, reference-class converters, a comprehensive effects section, and operation up to 192 kHz are just the foundation of many other features.Improve your recording setup with maximum flexibilityThe Fireface 802 FS AE offers ultra-low latency operation thanks to RME's USB 2 technology, combined with the legendary stability of RME drivers. SteadyClock FS technology for jitter reduction, the latest Room EQ function in TotalMix FX, individually selectable reference levels for all inputs and outputs, full stand-alone functionality, and identical operation on Windows PC and Mac complete the package. Technically, the Fireface 802 FS AE is based on the proven Fireface 802 FS model, offering the same powerful features, including precise AD/DA conversion, flexible I/O options, and the same high audio quality appreciated by professionals for over two decades.20 Years of Fireface 800The Fireface 802 FS AE follows RME's tradition of providing flexible and expandable audio systems. On the front panel are four high-performance XLR/TRS combo inputs for microphones, instruments, and line signals, as well as two stereo headphone jacks with an output level of +17 dBu, capable of delivering high volumes even with high-impedance headphones. On the rear panel, you find the full connectivity of the Fireface 802 FS AE: in addition to MIDI and Word Clock I/O, there are two optical ADAT I/O, one AES/EBU I/O, and eight balanced line-level analog inputs and outputs. With the new Multi-Mode, the two ADAT I/O can be used as separate optical SPDIF inputs and outputs, in addition to the AES I/O. There is also a USB-A port for directly connecting the optional ARC USB.Powerful applications for mixing, monitoring, and measurementThe Fireface 802 FS AE includes the TotalMix FX DSP mixer, which offers comprehensive routing and monitoring options, as well as the DigiCheck Analyzer for accurately measuring and analyzing digital data in both directions. TotalMix FX can completely replace an external mixer, allowing the creation of multiple zero-latency monitor mixes with EQ, dynamics, reverb, and delay on any output, including the main outputs and musician headphone mixes. The new Room EQ feature optimizes the management of the already existing 3-band parametric equalizer in TotalMix FX, adding a 9-band equalizer, volume calibration, and the Crossfeed function, ideal for immersive and surround audio configurations. Furthermore, TotalMix Remote allows you to remotely control TotalMix FX on an iPad and Windows/Mac computer, reflecting the current state of the host system, including mix, routing, and FX settings, in real time. You can remotely adjust all mixer and effects settings via Ethernet or WiFi.USB 2 Class Compliant AudioThe Fireface 802 FS AE operates in two different modes: USB 2 with drivers and Class Compliant mode. Class Compliant mode is a standard natively supported by operating systems such as Windows, Mac OS X, and Linux. No proprietary drivers are required; the device is recognized directly once the CC firmware is loaded. This mode can be activated via a button on the back of the interface.The Fireface 802 FS AE offers full USB 2.0 support in Class Compliant mode, making all channels available in driverless mode on Linux, Mac, and iPadOS. An iPad Pro with a USB-C port can handle up to 60 channels for recording and playback in TotalMix FX for iPad and at the system level.DC-Coupled Outputs - CV/Gate Voltage ControlMost audio interfaces are traditionally designed with AC-coupled outputs, which use capacitors to filter out very low frequencies. Although these frequencies are generally considered unwanted in audio, there is one case where DC coupling is preferable: in the world of modular synthesizers, where static or low-frequency signals are used to control various parameters such as pitch or LFO. All line outputs of the Fireface 802 FS AE are fully DC-coupled, allowing the transmission of control voltages (CV) or Gate signals to modular synthesizers (Eurorack, Moog/MOTM, and other formats) and other studio equipment.ARC USB Remote Control - Plug’n PlayThe optional ARC USB accessory connects to the computer via USB and integrates directly with TotalMix FX. It features 15 freely assignable backlit keys, an encoder, and a TS jack for connecting a pedal. The ARC USB is a MIDI remote control for the Fireface 802 FS AE and, being a UAC 1 device, is natively compatible with Windows and Mac OS X. As soon as it is connected, TotalMix FX automatically detects the ARC USB and communicates with it via simple MIDI commands to control the Fireface 802 FS.Technical Specifications Fireface 802 FS AEAnalogAD, Line In 1-8, rearInput: 6.3 mm TRS, electronically balancedSignal-to-noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBARate of signal-to-noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBAFrequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHzFrequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHzFrequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHzTHD @ -1 dBFS: < -120 dB, < 0.0001%THD+N @ -1 dBFS: < -110 dB, < 0.00032%Channel separation: > 110 dBLimited input level: +19 dBuMicrophone inputs 9-12, frontInput: XLR, electronically balancedInput impedance: 3.4 kOhmSignal-to-noise ratio (SNR): 113 dB RMS unweighted, 116 dBARGain range: 54 dBLimited input level, Gain +6 dB: +10 dBuLimited input level, Gain +60 dB: -44 dBuInstrument inputs 9-12, frontInput: 6.3 mm TS, unbalancedInput impedance: 1 MOhmSignal-to-noise ratio (SNR): 113 dB RMS unweighted, 116 dBALimited input level, Gain +6 dB: +21 dBuFrequency response @ 44.1 kHz, -0.5 dB: 2.5 Hz – 20.8 kHzDA, Stereo Monitor Output (Headphones 9-12)Output: 2 x 6.3 mm stereo TRS, unbalancedMaximum output level at 0 dBFS: +17 dBuMaximum power per channel @ 32 Ohm, 0.02% THD: 200 mWSignal-to-noise ratio (SNR): 116 dB (AES17), 118 dBAOutput impedance: 2 OhmMIDIMIDI I/O: 1 x MIDI I/O via 5-pin DIN jackGalvanic isolation: Opto-isolated inputHigh-Speed Mode: Response time and jitter typically less than 1 msDigitalAES/EBU Input/Output1 x XLR, transformer-balanced, galvanically isolated, compliant with AES3-1992Compatible with SPDIF (IEC 60958)Word Clock Input/OutputBNC connector, surge protectionAutomatic rate detectionOutput impedance: 10 OhmSupported digital formatsOptical ADATStandard: 2 x 8 channels at 24 bit, up to 48 kHzDouble Speed Mode (S/MUX): 2 x 4 channels at 96 kHzQuad Speed Mode (S/MUX4): 2 x 2 channels at 192 kHzAdditional ConnectionsADAT2 x TOSLINK according to the Alesis specificationJitter suppression: > 50 dB (> 1 Hz)Other FeaturesSteadyClock FS: Jitter reduction for high-quality AD/DA conversion, even when using an external clockAll specifications are subject to change without notice.